Book Editor Quotes & Sayings

Years ago in 1959 when Dellinger was already an editor on Liberation (then an anarchist-pacifist magazine, of worthy but not very readable articles in more or less vegetarian prose) Mailer had submitted a piece, after some solicitation, on the contrast between real obscenity in advertising, and alleged obscenity in four-letter words. The piece was no irreplaceable work of prose, and in fact was eventually inserted quietly into his book, Advertisements for Myself, but it created difficulty for the editorial board at Liberation, since there was a four-letter word he had used to make his point, the palpable four-letter word which signifies a woman's most definitive organ: these editorial anarchists were decorous; they were ready to overthrow society and replace it with a communion of pacifistic men free of all laws, but they were not ready to print cunt. — Norman Mailer

Years ago, when I was about to go on a book tour for Someplace to Be Flying, my editor at the time Terri Windling and I sat down to figure out what to call what I was writing for the interviews that were to come. Terri came up with the term mythic fiction and I think that sums it up perfectly. There are almost invariably mythic elements in my fiction (as well as bits of folk and faerie lore) and the term doesn't lock me into writing only in an urban setting since many of my stories take place in rural areas. It never caught on, but when I don't describe what I do as simply fiction, I'll go with mythic fiction. — Charles De Lint

As a writer, you write the book, you give it to your editor, it's copy edited, it's published, it's thrown out there, and then there's a response. — David Bergen

All the other editors at DC never gave me a moment's time. They would take the thing and give me a check and say, 'I'll see you in two weeks.' They never gave any kind of encouragement or information. They were very competitive with each other. They didn't want to teach an artist and then lose him to some other editor. — John Romita, Sr.

Arthur followed Ford's finger, and saw where it was pointing. For a moment it still didn't register, then his mind nearly blew up. "What? Harmless? Is that all it's got to say? Harmless! One word!" Ford shrugged. "Well, there are a hundred billion stars in the Galaxy, and only a limited amount of space in the book's microprocessors," he said, "and no one knew much about the Earth, of course." "Well, for God's sake, I hope you managed to rectify that a bit." "Oh yes, well, I managed to transmit a new entry off to the editor. He had to trim it a bit, but it's still an improvement." "And what does it say now?" asked Arthur. "Mostly harmless, — Douglas Adams

The thing you don't realize, my dear girl, is that I have been forced by the economic realities to start taking publishing very seriously. For example, it has been brought to my attention that our ability to continue to pay the hordes of people employed by M&S (God knows how many mouths have to be fed) depends directly on the number of copies of your new book [Life Before Man] that we are able to sell between September and Christmas. In past I have been able to treat this whole thing as a fun game. I have never been troubled by the cavalier explanations about lost manuscripts and fuck-ups of various sorts. Now I have learned that this is a deadly serious game. I don't laugh at jokes about the Canadian postal service. I cry. (in a letter to author Margaret Atwood, dated February, 1979) — Jack McClelland

The main thing is that you have a good editor - one that believes in you and who will give you the feedback that you need to produce a good book. — Christopher Darden

The reason I was successful in launching my first book with bloggers is this: I assumed that I should spend as much time on a blogger with a million-person readership as I would pitching an editor of a publication with a million person subscription-base. — Timothy Ferriss

Ask your editor or ask your agent to find out what the house's goals are for your book before it comes out. Get some sense of expectations so you are prepared. — M.J. Rose

I read The Vegetarian and fell in love with it. A year later, I was invited to go and speak at the London Book Fair (which I'd never even heard of before), as they were gearing up for Korea being the market focus country in 2014. I met Max Porter there, Kang's editor at Portobello, sent him my sample, and the rest is history. — Deborah Smith

I was incredibly determined - I wrote short stories, I wrote the beginnings of novels. I wrote a little children's book and sent it to the editor-in-chief of the children's division of Simon and Schuster and she asked me to write a little children's book for a series she was doing. — Candace Bushnell

