Body The Song Quotes & Sayings

You've been so long in the rain, you feel like a dirty dish rag. But despite the misery of your water soaked body, you look around to see verdant leaves dripping with water. The air entering your lungs smells vibrantly clean. To experience adventure, you must be willing to be uncomfortable at times and enjoy the loneliness by being happy with your own singing. A song pops out of your mouth ... "It rained all night the day I left, the weather it was fine ... " — Frosty Wooldridge

For me songwriting is very ... it's almost like an accident. 'Oh I accidentally wrote about that.' I sit down with the urge to write a song and then afterward it turns out being really personal. I get really overwhelmed by how I feel a lot and sometimes - I feel like my body and my brain can't deal with all the different emotions and I feel like I'm just going to explode. — Jessica Lea Mayfield

Butch : Two words for you. CYNDI.LAUPER
Vishous : Clearly, the paste you ate has gone to your head. Did Marissa like all that lace you glued on ? Oh ... and I'm talking to your body, not that ridiculous card you made her.
Butch : How does that song go ?
*sings song about true colors*
Vishous : I have no idea what you are talking about.
Butch : Oh.Really. So you deny that shit was playing in the weight room yesterday ?
Vishous : Please. Like I listen to crap like that ?
Butch : So you deny that song was also playing in the Escalade last night ?
Vishous : Don't act the fool.
Butch : So you deny that song was ALSO coming out of your shower early this morning. — J.R. Ward

Tears flood in you
your eyes burning
your heart scars with my name scratched deep
My face is gone
my heart betrayed by your lullabies
I'm a shadow of a girl inside
Hands are touching you
nothing takes the place of you
Heart wrench, weeps goodbye
Lullabies, beautiful and trusting
Barely breathing as they break into dust
Lonely corners me
Sweeps me off my feet
Shows me it was better for me
Fingertips holding close
your grip not as soft
Follows me to an empty bed
I can't stop the weakening of my soul
my body is dying
your tune is holding my mind
Let me go
see what I do
No control
No you
You whisper your sweet goodbye
If it is small it won't interrupt my sleep
But my heart you keep
You say it's for me
But who would be happy?
Alone left out in the cold — Mercy Cortez

The celebrated opening image of 'The Love Song of J. Alfred Prufrock' is another case in point:
Let us go then, you and I,
When the evening is spread out against the sky
Like a patient etherised upon a table ...
How, the reader wonders, can the evening look like an anaesthetised body? Yet the point surely lies as much in the force of this bizarre image as in its meaning. We are in a modern world in which settled correspondences or traditional affinities between things have broken down. In the arbitrary flux of modern experience, the whole idea of representation - of on thing predictably standing for another - has been plunged into crisis; and this strikingly dislocated image, one which more or less ushers in 'modern' poetry with a rebellious flourish, is a symptom of this bleak condition. — Terry Eagleton

He walked over to the piano and lifted the cover revealing black and white keys that my fingers knew all too well. "Play for me?"
I looked at the piano hesitantly and I felt the passion start to grow back inside of me. My fingers itched to play and suddenly my body was moving towards the piano and I sat down, my posture back to where it should be, my fingers hovering over the keys ready to play a song that I hadn't heard in years.
I closed my eyes and slowly breathed in and out. And then my fingers flew across the keys, the music filling the room. The music moved me both emotionally and physically as I rocked my body to the music, putting all of me into the song. The music took me to a different place than where I was here and now. This is the melody I always seem to come back to, always finding myself lost in the notes. The song is a part of me as it tells a story. A story about loss and recovery. — Alexandria Rhodes

The Temper Trap's 'Sweet Disposition' is an invigorating song. It's my mental cue to let go of stress, disconnect from my career and connect to my body and my spirit. — Mylene Dinh-Robic

Music rhythms are mathematical patterns. When you hear a song and your body starts moving with it, your body is doing math. The kids in their parents' garage practicing to be a band may not realize it, but they're also practicing math. — Kareem Abdul-Jabbar

Royal joined the singing to change the subject and to remind her that there were things a body could feel good about. A community that had come together, from seeding to harvest to the bee. But the song was a work song Cora knew from the cotton rows, drawing her back to the Randall cruelties and making her heart thud. Connelly used to start the song as a signal to go back to picking after a whipping. how could such a bitter thing become a means of pleasure? — Colson Whitehead

Often I have to move my body in a certain way, like exercising, to begin to get into the right rhythm for writing a song. — Patty Griffin

I am a politically motivated person, and that will come through in the music. I'm not sure if every song will be Take Me to Church, but I can only hope that people enjoy the body of work that I have ahead of me. — Hozier

