Blues And Jazz Music Quotes & Sayings

I have to admit that more and more lately, the whole idea of jazz as an idiom is one that I've completely rejected. I just don't see it as an idiomatic thing any more ... To me, if jazz is anything, it's a process, and maybe a verb, but it's not a thing. It's a form that demands that you bring to it things athat are valuable to you, that are personal to you. That, for me, is a pretty serious distinction that doesn't have anything to do with blues, or swing, or any of these other things that tend to be listed as essentials in order for music to be jazz with a capital J. — Pat Metheny

Blues and soul and jazz music has so much pain, so much beauty of raw emotion and passion. — Christina Aguilera

My big influences are Joni Mitchell, and a lot of classical and Indian music, as well as Nina Simone and the personal blues and jazz of Billie Holiday. Other influences for me include Bjork, Nick Drake, and Sufjan Stevens. — Yael Naim

The world I live in is benefiting from things like satellite radio. Jazz and blues fests are everywhere now, and Americana is going strong on college radio. What I'm hearing is an appreciation of real music. — Bonnie Raitt

It's always difficult to define what jazz is or what jazz isn't. To me, the only definition that I can think of is it's music where a lot of different elements are played at the same time. The harmonic, the melodic ... You're pushing the boundaries on every level. That could be true of rhythm and blues as well. I'm a musician. — David Sanborn

New Orleans had a great tradition of celebration. Opera, military marching bands, folk music, the blues, different types of church music, ragtime, echoes of traditional African drumming, and all of the dance styles that went with this music could be heard and seen throughout the city. When all of these kinds of music blended into one, jazz was born. — Wynton Marsalis

And what happened was, it's the same thing an older, more successful writer of ficition might say to a student: write about what you know. And what I knew - of course I knew jazz, but I also knew country, blues and some rock and roll. And that came out. — Larry Coryell

And I like Strauss and Mozart and all that, but the priceless gift that African Americans gave the world when they were still in slavery was a gift so great that it is now almost the only reason many foreigners still like us at least a little bit. That specific remedy for the worldwide epidemic of depression is a gift called the blues. All pop music today-jazz, swing, be-bop, Elvis Presley, the Beatles, the Stones, rock and roll, hip hop and on and on- is derived from the blues. — Kurt Vonnegut

What isn't on my iPod playlist? I have very eclectic tastes. Jazz. Classic Rock. Hip Hop. Ska. Soul. Electronica.World Music. Funk. Blues. Chamber Music. Reggaeton. Gospel. And a whole lot of Prince. (I am a Minnesota gal through and through.) — Michele Norris

African American music can't happen in Germany or in Italy or in Mumbai. If America disappeared off the face of the Earth today, the greatest single cultural loss would be blues, jazz, hip-hop, R&B, rock-and-roll. — David Simon

I am not saying that you have to be a jazz fan to be a Mod. The Mod scene incorporates a wide variety of music genres, and you don't have to like all of them to be a Mod. Considering that, you may not have to like every genre generally accepted in the Mod scene, but a basic respect for the genres that helped lay the foundation for the scene (Jazz, Soul, British Rhythm and Blues), especially their place in the scene, is something I feel should be expected of anybody in the Mod scene who wants their opinion taken seriously. That said, let's be realistic: You may not have to like any one or two or ten specific genres of Mod music, but if you don't like any of them, yet still fancy yourself to be a "Mod", don't be surprised when people in the scene don't take you seriously at all. — Ruadhan J. McElroy

I think we as a band, as individuals, understand that all popular music stems from blues and jazz and even pop, but rock 'n' roll especially comes from blues. — David Johansen

My school music teacher, Al Bennest, introduced me to jazz by playing Louis Armstrong's record of "West End Blues" for me. I found more jazz on the radio, and began looking for records. My paper route money, and later, money I earned working after school in a print shop and a butcher shop went toward buying jazz records. I taught myself the alto saxophone and the drums in order to play in my high school dance band. — Bill Crow

