Books About Authors Quotes & Sayings
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Top Books About Authors Quotes
Read the books you love, tell people about authors you like, and don't worry about it. — Neil Gaiman
Well, let me try again,' he said. 'If it be true, and no doubt it is, that the proper study of mankind is man, it is also true that man is best studied in the books that he has written about himself; and all books, whatever their subject matter, are in essence autobiographical... Wherefore, it is clear - or is it? - that writers of books are what I have called them, the most fascinating people in the world. — Peter Ruber
Authors have to write for their characters, for who they are, that's the strength of books. Don't worry about censors. Just write the story you need to tell and the rewards will come. — Ellen Hopkins
The minister said, "Music in stone," and truly this phrase, bandied about by authors of art books, described Prague well. The city was, indeed, steeped in music and brought into harmony by it. — Jiri Weil
I read reviews and consider myself pretty 'plugged in' to the literary cosmos, yet one of the things I love best about book-touring is the opportunity to compare notes with favorite booksellers around the country. I always come home with books by authors I'd never heard of - or books I've read about but didn't realize I might love. — Julia Glass
I deal with the authors I work with, agents, and other departments of the company, talking about both the books that I'm working on and everyone else's. Then there's dealing with foreign publishers: foreigners visit all the time. People want to bounce things off the publisher, and a lot of it is encouragement. — Jonathan Galassi
As the news agenda goes into warp speed, it becomes ever more difficult for authors writing about current events to keep their books timely and relevant. — Heather Brooke
Pretend you're not spending $3 to read one of my books but buying me a coffee and having a conversation about yourself. — Robin Sacredfire
I think a lot of awesome stuff is coming out with smaller presses. Small presses don't have to have huge board meetings to talk about how to market their books or what to publish - they can take more chances. They can help new authors grow in a healthier, often more artistic way. — Kevin Sampsell
So this is your library, huh, Lucien? It's a big place What's so special about it, then?"
"Oh, it's a very unusual library, Matthew. Somewhere in here is every story that has every been dreamed. "
"They're just books."
"Oh yes. But unusual books. You'll find none of them on Earth. In this section, for example, are novels their authors never wrote, or never finished, except in dreams. — Neil Gaiman
Also, I've spent an entire week without reading any books or talking about them too loudly. I'm learning to work my apparat's screen, the colourful pulsating mosaic of it, the fact that it knows every last stinking detail about the world, whereas my books only know the minds of their authors. — Gary Shteyngart
Every writer dreams about the day they can step into their fiction and wander its hallways. — Shannon L. Alder
You shouldn't write about your personal life', says the one feeling threatened by the truth to the writer. — Robin Sacredfire
Readers have the right to say whatever the fuck they want about a book. Period. They have that right. If they hate the book because the MC says the word "delicious" and the reader believes it's the Devil's word and only evil people use it, they can shout from the rooftops "This book is shit and don't read it" if they want. If they want to write a review entirely about how much they hate the cover, they can if they want. If they want to make their review all about how their dog Foot Foot especially loved to pee on that particular book, they can."
[Blog entry, January 9, 2012] — Stacia Kane
Hard core authors are determined about their craft, and they know that building a brand entails hard work. They eat, breathe and live their writing.: — Geraldine Solon
Or you could be a serial killer who specializes in reading books, then seeking out the authors and murdering them in horrible ways. (If you happen to fall into that last category, you should know that my name isn't really Alcatraz Smedry, nor is it Brandon Sanderson. My name is in fact Garth Nix, and you can find me in Australia. Oh, and I insulted your mother once. What're you going to do about it, huh?) — Brandon Sanderson
Every book begins and ends with other people- the readers who suggest the book to us and encourage us to read it, the talented author who crafted each word, the fascinating individuals we meet inside the pages- and the readers we discuss and share the book with when we finish. — Donalyn Miller
But 'I worked hard on this' doesn't exempt you from criticism. Those harsh reviews aren't about anyone being out to get me. It's not an Authors vs. Reviewers thing. It's people taking the time to express their opinions because they care about this stuff.