But what do I love when I love my God? Not the sweet melody of harmony and song; not the fragrance of flowers, perfumes, and spices; not manna or honey; not limbs such as the body delights to embrace. It is not these that I love when I love my God. And yet, when I love Him, it is true that I love a light of a certain kind, a voice, a perfume, a food, an embrace; but they are of the kind that I love in my inner self, when my soul is bathed in light that is not bound by space; when it listens to sound that never dies away; when it breathes fragrance that is not borne away on the wind; when it tastes food that is never consumed by the eating; when it clings to an embrace from which it is not severed by fulfillment of desire. This is what I love when I love my God. — Augustine

It used to be, you'd open your mouth
And the weather changed. You'd
Open your mouth and the sky'd spill
That dry, missing-someone kind of rain
No matter the season. And it hurt
Like a guitar hurts under the right hands.
Like a good strong spell. Now
You're all song. Body gone to memory.
And guess what? It hurts
Harder. — Tracy K. Smith

Fine, you do that, and you tell them that at the very first opportunity, I'm coming down there and killing all of them. Mass murder. And after they're all dead, I'm going to kick the bodies around, dance on top of them, and sing a happy song. No jury will convict me. — Nora Roberts

That I should make much of myself and turn it on all sides, thus casting coloured shadows on thy radiance
such is thy maya.
Thou settest a barrier in thine own being and then callest thy severed self in myriad notes. This thy self-separation has taken body in me.
The poignant song is echoed through all the sky in many-coloured tears and smiles, alarms and hopes; waves rise up and sink again, dreams break and form. In me is thy own defeat of self.
This screen that thou hast raised is painted with innumerable figures with the brush of the night and the day. Behind it thy seat is woven in wondrous mysteries of curves, casting away all barren lines of straightness.
The great pageant of thee and me has overspread the sky. With the tune of thee and me all the air is vibrant, and all ages pass with the hiding and seeking of thee and me. — Rabindranath Tagore

'Trilogy' was more of a claustrophobic body of work. Before it was released, I hadn't left my city for 21 years, and I had never been on a plane, not once. I spent my entire life on one setting; that's probably why pieces of the album feel like one long track, because that's what my life felt like. It felt like one long song. — The Weeknd

Socrates and Phaedrus, like Odysseus, must sail by the Sirens without being enchanted: instead of listening to their voices, they will outdo them with their own logos. . . . Plato's Odysseus does not even let the song of the Sirens enter him but deafens it with his own rational discourse. Philosophy is itself a Sirens' song, the antidote against the dispersion and drowning of the soul into the body, that is, against the ultimate wandering. — Silvia Montiglio

The difference between the detailed plans he drew up and the house itself when finished, so filled with raked sea light, is the difference between the body and the soul, between musical notation and a song, between the idea for a drawing and the actual drawing itself. — Colm Txf3ibxedn

People say that the soul, on hearing the song of creation, entered the body, but in reality the soul itself was the song. — Hafez

I didn't know yet how wanting to die could be a bloodsong in your body that lives with you your whole life. I didn't know then how deeply my mother's song had swum into my sister and into me. I didn't know that something like wanting to die could take form in one daughter as the ability to quietly surrender, and in the other as the ability to drive into death head-on. I didn't know we were our mother's daughters after all. — Lidia Yuknavitch

There are monsters all around us
They can be so hard to see
hey don't have fangs, no blood-soaked claws
They look like you and me.

But we're not defenseless
We're no damsels in distress
Together we can fend off the attack
All we gotta do is watch our backs.

Your body is beautiful how it is
Who you love is nobody's business
We all contemplate life and death
It's the poet who gives these thoughts
breath.

The monster is strong, don't be mistaken
It thrives on fear-keeps us isolated
But together we can fend off its attack
All we gotta do is watch our backs.

