Quotes & Sayings About Book Characters

No writing is effortless. I'm not saying you can't have a good day where the words just kind of flow, but even those words have to be edited. Probably more than once. And I'm not saying a character hasn't somehow gone in a different direction that I wanted her to go, but that was me, not her. I let her get away from me. I let her roam free and nine times out of ten, the result is not good. I have to go back and start over because she veered off the path of my book. She changed the vision. And I did that. Not her. — Darynda Jones

I'm always sorry to finish a book, to let go of characters I love, people I've struggled to understand for years, people who evolve before me. — Kathryn Harrison

When you adapt a book to a film, you take all the best parts and put them into an hour and 15 minutes and have to compromise on the characters. — Channing Tatum

The way I saw the characters these things just happened naturally. At the same time - and I know it's probably not apparent when you read the book - but I really tried to hold back because I didn't want it to become a cartoon. — Donald Ray Pollock

The readers are very similar. The books they know, the questions they ask, the characters they like. That is similar. — Gabriel Ba

If I'd learned anything from writing this book, it was that no matter how you might read characters in a book, real life was always different. It was easy for a writer to spin a story to make the hero or heroine seem smart and intelligent, for them to make the right moves, take the correct steps toward their future, but when it came to real life, it didn't quite happen that easily. People were constantly making mistakes and showing insecurities, even when they didn't realize it, and being so imperfect that it actually made them perfect . . . because they were human. Those — Meghan Quinn

We should call on the Creator to show more modesty. He created the world in a frenzy of excitement. Instead of revising his rough drafts, he had his work printed straightaway. What a lot of contradictions there are in it. What a log of typing errors, inconsistencies in the plot, passages that are too long and wordy, characters that are entirely superfluous. But it is painful and difficult to cut and trim the living cloth of a book written and published in too much of a hurry — Vasily Grossman

'The Things They Carried' is labeled right inside the book as a work of fiction, but I did set out when I wrote the book to make it feel real ... I use my own name, and I dedicated the book to characters in the book to give it the form of a war memoir. — Tim O'Brien

What I discovered is I don't like to repeat lead characters because one of the most pleasurable things in a book to me is learning about the lead. — Alan Furst

I think of life as a book of stories," he goes on. You move through the stories and the characters change. — Alice Hoffman

I didn't have anyone, but every time I walked through those doors I felt like each of those authors was my family and the characters they created were all my friends. I counted on them. They were all I ever had. All I still have. Now that the store may go out of business I feel like I'm losing my family and friends. I love all my books. Being a book lover saved my life. — J.L. Mac

When you're writing a book that is going to be a narrative with characters and events, you're walking very close to fiction, since you're using some of the methods of fiction writing. You're lying, but some of the details may well come from your general recollection rather than from the particular scene. In the end it comes down to the readers. If they believe you, you're OK. A memoirist is really like any other con man; if he's convincing, he's home. If he isn't, it doesn't really matter whether it happened, he hasn't succeeded in making it feel convincing. — Samuel Hynes

The only real reason for self-referencing is the fun factor. It's fun for the writer, getting little peeks at what old characters might be up to. And it's fun for readers to spot a familiar face, or pick up on a made-up book title or something from an earlier story. I don't know that it does
or even should
contribute to the story in hand being any better than it would have been without it. — Charles De Lint

You're writing, you're coasting, and you're thinking, 'This is the best thing I've ever written, and it's coming so easily, and these characters are so great.' You put it aside for whatever reason, and you open it up a week later and the characters have turned to cardboard and the book has completely fallen apart," she says. "That's the moment of truth for every writer: Can I go on from here and make this book into something? I think it separates the writers from the nonwriters. And I think it's the reason a lot of people have that unfinished manuscript around the house, that albatross. — Jacqueline Woodson

Good characters make you feel like you have new friends, don't they? You have to re-read the books just to visit with them again. Grace Awakening. Book one: Awakening Dreams — Shawn L. Bird

I think kids want the same thing from a book that adults want - a fast-paced story, characters worth caring about, humor, surprises, and mystery. A good book always keeps you asking questions, and makes you keep turning pages so you can find out the answers. — Rick Riordan

A book is simply a snap shot of the full story. — Erica Goros

Whenever you have two characters in a book, whether it's a novel or nonfiction, you run the risk that the reader is going to like one more than the other. They're going to read one chapter and say, 'I can't wait to get back to the other guy.' — Mitch Albom

