Body Painted Quotes & Sayings

Look at your body - A painted puppet, a poor toy Of jointed parts ready to collapse, A diseased and suffering thing With a head full of false imaginings. - The Dhammapada — Thomas Ligotti

I lean back into your body - memory is a shade of the color blue.
Painted the walls white, the clocks went back an hour and who knew you'd be the one?
I am okay with chopsticks, you know how to please just about any man. Your cheeks a hot air balloon lifting up into the sky, a kind of yellow vibrant, tastes like the milkshakes in Pulp Fiction.
The McDonald's lobby is now open 24 hours in case you really want a big mac or some french fries and do not have a car. It might make you fat but it might be worth it. The ones who will love you regardless. — Eric Shaw

He was close enough so that I could see his face clearly, even with his helmet's cheek flaps tied tightly under his bearded chin. I looked into the eyes of Hector, prince of Troy. Brown eyes they were, the colour of rich farm soil, calm and deep. No anger, no battle lust. He was a cool and calculating warrior, a thinker among these hordes of wild, screaming brutes. He wore a small round shield buckled to his left arm instead of the massive body-length type most of the other nobles carried. In it was painted a flying heron, a strangely peaceful emblem in the midst of all this mayhem and gore. — Ben Bova

Here's how the people live here, in big house-shaped boxes to keep off 'rain' and 'snow,' holes cut in the sides so they can see out. They move around in smaller boxes, painted different colours, with wheels on the corners. They need this box-culture because each person thinks of herself and himself as locked in a box called a 'body,' arms and legs, fingers to move pencils and tools, languages because they've forgotten how to communicate, eyes because they've forgotten how to see. Odd little planet. Wish you were here. Home soon. — Richard Bach

That I should make much of myself and turn it on all sides, thus casting coloured shadows on thy radiance
such is thy maya.
Thou settest a barrier in thine own being and then callest thy severed self in myriad notes. This thy self-separation has taken body in me.
The poignant song is echoed through all the sky in many-coloured tears and smiles, alarms and hopes; waves rise up and sink again, dreams break and form. In me is thy own defeat of self.
This screen that thou hast raised is painted with innumerable figures with the brush of the night and the day. Behind it thy seat is woven in wondrous mysteries of curves, casting away all barren lines of straightness.
The great pageant of thee and me has overspread the sky. With the tune of thee and me all the air is vibrant, and all ages pass with the hiding and seeking of thee and me. — Rabindranath Tagore

Okay, now you really don't need to do that blushing virgin bit anymore - I got to ogle your body at my leisure for hours. Matter of fact, I had so long, I could have painted you, instead of just taking pictures with my sat-phone." He held up his phone with a wink.
"I loathe you," she said, precariously bending to collect her toiletries and clothes. As she headed for the bathroom, she gave him the evilest eye she could muster ... . — Kresley Cole

The scenery of mountains painted on the ever-changing azure canvas of the sky, the mysterious mechanism of the human body, the rose, the green grass carpet, the magnanimity of souls, the loftiness of minds, the depth of love - all these things remind us of a God who is beautiful and noble. — Paramahansa Yogananda

For behold your body -
A painted puppet, a toy,
Jointed, sick and full of false
imaginings,
A shadow that shifts and fade. — Gautama Buddha

You had the morning together. He painted your half-naked body, the lucky sod. Had that been my job, your pretty clothes would ne'er have been crafted. — A.G. Howard

The campus, an academy of trees,
under which some hand, the wind's I guess,
had scattered the pale light
of thousands of spring beauties,
petals stained with pink veins;
secret, blooming for themselves.
We sat among them.
Your long fingers, thin body,
and long bones of improbable genius;
some scattered gene as Kafka must have had.
Your deep voice, this passing dust of miracles.
That simple that was myself, half conscious,
as though each moment was a page
where words appeared; the bent hammer of the type
struck against the moving ribbon.
The light air, the restless leaves;
the ripple of time warped by our longing.
There, as if we were painted
by some unknown impressionist. — Ruth Stone

Do you need me to take your temperature?" "What?" What the hell was he talking about? "What are you - " The words died on his lips, and his jaw dropped when Dex stepped into the doorway. "I said, do you need me to check your temperature, Mr. Brodie?" "Sweet Jesus." It took some effort for Sloane to close his mouth, but eventually he managed it. Dex strutted into the room dressed in nurse's scrubs made of white latex so tight it was all but painted on his body. The V-neck top exposed his collarbone and emphasized the curve of every muscle, from his lean sculpted torso, to his muscular legs, and the prominent outline of his hard dick. The white was a stark contrast against his tanned skin. Holy hell, his partner looked like something out of a porn magazine. Wait. — Charlie Cochet