In your darkest hour
When the fight's made you weary
When you think you've lost your power
When you can't see clearly
When you're ready to surrender
Give in to the black
look over your shoulder
I've got your back. — Gayle Forman

You are my body, my soul, the energy by which I live, and the song in my heart. — Keri Arthur

The music glides between the pores of your skin to bubble through your veins in place of blood, and you can't help but clutch the mic with both trembling hands and let the song flow out of you like blood from a wound. In those moments, when the music has replaced everything and even awareness of your own body has faded, you can't breathe, can't do anything but let the song own you, let the performance rocket through you. There's no people, no problems in your life, no buzz of alcohol in your blood or pain in your heart. — Jasinda Wilder

When Whitman wrote, "I sing the body electric"
I know what he
meant
I know what he
wanted:
to be completely alive every moment
in spite of the inevitable.
we can't cheat death but we can make it
work so hard
that when it does take
us
it will have known a victory just as
perfect as
ours — Charles Bukowski

She kissed him, her body molding to his, and in his mind her beautiful voice rose in song just for him. The notes skipped from his mind to the sky, silver and gold notes of joy and happiness, of courage and admiration. She sang of love between two people, sacred and beautiful. She sang of peace and happiness. Her hands moved over him possessively, lovingly, checking his body for wounds. Her warrior was home. Whatever — Christine Feehan

I like the idea that within the structure of the song, some kind of built-in improvisation keeps them fragile and in their moment, so that I'm not projecting so much, so that my perception of the song doesn't interfere with what its real body is. Sometimes it's like telling a story that I heard in passing, and I don't want it to become completely mine. — Ryan Adams

I don't know anyone who has described that terrible yearning for ecstasy and immolation through music as lucidly as Sean Madigan Hoen in Songs Only You Know. Only a thorough initiate of the scene who also had some genius with language could summon the demotic yet electric voice for the job. If there is ruefulness, now, for the way he treated his body, his girlfriends, and his family, he wisely reprises in his book, in neon detail, the fever that once placed him in the same drunken boat with Iggy Pop, Rimbaud and Artaud. — Jaimy Gordon

I could write a song and her name would be the music. I could string, strum a guitar, and her body would be the melody. — Jasinda Wilder

Love is the soul of the world, though its body bleeds, and we must learn to bleed with it. Love is also the seed and milk and the fruit of the world, though we can partake of it in greed or reverence. We are born, we eat, and learn, and die. We leave a tracery of messages in the lives of others, a little shifting of the soil, a stone moved from here to there, a word uttered, a song, a poem left behind. I was here, each of these declare. I was here. — Michael D. O'Brien

David's mouth dripped open slowly. He stood with his heels dug into my carpet, a dashed hope, a broken dream. No amount of money could top the priceless look that gathered on his face like an unmade bed. His eyebrows crumpled and furrowed like disheveled sheets. His lips curled into an acidic smirk. Confusion and shock collided in the cornea of his dilated pupils. He was a B.B. King song, personified. His entire body sang the blues. — Brandi L. Bates

The first time that I appeared on stage, it scared me to death. I really didn't know what all the yelling was about. I didn't realize that my body was moving. It's a natural thing to me. So to the manager backstage I said, 'What'd I do? What'd I do?' And he said "Whatever it is, go back and do it again." — Elvis Presley

Perhaps all women are part faerie, for what woman can deny her faerie blood when the portals to her own land are open; when the full moon sings its insistent song; when sorrow and passion and rage pulse through her body at moon times. This is why women are the chosen ones of Faerie, pat of the vibrant, fluid, emotional soul of the world ... — Brian Froud

She began to sing, but I could not make out the words. It must have been a love song, to judge from the slightly pained expression on her face, and the way she tightly gripped the microphone. I noticed a flash of white skin on her neck. As she reached the climax of the song, her eyes half closed and her shoulders thrown back, a shudder passed through her body. She moved her arm across her chest to cradle her heart, as though consoling it, afraid it might burst. I wondered what would happen if I held her tight in my arms, in a lovers' embrace, melting into one another, bone on bone ... her heart would be crushed. The membrane would split, the veins tear free, the heart itself explode into bits of flesh, and then my desire would contain hers - it was all so painful and yet so utterly beautiful to imagine. — Yoko Ogawa

Song; an intangible medicine that heals both the body and the soul intangibly for a moment. — Ernest Agyemang Yeboah

SONG OF THE STAR


I am nothing but
Oxygen and hydrogen,
A luminous sphere of plasma
Held together by helium and gravity,
And like a balloon I float on earth,
Waiting to be released back into the sky,
Waiting to go back in the reverse direction
From which I came,
Traveling through a warm tunnel of light,
And out into a dark, cold abyss
Where I will explode into a thousand pieces.
I shall leave behind my body,
Just like air abandons the skin of
A shattered balloon,
And the magnetic dust that carries my
Heart and spirit will lift us back
To congregate and shine
With the stars.
Home again,
In the fluorescent
Kingdom of the constellations,
I will once again be called by
My soul's true name.
And my heart,
It will flicker again,
With every memory
From its many
Lifetimes,
And with every wish
Made by a child. — Suzy Kassem