I had published a co-edited book with Oxford a decade ago, my first book actually. Years later I found myself having lunch with Lori Stone, who was an editor at Oxford at that time. We connected at a conference and over the course of lunch she told me about a wonderful new series she had just developed called Understanding Research. — Patricia Leavy

An author who rewrites his own work must essentially be two people. One is the free flowing uncritical writer who creates the bulk of the material - the other is the extremely critical editor whose aim it is to make the book as good as it can become. — Gudjon Bergmann

I used to be an editor and I was editing young adult series. I didn't really like the books that I was reading, so I decided that I would write a book about something I'd want to read if I was 16. It turned into a Cinderella story ... I developed a proposal and the characters of 'Gossip Girl' for my job. — Cecily Von Ziegesar

I come out of journalism, and then book writing. There, it's just you and your editor and maybe a copy desk, looking over your editor's shoulder, and that's the story. It's right there. I can show it to you because it's on paper. — Wendell Pierce

Book writing is a little different because, in my case, my editor is a year younger than me and basically has the same sensibility as me. — Chuck Klosterman

You can be a member of all of the romance writers associations, take part in all of the networking available, or win the latest romance award ... but guess what? None of that makes a difference if you don't WRITE something people want to READ. The greatest editor in the world won't make your book a best seller if it isn't something people care about. So forget all of the fluff that clouds your purpose ... writing!! — Kathryn Le Veque

I know from an editor's point of view or a publisher's point of view it's easier to slot me into a particular niche. But I know that I'd be bored unless I wrote a book that in some senses was a challenge. — Vikram Seth

In the right circumstances, a man can help himself by writing a book about his point, or a pamphlet, or at least a letter to the editor, thereby putting his protest on the historical record, which is marvelously comforting even if nobody reads it. Usually, however, it can be counted on to attract the attention of a few readers who assure the author that he is a new Copernicus, whereupon they introduce themselves as unrecognized Newtons. This custom of picking points out of each other's fur is widespread and a great comfort, but it is without lasting effect because the participants soon fall to quarreling and find themselves isolated again. — Robert Musil

[Writing] books is really fun because your "voice" is pretty undiluted. There is a very direct connection between yourself and your audience. You will have an editor, but their job is to help you clarify or improve your voice, not change it. — Liz Tuccillo

As nearly as possible in the spirit of Matthew Salinger, age one, urging a luncheon companion to accept a cool lima bean, I urge my editor, mentor and (heaven help him) closest friend, William Shawn, genius domus of The New Yorker, lover of the long shot, protector of the unprolific, defender of the hopelessly flamboyant, most unreasonably modest of born great artist-editors to accept this pretty skimpy-looking book. — J.D. Salinger

It generally takes me about nine months from the point the book is conceived to the point my editor sends it off to be typeset. — Julia London

Tell the story that's in your heart. Write for your own pleasure, not anyone else's. Then, if and when you're ready, find a reputable editor who will be honest with you about the quality of your book and your chances of publication. But never, ever, stop enjoying writing or you will be lost — Jane Cable

I can be a fairly hands-on editor, and when I'm editing someone I feel intensely invested in that writer and her work. I love helping to shape a book, and I feel very privileged to get to do that with writers I'm excited about. I think doing that work for the past six years has changed me, and it better prepared me for the questions and suggestions. — Danielle Dutton

Some of us, I imagine, write out of anger; some out of pain; some write out of prejudice or loss, some out of passion, the promise of something better, perhaps the belief that - even now - a book can be capable of changing a life. Some of us write to remember, some to forget; some to change things, some to ensure things stay the same. Some of us - as my editor and agent will all too easily testify - write because we cannot stop. — R.J. Ellory

When the author is not traveling, he works at an L-shaped desk, which affords a view north through a large sunny window. He writes everything on an electric typewriter because "it has to be a book from the first day," he explains. He has no daily routine because of all the traveling he does, but follows a very disciplined writing process. He writes each page six times, then places it in a three-ring binder with a DePauw University cover ("a talisman," he calls this memento from his alma mater). When he feels that he has gotten a page just right, he takes out another 20 words. "After a year, I've come to the end. Then I'll take this first chapter, and without rereading it, I'll throw it away and write the chapter that goes at the beginning. Because the first chapter is the last chapter in disguise." He always hands in a completed manuscript, and his editor is his first reader. — Jennifer M. Brown