Their poses are all different but the face is the same. Painted from memory in scene after scene is the fresh-faced beauty. Kate.
It's the bargain I've made with myself. If I can't caress her body with my hands, I paint it with my brushes. Use my fingers to trace her lines. — Amy Plum

When the rich give a party and the meal is finished, a man carries round amongst the guests a wooden image of a corpse in a coffin, carved and painted to look as much like the real thing as possible, and anything from 18 inches to 3 foot long; he shows it to each guest in turn, and says: "Look upon this body as you drink and enjoy yourself; for you will be just like it when you are dead."
[Herodotus 'Histories', II 82] — Herodotus

DYER. (Sits down) There was nothing that I recall save that the Sunne was a Round flat shining Disc and the Thunder was a Noise from a Drum or a Pan.
VANNBRUGGHE. (Aside) What a Child is this! (To Dyer) These are only our Devices, and are like the Paint of our Painted Age.
DYER. But in Meditation the Sunne is a vast and glorious Body, and Thunder is the most forcible and terrible Phaenomenon: it is not to be mocked, for the highest Passion is Terrour. — Peter Ackroyd

Jesus, would you look at him. Hair too long and too blond. Eyes too sexy and too blue. Body too buff, ego in danger of liftoff. Standing there in his tight fitted jeans, painted-on T-shirt, and snakeskin boots, he looked like God's guilty gift. Trouble was, he knew it. — Cindy Gerard

With these new techniques, a new breed of evolutionist is emerging, able to capture the workings of evolution in real time. The picture so painted is breathtaking in its wealth of detail and its compass, ranging from the subatomic to the planetary scale. And that is why I said that, for the first time in history, we know. Much of our growing body of knowledge is provisional, to be sure, but it is vibrant and meaningful. It is a joy to be alive at this time, when we know so much, and yet can still look forward to so much more. — Nick Lane

Japanese moe relationships socially dysfunctional men develop deep attachments to body pillows with women painted on them. — James Franco

Red, orange and green geometric designs painted its body as well as the flimsy collar around its neck. The creature flicked its tail and blinked its deep-set eyes, apparently oblivious to their presence.
"That's a yraglian lizards," Deven whispered. "We need to stay back. They smell really bad if you upset them. I mean, really, really bad."
Dirck nodded, unsurprised that the first native creature he encountered on Cyraria represented it so well. — Marcha A. Fox

He had violent passions, and on occasion desire seized his body so that he was driven to an orgy of lust, but he hated the instincts that robbed him of his self-possession. I think, even, he hated the inevitable partner in his debauchery. When he had regained command over himself, he shuddered at the sight of the woman he had enjoyed. His thoughts floated then serenely in the empyrean, and he felt towards her the horror that perhaps the painted butterfly, hovering about the flowers, feels to the filthy chrysalis from which it has triumphantly emerged. I suppose that art is a manifestation of the sexual instinct. It is the same emotion which is excited in the human heart by the sight of a lovely woman, the Bay of Naples under the yellow moon, and the Entombment of Titian. It is possible that Strickland hated the normal release of sex because it seemed to him brutal by comparison with the satisfaction of artistic creation. — W. Somerset Maugham

I had joked about my bones being found by the roadside. Notify the four winds. Up here i might never be found. Keen-eyed vultures would pick the bones clean. Wind and rain would bleach them and in time they'd dissolve into the earth.
I looked up, and a gust of wind swirled the mist, and i saw that glint of gold, so close now, just up ahead. one last effort, to haul and drag myself up over ragged rocks, and at last I stood, breath rasping, limbs shaking, my body one long ache, covered in grime and thick greasy sweat, in front of Hakuyu's cave. The patch of colour I'd seen was a simple bamboo blind, yellowed with age, and painted on it was the outline of a dragon, and the dragon's eye was a dot of gold. That was what had led me all this way. — Alan Spence

The pretty lady come to play with knives, is it?" the man taunted. "Watch out you don't break a nail. I only date presentable girls." Shanti stepped forward and punched him in the sternum with her right hand. She elbowed him in the face with her left before ripping his knife from his hand. With economical movements, she knocked him in the head with the hilt, punched him in the gut, ripped his big body to the side, and stepped around him with a smooth movement. The knife made a loud thunk as it found the center of the target painted on the wooden post twenty paces away. — K.F. Breene