I was working with Toby Gad, who spent a lot of time in India. There's a sitar [in "Body Shop"] and the song has a very Indian flavor to it. I liked the idea of the body of a car as a kind of sexual metaphor - What you do to a car, what you do in a car - drive. So, lots of innuendos, and lots of fun. — Madonna Ciccone

As for the body, it is solid and strong and curious
and full of detail: it wants to polish itself; it
wants to love another body; it is the only vessel in
the world that can hold, in a mix of power and
sweetness: words, song, gesture, passion, ideas,
ingenuity, devotion, merriment, vanity, and virtue. — Mary Oliver

The Qu'ran is God's song, not ours, not even Muhammad's. To allow such a song to pass through one's body, however imperfectly, is to discover that the instrument is transformed by the music. — George Dardess

He slid inside her, his body moving over hers as she lay stretched out on her sofa, his kiss worshipping her mouth, his length embedded deep in her heat. He slid inside her, moved inside her, and there were no words. There were no words, no music, nothing but the rhythm of their hearts beating, the moans of their pleasure, the sound of their lovemaking. It was the most haunting, beautiful song Lauren had ever heard.
And it was enough. It was all she needed. For now, it was all she needed. — Lexxie Couper

Water, wind and birdsong were the echoes in this quiet place of a great chiming symphony that was surging around the world. Knee-deep in grasses and moon daisies, Stella stood and listened, swaying a little as the flowers and trees were swaying, her spirit voice singing loudly, though her lips were still, and every pulse in her body beating its hammer strokes in time to the song. — Elizabeth Goudge

Body Electric ... It is the first song from my new short film called # Tropico that is coming out in the end of the month. — Lana Del Rey

Smoke hung heavy in the air. Will's eyes stung. His throat.
His nose. And the crackling. God, the crackling fire was like the devil laughing.
Vera was in that house.
Mikey gripped his arm. "Hold on, Will - "
Will lunged forward. "Vera - "
"Whoa, Will." Mikey's grip tightened. "Stop."
"The hell I will. Vera - "
"Billy?" One of the cops approached him. Said a bunch of
words. Helped Mikey hold Will back.
Vera was in that house.
Vera, her trusty wooden body, her frets, her new strings. Vera,
who'd had his back everywhere from Pickleberry Springs to
Nashville to New York to LA, from seedy bars to stadiums.
Vera, who'd helped him write his first song. His last song.
Every song in between. — Jamie Farrell

Life is a song made of the musical rhythm of the body, words of the mind and the melodious silence of the soul. — Banani Ray

Nobody can. I'm writing a new song. It's called 'My pancakes bring all the boys to the yard'. Took my hand and I pulled him up. "So pancakes are a euphemism for. .." He paused and ran his eyes slowly over my body. Prickles tugged at my insides. "Cuddles and hugs?" I barked a laugh. "Yep. I give the best cuddles and hugs in all of London. — L. H. Cosway

Keith traced my face, traced my hands and traced my body as the crickets chirped a love song and I lost myself in his eyes that stroked my soul and punctured my heart, like a poison arrow in a shooting star — Aishabella Sheikh

[Listening to a song] one could experience a freedom from one's physical body, and from one's social body - the mask you wore to go about in public among those who thought they knew you, an unchosen mask of nervousness and tradition, the mask that, when owrn too long, makes the face behind it shrivel up and rot away. For some, a spinning record opened up the possibility that one might say anything, in any voice, with any face, the singer's mask now a sign of mystery. — Greil Marcus

Worship gatherings are not always spectacular, but they are always supernatural. And if a church looks for or works for the spectacular, she may miss the supernatural. If a person enters a gathering to be wowed with something impressive, with a style that fits him just right, with an order of service and song selection designed just the right way, that person may miss the supernatural presence of God. Worship is supernatural whenever people come hungry to respond, react, and receive from God for who He is and what He has done. A church worshipping as a Creature of the Word doesn't show up to perform or be entertained; she comes desperate and needy, thirsty for grace, receiving from the Lord and the body of Christ, and then gratefully receiving what she needs as she offers her praise-the only proper response to the God who saves us. — Matt Chandler

In the three minutes it takes the song to play I'm caught in a magic world of harmony and joy, a truly ecstatic joy, where the aching longing to be somewhere else, out of this city, out of this country, out of this body and out of this life, is kept at bay. — Christos Tsiolkas

Over to the jukebox I staggered for a love song to scatter my body before her. — Kim Mitchell