[Us vs. Them vs. Grow the Hell Up (Blog post, September 1, 2013)] — Jim C. Hines
I don't know why the publishers in New York don't take a tip from Hollywood and just publish the outlines of novels rather than the completed books. Let the audience use their imaginations, as my Maw always says about radio. I would much prefer to read an outline of War and Peace than slog through eight hundred thousand words. Why do I need Tolstoy to describe snow? I can imagine snow, whether Russian snow or just regular snow. But book publishers seem to think that the authors should do all the work, and the readers should be waited on hand-and-foot like a buncha goddamn prima donnas. — Gary Reilly
I've been religiously reading the O. Henry Prize anthologies every year since college, when I first began trying to write stories. Many of the authors whose work I cherish the most were people I first learned about through The O. Henry Prize Stories - and then I'd go search for their books. — Molly Antopol
I thought it was a novel."
"It is."
"What's it about??"
"You'll have to buy it to find out, but it's got everything: love, death and an amusing dog."
"This one's got a recipe for apple crumble," I said.
"Don't you love that about the novel? The capaciousness?" he said. — Marcel Theroux
The National Book Festival is a great way for families and friends to share the creative works of some of America's most-loved authors, .. Readers of all ages can listen to favorite writers speaking about their books, have books autographed, meet many storybook characters and enjoy a day on the National Mall. — Laura Bush
There are as many Africas as there are books about Africa
and as many books about it as you could read in a leisurely lifetime. Whoever writes a new one can afford a certain complacency in the knowledge that his is a new picture agreeing with no one else's, but likely to be haugthily disagreed with by all those who believed in some other Africa ... Being thus all things to all authors, it follows, I suppose, that Africa must be all things to all readers.
Africa is mystic; it is wild; it is a sweltering inferno; it is a photographer's paradise, a hunter's Valhalla, an escapist's Utopia. It is what you will, and it withstands all interpretations. It is the last vestige of a dead world or the cradle of a shiny new one. To a lot of people, as to myself, it is just 'home. — Beryl Markham
About the Author Terry Pratchett is one of the most popular living authors in the world. His first story was published when he was thirteen, and his first full-length book when he was twenty. He worked as a journalist to support the writing habit, but gave up the day job when the success of his books meant that it was costing him money to go to work. — Terry Pratchett
Books have their destinies like men. And their fates, as made by generations of readers, are very different from the destinies foreseen for them by their authors. Gulliver's Travels, with a minimum of expurgation, has become a children's book; a new illustrated edition is produced every Christmas. That's what comes of saying profound things about humanity in terms of a fairy story. — Aldous Huxley
As authors, we all have to learn not to be reactive to public statements about our books. It's really not our business what each reader thinks of them. — Catherine Ryan Hyde
A good novel tells us the truth about its hero; but a bad novel tells us the truth about its author. — G.K. Chesterton
When a book leaves its author's desk it changes. Even before anyone has read it, before eyes other than its creator's have looked upon a single phrase, it is irretrievably altered. It has become a book that can be read, that no longer belongs to its maker. It has acquired, in a sense, free will. It will make its journey through the world and there is no longer anything the author can do about it. Even he, as he looks at its sentences, reads them differently now that they can be read by others. They look like different sentences. The book has gone out into the world and the world has remade it. — Salman Rushdie
It is particularly distressing that so many recent books on love continue to insist that definitions of love are unnecessary and meaningless. Or worse, the authors suggest love should mean something different to men than it does to women - that the sexes should respect and adapt to our inability to communicate since we do not share the same language. This type of literature is popular because it does not demand a change in fixed ways of thinking about gender roles, culture or love. — Bell Hooks
I do not think that there can ever be enough books about anything; and I say that knowing that some of them are going to be about Pilates. — Sarah Vowell