French Louis Seymour of the West Canada Creek, who knew how to survive all alone in a treacherous wilderness, and Mr. Alfred G. Vanderbilt of New York City and Raquette Lake, who was richer than God and traveled in his very own Pullman car, and Emmie Hubbard of the Uncas Road, who painted the most beautiful pictures when she was drunk and burned them in her woodstove when she was sober, were all ten times more interesting to me than Milton's devil or Austen's boy-crazy girls or that twitchy fool of Poe's who couldn't think of any place better to bury a body than under his own damn floor. — Jennifer Donnelly

He painted until the hours towered above him, pressing down upon his body and begging him to stop. — Gwendolyn Womack

I, in my brand new body,
which was not a woman's yet,
told the stars my questions
and thought God could really see
the heat and the painted light,
elbows, knees, dreams, goodnight. — Anne Sexton

Duncan's best friend, a lean, full-blooded Arapaho answering to the name Benjamin Lonetree, knelt in the dirt above the bloody body of Woody McCune, the Circle D's foreman and Fiona's covert lover. Benjamin was naked except for stained moccasins and a ragged loincloth which just about covered his privates. His long hair fell in black braids along sienna painted cheeks. He gripped Woody's shirt in one hand and a Bowie knife in the other. He looked up at Fiona and, grinning an evil grin, ran the blade across Woody's throat. The foreman fell to earth in a dusty cloud, his eyes surprised and terrified. Benjamin held his bright wet knife to the sky and howled an Arapaho war cry. — A.L. Haskett

I'm pulled, pushed and then I find my back against a wall. Eagan's taut frame is bent toward mine, and my body is arched toward his. We create a peculiar sculpture of opposite forces. He cups my face in his palms and makes me look up at him. His lips are so close to mine, that I feel the whisper of his breath against my mouth; I smell mint and a hint of beer. I desire a kiss so desperately, my body is humming with longing. I curl my fingers around his wrists.
"I hate fighting with you," he admits huskily.
"I know. Me too."
"I need to hold you."
I nod and let him fold his arms around me. I bury my face against his chest and utter soft sounds of contentment as his warmth leaks into my skin.
I glance at our shadows painted on the gravel by darkness and streetlights; we're not opposite forces any longer, we're one single being.

("A Veil of Glass and Rain") — Petra F. Bagnardi

Are you pulling my leg?" she asked. "Can you really dissect fragrances just by a simple sniff?" He looked befuddled. "Yes, I can tell exactly what is in almost any fragrance, but I am not pulling your leg. I have not touched your leg or any part of your body. I would not do so after the last time you were here and I treated you badly." He was utterly serious, and Libby had to stifle a laugh as she passed the cake of soap back to him. "I apologize. Pulling my leg is a figure of speech, not something to be taken literally. I was asking if you are teasing me." Understanding dawned in his eyes. "Ah. I see. Well, Miss Liberty Sawyer, you seem like the type of person I would like to tease were I free to do so, but I was not teasing you. I think you are a much better artist than the person who painted this soap label. He obviously wanted something pretty, but I think you would want something accurate. Am I right?" She nodded. "You are right. — Elizabeth Camden

I used to have a cat, an old fighting tom, who would jump through the open window by my bed in the middle of the night and land on my chest. I'd half-awaken. He'd stick his skull under my nose and purr, stinking of urine and blood. Some nights he kneaded my bare chest with his front paws, powerfully, arching his back, as if sharpening his claws, or pummeling a mother for milk. And some mornings I'd wake in daylight to find my body covered with paw prints in blood; I looked as though I'd been painted with roses. — Annie Dillard

The saucy Miss Tottenham slipped the strawberry into her delectable mouth, all the while looking at Cyrus. His thigh muscles tensed inside the velvet prison of his breeches. Hot pleasure shot through his body at the sight of the red berry slipping through her lips. Adding to his misery, a spurt of juice from the tender morsel painted her bottom lip red. He nearly groaned.
Tradition named the apple as the fruit of man's downfall, but tonight he'd argue mightily for the dangers of a ripe strawberry on a certain woman's lips. — Gina Conkle

The glow dies down, and she's standing at the end of my bed
the one who's been following me around leaving feather messages. I take in the torn fishnets, plaid mini-kilt, shiny, riveted breastplate with leather straps at the sides and a worn Great Temolo decal near the left shoulder. Her wings are a crazy black-and-white-checkered pattern, like they've been spray-painted at a body shop to look like hipster sneakers. — Libba Bray