Bob Harras' personal and creative integrity is respected and renowned throughout the comic book industry. As an editor, he provides invaluable insight into storytelling and character. — Jim Lee

You are the storyteller and the editor of your book of life. So write tales of imagination, tragedy, and adventure and illustrate it with the colors of beauty. — Debasish Mridha

Religion embarrasses the commentators. It is offbounds. An editor of the old Life magazine once assigned me a book on religion with remark that I was the only 'religious nut' - his term for a believer - in his stable of regular reviewers. — Garry Wills

I was asked by an editor to consider writing something about an American inventor. I asked him if he knew who invented the computer. He said he didn't. In that case, I told him, I should write a book about John Vincent Atanasoff. — Jane Smiley

I have an idea for a new book. It's a novel about a beautiful yet sensitive author whose spirit is crushed by her domineering editor. Do you like it? — Annie Barrows

I publish my own books, so there isn't a certain editor I owe the book to at a publishing house. — Dave Eggers

If you want to write a book that's very successful and famous, then it's hard. If you just want to get published, all you have to do is convince an editor that your idea will make them money. — Kate Cary

[My mom] is quite the strict editor. I feel like maybe she has more of the old-school editing style, which really works in picture books, because you don't want to articulate anything in words that is already shown through the pictures. — Jenna Bush

A book is never, ever finished. You simply get to a point where you and your editor are reasonably happy with how it is and you go with that. Left to our own devices, a writer would endlessly fiddle with a book, changing little thing after little thing. — Kimberly Pauley

When coming up with Wonder Woman cover designs, sometimes people will pitch ideas to me, either the writer or the editor. And it's interesting, because I know they're not trying to, but they end up pitching things that end up feeling like damsel-in-distress covers, where the tension comes from her needing to be rescued somehow. And it's something I immediately push back against. — Cliff Chiang

Writing blog posts is totally freeing in a whole new way for me. I'm not writing it for any editor, and I'm not being paid, so I can say whatever I want. I don't have to justify the cost of a book to readers; they get it for free, so expectations are naturally low. (And no one-star reviews!) — Kate Christensen

I'd known since girlhood that I wanted to be a book editor. By high school, I'd pore over the acknowledgments section of novels I loved, daydreaming that someday a brilliant talent might see me as the person who 'made her book possible' or 'enhanced every page with editorial wisdom and insight.' Could I be the Maxwell Perkins to some future Hemingway, Fitzgerald, Wolfe? — Bridie Clark

One rule of the road not directly stated elsewhere in this book: 'The editor is always right.' The corollary is that no writer will take all of his or her editor's advice; for all have sinned and fallen short of editorial perfection. — Stephen King

When I was a book editor, I got used to being told that my tastes were dark or edgy. These are not words that would've occurred to me, but I was told that enough that I have to believe it's true - that I like things that some other people find off-putting or upsetting. My job is to publish stuff that I really, really care about. That might mean that it doesn't sit well with everybody. — Lorin Stein

Louis Brandeis really inspired me to write this book [Louis D. Brandeis: American Prophet]. It was a crazy deadline. The editor said I'd miss the hundredth anniversary unless I pumped the thing out in six months, because I'd been delaying and dilly dallying for so long. So he both inspired me to get up early and write. — Jeffrey Rosen

The way I found time to write 'The Imperfectionists' was that I took work as a copy editor at the 'International Herald Tribune' in Paris, working full-time for approximately six months, then taking my savings from that and writing full-time, then returning after six months, and so on, until the book was done! — Tom Rachman

As my editor had no desire to frighten readers with the Romanian pages, he had them translated and published the whole thing in French in 1984. It was only years later, in Romania, that I was able to publish the book as I wrote it. — Dumitru Tepeneag