Would you like to?" he says. His voice is hardly audible above the wind
so low it's barely a whisper.
"Would I like to what?" My heart is roaring, rushing in my ears, and though
there are still several inches between his hand and mine, there's a zipping,
humming energy that connects us, and from the heat flooding my body you
would think we were pressed together, palm to palm, face to face.
"Dance," he says, at the same time closing those last few inches and finding
my hand and pulling me closer, and at that second the song hits a high note and I
confuse the two impressions, of his hand and the soaring, the lifting of the music.
We dance. — Lauren Oliver

From the complications of loving you i think there is no end or return. no answer, no coming out of it. which is the only way to love, isn't it? this isn't a playground, this is earth, our heaven, for a while. therefore i have given precedence to all my sudden, sullen, dark moods that hold you in the center of my world. and i say to my body: grow thinner still. and i say to my fingers, type me a pretty song. and i say to my heart: rave on. — Mary Oliver

I always believed that first love would stay in my heart the longest, that it would be reminded through every man I met, through every song and every place I had been too, it hurt like hell to experience my heart crashing into a thousand pieces amongst the floor & the feeling of missing them so bad that my body ached that I spent a lot of time alone wondering if I deserved to be loved the way I love and then I met you & you gently reminded me that I was worthy and in your actions taught me to give love one more chance. So I did and as vulnerable and uncertain it all is, im glad my heart has met someone it wants to open for again. — Nikki Rowe

One thing she realized soon was that the rain here was eternal. The weather must have changed since the Emperor's time, because now the tower loomed constantly in its cloud of drizzle; all the long afternoons rain trickled in runnels and gutters and spouts, spattering through gargoyles of hideous beasts and goblins that spat far down on the heads of hurrying clerks. Always the roofs ran with water; it dripped and plopped and splashed through culverts and drains, or sheeted down, a relentless liquid gurgle that never stopped, until she started to imagine that this was the song the tower sang, through all the throats and mouths and pipes of its endless body. — Catherine Fisher

What is it like to feel Tao? It is an effortless flowing, a sweeping momentum. It is like bird song soaring and gliding over a vast landscape. You can feel this in your life: Events will take on a perfect momentum, a glorious cadence. You can feel it in your body: The energy will rise up in you in a thrilling crescendo, setting your very nerves aglow. You can feel it in your spirit: You will enter a state of such perfect grace that you will resound over the landscape of reality like ephemeral bird song.
When Tao comes to you in this way, ride it for all that you are worth. Don't interfere. Don't stop - that brings failure, alienation, and regret. Don't try to direct it. Let it flow and follow it. When the Tao is with you, put aside all other concerns. As long as the song lasts, follow. Just follow. — Ming-Dao Deng

Stevie: "If you think he's a lecher and all men are disgusting, why do you want me to date?"
Zena: "Because, Stevie. Now and then, when the moon is full and bluish, when the galaxy is all calm and peaceful and serenity rules and even the falling stars are falling gracefully, and the wind creates a beautiful song, that's when you find one outstanding man. Kind. Loyal. Funny and smart, great in bed but not kinky. A lover in his head and in his body. A man who doesn't think as a dick-obsessed monkey with a brain the size of a testicle, but one who is thoughtful and can hold his emotions in one hand and hug you close with the other. A man who is a hunky, manly man but who can talk to you like your best girlfriend, because that's what he wants to be for you. Your best friend."
(Page 44) — Cathy Lamb

When I sang that song, I felt it was almost as if some force had moved into my body. Things like that have only happened to me singing jazz. It doesn't happen when singing pop. I get so deeply into the music, it feels like I've become someone else. — Rita Coolidge

When I first started, the very first body of music I made when I got signed to Atlantic were songs with titles like 'Unify' and 'You're Special.' And there's this song that reminds me of Meghan Trainor that I wrote, about a woman's body and not conforming, when I first started in music. — Wynter Gordon

She came naked behind him as the soft melancholy yearning of the song filled the dark. Her hand stroked his hair, gathered it tight at the nape of his neck. She swayed, and he felt her press against his back, her breasts soft now, yielding and warm through his shirt, her breath tickling his ear. Her hand rested on his shoulder briefly, then slid down inside his shirt, fingers cool on his chest. He could feel the warm hard metal of her ring on his skin, and felt a surge of possession that pulsed through him like a gulp of whisky, a heat suffusing his flesh. He ached to turn and take hold of her, but pushed the urge down, heightening anticipation. He bent his head closer to the strings, and sang until all thought left him and there was nothing left but his body and hers. He could not have said when her hand closed over his on the frets, and he rose and turned to her, still filled with the music and his love, soft and strong and pure in the dark. — Diana Gabaldon