Hundreds of thousands of people live in my library. Some are real, others are fictional. The real ones are the so-called imaginary characters in works of literature, the fictional ones are their authors. We know everything about the former, or at least as much as we are meant to know, everything that is written about a given character in a novel, a story or a poem in which she or he figures ... The rest doesn't matter. Nothing is hidden from us. For us, a novel's characters are real. (p. 80 — Jacques Bonnet
'Ageism,' or whatever you want to call it, is a very English phenomenon. You don't get it too much in many other cultures. And no one says it about authors or poets or filmmakers. 'Oh, they're too old to make films or write books.' — Paul Weller
I believe that half the trouble in the world comes from people asking 'What have I achieved?' rather than 'What have I enjoyed?' I've been writing about a subject I love as long as I can remember
horses and the people associated with them, anyplace, anywhere, anytime. I couldn't be happier knowing that young people are reading my books. But even more important to me is that I've enjoyed so much the writing of them. — Walter Farley
This is a woman who didn't want her viewpoints challenged, nor to see the views of the half of the world that comprises men. Her assumption is that all male authors are sexist and that their books distort the views of women....that's bigoted and despicable: the form of feminism that sees men as the enemy from the outset, and seeks to reinforce that prejudice by reading only books that keep her in her safe space.....The future, in both life and books, is men and women together, with a mutual understanding that can come only from learning about each other's thoughts. [About Caitlin Moran's sexist statement that girls shouldn't read any books written by men.] — Jerry Coyne
Do you know who are the killers?? No?? Yes??... I don't know about you, but I know that the authors of the books are the real killers! — Deyth Banger
Not surprisingly, the chief way self-published authors get the word out about their books is through the Internet. — Ruth Glick
If you could meet any character from literature, who would it be?
I would not want characters to come to my world. They'd lose their special qualities, the perfect amount of what I should know about them. On the other hand, I could go to theirs because they would not have any preconceptions of who I was. I'd like to hang out with the Cheshire cat, learn how to disappear, and speak in smart illogic. He would look exactly like his pen-and-ink illustration by Tenniel. I'd be rendered in pen and ink, too. That would be required for entering a pen-and-ink world with its particular dimensional strangeness. — Amy Tan
What a need we humans have for confession. To a priest, to a friend, to a psychoanalyst, to a relative, to an enemy, even to a torturer when there is no one else, it doesn't matter so long as we speak out what moves within us. Even the most secretive of us do it, if no more than writing in a private diary. And I have often thought as I read stories and novels and poems, especially poems, that they are no more than authors' confessions transformed by their art into something that confesses for us all. Indeed, looking back on my life-long passion for reading, the one activity that has kept me going and given me the most and only lasting pleasure, I think this is the reason that explains why it means so much to me. The books, the authors who matter the most are those who speak to me and speak for me all those things about life I most need to hear as the confession of myself. — Aidan Chambers
Historically, dust jackets are a new concern for authors; you don't see them much before the 1920s. And dust jacket is a strange name for this contrivance, as if books had anything to fear from dust. If you store a book properly, standing up, then the jacket doesn't cover the one part of the book that is actually exposed to dust, which is the top of the pages. So a dust jacket is no such thing at all; it is really a sort of advertising wrapper, like the brown paper sheath on a Hershey's bar. On this wrapper goes the manufacturer's name, the ingredients
some blithering about unforgettable characters or gemlike prose or gripping narrative
and a brief summation of who does what to whom in our gripping, unforgettable, gemlike object. — Paul Collins
Of Books and Scribes there are no end:
This Plague--and who can doubt it?
Dismays me so, I've sadly penned
Another book about it. — Robert W. Service
Whenever people ask me, "How are your books doing?" or, "How is your book doing?" I just say, "It's okay." I mean, what am I supposed to say? I'm a writer; that means I write because I need to write, because that's how I breathe and that's how I bleed. I'm not an author; I'm a writer. Even when I don't want to write; I can't stop! So, how are my books doing? The hell I know! The moment after I publish one book, I'm writing another one! I don't know how my books are doing! I just know that I'm writing them! I'm a writer, I'm a writer. I'm not an author. — C. JoyBell C.