Every book I've read appears in my writing. — Rob Bignell, Editor

I am never happy when I finish a book. I always start feeling good, and then I get to about Page 75 and start losing momentum - and I kind of pull it together at the end, but by then I think it's just all over. It's become almost a running joke among my agent and my editor - I always say that, so they don't take me seriously anymore. — Sarah Dessen

Books are important, and so serious intellectual attention to them is important. While promplty published scholarly articles are also important, the book format remains the only format that allows scholars, in every field and from every prespective, to take the time and space to develop an argument in depth. Books are at the heart of political science. Important books help to create new research agendas. — Jeffrey C. Issac Editor-in-Chief Perspectives On Politics 12 2013

Unfortunately, there is not a book in the Bible called First and Second Executive or Letter to the Christian Plumbers. Instead, — William, Executive Editor Messenger

I've been a children's book editor, a nanny, a camp counselor, a barista, a research lab assistant, and a movie theater ticket-taker. — Lisa Graff

The Real-World was a sprawling mess of a book in need of a good editor. — Jasper Fforde

This editor is a critic. He has pulled out his carving-knife and his tomahawk and is starting after a book which he is going to have for breakfast. — Mark Twain

It took a brave editor in the U.S. to sign a contract for Dancing Girls, and without her belief in the book, I'm not sure it would ever have found its way into print. — Louise Brown

I'm so used to being separate from the publication process. I turn in the book to the editor and then I'm done. — Hilary Liftin

There are plenty of bad editors who try to impose their own vision on a book. ( ... )
A good novel editor is invisible. — Terri Windling

It was not until I began to write a book called 'Light Years' that an editor really stepped in. The editor was Joe Fox at Random House, and he wound up editing a subsequent book. — James Salter

I heard a story the other night about an editor who visited the Iowa Workshop and, when asked what sorts of books she published, replied, "Classic books." One of the students asked her, "You mean like Kafka?" Apparently she said, "Oh, I don't think I would publish Kafka." — Matthew Specktor

The point is obvious. There is more than one way to burn a book. And the world is full of people running about with lit matches. Every minority, be it Baptist/Unitarian, Irish/Italian/Octogenarian/Zen Buddhist, Zionist/Seventh-day Adventist, Women's Lib/Republican, Mattachine/Four Square Gospel feels it has the will, the right, the duty to douse the kerosene, light the fuse. Every dimwit editor who sees himself as the source of all dreary blanc-mange plain-porridge unleavened literature licks his guillotine and eyes the neck of any author who dares to speak above a whisper or write above a nursery rhyme. — Ray Bradbury

If anyone ever wonders why there's nothing coming from me, it's not my fault. I'm doing the work. No, I haven't deteriorated or gone insane. Suddenly, I just can't get anything into print. And apparently I'm not alone in this. There are people of very high standing, authors who are having problems. So I have been told. In my own case, the more disturbing element is the editor-in-chief who said to me, "I think this book is terrific. It ought to be in print. I can't publish it
I've been told I mustn't." The indication is that I'm not writing what people want to read, but I never did. — Tanith Lee

Soap wasn't invented until the Romans, who also invented interesting sex. (Since my editor informs me that a gardening book is not a proper venue for discussions of interesting sex, I will go into this topic in more detail when I write my private memoirs, 'A Petunia Named Desire'). — Cassandra Danz

The best advice on writing was given to me by my first editor, Michael Korda, of Simon and Schuster, while writing my first book. 'Finish your first draft and then we'll talk,' he said. It took me a long time to realize how good the advice was. Even if you write it wrong, write and finish your first draft. Only then, when you have a flawed whole, do you know what you have to fix. — Dominick Dunne

I always have trouble with titles for my books. I usually have no title until the editor has to present the book and calls me frantically, 'Judy, we need a title.' — Judy Blume

I lived through a classic publishing story. My editor was fired a month before the book came out. The editor who took it over already had a full plate. It was never advertised. We didn't get reviewed in any major outlets. — Anita Diament

