Book Description Quotes & Sayings

The Book of Revelation is a description of one path to the New Jerusalem, but this scenario is not inevitable. — Barbara Marx Hubbard

Speaking to the Heart is a great encouragement to men who want to be better husbands and fathers. It is both a practical job description of fatherhood-showing how fathers build strength in their children-and an inspiring call to family leadership. Any father who takes this book to heart and puts its wisdom into action will be known to his children as a great man. — James Stenson

It is probably a full description of Henry Lawsy's mind that if you had given him a book called How to Improve Your Mind in Five Minutes, he would have read it with a stopwatch. — Terry Pratchett

Man tends to think that he is a creator, that he is like God. This is especially true of intellectuals, and in the last century, intellectuals tended to forget that they were like everyone else. Writing this book was a description of man going from a state of God back to a state of man, back to being a normal person. — Gao Xingjian

I won't read a book that starts with a description of the weather. I don't read books over 300 pages, though I'll make an exception for Don Delillo. — Elmore Leonard

Attention spans are changing. It's very noticeable. I am very aware that the kind of books I read in my childhood kids now won't be able to read. I was reading Kipling and PG Wodehouse and Shakespeare at the age of 11. The kind of description and detail I read I would not put in my books. I don't know how much you can fight that because you want children to read. So I pack in excitement and plot and illustrations and have a cliffhanger every chapter. Charles Dickens was doing cliffhangers way back when. But even with all the excitement you have to make children care about the characters. — Cressida Cowell

People always ask what a book is about, as if it has to be about something. I don't want to write books that lend themselves to that sort of description. My books are more a kind of breaking-down. — Jonathan Safran Foer

Pedro Teixeira, the great Portuguese merchant-adventurer, wrote a beautiful description of a coffeehouse with windows overlooking the Tigris and the ruins of old Baghdad. That was in 1604, and he's visiting the same street that I write about in the book, named after Abu Nuwas, though it wasn't called that back then. — Annia Ciezadlo

Lots of people can write a good first page but to sustain it, that's my litmus test. If I flip to the middle of the book and there's a piece of dialogue that's just outstanding, or a description, then I'll flip back to the first page and start it. — Carl Hiaasen

For me, writing for kids is harder because they're a more discriminating audience. While adults might stay with you, if you lose your pacing or if you have pages of extraneous description, a kid's not going to do that. They will drop the book. — Rick Riordan

No one will be alive by the last book. In fact, they all die in the fifth. The sixth book will be just a thousand-page description of snow blowing across the graves ... — George R R Martin

I never knew what an extraordinary thing it could be to write a book. In the first place, the characters take the bit between their jaws and canter off with you into places you don't want and never catered for. I had smugly intended my book to be about a family rather like ours, but, lud love you! it's already turned into an account of a barmaid's career in an Edgware Road pub, and I can't squeeze us in anywhere!

Odd things happen, too. I had called my pub, 'The Three Feathers,' and counted on there being heaps of pubs in Edgware Road, not called that, but looking a bit like my description. Before we left home, I went down Edgware Road to investigate, and found my pub, even down to the old-fashioned phonograph on the table in the upstairs sitting-room. And I thought, 'I built that place. — Rachel Ferguson

Put away the book, the description, the tradition, the authority, and take the journey of self-discovery. Love, and don't be caught in opinions and ideas about what love is or should be. When you love, everything will come right. Love has its own action. Love, and you will know the blessings of it. Keep away from the authority who tells you what love is and what it is not. No authority knows and he who knows cannot tell. Love, and there is understanding. — Jiddu Krishnamurti

'London' is a gallery of sensation of impressions. It is a history of London in a thematic rather than a chronological sense with chapters of the history of smells, the history of silence, and the history of light. I have described the book as a labyrinth, and in that sense in complements my description of London itself. — Peter Ackroyd

The main challenge that television presents is that I have a tendency to say things with a great deal of precision and accuracy. Often a description of that sort, which will work in a book because people can read it slowly - they can turn the pages back and so on - doesn't really work on TV because it interrupts the flow of the moving image. — Brian Greene

Oscar Pistorius is now infamous for reasons that I think everybody knows about, but when I hit on his story and put it in the book, what I found fascinating was a description, from one of the scientists who helped Pistorius, of what the Paralympics will become. Because they don't place any restriction on enhancements for athletes, in the very near future the Paralympics will bear a closer resemblance to NASCAR than to the traditional Olympics. There will be a human-machine melding that will result in crazy feats of athleticism. — Ron Currie Jr.