To the little girl the house seemed a gigantic head, and she only a morsel of meat conveniently positioned in its gaping mouth. The front porch was that grinning mouth, the white porch railing its lower teeth, the ornamental wooden frieze above its upper teeth, the painted wicker chair on which she perched its green wagging tongue. Frances sat and rocked and wondered when the jaws would clamp shut. — Michael McDowell

Fr. 2
All We as Leaves
He (following Homer) compares man's life with the leaves.
All we as leaves in the shock of it:
spring-
one dull gold bounce and you're there.
You see the sun? - I built that.
As a lad. The Fates lashing their tails in a corner.
But (let me think) wasn't it a hotel in Chicago where I had the first of those - my body walking out of the room
bent on some deadly errand
and me up on the ceiling just sort of fading out-
brainsex paintings I used to call them?
In the days when I (so to speak) painted.
Remember
that oddly wonderful chocolate we got in East
(as it was then) Berlin? — Anne Carson

The giant's blue left arm uncoiled from the Bloody-Nine's body, his blue hand seized hold of the Bloody-Nine's wrist, but there could be no stopping it. When the sapling seed finds a crack in the mountain, over long years its deep roots will burst the very rock apart. So the Bloody-Nine strained with every muscle and let the slow time pass, hissing out his hatred into the Feared's twitching mouth. The blade crept onwards, slowly, slowly, and its very point bit into painted flesh, just below the giant's bottom rib. — Joe Abercrombie

Passing one of these boats at night, and seeing the great body of fire, exposed as I have just described, that rages and roars beneath the frail pile of painted wood: the machinery, not warded off or guarded in any way, but doing its work in the midst of the crowd of idlers and emigrants and children, who throng the lower deck: under the management, too, of reckless men whose acquaintance with its mysteries may have been of six months' standing: one feels directly that the wonder is, not that there should be so many fatal accidents, but that any journey should be safely made. — Charles Dickens

I remembered watching Slim Goodbody on TV, an odd white guy with a small Afro who wore a full-body leotard with the inside of the human body painted on it, which made him look as if he'd been flayed alive. He — Jenny Lawson

Fred was afraid of the night, afraid his body would slip away from him, dissolve in that purple velvet with diamond eyes, the tropical night. The tropical night did not lie inert, like a painted movie backdrop, but was filled with whisperings, and seemed to have arms like the foliage.
Beauty was a drug. The small beach shone like mercury at their feet. — Anais Nin

Eena!"
Recognizing Ian's voice, Eena turned to find him approaching her from behind. He was entirely clad in body armor and gauntlets, cradling an open-faced helmet in one arm. Painted on his chest plate was a flaming, gold sword. From his side hung a leather sheath, a golden hilt peeking from the top.
"I'm glad you're back. You are going to stay and watch us play, aren't you?" He looked hopeful she'd say yes.
Eena smiled brightly. "I didn't know you were talented enough to be on a dueling team. Nice sword," she teased.
Ian blushed a degree. "Thanks. They call us the Savage Warriors!" He rasped their team name in a semi-ferocious voice. "Jerin's team captain."
She laughed at the showy designation. "And who's your challenger today?"
"The Dragon Slayers - Derian's team."
Eena's face fell. "Derian is playing?" She groaned internally, knowing she should've guessed as much. This was starting to look like another setup. — Richelle E. Goodrich

We know the original relation of the theater and the cult of the Dead: the first actors separated themselves from the community by playing the role of the Dead: to make oneself up was to designate oneself as a body simultaneously living and dead: the whitened bust of the totemic theater, the man with the painted face in the Chinese theater, the rice-paste makeup of the Indian Katha-Kali, the Japanese No mask ... Now it is this same relation which I find in the Photograph; however 'lifelike' we strive to make it (and this frenzy to be lifelike can only be our mythic denial of an apprehension of death), Photography is a kind of primitive theater, a kind of Tableau Vivant, a figuration of the motionless and made-up face beneath which we see the dead. — Roland Barthes

Her body was rounded like earth. Stories. Breath ... Her eyes have been painted closed. I understand. To tell a story you must travel inward. — Terry Tempest Williams

I wanted a Gibson type sound, but with a Strat vibrato ... I bought a body from Charvel for $50.00 and a neck for $80.00 - I slapped it together, put an old Gibson PAF in it and painted it up with the stripes — Eddie Van Halen