The resulting amalgam - an exotic mixture of European, Caribbean, African, and American elements - made Louisiana into perhaps the most seething ethnic melting pot that the nineteenth century world could produce. This cultural gumbo would serve as breeding ground for many of the great hybrid musics of modern times; not just jazz, but also cajun, zydeco, blues, and other new styles flourished as a result of this laissez-faire environment. In this warm, moist atmosphere, sharp delineations between cultures gradually softened and ultimately disappeared. — Ted Gioia

It seems all worlds of music - rock, blues, R&B, soul, hip-hop and others - are able to point to impromptu get-togethers as proud moments in their timelines, encounters that were recorded and created music of lasting impression. In the jazz tradition, there are a few, but none that has been revered for as long as Jazz at Massey Hall. — Ashley Kahn

But black folks have never really been optimists. We've been prisoners of hope, and hope is qualitatively different from optimism in the way that there's a difference between The Blues and Lawrence Welk. The Blues and Jazz have to do with hope while the other is sugarcoated music which has to do with sentimental optimism. — Cornel West

We're not like a nostalgia act, or the normal classic rock act - we're a really good musical organization, ... You're going to hear some blues, some jazz, a little of everything. The guys in the band are great musicians. When we play, we're there for real. It's not about posing, strutting in tights, that kind of stuff. It's all about music, and I've always respected my audience that way. — Steve Miller

Skiffle was blues featuring a washboard and acoustic instruments. It encompassed blues, with elements of folk, jazz, and, at times, American country-and-western music. — Van Morrison

Amy [Winehouse] changed pop music forever, I remember knowing there was hope, and feeling not alone because of her. She lived jazz, she lived the blues. — Lady Gaga

Blues is to jazz what yeast is to bread
without it, it's flat. — Carmen McRae

Everybody has the blues. Everybody longs for meaning. Everybody needs to love and be loved. Everybody needs to clap hands and be happy. Everybody longs for faith. In music, especially this broad category called jazz, there is a stepping-stone to all of these. — Martin Luther King Jr.

What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man. — Ray Charles

Of course when you are a kid you listen to what your parents had around. A lot of gospel, jazz. Now when I started to listen to music on my own it was around the time of the birth of rock and roll. Shortly thereafter I started to get into more blues and more traditional rootsy American music. — Jorma Kaukonen

I believe that blues and jazz are the two uniquely American contributions into music. — Edgar Winter

I loved music from the age of eight. Jazz and blues. But also Little Richard and Elvis Presley. — Bryan Ferry

Those who have not lived in New Orleans have missed an incredible, glorious, vital city
a place with an energy unlike anywhere else in the world, a majority-African American city where resistance to white supremacy has cultivated and supported a generous, subversive, and unique culture of vivid beauty. From jazz, blues, and and hip-hop to secondlines, Mardi Gras Indians, jazz funerals, and the citywide tradition of red beans and rice on Monday nights, New Orleans is a place of art and music and food and traditions and sexuality and liberation. — Jordan Flaherty

I grew up in the funk, rock and roll, blues and r&b tradition, and I came to this thing we call jazz later. And I came to improvise music from the standpoint of jazz; I was improvising, but within these other genres of music. — Hamid Drake

You learn from music, from watching great athletes at work - how disciplined they are, how they move. You learn these things by watching a shortstop at work, how he concentrates on one thing at a time. You learn from classic music, from the blues and jazz, from bluegrass. From all this, you learn how to sustain a great line without bringing in unnecessary words. — Ernest Gaines

I wanna show that gospel, country, blues, rhythm and blues, jazz, rock 'n' roll are all just really one thing. Those are the American music and that is the American culture. — Etta James

I'm a bluesman moving through a blues-soaked America, a blues-soaked world, a planet where catastrophe and celebration- joy and pain sit side by side. The blues started off in some field, some plantation, in some mind, in some imagination, in some heart. The blues blew over to the next plantation, and then the next state. The blues went south to north, got electrified and even sanctified. The blues got mixed up with jazz and gospel and rock and roll. — Cornel West

For me, jazz, R&B, jump swing, Chicago blues, country blues, early hillbilly music, and honky tonk all stem from the same source — Duke Robillard