Ribbons I can see the artwork in my head, a dark background with a girl's naked body, melting from her hips down into ribbons of red. The image fits this song to a T. It's a bout breaking down and finding yourself in sex. I think Naomi started writing it before she'd ever had any. Only virgins are this dirty. — C.M. Stunich

You think it's so easy to change yourself. You think it's so easy, but it's not. True, things don't stay the same forever: couches are replaced, boys leave, you discover a song, your body becomes forever scarred. And with each of these moments you change and change again, your true self spinning, shifting positions
but always at last it returns to you, like a dancer on the floor. Because throughout it all, you are still, always, you: beautiful and bruised, known and unknowable. And isn't that - just you - enough. — Leila Sales

He goes along just as a water lily
Gentle on the surface of his thoughts his body floats
Unweighed down by passion or intensity
Yet unaware of the depth upon which he coasts
And he finds a home in me
For what misfortune sows, he knows my touch will reap — Fiona Apple

It was like listening to the universe in motion. Planets spinning on their appointed courses, the lives of men intersecting and parting, the unimaginable harmony of the human body itself in hierarchy and order, were all implied in the song, but something greater as well: the genius of the composer, which must surely approach the miraculous. Perceval closed his eyes and was lost in the weaving music. — Suzannah Rowntree

Most of all, the ultra distance leaves you alone with your thoughts to an excruciating extent. Whatever song you have in your head had better be a good one. Whatever story you are telling yourself had better be a story about going on. There is no room for negativity. The reason most people quit has nothing to do with their body. — Scott Jurek

didn't even know if I was going to come back. Janson The peaceful sleep I'd felt faded away to the terror of a dream. My father and his cigars, burning them into my body. I reached for Kathryn, to hold her close to me and push away the dream, but she wasn't there. Her body wasn't there to keep me warm. I sat up like a shot, my eyes open, and — Kaylee Song

Far from being the rock or island in the Simon and Garfunkel song, it turns out that the best metaphor to describe the human body is 'sponge. — Rick Smith

An album for me as a teenager in the '70s was a fully formed concept. It was a body of work from an artist I liked or trusted or who excited me. Maybe one of the songs is really poppy and you listen to it on the radio as a hit single and then more of the world is about to find out about this artist by buying the record. — Christopher Bollen

He closed his eyes as she put her hand on his shoulder, and in that instant, nothing else mattered. Not the song, not the place, not the other couples around him. Only this, only her. He gave himself over to the feel of her body as it pressed against him, and they moved slowly in small circles on the sawdust-strewn floor, lost in a world that felt as though it had been created for just the two of them. — Nicholas Sparks

Ecstasy is orchestrating the body, into a beautiful song, that sings the praises of the heart and soul. — Jaeda DeWalt

This is why. This is _why_. This is why he plays, why he loves, why he listens. It isn't even a high--a high is too low--it is synchronicity with the universe. Physical proof of the three-part harmony between body and soul and song, all three living, dying, resonating. — Kate Racculia

Dance is a song of the body. Either of joy or pain. — Martha Graham

I should be glad of loneliness And hours that go on broken wings,A thirsty body, a tired heart And the unchanging ache of things,If I could make a single song As lovely and as full of light,As hushed and brief as a falling star On a winter night. — Sara Teasdale

She felt the snake between her breasts, felt him there, and loved him there, coiled, the deep tumescent S held rigid, ready to strike. She loved the way the snake looked sewn onto her V-neck letter sweater, his hard diamondback pattern shining in the sun. It was unseasonably hot, almost sixty degrees, for early November in Mystic, Georgia, and she could smell the light musk of her own sweat. She liked the sweat, liked the way it felt, slick as oil, in all the joints of her body, her bones, in the firm sliding muscles, tensed and locked now, ready to spring
to strike
when the band behind her fired up the school song: "Fight On Deadly Rattlers of Old Mystic High."
Harry Crews- A Feast of Snakes — Harry Crews

It's not just women in film, 18-year-old girls feel pressure to do preventative injecting. I see someone's face, someone's body who has had children and I think, they're the song lines of your experience, and why would you want to eradicate that? I look at people sort of entombing themselves and all you see is their little pin holes of terror ... and you think, just live your life, death is not going to be any easier just because your face can't move. — Cate Blanchett

We circle each other, our gazes remaining locked, the white dress fanning out and wrapping around our legs. Neither of us make any attempt to remove it as my free hand drops to her waist, hers on my shoulder. We spin and sway down the aisle in imperfect sync to the beat of the progressing song and eventually I feel my body relax, allowing a small smile to form. — Tegan Anderson

