Book Cover Page Quotes & Sayings

People still judge a book by its cover, Avery. And your story? It's beautiful. You're beautiful. But I'm nothing but a ripped out page, graffiti where some should never be. Don't taint your story with me. — J.M. Darhower

He lifted the book from the purse. The cover sported a painting of a stunning redhead in a long, pink gown who stared out the window over rolling green hills. The cover was slightly narrower than the rest of the book, and from underneath peeked out what looked to be a second cover. He turned the page and was startled at what he saw. Another full-color painting, but this one of a shirtless man smashing the heavily bosomed redhead onto a red couch. Her clothes were torn and their torsos met violently. The man's face was savage; the woman's head thrown back in surrender.
Sam flicked back and forth between the image of the prim, composed woman on the front cover and her ribald, passionate abandon on the inside cover.
He glanced out the window to see Ally emerge onto the street below, her head held high and her gait tight and focused as she marched away, prim and composed.
He flipped to the inside cover.
Hot damn. — Diana Holquist

When the author is not traveling, he works at an L-shaped desk, which affords a view north through a large sunny window. He writes everything on an electric typewriter because "it has to be a book from the first day," he explains. He has no daily routine because of all the traveling he does, but follows a very disciplined writing process. He writes each page six times, then places it in a three-ring binder with a DePauw University cover ("a talisman," he calls this memento from his alma mater). When he feels that he has gotten a page just right, he takes out another 20 words. "After a year, I've come to the end. Then I'll take this first chapter, and without rereading it, I'll throw it away and write the chapter that goes at the beginning. Because the first chapter is the last chapter in disguise." He always hands in a completed manuscript, and his editor is his first reader. — Jennifer M. Brown

The average buyer in bookshop spends 8 seconds on the front cover and 15 seconds on the back cover before deciding whether to purchase the book or not. On average, he does not get past page 18. See? The odds are stacked against us writers! — Ashwin Sanghi

I'm interested in so many different things and I'd like to cover a lot of territory. I'm trying to see my show as the Sunday 'Times.' You have the Arts & Leisure section, you have the Op-Ed page, you have the Book Review ... even the Style section has those wonderful essays about relationships. — Joy Behar

CONTENTS Cover About the Book Title Page Colour First Reader Dedication Chapter — Jacqueline Wilson

I think I might have something for you today, he says, reaches beneath the counter, and his hand comes back with a book, clothbound cover the color of antique ivory, title and author stamped in faded gold and art deco letters. Best Ghost Stories by Algernon Blackwood, and she lifts it carefully off the countertop, picks it up the way someone else might lift a diamond necklace or a sick kitten, and opens the book to the frontispiece and title page, black-and-white photo of the author in a dapper suit, sadkind eyes and his bow tie just a little crooked. — Caitlin R. Kiernan

Open a book this minute and start reading. Don't move until you've reached page fifty. Until you've buried your thoughts in print. Cover yourself with words. Wash yourself away. Dissolve. — Carol Shields

Kaz reached into his coat pocket. "Here," he said and handed Jesper a slender book with an elaborate cover.
"Are we going to read to each other?"
"Just flip it open to the back."
Jesper opened the book and peered at the last page, puzzled. "So?"
"Hold it up so we don't have to look at your ugly face."
"My face has character. Besides - oh!"
"An excellent read, isn't it?"
"Who knew I had a taste for literature? — Leigh Bardugo

Nine years ago, my sister handed me a paperback she had picked up in an airport shop on her way to India. It was a gloomy-looking book, with a black an white photo of a steam train approaching through fog on the cover. Cutting across the top of the photo was . . . an author's name I did not know: J.K. Rowling. I began to read the novel and by page three, I was hooked. — Rachel Falconer

Every reader wants the same thing: to open the cover of a book and watch the words explode like fireworks off the page. — Kim Lehman

An old book was a time capsule. When you opened the front cover, you opened a door to another world - a world accessible through a kind of looking glass made of hard-board and cloth. The author's voice resonated in the reader's head with the same words that had resonated in his own as he wrote them. He spoke to the reader from the past. What he had witnessed, experienced, learned, and discovered would live forever. You only had to turn a page to travel in time. — Stephen Parrish

Covers, so many covers, so many different, delectable pictures, and although, metaphorically speaking, it is the thing I hate most, when it comes to literature I always judge books by their covers. First the cover will catch my eye, then I read the back of the book, and then finally the first page. — Jane Green

A blank isn't the same. He remembered holding the book, feeling the history of the leather cover someone had tanned and stretched and cut to fit. The paper that someone had laboriously filled by hand and sewn into the binding. Years, heavy on the pages. Morgan had been reading a copy of it. An original. It felt like the old monk's story was part of his own.
But when he read it in the blank, it was just words, and it had no power to carry him away. — Rachel Caine

It was the yearning she related to. Shriver seemed to understand the specific human pain of wanting and pushing away at the same time. It left her with a gorgeous ache, and when she turned the last page of the book and closed the cover, Norah's connection to the writer felt absolute. It was a breathless, consuming rapture.... — Ellen Meister

We must find a balance between "reddish whites," "bluish whites" and "yellowish whites," and decide on the proper length and thickness of the fiber. Then each part of the book can play its proper role: the front cover conveys a powerful silence; the inside cover the purity of first openings; the title page the texture of new beginnings; while the body of the text sets the words and pictures against a clear background, or whispers "touch me!" to the reader's fingertips — Kenya Hara

I think life is a book," Eleanor said. "God writes it. We're His characters. He knows what happens on the next page, but we don't. Heaven is where we get to read the book cover to cover and see how it all makes sense. — Tiffany Reisz

This time Simone did not smile at all.
"I cannot tell that to you, child. This is a
secret I am not allowed to talk about. I only hope that you will
know how to follow the true and right path. And now, farewell!" She
turned around and walked away between the bookshelves, disappearing
from their sight.
Nirupa looked at the book she held in her
hand. On its thick front cover she read:
"Atlantis."
Deep shudders shook her body. She turned her
head and looked at Miss Bell, who also looked numb with fear.
"Now that we have started the adventure, me
must carry it through to the end," Ni whispered to Miss Bell,
opening the book. She did not have time to see what was written
inside because, once the first page was open, a whirl of warm air
sucked Ni and Miss. Bell inside, In the twinkle of an eye they
found themselves standing up on the main street of a magnificent
bazaar. — Leora Cika Waldman

The only distinguishing characteristic of a literature professor at the millennium was that he or she wrote about other people's writing. Apart from that, the writing he wrote about didn't even need to be literature, or writing about literature, or even writing about writing about literature. He needed theory...In the unflickering glare, at the center of a severe perspective, Nelson suddenly felt the visceral truth of the world as text; he apperceived the fundamentally linguistic nature of reality. Everything was text, at every level of existence, all the way up from quarks to queer theory. Words arranged in lines; lines arrayed on pages; pages pressed together, bound, and trimmed in books; books arranged cover to cover along a shelf like the words in a line of text; shelves stacked one atop the other like lines of text on a page; rows of shelves pressed together, with just the barest passage for the reader, like the pages of a book. — James Hynes