Amity Gaige has written a flawless book. It does not contain a single false note. Playful and inventive, SCHRODER movingly depicts the ways we confound our own hearts
how even with the best intentions, we fail to love those closest to us as well as we wish we could. Eric Schroder should take his place among the most charismatic and memorable characters in contemporary fiction, and Amity Gaige her place among the most talented and impressive writers working today. — David Bezmozgis

You belong in an insane asylum, you know that?"
"Maybe my next case... — R.R. Virdi

I never knew what an extraordinary thing it could be to write a book. In the first place, the characters take the bit between their jaws and canter off with you into places you don't want and never catered for. I had smugly intended my book to be about a family rather like ours, but, lud love you! it's already turned into an account of a barmaid's career in an Edgware Road pub, and I can't squeeze us in anywhere!

Odd things happen, too. I had called my pub, 'The Three Feathers,' and counted on there being heaps of pubs in Edgware Road, not called that, but looking a bit like my description. Before we left home, I went down Edgware Road to investigate, and found my pub, even down to the old-fashioned phonograph on the table in the upstairs sitting-room. And I thought, 'I built that place. — Rachel Ferguson

Conventional forms of narrative allow for different points of view, but for this book I wanted a structure whereby each of the main characters contributed a distinctive version of the story. — Penelope Lively

Felicia nodded. "Sometimes I have that problem. I know nearly everything you can learn in a book and very little that you learn in life. Like my fear of spiders. It's silly, really. I've studied arachnids in an effort to get over my ridiculous overreaction, but still, every time I see one ... " She shuddered. "It's not pretty. I simply can't control myself. A flaw - one of many." "If you're not perfect, then you came to the right place," Charlie told her. "Fool's Gold is a lively town with plenty of characters. You'll get a crash course in how the little people live." "I hope I can fit in." Patience saw the concern in Felicia's eyes and touched her arm. "You're going to do just fine. — Susan Mallery

As an audience member, I live vicariously through the characters I watch or read about. There's something very relatable about comic-book characters. They're never perfect. They're flawed people put in extraordinary circumstances. — James Badge Dale

I try to do as much as possible for every character. Some of them, it is easier to do the research because you have either real examples that you work with, maybe some specific person that inspires you in that case, or the performances from other people, or the characters, or a character from a book. — Penelope Cruz

It's not a romance, it's a love story. — Sadie Jones

I truly believe the book of philosophy to be that which stands perpetually open before our eyes, though since it is written in characters different from those of our alphabet it cannot be read by everyone. — Galileo Galilei

I once knew a house rather like The Land of Smiles - an old house occupied by a varied collection of young people, mainly students. However none of these people were true models for the characters in the book, though their way of life may have been. — Margaret Mahy

I was so enthused with literature -- not stuck on literature, but in love with letters -- that I was easily inclined to bring all the conversations round to works I had read or fictitious characters from my readings about whom I loved to talk — Joseph Zobel

There are two questions that you ask yourself as a writer, and one of them is, 'But why?' The question that takes the book forward is, 'What if? What if x y or z happened? How would those characters react?' — Penny Jordan

I don't know who they are[my characters] . They're entirely invented characters. Maybe that's how I've been able to write so many books, because there are no boundaries for me. I can write a completely fantastical story like "Swept Away" or "Blinded by the Light" and then a non-comic drama like "Chicxulub" or something like "Birnam Wood" that has autobiographical underpinnings. Why not? — T.C. Boyle

I always love writing the third book in a series because you get to tie up all the threads that you put out in the first two books. You finally let people know what really happens and reveal all the secrets and bring certain characters together. — Trudi Canavan

Making playlists can kill a whole afternoon for me. I like building very specific playlists for new writing projects. In a strange way, choosing certain songs is part of the process of plotting the book out. I pick songs that I think with resonate with characters, their personality quirks, relationship dynamics, action scenes, and so on. — Jonathan Maberry

There were two books I remember changing my life as a introverted, bookish 14 year old. The Fountainhead by Ayn Rand and The Lord of the Rings by JRR Tolkien. One was set in a fantastic world, populated by outlandish characters,tired prose, foul monsters, evil incarnate and a message about losing one's humanity. The other book was about hobbits. — Christopher Odell Homsley

In fiction, I tend to write fairly realistic dialogue-not always, and it tends to vary
from book to book. But in many books, there is a colloquialism of address. The characters will speak in a quite idiosyncratic way sometimes. — Don DeLillo