Whenever I visit Korea she [Kang] buys me lunch and takes me to a gallery. As if all this wasn't enough, she has incredible respect for translation as a creative, artistic practice - she insists that each English version is 'our book', offered to share her fees with me when she found out I wasn't getting paid for translating her publicity stuff, always asks the editor to credit me, and does so herself whenever she's interviewed. Too good to be true. — Deborah Smith

My wonderful editor, Jackie Onassis, asked me to write a book that I wanted to write. I said, 'Look, it's not going to be scandalized. I'm not going to talk about anybody like a dog. I'm going to say the positiveness of my life, and talk about those who have contributed to the way I've been going, and that's that.' — Judith Jamison

In the very existence of this book we have a most concrete example of the manner in which at least one of these marvellous creatures [cats], acquiring both an editor and a publisher, has advanced the eventual complete feline take-over of the human race. — Paul Gallico

My last point about getting started as a writer: do something first, good or bad, successful or not, and write it up before approaching an editor. The best introduction to an editor is your own written work, published or not. I traveled across Siberia on my own money before ever approaching an editor; I wrote my first book, Siberian Dawn, without knowing a single editor, with no idea of how to get it published. I had to risk my life on the Congo before selling my first magazine story. If the rebel spirit dwells within you, you won't wait for an invitation, you'll invade and take no hostages. — Jeffery Taylor

I always swore I would never write a book. But I read Clare Balding's and it was really interesting and so prettily written and lovely and not too revealing. I went to her book launch and met her editor who said 'why don't you think about it? You can do it however you want, based on your characters or you.' — Jennifer Saunders

My wife and I, we work together. And we wrote this book, "Dad Is Fat." And in the book, I was encouraged constantly by my editor to be more personal and talk about more personal experiences. — Jim Gaffigan

Nearly every writer writes a book with a great amount of attention and intention and hopes and dreams. And it's important to take that effort seriously and to recognize that a book may have taken ten years of a writer's life, that the writer has put heart and soul into it. And it behooves us, as book-review-editors, to treat those books with the care and attention they deserve, and to give the writer that respect."
Pamela Paul, New York Times Book Review editor, in a Poets & Writer's interview
(something for all reviewers to think about) — Madeline Sharples

What readers seek is an experience different from their own. Story is how readers dream. Story is what sells the book. The power of the premise is what captures the reader, editor, or agent's attention - not the characters and prose. Unless we care about the story we will never welcome the actors on stage. It is this power of desire that pulls us into the story. — Eddie Jones

A good editor fixes. A superb editor fixes without ruining the original message of your book as a superb translator does as well. — B.A. Gabrielle

I first got into writing because I got involved in the production of a magazine for army wives. They were short of copy one day and the editor asked me to write a piece about being an army wife "and make it funny". Good at obeying orders I did as I was told, the piece was a success, I was asked to write a regular piece and slowly it ended up as a book. — Catherine Jones

I am shocked to find that some people think a 2 star 'I liked it' rating is a bad rating. What? I liked it. I LIKED it! That means I read the whole thing, to the last page, in spite of my life raining comets on me. It's a good book that survives the reading process with me. If a book is so-so, it ends up under the bed somewhere, or maybe under a stinky judo bag in the back of the van. So a 2 star from me means,yes, I liked the book, and I'd loan it to a friend and it went everywhere in my jacket pocket or purse until I finished it. A 3 star means that I've ignored friends to finish it and my sink is full of dirty dishes. A 4 star means I'm probably in trouble with my editor for missing a deadline because I was reading this book. But I want you to know ... I don't finish books I don't like. There's too many good ones out there waiting to be found. Robin Hobb, author — Robin Hobb

Forrest Mims is the author of the famous book 'Getting Started in Electronics,' published by RadioShack for many years. I bought the book in the 1980s and had a blast making the projects in it. When I was editor-in-chief of 'MAKE,' I asked Forrest to write a column for the magazine, called 'The Backyard Scientist.' — Mark Frauenfelder