A lot of (Kyle's) stories when he was back home in Texas, a lot of his own personal opinions about what he was doing in Iraq, how he viewed Iraqis. Some of what people have described as his racist tendencies towards Iraqis and Muslims when he was going on some of these, you know, killing sprees in Iraq on assignment. So I think there are issues ... When he was involved in his - on assignments in terms of what he was doing. A lot of the description that has come out from his book and some of the terminology that he has used, people have described as racist. — Ayman Mohyeldin

There is no description, no image in any book that is capable of replacing the sight of real trees, and all of the life to be found around them in a real forest. — Maria Montessori

Well, each interpretation of an event, setting or character is unique to each of those who read it because they clothe the author's description with the memory of their own experiences. Every character they read is actually a complex amalgam of people they've met, read or seen before - far more real than it can ever be just from the text on the page. Because every reader's experiences are different, each book is unique for each reader. — Jasper Fforde

I grabbed the closest box of books and heaved it onto my bed. It contained all the books I had read in Iraq. Dog-eared, with broken spines, speckled with dirt, food, and even a little blood, most of the copies were marked up with notes in the margins. The better the book, the worse it looked--that's the way it should be. As I saw it, they were almost more like diaries than books. — Michael Anthony

Even revolution, particularly
revolution, which claims to be materialist, is only a limitless metaphysical crusade. But can totality claim
to be unity? That is the question which this book must answer. So far we can only say that the purpose of
this analysis is not to give, for the hundredth time, a description of the revolutionary phenomenon, nor
once more to examine the historic or economic causes of great revolutions. Its purpose is to discover in
certain revolutionary data the logical sequence, the explanations, and the invariable themes of
metaphysical rebellion. — Albert Camus

There aren't many great passages written about food, but I love one by George Millar, who worked for the SOE in the second world war and wrote a book called 'Horned Pigeon.' He had been on the run and hadn't eaten for a week, and his description of the cheese fondue he smells in the peasant kitchen of a house in eastern France is unbelievable. — Sebastian Faulks

Conflict is the microscope of a book. When it's trained on a character, you see what's underneath the narratives of physical description. You see whether someone is strong or weak, principled or apathetic, heroic or villainous.
(J.R. on writing the BDB series) — J.R. Ward

Early on, I settled on the first-person strategy as a way to deal with exposition and world-description issues. As long as the book is, it could have been far longer had I gone with an omniscient third-person narrator, or multiple point-of-view characters, since either of those would have enabled me to impart much more detailed information about the history and geography of the world. — Neal Stephenson

He flipped through the book as he ambled toward her. "Good God. There are whole pages of description. The roguish wave of my hair. My chiseled profile. I have eyes like... like diamonds?"
"Not real diamonds. Bristol diamonds."
"What are Bristol diamonds?"
"They're a kind of rock formation. On the outside, they look like ordinary pebbles. Round, brownish gray. But when you crack them open, inside they're filled with crystals in a hundred different shades. — Tessa Dare

It sometimes happens that a man who, up until now has believed himself to be gifted with perfect health, opens a medical book, either by chance or to pass the time, and on reading the pathological description of an illness, recognises that he is afflicted by it; enlightened by a fateful flash of insight, he feels at every symptom mentioned some obscure organ shuddering within him, or some hidden fibre of whose role in the body he had been unaware, and he pales as he realises that a death he thought was still a long way off is so imminent. — Theophile Gautier

It was like picking up a book and reading the things the main character did and said and his description and thinking vaguely, at first, Why, I'm that way a little. Then more, until the realization comes like a giant boulder down the hill and crashes into you, pulverizing you with the knowledge that this is you, this character. — Vin Packer

I finish a short afternoon shift that I spent learning about book descriptions with George. It is an arcane system that the Internet is putting paid to, where fair is foul and good is bad and perfect means you are a charlatan. Price-clipped is bad. Second impression is bad. Inscribed is bad, unless it is by the author, and then inscribed is good, but nearly as good as signed. Unless the inscription is to someone patently important - To my dear Laura, love from Petrarch. — Deborah Meyler