He had a book to finish. Ten-thousand words. The other ninety thousand had been difficult. This last tenth seemed impossible. His plot had become derailed. He was unable to see his way through the smoke and coke dust of a mythical railway track that should stretch ahead. Yes, the characters were there, good and solid. Indeed, the story's engine was strong and had shunted yet forward and forward, with only one or two sharp halts. But six weeks ago he met the bumpers. R. was now stuck in a deserted station, his progress blocked. ("Out Back") — Garry Douglas Kilworth

I do a lot with characters' sense of identity. I also like challenging stereotypes, gender roles, things like that. Give me a stereotype or a genre expectation and the first thing I want to do is stand it on its head. In the Nightrunner books I wanted to see if I could create a believable gay hero, one who wasn't someone's sidekick or a victim. — Lynn Flewelling

If you just read the book, you're taking in the narrative, you're taking in the characters, you're understanding it in a certain way. If you make a movie it's really an act of translation. — James Franco

The Swords were still interesting but by then a cast of characters had started to appear and go on from book to book, and other things about the world began to feel constricting. And there were other things I wanted to do, so I closed the series up and stopped it. — Fred Saberhagen

She chose books because they never left her lonely the way that Kirk had left her lonely. BEcause company was often nothing of the kind, whereas a good book always was.
She chose books for the smell of fresh-pressed pages, for the yellow-brown musk of library mould, but always for the breathy kiss of paper rustling. She chose books because some of the held prose that made her weep, or poetry that winded her, and words that mae her heart skip beats.
She chose books because some came readey-made with characters that seemed like perfect versions of hrself, all of them little proofs that somehow, somewhere, it might just be possible for her to be better: to be popular, powerful, sexy and smart.
She chose books because they lied to her with more conviction than people ever had. — Dan Micklethwaite

Our life is a book that writes itself and whose principal themes sometimes escape us. We are like characters in a novel who do not always understand what the author wants of them. — Julien Green

Intensely moving but never sentimental, Academy Street is a profound meditation on what Faulkner called 'the human heart in conflict with itself'. In Tess Lohan, Mary Costello has created one of the most fully realized characters in contemporary fiction. What a marvel of a book. — Ron Rash

Make sure your characters are worth spending ten hours with. That's how long it takes to read a book. Reading a book is like being trapped in a room for ten hours with those characters. Think of your main characters as dinner guests. Would your friends want to spend ten hours with the characters you've created? Your characters can be loveable, or they can be evil, but they'd better be compelling. If not, your reader will be bored and leave. — Po Bronson

The thing I'm writing now, I have various characters, and all of a sudden, out of nowhere, this couple dies. And they have a daughter ... I thought, 'OK, we have to do something with the daughter' ... then I realized she's not really their daughter. She has her own story. And she's become the most interesting character. She was this throwaway character that I didn't even conceive of before I started writing her into it, and now she's become very important in this book. — Sandra Dallas

The parallels between a stage and a book are compelling. You, like all authors, create 'characters' in a 'setting' who speak 'dialogue' encased in 'scenes.' Most importantly, you - like the playwright - have an 'audience.' — Nancy Kress

Moby Dick - that book is so amazing. I just realized that it starts with two characters meeting in bed; that's how my book begins, too, but I hadn't noticed the parallel before, two characters forced to share a bed, reluctantly. — Michael Chabon

(Novelists, when their characters drive cars, never feel compelled to describe precisely what the physical actions are of hands, feet, eyes, knees, elbows. Yet many of these same novelists, when their characters copulate, get into such detailed physical description you'd think they were writing an exercise book. We all know the interrelation between the right ankle and the accelerator when driving a car, and we needn't be told. — Donald E. Westlake

If this were a book or movie, she thought, she'd be able to read the stars and get her bearings. Characters always had just the right random skill set to master the situation at hand. Like, Thank god for that summer on an uncle's smuggling boat and the handsome deckhand who taught me celestial navigation. Ha. — Laini Taylor

Krys Lee has written a book of unforgettable stories, each one building on the other to create a complex, moving portrait of contemporary Korea and its diaspora. She guides us surely through the fallout of war, immigration, and financial crisis, always alert to the possibility of tenderness, transcendence, and even humor along the way. Lee is a writer who really understands loneliness, but her voice is so appealing, and her perceptions so wise, that we feel all the less lonely for knowing her characters and experiencing their lives. — Sarah Shun-lien Bynum