Libraries are about books. Books have no color. And they don't care who reads them. — Augusta Scattergood
I think it's always good to read local authors or relevant books. In Egypt, I studied hieroglyphics and read everything about the mummies. — Jane Birkin
Great writers experience their dreams. They put them on paper, where others can read about them. — Ellen J. Barrier
This was the sort of situation that she read about in the novels she favored, by authors such as Miss Jane Austen, whom Margaret was sure she'd met long ago at the Assembly Rooms the first time we visited Lyme. One of Miss Austen's books had even featured Lyme Regis, but I did not read fiction and could not be persuaded to try it. Life itself was far messier and didn't end so tidily with the heroine making the right match. We Philpot sisters were the very embodiment of that frayed life. I did not need novels to remind me of what I had missed. — Tracy Chevalier
You were right the first time, Cathy. It was a stupid, silly story.
Ridiculous! Only insane people would die for the sake of love. I'll
bet you a hundred to one a woman wrote that junky romantic trash!"
Just a minute ago I'd despised that author for bringing about such a
miserable ending, then there I went, rushing to the defense. "T. M.
Ellis could very well have been a man! Though I doubt any woman writer
in the nineteenth century had much chance of being published, unless
she used her initials, or a man's name. And why is it all men think
everything a woman writes is trivial or trashy-or just plain silly
drivel? Don't men have romantic notions? Don't men dream of finding
the perfect love? And it seems to me, that Raymond was far more
mushy-minded than Lily! — V.C. Andrews
One kind of good book should leave you asking: how did the author know that about me? — Alain De Botton
The worst reviews, by my mind, are those from individuals who enjoy entertaining themselves by writing something bad about books they actually never read, which is as clear as day from what they're saying. It's even more puzzling for an author to check some of these "honest" reviewers' pages and see that they created their profile with one goal in mind; to post you a bad review, as there's nothing else they wanted to rate. — Sahara Sanders
The kumbaya authors say you can make up an affirmation that fits your personality and say this to yourself throughout the day. Even if I came up with my own positive affirmation, why would I listen to myself? What do I know? I'm a freaking loser. If I could talk myself into feeling better about myself, I wouldn't have purchased your stupid books. — Alison G. Bailey
The more I know about God, I am convinced He likes to read books and authors are His librarians. Every soul is a story waiting to be read. — Shannon L. Alder
The reason some crime writers have a chip on their shoulder about the label is because their good books are shelved beside books about nuns and birdwatchers and cats who solve crimes. Overseas, my books are reviewed alongside those of authors like Robert Stone and Don DeLillo, and I have to live and die by that comparison. They don't ghettoize crime writers in other countries, and of course they shouldn't. — George Pelecanos
Those of us who know the transporting wonder of a reading life know that it little matters where we are when we talk about books or meet authors or bemoan the state of publishing because when we read, we are always inside, sheltered in that interior room, that clean, well-lighted, timeless place that is the written word. — Alice McDermott
Authors as diverse as Matthew Arnold and George Orwell have given thought to the serious question: what is to be done about morals and ethics now that religion has so much decayed? Arnold went almost as far as to propose that the study of literature replace the study of religion. I must say that I slightly dread the effect that this might have had on literary pursuit, but as a source of ethical reflection and as a mirror in which to see our human dilemmas reflected, the literary tradition is infinitely superior to the childish parables and morality tales, let alone the sanguinary and sectarian admonitions, of the "holy" books. — Christopher Hitchens
I don't think of myself as a critic at all. I'm a reviewer and essayist. I mainly hope to share with others my pleasure in the books and authors I write about, though sometimes I do need to cavil and point out shortcomings. — Michael Dirda
Children read books, not reviews," he wrote. "They don't give a hoot about the critics." And: "When a book is boring, they yawn openly, without any shame or fear of authority." Best of all - and to the relief of authors everywhere - children "don't expect their beloved writer to redeem humanity. — Steven D. Levitt
When I was thinking about How Poetry Saved My Life entering the "big literary world" I more so viewed it as sub genre or an underdog book because there are still comparatively so few books about sex work, especially from authors who once worked street, like I have. Disclosing to working street-level sex work still feels risky to me. Apart from Runaway by Evelyn Lau (published in 1989) I have yet to read a first person memoir about street work. More of these stories must be out there - perhaps I just haven't found them yet. — Amber Dawn
Amy might not have had the most exciting life over the past few years, up here in her room, but she must have been fighting death to the very end. Sara could understand why she had been in denial or so long. It must have been a frightening realization: so many books she would never get to pick up, so many stories that would happen without her, so many authors she would never get to discover.