As far as I'm concerned, blues and jazz are the great American contributions to music. — Edgar Winter

One of my problems is I'm not really sure if I slot into rock or not. I've always tried to combine world music, folk, jazz, blues and rock, and have done since Traffic. — Steve Winwood

Symmetria by the Uccello Project is a gorgeous, instrumental and largely unclassifiable record. Best thought of as 'cinematic', each of the tracks conjures up a range of emotions and images, taking the listener on a beautiful journey. The layers of basses, guitars and percussion ebb and flow, drawing on jazz, folk, blues and African music, blending all the elements into one lovely album. Recommended. — Steve Lawson

You hear lots of notes, don't you? Some have a major sound. Some have a minor sound. But there's not one blue note among all these black and white keys. The real blues, the soul of the sound, comes from the spaces in-between. — David Mutti Clark

When I was a little kid wanting to play music, it was because of people like Pete Johnson, Huey Smith, Allen Toussaint, Professor Longhair, James Booker, Art Neville ... there was so many piano players I loved in New Orleans. Then there was guys from out of town that would come cut there a lot. There was so many great bebop piano players, so many great jazz piano players, so many great Latin piano players, so many great blues piano players. Some of those Afro-Cuban bands had some killer piano players. There was so many different things going on musically, and it was all of interest to me. — Dr. John

In the United States, many people said you can't have folk music in the United States because you don't have any peasant class. But the funny thing was, there were literally thousands, tens of thousands, hundreds of thousands of people who loved old time fiddling, ballads, banjo tunes, blues played on the guitar, spirituals and gospel hymns. These songs and music didn't fit into any neat category of art music nor popular music nor jazz. So gradually they said well let's call it folk music. — Pete Seeger

Because the blues is the basis of most American music in the 20th century. It's a 12-bar form that's played by jazz, bluegrass and country musicians. It has a rhythmic vocabulary that's been used by rock n' roll. It's related to spirituals, and even the American fiddle tradition. — Wynton Marsalis

I forget what the official name of it was, but they did an all-day of roots music - every kind of music you can imagine from around the country - New Orleans Jazz to Indian flute players, R&B, you name it. I met and became good friends with (blues guitar player) Joe Louis Walker. He was on the show. — Scotty Moore

Most of the music I've become interested in is hybrid in its originsClassical music, of course, is unbelievably hybrid. Jazz is an obvious amalgam. Bluegrass comes from eighteenth-century Scottish and Irish folk music that made contact with the blues. By exploring music, you're exploring everything. — Edgar Meyer

Comedy is a funny thing, and it's really not like any other art form in that it's very specialized and varied in it's content, but generic in it's title. You would never go to a club just to see "Live music," you would go to a jazz club to see jazz, a blues club to see blues, etc. But when you go to see "standup comedy," if you don't know the performers material, you really don't have any idea what you're gonna get. — Joe Rogan

I use rock and jazz and blues rhythms because I love that music. I hope my poetry has a relationship with good-time rock'n roll. — Adrian Mitchell

I had 12 years of classical music as a child, playing piano competitions as a teenager, playing in blues bands and rock 'n' roll bands, country and jazz bands. I played in about any situation. — Ronnie Milsap

In my teenage years I was as addicted to great pop as I was to free jazz, electronic music, and hardcore blues. — Scott Walker

Our past as well as our future. It could have been completely destroyed when we were brought to the New World as slaves. They even took away our drums. And I don't want to talk about all those negative things going on. But its music is more present in our lives than ever. Blues, samba, calypso, reggae, jazz, salsa, Africa is everywhere. — Randy Weston

I'm done with industrial. Seriously, my iPod collection at home has no industrial music on it; it's strictly jazz, blues and country. — Al Jourgensen

Back in the day in my teens I was listening to Joe Pass and Wes Montgomery a lot; before that I was listening to what I would call now the more 'simple' jazz players (but still very valid), like Barney Kessell or Johnny Smith; I learnt a lot of voicings from Johnny Smith records. Now, I listen to the old blues players; that's what you'd hear in my house if there was music on. It would be Albert Collins or Albert King. — Larry Carlton