What readers seek is an experience different from their own. Story is how readers dream. Story is what sells the book. The power of the premise is what captures the reader, editor, or agent's attention - not the characters and prose. Unless we care about the story we will never welcome the actors on stage. It is this power of desire that pulls us into the story. — Eddie Jones

I think everybody came into it with the understanding that they would go through an experience that is literally not by the book, that is not executing the script and then going home, but living and breathing these characters and being in the moment with each other, and improvising and creating a lot of present-tense intensity between characters. — Oren Moverman

With every book I write, I give the Hera Leick Promise. I will never weave into my stories: cheating; sex outside the main characters; sexual abuse; cliffhangars; years of separation; man whores; and lastly my worst pet peeve, insta-love. If one sneaks in, I give you permission to shoot me. Please make note, however, guns are not legal in England. Neither is murder. I hope. — Hera Leick

One of the things you never really see in a romance book is a woman who has self-esteem issues. I mean, I'm sure they're out there, but they're few and far between. Like they can have eating disorders, post-traumatic stress from sexual assault or mental abuse. They can be sold into sex trafficking and they can carry epic amounts of grief. We have female characters who have suffered every loss imaginable and ones who are scarred physically and mentality, but where in the hell are the average women? Ones who look in the mirror and cringe a little? Like, why are all those others acceptable to women, but reading or knowing another woman who has a low self-esteem is, like, worse than all that drama llama? — J. Lynn

Books can change your life. Some of the most influential people in our lives are characters we meet in books. — David McCullough

When I got the script to this movie, The Good Girl, I read it in an hour. The writer, Mike White, has an ability to create characters that are so creepy and dysfunctional and human, with this duality that makes people feel empathy for them at the same time. My first thought was 'Was this sent to the right person?' I called my agent. 'Are they sure? Let's say yes before they realize they've sent it to the wrong person!. — Jennifer Aniston

This is a work of fiction.
If certain characters resemble people in real life, it is because certain people in real life resemble characters from a novel.
Nobody, therefore, is entitled to feel included in this book.
Nobody, by the same token, to feel excluded. — Fernando Del Paso

Do you know why the characters in my book look like us?"
"Pure coincidence?" he asked with a smile.
"Because I was fantasizing about us doing all those things together when I wrote it."
"Are you trying to make me cry? — N.M. Silber

As I climb aboard The Wilted Rose with Freedom Matthews I will find out what really happens to the characters in this out of this world of a book!!!!! and understand her writting and the book. — Freedom Matthews

I write a book of poems and then the characters won't go away so I write a play from that. — Grace Cavalieri

The Story Girl was written in 1910 and published in 1911. It was the last book I wrote in my old home by the gable window where I had spent so many happy hours of creation. It is my own favourite among my books, the one that gave me the greatest pleasure to write, the one whose characters and landscape seem to me most real. All the children in the book are purely imaginary. The old "King Orchard" was a compound of our old orchard in Cavendish and the orchard at Park Corner. "Peg Bowen" was suggested by a half-witted, gypsy-like personage who roamed at large for many years over the Island and was the terror of my childhood. — L.M. Montgomery

My characters still talk the way normal people talk. They argue, they are sarcastic with each other, they joke around. I usually end up with one outrageous minor character in each book that people just rave about. We all have that one friend who says and does things that are a riot. A character like that is the salt in the soup: you want just enough to bring everything to life. — Dan Alatorre

There are no composite characters or events in this book. I occasionally omitted people and events, but only when that omission had no impact on either the veracity or the substance of the story. — Cheryl Strayed

I had thought for years, probably 30 or 40 years, that it would be a lot of fun to try my hand at a classic English mystery novel ... I love that form very much because the reader is so familiar with all of the types of characters that are in there that they already identify with the book. — Alan Bradley

The comic book, and I've said it before, is a treasure trove. It's a grab bag. We certainly have characters and story lines that we really want to do - but to get there in a TV series, you have to take your time. Sometimes you can't get right to it. They're two different mediums. So we make it our own and really own the material. I like to think of it as an alternate universe. — Glen Mazzara

With a novel, which takes perhaps years to write, the author is not the same man he was at the end of the book as he was at the beginning. It is not only that his characters have developed
he has developed with them, and this nearly always gives a sense of roughness to the work: a novel can seldom have the sense of perfection which you find in Chekhov's story, The Lady with the Dog. — Graham Greene