It seems important to me that beginning writers ponder this - that since 1964, I have never had a book, story or poem rejected that was not later published. If you know what you are doing, eventually you will run into an editor who knows what he/she is doing. It may take years, but never give up. Writing is a lonely business not just because you have to sit alone in a room with your machinery for hours and hours every day, month after month, year after year, but because after all the blood, sweat, toil and tears you still have to find somebody who respects what you have written enough to leave it alone and print it. And, believe me, this remains true, whether the book is your first novel or your thirty-first. — Joseph Hansen

[A comic book writers' union] will never happen. Someone will always be willing to write Batman for free ... You sit at a bar with an editor at a show and you see 19 people come up and pitch ideas at them. If everybody writing the top 20 books all quit and demanded, 'Union now, union forever,' those 19 guys would be getting phone calls. There will never be a union. I think things are getting better - I bet things have never been so good - but there will never be a union. — Matt Fraction

About a year after (my stories began being published), magazine editor George Scithers, suggested to me that since I was so new at being published, I must be very close to what I had to learn to move from fooling around with writing to actually producing professional stories. There are a lot of aspiring writers out there who would like to know just that. Write that book.SFWW-I is that book. It's the book I was looking for when I first started writing fiction. — Barry B. Longyear

(I must note that the copy editor for this book, upon reading this section, actually allowed me to use singular they throughout the book. Here's to them in awed gratitude!) — John McWhorter

I was a book editor for nine years. I'm familiar with the opposite experience, bracing myself for the likelihood that no one would want to publish my book. — Karen Thompson Walker

We live in an era where the best way to make a dent on the world may no longer be to write a letter to the editor or publish a book. It may be simply to stand up and say something ... because both the words and the passion with which they are delivered can now spread across the world at warp speed. — Chris Anderson

A specific editor in a specific place likes the book, and you're in. A different editor on a different day goes, 'Oh, this isn't for me', or doesn't even look at it, and that's it. — Adrian McKinty

The right constraints can lead to your very best work. My favorite example? Dr. Seuss wrote The Cat in the Hat with only 236 different words, so his editor bet him he couldn't write a book with only 50 different words. Dr. Seuss came back and won the bet with Green Eggs and Ham, one of the bestselling children's books of all time. — Austin Kleon

The times do not call for grassroots political activism, as if the next election might be enough to reverse a massive cultural earthquake. They do not call for working just a little bit harder: a few more speeches, another letter to the editor, another fundraiser, the next vote, the next committee meeting. These noble efforts aren't even rearranging the deck chairs on the Titanic; they are tending the seaweed on its watery grave.
The times call for a new generation of book hunters. Like the book hunters of the Middle Ages, the new book hunters take it as their mission to uncover and salvage the best of what came before: to cherish it; hold it up for praise and emulation; study it; above all, to love it and pass it on. — Paul D. Miller

I have SO many books I didn't sell. Some my agent rejected outright, others made it all the way to my editor to be turned away. Not everything is a winner, which is tough when you've devoted eight or nine months of your life to something. — Sarah Dessen

The woodchopper reads the wisdom of the ages recorded on the paper that holds his dinner, then lights his pipe with it. When we ask for a scrap of paper for the most trivial use, it may have the confessions of Augustine or the sonnets of Shakespeare, and we not observe it. The student kindles his fire, the editor packs his trunk, the sportsman loads his gun, the traveler wraps his dinner, the Irishman papers his shanty, the schoolboy peppers the plastering, the belle pins up her hair, with the printed thoughts of men. — Henry David Thoreau

I do believe that the collapse of the traditional media is catastrophic for our democracy, but I wasn't about to mythologize it. I understand its structural flaws, and the lies it tells, which are primarily, but not always, the lies of omission, and I wasn't going to leave that out. Knopf offered to publish the book but they said that an editor was going to "take out all the negativity," which, of course, I wasn't going to accept. I had been paid half my advance, and I had Nation Books buy the manuscript for that half. — Chris Hedges