When either grace is turned into painted, but rotten nature, as Arminians do, or into wantonness, as others do, the error to me is of a far other and higher elevation, than opinions touching church government. Tenacious adhering to Antinomian errors, with an obstinate and final persistence in them, both as touching faith to, and suitable practice of them, I shall think, cannot be fathered upon any of the regenerated; for it is an opinion not in the margin and borders, but in the page and body, and too near the centre and vital parts of the gospel. — Samuel Rutherford

Wow!" My whole body exploded with joy and excitement to see this magnificent sight. Overwhelmed by their presence, my stomach fluttered right along with them. Butterflies of every color, looking as if they were painted with patches of bold bright reds, oranges, blues, purples, and yellows, all intertwined, overlapping each other. As I continued to follow their path, I squinted at the brilliant sun in the cloudless sky. It blinded me for a split second, and then I saw that the butterflies were returning, circling around Michael and me - all of them dancing in the sky. Each knew its location and position with such precision, never colliding while reaching higher and higher to form a tunnel. Countless butterflies, circling around us, gave me chills as I could feel the air gently flowing from their wings. It was incredible to experience such beauty of color and grace so close within reach. — C. Gockel

I reached out a hand, and touched her. Her body was hard, and slim, and lithe, and her breasts felt like breasts that Gauguin might have painted. Her mouth, in the darkness, was soft and warm against mine.
People come into your life for a reason. — Neil Gaiman

The world is on fire!
And are you laughing?
You are deep in the dark.
Will you not ask for light?

For behold your body -
A painted puppet, a toy,
Jointed and sick and full of false
imaginings,
A shadow that shifts and fades.

How frail it is!
Frail and pestilent,
It sickens, festers and dies.
Like every living thing
In the end it sickens and dies.

Behold these whitened bones,
The hollow shells and husks of a dying
summer.
And are you laughing? — Gautama Buddha

He thought of the Finishing School for Barbies where long-legged, high-breasted, stomachless girls went to get shaved clean, get their toenails painted pink, their nipples removed, and all body opening sewn shut, except for their mouths, which curved in perpetual smiles and led nowhere. — Kate Wilhelm

I want you both." I said quietly, not caring that my cheeks had grown warmer. "I have for a while."
"If we try this - " Tyler took a deep breath. "And it doesn't feel right - "
"We'll stop." Kacey promised as he slid his hand beneath my halter neck and began caressing my skin. "You say it baby, and we'll stop and forget all about it."
My stomach flipped at the feel of his fingers circling my navel. "And if I don't want to stop?"
An unreadable look crossed Tyler's face and my heart skipped as Kacey moved behind me. The warmth of his body seeped into my back, while his fingers painted trails of heat across my abdomen and along my ribs.
"Then what happens in Silver Creek, stays in Silver Creek. Unless you decide otherwise." Kacey pressed his lips to my ear. A shiver ran down my neck and spine. "Does that sound fair? — Elizabeth Morgan

When I bring to you coloured toys, my child, I understand why there is such a play of colours on clouds, on water, and why flowers are painted in tints
when I give coloured toys to you, my child.
When I sing to make you dance I truly now why there is music in leaves, and why waves send their chorus of voices to the heart of the listening earth
when I sing to make you dance.
When I bring sweet things to your greedy hands I know why there is honey in the cup of the flowers and why fruits are secretly filled with sweet juice
when I bring sweet things to your greedy hands.
When I kiss your face to make you smile, my darling, I surely understand what pleasure streams from the sky in morning light, and what delight that is that is which the summer breeze brings to my body
when I kiss you to make you smile. — Rabindranath Tagore

Poetry is above all a concentration of the power of language, which is the power of our ultimate relationship to everything in the universe. It is as if forces we can lay claim to in no other way, become present to us in sensuous form. The knowledge and use of this magic goes back very far: the rune; the chant; the incantation; the spell; the kenning; sacred words; forbidden words; the naming of the child, the plant, the insect, the ocean, the configuration of stars, the snow, the sensation in the body. The ritual telling of the dream. The physical reality of the human voice; of words gouged or incised in stone or wood, woven in silk or wool, painted on vellum, or traced in sand. — Adrienne Rich

Panting, my body dotted with perspiration, I scanned my surroundings. I saw walls of ivory and gold, painted in swirling patterns. An antique dresser. A furry white rug on the floor. A mahogany nightstand, with a Tiffany lamp perched next to a photo of my boyfriend, Cole. — Gena Showalter