Sometimes, when you are reading a book you are enjoying very much, you begin thinking so hard about the characters and the story that you might forget all about the author, even if he is in grave danger and would very much appreciate your help. The same thing can happen if you are looking at a photograph. You might think so hard about whatever is in the photograph that you forget all about the person behind the camera. — Lemony Snicket

Blurbs don't work anymore!" was another. "You should make sure that the quotable lines of dialogue in your book never exceed a hundred and forty characters!" seemed at best debatable. — Scott Westerfeld

He loved a book because it was a book; he loved its odor, its form, its title. What he loved in a manuscript was its old illegible date, the bizarre and strange Gothic characters, the heavy gilding which loaded its drawings. It was its pages covered with dust - dust of which he breathed the sweet and tender perfume with delight. — Gustave Flaubert

I know what I want to achieve in each book and the major points, but I don't plan right down to the chapters. I think that the characters write themselves in some degree. — Samantha Shannon

The Mirror Empire is the most original fantasy I've read in a long time, set in a world full of new ideas, expanding the horizons of the genre. A complex and intricate book full of elegant ideas and finely-drawn characters. — Adrian Tchaikovsky

Advice to a new writer: There are no rules in this profession. Do what is good for you. Read books and watch films that stimulate your writing. In your writing, go where the pain is; go where the pleasure is; go where the excitement is. Believe in your own original approach, voice, characters, story. Ignore critics. Have nerve. Be stubborn. — Anne Rice

Everyone always talks about the magic of books being able to take you to other places, to let you see exotic worlds, to make you experience new and interesting things. Well, do you think words alone can do this? Of course not! If you've ever thought that books are boring, it's because you don't know how to read them correctly. From now on, when you read a book, I want you to scream the words of the novel out loud while reading them, then do exactly what the characters are doing in the story. Trust me, it will make books way more exciting. Even dictionaries. Particularly dictionaries. — Brandon Sanderson

This book is a work of fiction. Names, characters, places, and incidents are the product of the author's imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is coincidental. — Shannon Hale

Because they feel that without them telling you to do this, you wouldn't have had the characters that you have, you wouldn't have the book that you have. — Dan DeCarlo

All of the disparate books on my list contain characters, scenes or voices that linger long past the last page of their stories. — Maureen Corrigan

Insider can be more ludicrous. How did I ever end up [as one]? Carsick [Waters's book on hitchhiking] was on the New York Times best-seller list for five weeks. [One of the characters was] a singing asshole that does a duet with Connie Francis! Times have changed. That's mainstream, in a weird way. — John Waters

It only took Alexis a day to read a five-hundred page book. Fiction stories took her to another world where she could lose herself for a while in someone else's life.
Its funny how things like loans to pay back, a broken home and family, and a future to worry about meant nothing to characters who only had to worry about things like boys, beaches and fun. — Lindsay Chamberlin

Once a book has left the brain of the author, it took on a life of its own, and served as the only liaison between the reader and the author. If you read carefully, the book could tell you all sorts of secrets-sometimes about its characters, and sometimes about its creator. — Catherine Lowell

I get it, she's your rock. Your anchor in the storm. ~Bo~ — Lucian Bane

Characters develop as the book progresses, but any that start to bore me end up in the wastepaper basket. In real life, we may have to put up with tedious people, but not in novels. — Laurie Graham

When you're writing a book, with people in it as opposed to animals, it is no good having people who are ordinary, because they are not going to interest your readers at all. Every writer in the world has to use the characters that have something interesting about them, and this is even more true in children's books. — Roald Dahl

I know a lot of other actors that don't like to look at other references to their characters and things. But I like it. I always look at everything, I read all the books. I read Dieter's "Escape from Laos." I watched the documentary again and again and again. I recorded it just to listen to him a lot. I just don't suffer from feeling like I'm getting caught into an imitation. I just feel like I want to steal some good stuff if it's in there. — Christian Bale

We were pregnant at the time, and while I was out there I started to realize that if I had a daughter, there would come a day when I would have to apologize to her for my profession. I would have to apologize for the way it treats and speaks to women readers, and the way it treats its female characters. — Matt Fraction

One of the things that makes characters real is details. Life offers a lot of details. You just have to choose and use them wisely. When you give them to fictional people and a fictional story, their purpose and their meaning changes, so it's best to see the version in the book as fiction entirely, wherever it started out. — Nick Earls

