Break Up Texts Quotes & Sayings

I don't really like to write anywhere but my own apartment. I send a lot of text messages to myself as email when I'm not at home. My texts are usually like, "If I ever break up with my boyfriend I want to date a very angry rapper." — Chelsea Martin

And I'm the first one to tell people to break the rules. But you can only break the rules once you know what the rules are. The other thing is, fashion is the last design discipline to actually have academic texts and historical analysis. — Tim Gunn

Texts between Dr. Stayner & Livie(with a little help from Kacey)
Dr. Stayner: Tell me you did one out-of-character thing last night
Livie: I drank enough Jell-O shots to fill a small pool, and then proceeded to break out every terrible dance move known to mankind. I am now the proud owner of a tattoo and if I didn't have a video to prove otherwise, I'd believe I had it done in a back alley with hepatitis-laced needles. Satisfied?
Dr. Stayner: That's a good start. Did you talk to a guy?
Kacey(answering for Livie): Not only did I talk to a guy but I've now seen two penises, including the one attached to the naked man in my room this morning when I woke up. I have pictures. Would you like to see one?
Dr. Stayner: Glad you're making friends. Talk to you on Saturday — K.A. Tucker

Silence is banished from our screens; it has no place in communication. Media images (and media texts resemble media images in every way) never fall silent: images and messages must follow one upon the other without interruption. But silence is exactly that - a blip in the circuitry, that minor catastrophe, that slip which, on television for instance, becomes
highly meaningful - a break laden now with anxiety, now with jubilation, which confirms the fact that all this communication is basically nothing but a rigid script, an uninterrupted fiction designed to free us not only from the void of the television screen but equally from the void of our own mental screen, whose images we wait on with the same fascination. — Jean Baudrillard

Text of pleasure: the text that contents, fills, grants euphoria; the text that comes from culture and does not break with it, is linked to a comfortable practice of reading.
Text of bliss: the text that imposes a state of loss, the text that discomforts (perhaps to the point of a certain
boredom), unsettles the reader's historical, cultural, psychological assumptions, the consistency of his tastes, values, memories, brings to a crisis his relation with language.
Now the subject who keeps the two texts in his field and in his hands the reins of pleasure and bliss is an anachronic subject, for he simultaneously and contradictorily participates in the profound hedonism of all culture (which permeates him quietly under the cover of an "art de vivre" shared by the old books) and in the destruction of that culture: he enjoys the consistency of his selfhood (that is his pleasure) and seeks its loss (that is his bliss). He is a subject split twice over, doubly perverse. — Roland Barthes

Just handling this ocean of different books - new and used, in and out of print, famous and forgotten - it was literature as this giant mosaic of texts and experiments and attitudes. I think it's just very liberating to break out of a great man's theory of history.
I guess I've always liked working from that sense of - what would you call it? - license that the margins permit. I always just visualize myself writing books that were meant one day to be dusty, forgotten volumes being encountered by intrepid browsers in a used bookstore. It was a much less freighted way to think about trying to enter the conversation than to imagine I had to write The Great Gatsby. — Jonathan Lethem

I just thank God my husband and I found each other before the advent of social media. I can't imagine dating someone and seeing what they're doing on their Facebook page. And people breaking up with each other over texts now? We had to break up with each other face to face back then. — Jen Lancaster

The Renaissance did not break completely with mediaeval history and values. Sir Philip Sidney is often considered the model of the perfect Renaissance gentleman. He embodied the mediaeval virtues of the knight (the noble warrior), the lover (the man of passion), and the scholar (the man of learning). His death in 1586, after the Battle of Zutphen, sacrificing the last of his water supply to a wounded soldier, made him a hero. His great sonnet sequence Astrophel and Stella is one of the key texts of the time, distilling the author's virtues and beliefs into the first of the Renaissance love masterpieces. His other great work, Arcadia, is a prose romance interspersed with many poems and songs. — Ronald Carter