I, on the other hand, am very concerned about how word choice will affect my readers. For instance, in the description of Genesis, I chose the term 'good and evil' instead of 'right and wrong', which are basically two same terms. I wanted to use 'right and wrong' because it definitely will ignite more controversies than 'good and evil', but I chose to use the latter because I was afraid of the social influence that can come from reading my book, and although there is no adult material at all in the book, I could risk getting my book banned. — Andreas Laurencius

Sir Arthur Eddington summed up the situation brilliantly in his book The Nature of the Physical World, published in 1929. "No familiar conceptions can be woven around the electron," he said, and our best description of the atom boils down to "something unknown is doing we don't know what". — John Gribbin

This little book has been written in the hope that it may appeal to several classes of readers.
Not infrequently I have been asked by friends of different callings in life to recommend them some book on mimicry which shall be reasonably short, well illustrated without being very costly, and not too hard to understand. I have always been obliged to tell them that I know of nothing in our language answering to this description, and it is largely as an attempt to remedy this deficiency that the present little volume has been written. — Reginald Crundall Punnett

A good story or a book is all about it's power to hold it's readers still till the very last word of it's climax - complexity in language, dialogues, descriptions, everything else is secondary! — Mehek Bassi

Wings of a half finished book across his chest. — Jonathan Safran Foer

And so of course we won't define 'biblical womanhood' well using a list of chores or a job description, a schedule or income level. After all, healthy God-glorifying homes look as different as the image bearers that entered into the covenant, biblical doesn't mean a baptized version of any culture, ancient or modern.
No, I am a biblical woman because I live and move and have my being in the daily reality of being a follower of Jesus, living in the reality of being loved, in full trust of my Abba. I am a biblical woman because I follow in the footsteps of all the biblical women who cam before me.
Biblical womanhood isn't so different from biblical personhood. Biblical personhood becomes a dead list of rules when it becomes a law to keep. If we have a long list of rules - Put others first! Be generous! Give money! Believe this! Do that! - it's a dead religion from a glorified rule book. — Sarah Bessey

If I could tell you about Red
I would sing to you of fire Sweet like cherries
Burning like cinnamon Smelling like a rose in the sun — Dixie Dawn Miller Goode

In this book I do not intend to give a blow-by-blow description of a sex bout: I find them inartistic, clinical and unpoetic. The circumstances that lead up to sex I find more interesting. — Charlie Chaplin

[Author's Note: Barbara Hand Clow gives a much more detailed description and story about the photon band and the cosmological changes in dimensional relationships we are undergoing in her latest book, The Pleiadian Agenda: A New Cosmology for the Age of Light.] — Amorah Quan Yin

For myself, the only way I know how to make a book is to construct it like a collage: a bit of dialogue here, a scrap of narrative, an isolated description of a common object, an elaborate running metaphor which threads between the sequences and holds different narrative lines together. — Hilary Mantel

Regarding the age of the universe, many will wonder if this rules out the Biblical description of creation, as most Bible translations state in the book of Genesis that the universe was made in six days. Now, granted, it is possible that God made the universe in six literal days, and built the appearance of old age into it. But notice that the Hebrew word "yom", which is typically translated as "day" in the book of Genesis, can actually also mean "long period of time". In addition, the words "ereb" and "boqer", which are commonly translated as "evening" and "morning", can also mean "ending" and "beginning". Also, according to the fourth chapter of the book of Hebrews in the Bible, we are still in the seventh "yom", so obviously some days are much longer than 24 hours. — Stephen Williams

Now the twelfth canto of Book II is an almost literal translation from Tasso description in the Jerusalem Delivered of the island of Armida. That poem was not printed till 1582. It is likely enough that Spenser may have seen part of it in manuscript, which would account for the general resemblance of the Adonis passages, though the likeness is not close enough to make any debt certain. — Janet Spens

The description of Huck's father grabbed my full attention, and I glanced up at the book in my teacher's hand as if to double check. My eyes bulged reflexively. Huck's father was an abusive drunk just like mine. The boy was hopeful that a corpse found near the river was actually his dad, but it turned out not to be. It was spooky how high my hopes rose for the boy, and then sank so utterly low when the body was discovered to be a female in disguise. I should've mourned for the woman, but it was the boy I felt bad for. — Richelle E. Goodrich