If you read a book that's fiction and you get caught in the characters and the plot, and swept away, really, by the fiction of it - by the non-reality - you sometimes wind up changing your reality as well. Often, when the last page is turned, it will haunt you. — Jodi Picoult

I think it's the source material. 27 Dresses was a famous book, and Devil Wears Prada was also a wonderful book, so it's coming out of the novelists who are really creating these wonderful female characters that we want to see on the big screen. — Jerry Bruckheimer

I didn't set out to write a book with no real male characters, but men were not important to my narrator, who was much more interested in maternal and pseudo-maternal love, so they were unimportant to me. I didn't even notice the lack of men in the story until I finished it. But once I did notice it, I was kind of delighted. Apparently, my subconscious is totally sexist. — Janice Erlbaum

Writing a book is very personal. It's a very personal relationship. A book will start with something as simple as two men talking about work. That gets the fire going. Sustaining that fire is the hard work. It takes attention and empathy to hone the characters. — Ron Carlson

You know that feeling," she said, "when you are reading a book, and you know that it is going to be a tragedy; you can feel the cold and darkness coming, see the net drawing tight around the characters who live and breathe on the pages. But you are tied to the story as if being dragged behind a carriage and you cannot let go or turn the course aside. — Cassandra Clare

I read and write for character. If I like and can relate to the characters in a story I can enjoy any kind of story. I also want something with a definitive plot - you know, beginning, middle and end--that has forward motion. I don't like series books that leave you hanging after you've finished a book and in my own fiction I try to make sure that there's always an entry point for those who are new to the book as well as long-time readers. — Charles De Lint

Interference is a terrific page-turner, but it's also a haunting, powerful look at the way families and friendships entangle us all. Berry is a sharp-eyed, engaging writer, and she deftly captures the terrors, ruptures and intimacies of one seemingly ordinary neighborhood, always finding a precarious beauty in her characters' lives. This is a book that is terrifying, startling, and very hard to put down. — Rebecca Godfrey

If you do a black character or a female character or an Asian character, then they aren't just that character. They represent that race or that sex, and they can't be interesting because everything they do has to represent an entire block of people. You know, Superman isn't all white people and neither is Lex Luthor. We knew we had to present a range of characters within each ethnic group, which means that we couldn't do just one book. We had to do a series of books and we had to present a view of the world that's wider than the world we've seen before. — Dwayne McDuffie

With a click, my novel would be born; it would come out into the light suddenly transformed from the hypothetical text composed in my imagination into finished, tangible thing with a real and independent existence. The moment of clicking on the print button always gave rise to strange and powerful ambivalence
a combination of self-satisfaction, gloom and anxiety. Self-satisfaction for having finished writing the book. Gloom because taking my leave of the characters has the same effect on me as when a group of friends have to depart. And anxiety, perhaps because I am on the verge of delivering up into other people's hands something that I treasure. — Alaa Al Aswany

The books take a year just to do the drawing. I will travel to a country to do the research and get ideas. Sometimes I don't travel to do research, but mostly I do. It takes a long time, but do I ever get tired of it? Not really. The characters kind of grow and evolve. — Jan Brett

[My characters are] conglomerations of past and present stages of civilization, bits from books and newspapers, scraps of humanity, rags and tatters of fine clothing, patched together as is the human soul — August Strindberg

Of all the characters I've played, I relate the most to Isabel in Hugo. She's so adventurous and fun. She just loves reading books and those are her adventures. Isabel is a heightened version of my personality. — Chloe Grace Moretz

The following is a fictionalized and utterly false account of the events that most definitely did not happen on June 9-10, 1967. And yet, while all the characters in this story are little green men and women running around inside my head, the events that served as inspiration, the historical facts, as it were, must be considered no less than a sibling of the tale contained in these pages: the story I didn't write, but could have written--the book this could have been, but isn't. — Montague Kobbe

I need to have some depth in my characters. That's why they are all Bengalis. I can't imagine writing a book with someone called Saxena as the hero. — Upamanyu Chatterjee

I am thrilled when I read about fans using my stories as springboards to read about either the historical characters or the myths and legends in the books. — Michael Scott

I had a love affair with books, with characters and their words. Books kept me company. When the voices of the book faded, as with the last long chord of a record, the back cover crinkling closed, I could swear I heard a door click shut. — Marya Hornbacher