That night, Sara sat in Amy's library for hours, thinking about how tragic it was that the written word was immortal while people were not, and grieving for her, the woman she had never met. — Katarina Bivald
The value of experience, real or imagined, is that is shows us how to - or how NOT to - live. In reading about different characters and the consequences of their choices, I was finding myself changed. I was discovering new and distinct ways of undergoing life's sorrows and joys ...
and all the great books I was reading - were about the complexity and entirety of the human experience. About the things we wish to forget and those we want more and more of. About how we react and how we wish we could react. Books ARE experience, the words of authors proving the solace of love, the fulfillment of family, the torment of war, and the wisdom of memory. Joy and tears, pleasure and pain: everything came to me while I read in my purple chair. i had never sat so still, and yet experienced so much. — Nina Sankovitch
Authors whose books were selected as ASEs were rewarded with a loyal readership of millions of men. Word spread quickly about the titles that were perennial favorites, even reaching the home front. F. Scott Fitzgerald's The Great Gatsby, which was written in 1925, was considered a failure during Fitzgerald's lifetime. But when this book was printed as an ASE in October 1945, it won the hearts of an army of men. Their praise reverberated back home, and The Great Gatsby was rescued from obscurity and has since become an American literary classic. — Molly Guptill Manning
All the authors who've ultimately published Louder Than Words memoirs have been very happy to be chosen and excited about the possibility of having their memoir published. Even though these books deal with serious, often painful, issues, in all cases the authors felt as though writing their story would be an empowering and healing experience. — Deborah Reber
DRAMA: Be careful about being baited into the personal battles and confusion of others. If you want to help someone out emotionally, be certain he or she has made a commitment to the sacrifice before you intervene for his or her success. If you don't, you're likely to be drained of all your healthy energy with his or her selfish petty, pitiful pretending and negotiating. Be encouraged but more importantly if you can't make it better, whatever you do don't make it worse, for them and especially yourself — Kerry E. Wagner
I was in the second year of my PhD when I first had the idea - I'd recently started working as a translator, which meant firstly that I was hearing about amazing-sounding books from other translators, and also that I was getting enough of an insider's view of the publishing industry to be aware of all the implicit biases that made it so difficult for these books to ever get published, especially if they weren't from European languages (harder to discover, editors can't read the original, lack of funding programmes, authors who don't speak English). — Deborah Smith
There are certain authors out there whose books I'll read no matter what they're about. More often than not I don't even need to read the blurb to know that I'll love it. It's that kind of confidence in my work that I hope to earn from my readers someday. — Shawn Kirsten Maravel
The fact of the matter is that you should really stop concerning yourself with writing a book because anyone can write a book that totally sucks. There is nothing special about that. — Ashly Lorenzana
I've stopped reading about the death of books because it's wasteful and morbid and insulting to the authors, agents, publishers, booksellers, critics, and readers that keep the world community of fiction interesting. — Patrick DeWitt