I feel sorry for people who have to edit me. Which is why book writing is by far the most enjoyable. Really the only thing it's based on is whether it's good or not. No book editor, in my experience, is getting a manuscript and try to rewrite it. — Chuck Klosterman

Why isn't the manuscript ready? Because every book is more work than anyone intended. If authors and editors knew, or acknowledged, how much work was ahead, fewer contracts would be signed. Each book, before the contract, is beautiful to contemplate. By the middle of the writing, the book has become, for the author, a hate object. For the editor, in the middle of editing, it has become a two-ton concrete necklace. However, both author and editor will recover the gleam in their eyes when the work is completed, and see the book as the masterwork it really is. — Samuel S. Vaughan

A year after I'd graduated college, I went to a weeklong conference intensive in Boston, and that's when things kicked into high gear. My workshop leader was a Harvard professor and editor. At the end of the week we met one-on-one over breakfast, and she said, in essence, "Look, you're ready to turn pro." She gave me a list of literary agents to query once I had something to show them. I came home and wrote my first real novel, and the agent that sold it to Tor Books was on that list. — Brian Hodge

About a week earlier I had finished a book (on the Hell's Angels, scheduled this fall by Random House) and I felt that I needed about a week of total degeneration to cool out my system. To this end I went down to Big Sur and Monterery and filled my body with every variety of booze and drug available to modern man. For six or seven days I ran happily amok - spending money, sitting in baths, and futilely hunting wild boar with a .44 Magnum revolver. At one point I gave my car away to a man who paid $25 for the privilege of pushing it off a 400-foot cliff.
- to Max Scherr editor, Berkley Barb 7/20/1966 — Hunter S. Thompson

An editor who is a mentor, advisor, and psychiatrist. Don't kid yourself-a good editor will make your book better. — Guy Kawasaki

I couldn't decide on a title for my first novel and my editor came up with Everything Good Will Come. After that, I thought I should name my own books.A Bit of Difference seems just right. — Sefi Atta

I cried most days working on the first draft. The last scenes were the hardest. I had a feeling where I wanted to end - the exact note - but I couldn't see how to get there. Sarah Murphy, my editor, asked the right questions to help me. I think of 'The Bear' as a hopeful book. — Claire Cameron

One thing I have noticed is that when you're a younger editor, you're more intense about it. As you go along, you relax a little. More and more, I feel that the book is the author's. You give the author your thoughts, and it's up to him or her to decide what to do. — Jonathan Galassi

I never had a plan, except to write. I love what I do, and have from the beginning. Loving what you do makes it a lot easier to work, every day, to face the tough spots and heel in for the long haul. Nothing against plans; they work for some people. But for me, if I'd been planning, worrying about numbers, trying to micro-manage my career, I wouldn't have focused on the writing. If you don't write, you're not read. If you're not read, you don't sell. So that's my Master Plan, I guess. Write the books, let the agent agent, the editor edit, the publisher publish. — Nora Roberts

I was really the first-line editor of the 'House of Night' series. I didn't write that much of the story, and I didn't know what was happening until my mom finished the book and sent it to me because I wanted to read it with fresh eyes as a general reader would. — Kristin Cast

He started to do that, started to inform me of everything; the inconsequential, the meaningful; conversations that ended in a cul-de-sac of unanswerable rhetoric. i think it was because I knew everything about him, had read it all - the beautiful, the sordid, the all of his book. I had been his editor for 5 years, and now it seemed, had become his editor away from the printed page. — Sarah Winman

While writing my first 90 books, I was magazine editor, publisher, book publisher, executive, etc., so I was established in publishing. three of my seven or so books were biographies of sports stars and really opened doors for me in that area. — Jerry B. Jenkins

My toughest criticism usually comes from myself. As my editor can attest to, I'm never done tweaking a book until the production department has to rip it from my hands! — Kresley Cole

One of the things I like about publishing is that you don't promote the editor - you promote the book and the author. — Jackie Kennedy

Never buy an editor or publisher a lunch or a drink until he has bought an article, story or book from you. This rule is absolute and may be broken only at your peril. — John Creasey