My mother tells Tina that she doesn't like books where the protagonist is established as Sad on page one. Okay, she's sad! We get it, we know what sad is, and then the whole book is basically a description of the million and one ways in which our protagonist is sad. Gimme a break! Get on with it! — Miriam Toews

Indeed, the very first acknowledgment (as far as I am aware) of the attraction of mutilated bodies occurs in a founding description of mental conflict. It is a passage in The Republic, Book IV, where Plato's Socrates describes how our reason may be overwhelmed by an unworthy desire, which drives the self to become angry with a part of its nature. — Susan Sontag

(Novelists, when their characters drive cars, never feel compelled to describe precisely what the physical actions are of hands, feet, eyes, knees, elbows. Yet many of these same novelists, when their characters copulate, get into such detailed physical description you'd think they were writing an exercise book. We all know the interrelation between the right ankle and the accelerator when driving a car, and we needn't be told. — Donald E. Westlake

When I first decided I wanted to be a writer, when I was 10, 11 years old, the books that I loved obviously and openly fit that description: They came with maps and glossaries and timelines - books like Lord Of The Rings, Dune, The Chronicles Of Narnia. I imagined that's what being a writer was: You invented a world, and you did it in a very detailed way, and you told stories that were set in that world. — Michael Chabon

Writers aren't in competition with one another. It isn't a zero sum game. If you have a good book, a good cover, a good product description, and a low price, you can sell well. — J.A. Konrath

only had to write the play that I was already thinking of. Plays are much easier to write than books, because you can see them in your mind's eye, you are not hampered with all that description which clogs you so terribly in a book and stops you getting on with what's happening. The circumscribed limits of the stage simplifies things for you. You don't have to follow the heroine up and down the stairs, or out to the tennis lawn and back, thinking thoughts that have to be described. You have only what can be seen and heard and done to deal with. Looking and listening and feeling is what you have to deal with. I should — Agatha Christie

The rosary is the book of the blind, where souls see and there enact the greatest drama of love the world has ever known; it is the book of the simple, which initiates them into mysteries and knowledge more satisfying that the education of other men; it is the book of the aged, whose eyes close upon the shadow of this world, and open on the substance of the next. The power of the rosary is beyond description. — Fulton J. Sheen

If there is a lack of specificity in Grossman's description of the town and the walkers, and if the story perhaps sometimes becomes lost and confusing, then it is because the landscape and its inhabitants are really shadows, creatures of an interior world, whose journey and whose quest are within. Falling Out of Time is short, and clearly a deeply personal book, but its importance and impact ought not to be underestimated. — Ian Sansom

W-MT: There was a book I read about in the New York Times Book Review. It had a red cover, maybe? A.J.: Yeah, that sounds familiar. [Translation: That is excessively vague. Author, title, description of the plot - these are more useful locators. That the cover might have been red and that it was in the New York Times Book Review helps me far less than you might think.] Anything else you remember about it? [Use your words.] — Gabrielle Zevin

I have noticed that a lot of literary critics are bothered by the mixing of genres; indeed, some of them are so easily offended in this regard that they experience distress when faced with trifles like the use in a passage of fiction of concepts of theory (as if there were some fundamental difference between stories of people, animals, plants and objects on the one hand and stories of concepts on the other). What a torture it would be for them to read the island's Book, in which it is common for a lyrical passage to give way to several pages of description related in chemical formulae! — Michal Ajvaz

I saw - no, I think the word is beheld - the most wondrous thing in the world. This church was indescribably complex and harmonious; it was like stepping into the mind of God. I was overcome by the desire to worship - a feeling I would not see as adequately articulated until many years later, when I would read Dante Alighieri's description, in his first book, Vita nuova, of the first time he, as a child, saw Beatrice: — Rod Dreher

No book on this planet can give you the description of terms like religion, spirituality, divinity unless you discover it within the realm of your own mind. — Abhijit Naskar

The result is autobiographical, although whenever someone's asked me over the course of these last three years just what the book is about, I've usually avoided such a description. An autobiography promises feats worthy of record, conversations with famous people, a central role in important events. There is none of that here. — Barack Obama