I read that they have buried his body like a dog's - without funeral rites, without tribal wail, with no solemn song or act. That is the deed of to-day. That is the best that this generation has to give to this noble historic character, this man who in his person ends the line of aboriginal sanctities older that the religion of Christian or Jew. Very well. So let it stand for the present. But there is a generation coming that shall reverse this judgement of ours. Our children shall build monuments to those whom we stoned, and the great aboriginals whom we killed will be counted by the future American as among the historic characters of the continent. — Bill Yenne

I am pregnant with song. My body aches but do not betray me. I will sing songs and hide them away. I will tear them into bits and throw them in the street. The streets of my city are full of dark holes. I will hide my songs in the holes of the streets. — Sherwood Anderson

It may have been due to the effect of the gordo blanco on my cognitive functions, but I was suddenly overwhelmed by an extraordinary feeling - not of satisfaction but of absolute joy. It was the feeling I had in the Museum of Natural History and when I was making cocktails. We started dancing again, and this time I allowed myself to focus on the sensations of my body moving to the beat of the song from my childhood and of Rosie moving to the same rhythm. — Graeme Simsion

There's not the smallest orb which thou behold'st
But in his motion like an angel sings,
Still quiring [making music] to the young-eyed cherubins;
Such harmony is in immortal souls,
But whilst this muddy vesture of decay
Doth grossly close us in, we cannot hear it. — William Shakespeare

Imagine music gushing down the hollow places in your bones, and making you liquid, and giving you speed. Imagine music turning your body into a song. — Beth Kephart

The first time I heard Bob Dylan, I was in the car with my mother listening to WMCA, and on came that snare shot that sounded like somebody'd kicked open the door to your mind ... The way that Elvis freed your body, Dylan freed your mind, and showed us that because the music was physical did not mean it was anti-intellect. He had the vision and talent to make a pop song so that it contained the whole world. He invented a new way a pop singer could sound, broke through the limitations of what a recording could achieve, and he changed the face of rock'n'roll for ever and ever. — Bruce Springsteen

But it turned out life was more like the kind of song the Stones wrote: you didn't get any satisfaction, you took one hit to the body after another, if you were a woman you were a bitch who belonged under someone's thumb, and if you wanted mother's little helper from your dear doctor you better have the silver, take it or leave it, and don't come crying for sympathy, that was just for the devil. — Joe Hill

It was still, at the root, the same dance: the same two bodies, connecting, gliding together, two aching souls reaching for each other and finding more than could be told. And then, in the fourth song, or maybe it was the fifth, they switched roles, without speaking, their bodies deciding, hands moving from waist to shoulder or shoulder to waist and pouring the dance in the opposite direction, which was, they discovered, not an opposite at all but a continuation of the very same dance, the same essential language of the body, of two bodies wishing to be one, forming a kinetic poem out of longing. — Carolina De Robertis

She once told me that she loved me because I was the only thing she could hear. She can feel the vibration of the strings through the carved vessel of her instrument, but I am inside her. I am a song soaked into each bone of her secret body where the world has not been able to wander. — Simon Van Booy

I want my careless song to strike no minor key; no fiend to stand between my body's Southern song - the fusion of the South, my body's song and me. — Margaret Walker

Trolls have existed on this planet for as long as humans. This is what I was told and what I translated to Tub. The first mention of them in recorded history is from ninth-century Norway, when the nefarious creatures began showing up in song, verse, and bedtime stories to keep misbehaving children in line. According to Norse folklore, trolls are one of the Dark Beings, the purest embodiments of evil, and they scurried from between the toes of Ymir, the mythic six-headed Frost Giant whose murdered body became the universe in which we live; his bones became the mountains, his teeth boulders, and so forth. — Guillermo Del Toro

At certain epochs, man has felt conscious of something about himself - body and spirit - which was outside the day-to-day struggle for existence and the night-to-night struggle with fear; and he has felt the need to develop these qualities of thought and feeling so that they might approach as nearly as possible to an ideal of perfection - reason, justice, physical beauty, all of them in equilibrium. He has managed to satisfy this need in various ways - through myths, through dance and song, through systems of philosophy and through the order that he has imposed upon the visible world. — Kenneth Clark

There isn't a better feeling in the world - not an orgasm, not a first kiss, not even that glorious soaring sensation you get when those first few notes of a new song pierce your chest and fill your whole body with absolute bliss - than acknowledgment that your mix tape was not only received and played but enjoyed. It's a dance of sorts, balancing songs you think the listener will love while trying to say everything that otherwise dries up in your throat before you can get out the words. — Libby Cudmore