When I was a teenager, I really didn't like loud rock music. I listened to jazz and blues and folk music. I've always preferred acoustic music. And it was only, I suppose, by the time Jethro Tull was getting underway that we did let the music begin to have a harder edge, in particular with the electric guitar being alongside the flute. — Ian Anderson

I only hope that one day, America will recognize what the rest of the world already has known, that our indigenous music - gospel, blues, jazz and R&B - is the heart and soul of all popular music; and that we cannot afford to let this legacy slip into obscurity, I'm telling you. — Quincy Jones

I'm primarily thought of as a rocker, and certainly 'Frankenstein' had a very dramatic power rock image. It was almost a precursor of heavy metal and fusion. But I also love jazz and classical and if there's one common thread that runs through all my music, it is blues. — Edgar Winter

It started so early, it all runs together. But what made a huge impact on me was when I went to Europe at 15 or 16 years old. All I knew before that was music on the radio and TV. When I went over there I realized there are all different levels of music. There are people who do blues, jazz, classical, working in film, TV and all kinds of places. You might not see them on MTV but there are lots of needs and uses and opportunities for all kinds of music. — Chris Thomas King

If you ask me, rockabilly has had a raw deal for far too long. People never shunned the blues or jazz the way they do rockabilly. But it's the original punk-rock, and it changed the way people looked at music for ever. — Imelda May

In my mother's church, everybody read the Bible and it was mostly about music. My mother had the most beautiful voice I have ever heard in my life. She could sing anything - classical, jazz, blues, opera. And people came from long distances to that little church she went to - African Methodist Episcopal, the AME church she belonged to - just hear her. — Toni Morrison

The most important thing to do as an artist is to get out of your comfort zone and work with different people: people who can't read a note of music, people who have incredible classical skills, blues and jazz musicians, pop artists, visual artists, dancers and actors. Learn from people who are creative in a different way to you and you'll keep evolving. — Katie Noonan

So from Jazz, Blues, R&B, Soul, Classical and Country music, Hip Hop has introduced us to a little bit of everything. — B.J. The Chicago Kid

I have truly eclectic taste in music, and I seem to cycle through phases in terms of to what's inspiring me. I'll go from Beethoven to Sigur Ros; world music, Brit-pop, classic rock, blues/jazz, even the odd bit of heavy metal. — Rachel Miner

My influences are jazz, blues, European classical music; they are rock music and pop music. So many kinds of music. World music from different countries like India and China. I think that would be a shame not to take advantage and do something ... not unique, because I don't have this pretension. — Rokia Traore

There are many influences in my music, not only blues. R&B, Motown, gospel, old timey, jazz, even classical are all part of what I do. I started with classical, then country, then blues, and after that I started listening heavily to Motown and gospel. My earliest efforts as a songwriter were soul. Aretha Franklin, Curtis Mayfield, Wilson Pickett, Gladys Knight, James Brown, Otis Redding, Marvin Gaye and Fontella Bass are just a few of the names that come to mind as the God's of soul and Motown. — Rory Block

Everything comes from one thing, everything comes from the Spirit. Jazz would not exist had it not been for gospel music, the blues would not exist had it not been for spiritual blues, which goes back to slave songs our fore fathers were singing while they were out in the field. So it's all one continuous growth from one group of people. Of course jazz now is played by various cultures and colors around the world. But the stimulus is One Voice. — Ramsey Lewis

Bill Monroe spoke of bringing 'ancient tones' into his music with echoes of British and Irish fiddle and bagpipe music, while also delving deeply into American blues, gospel, folk hymnody, and hill country dance music. To that gumbo, he added the invigorating rhythms and harmonies of hot jazz. It was a new kind of American music, named in honor of his band The Blue Grass Boys to be known, simply, as bluegrass. — Paul Zollo

Recording in Nashville was absolutely essential to get the sound, the musicians, the atmosphere, the warmth ... There are just cult places like that in the world, like Chicago for the blues or New York for jazz. Nothing sounds the same in Nashville as it does elsewhere. Nashville is the Mecca of country music and everyone knows it. — Roch Voisine