And what struck my heart almost as much as the song itself was the way that he seemed with his whole body to lean into the music, to press his soul like an ear to the instrument. — Anne Rice

Let me now raise my song of glory. Heaven be praised for solitude. Let me be alone. Let me cast and throw away this veil of being, this cloud that changes with the least breath, night and day, and all night and all day. While I sat here I have been changing. I have watched the sky change. I have seen clouds cover the stars, then free the stars, then cover the stars again. Now I look at their changing no more. Now no one sees me and I change no more. Heaven be praised for solitude that has removed the pressure of the eye, the solicitation of the body, and all need of lies and phrases — Virginia Woolf

It is for you this song
You, the stranger who, without fuss,
Though downtrodden yourself still smiled at me,
When the policemen took me off.

You who didn't join the applause when
The upper crust women and men
All the people with good intentions
Laughed to see me being led away.

It was merely a touch of honey
But it warmed my body through
And in my soul it burns on still
As the bright sun would do...

You, the stranger, when you will die
When the mortician bears you off
May he take you across the sky,
To the Father Eternal. — Georges Brassens

People listening to songs are like people reading novels: for a few minutes, for a few hours, someone else gets to come in and hijack that part of your brain that's always thinking. A good book or song kidnaps your interior voice and does all the driving. With the artist in charge you're free for a little while to leave your body and be someone else. — Douglas Coupland

I am not the name forced upon me,
the body given to me,
or the land that claims me.
I am not my weaknesses.
I am not the age, sex creed, or color
that I landed in. — Anonymous

Blood circulated through her veins with the fluidity of a song that branched off into the most hidden areas of her body and returned to her heart, purified by love. — Gabriel Garcia Marquez

Song I try to make the step-down call of the chickadee, but do it too insistently, over and over so it loses sense, the air going equally out and back, not slower in the opening, then quickening as the tight hinge retracts, but absolutely evenly, too even, the way one breathes and regulates breath for a doctor, to present the body's equanimity. There's a bird in a tree with a hinge in its throat, a door opening to let the sweet air pass from a high, thin place down a notch. There's phlox out there, opening between one black and another black, hanging branch of an apple tree - the very tree that holds the bird that bends the air so parenthetically around itself, and its song around anything listening. — Lia Purpura

I found myself grinning until my cheeks hurt, my scalp prickling till I thought it might lift off my head. My tongue ran away from me, giddy with freedom. This, and this, and this, I said to him. I did not have to fear that I spoke too much. I did not have to worry that I was too slender, or too slow. This and this and this! I taught him how to skip stones, and he taught me how to carve wood. I could feel every nerve in my body, every brush of air against my skin. — Madeline Miller

From very early on, I've realized that and I have a mission statement with my songs to entertain, to encourage and to challenge the Body of Christ. That's always kind of the focus of the songs that I write for myself. — Jonny Diaz

Have you ever entered a kitchen to find a woman, her legs crossed while the rest of her body is dressed in colourful khanga, smiling at you while her hands are making a melodious song with a coconut grater? Have you ever wondered how any woman size can fit on that grater regardless of their body size? The time for wondering is over. East Africa heartily welcomes you to see for yourself. Go and visit it. — Gloria D. Gonsalves

Mary's Song

Blue homespun and the bend of my breast
keep warm this small hot naked star
fallen to my arms. (Rest...
you who have had so far
to come.) Now nearness satisfies
the body of God sweetly. Quiet he lies
whose vigor hurled
a universe. He sleeps
whose eyelids have not closed before.
His breath (so slight it seems
no breath at all) once ruffled the dark deeps
to sprout a world.
Charmed by doves' voices, the whisper of straw,
he dreams,
hearing no music from his other spheres.
Breath, mouth, ears, eyes
he is curtailed
who overflowed all skies,
all years.
Older than eternity, now he
is new. Now native to earth as I am, nailed
to my poor planet, caught that I might be free,
blind in my womb to know my darkness ended,
brought to this birth
for me to be new-born,
and for him to see me mended
I must seen him torn. — Luci Shaw

Without absence in our lives, we risk fooling ourselves into believing that things (a message from a lover, the performance of a song, the face of a human body) matter less. De — Michael Harris

It was the music that finally roused Leo back to consciousness. "Hey. I like that old song," he croaked, completely oblivious to the calamitous chain reaction of the previous 10 seconds. That is until he realized there was a dead body separating him and Kay. — Delora Dennis