Blood Red Hair Quotes & Sayings

There's blood, a taste I remember. It tastes of orange popsicles, penny gumballs, red licorice, gnawed hair, dirty ice. — Margaret Atwood

With a slow, deliberate movement, he pushed his hand into the fall of her hair, wrapping a thick strand around his fingers and wrist. His voice dropped, deepening as he spoke words meant for her. "I love your hair. The color of blood at its most fragrant and powerful."
The light tug on the strands didn't hurt. Instead it sensitized her. The swirl of color in his eyes was myriad shades of red reflected and magnified. "You should let go now," she said, low even tones that matched his own.
The corner of that edible mouth lifted, baring a fang. "Never. — Danielle Monsch

He saw her draw closer in the mirror. Her black hair was an ink splash against the white tile walls. She paused behind him. "You protected me, Kaz."
"The fact that you're bleeding through your bandages tells me otherwise."
She glanced down. A red blossom of blood had spread on the bandage tied around her shoulder. She tugged awkwardly at the strip of towel. "I need Nina to fix this one."
He didn't mean to say it. He meant to let her go. "I can help you."
Her gaze snapped to his in the mirror, wary as if gauging an opponent. I can help you. They were the first words she'd spoken to him, standing in the parlor of the Menagerie, draped in purple silk, eyes lined in kohl. She had helped him. And she'd nearly destroyed him. Maybe he should let her finish the job. — Leigh Bardugo

She was beautiful, only hers was the dark beauty of night, just as Sherry's was the bright beauty of daytime. Her hair was raven-black, ending in a sort of widow's peak low on her forehead, and her face and arms were alabaster- white. Her gown was a clinging thing of swirling black, almost like smoke, and two peculiar shoulder-draperies she wore, hanging down loosely and caught at the wrists, almost suggested great triangular wings when her arms were in motion.
Her lips were a red gash in the pallor of her face, and they glistened as though she had daubed them with fresh blood instead of rouge.
"What's your name?" I asked.
"Call me Faustine," she said low. I saw her staring fixedly at me, with a sort of half-smile on her face, but her gaze rested a little lower than my own face. I fingered my neck uneasily. "Is there something on my collar?"
("Vampire's Honeymoon") — Cornell Woolrich

Holi, the spring carnival, when members of all castes mingle and let down their hair, sprinkling one another with cascades of red powder and liquid, symbolic of the blood that was probably used in past centuries. — Wendy Doniger

She was indeed beautiful, as if someone had taken the scientific measurements of perfection and used them to mold a single ideal specimen. Her face was slightly heart-shaped, with high cheekbones barely flushed. Auburn hair fell in silken ringlets to her waist and her unblemished ivory skin shimmered like mother-of-pearl in the sunshine. Her lips were red red red, looking like she'd just drunk a pint of blood. — Marissa Meyer

It hurts so much, she thought. Our children, Ned, all our sweet babes. Rickon, Bran, Arya, Sansa, Robb ... Robb ... please, Ned, please, make it stop, make it stop hurting ... The white tears and the red ones ran together until her face was torn and tattered, the face that Ned had loved. Catelyn Stark raised her hands and watched the blood run down her long fingers, over her wrists, beneath the sleeves of her gown. Slow red worms crawled along her arms and under her clothes. It tickles. That made her laugh until she screamed. "Mad," someone said, "she's lost her wits," and someone else said, "Make an end," and a hand grabbed her scalp just as she'd done with Jinglebell, and she thought, No, don't, don't cut my hair, Ned loves my hair. Then the steel was at her throat, and its bite was red and cold. - Catelyn Stark — George R R Martin

Death, you are no different to me than my lover with cloud-coloured skin, and your hair a mass of dark cloud, your hands like blood-red lotus, and your lips the colour of blood. — Tagore Rabindranath

One large cat bounded up the side of the outcrop to stand in full view on an overhanging boulder. She stared down at them, inside their protective enclosure, tilting her head from side to side. Her scarred yellow-brown coat was immaculately groomed, but the long tufting hair of her snout was matted with the bright red smear of uncongealed blood from a recent kill. Her upper lip curved over the top of foot-long saber teeth. — P.J. Parker

Ugly and futile: lean neck and thick hair and a stain of ink, a snail's bed. Yet someone had loved him, borne him in her arms and in her heart. But for her the race of the world would have trampled him underfoot, a squashed boneless snail. She had loved his weak watery blood drained from her own. Was that then real? The only true thing in life? His mother's prostrate body the fiery Columbanus in holy zeal bestrode. She was no more: the trembling skeleton of a twig burnt in the fire, an odour of rosewood and wetted ashes. She had saved him from being trampled underfoot and had gone, scarcely having been. A poor soul gone to heaven: and on a heath beneath winking stars a fox, red reek of rapine in his fur, with merciless bright eyes scraped in the earth, listened, scraped up the earth, listened, scraped and scraped. — James Joyce

I made sure to brush my teeth as soon as I was able. I even asked for a hair tie to pull my long, blood-red hair into a twist at the nape of my neck so I wouldn't have that 'freshly hospitalized' look. — Elle Lothlorien

Detective Inspector Carver took a picture from the breast pocket of his suit. He handed it to me. 'This is what you did, Michael. Take a good look. See if it jogs your memory.'
I gawped at the mutilated corpse of a naked young girl lying on a blood-soaked double bed. Her hands were bound to the brass headboard with duct tape. Blood covered her upper body, and her long blonde hair was streaked a murderous shade of red. One eye stared at the ceiling as if searching for salvation, the other, a bloody unrecognisable pulp, bore no relation to its sightless counterpart.
'Carla Marie Coombs. Twenty-one years of age. Do you recognise her, Michael? — Mark Tilbury

Precise historical reasons are difficult to pinpoint, but red hair, it seems, bestows a sense of otherness. Red is the colour of blood and danger. — Kate Williams

There lay the Count, but looking as if his youth had been half restored. For the white hair and moustache were changed to dark irongrey. The cheeks were fuller,
and the white skin seemed ruby-red underneath. The mouth was redder than ever, for on the lips were gouts of fresh blood, which trickled from the corners of the mouth and ran down over the chin and neck. Even the deep, burning eyes seemed set amongst swollen flesh, for the lids and pouches underneath were bloated. It seemed as if the whole awful creature were simply gorged with blood. He lay like a filthy leech, exhausted with his repletion. — Bram Stoker

Blonde hair drawn into a no-nonsense bun, her new manicure the deep red of fresh blood, she'd even donned a blouse and slacks for the occasion, something Neve had forgotten Veronica owned. — Katherine McIntyre

The brunette was conducting tests on the collected blood when the older woman came into her laboratory to get the child's photo. The old woman took the picture to a pale-skinned woman with red hair, who in turn fixed it with a morbidly curious look before handing it back. — R.G. Richards

I dream of a small room and a man with one eye. Blood seeps like scarlet tears from his empty socket. I turn away and the room becomes a hallway that becomes a stairway that becomes a roof. The wind tugs at my body; the sky tries to wrap me in stars. Below me, a gazebo glows with red light. A line of black cars crawls like cockroaches through the streets.
An air conditioner exhaust fan chitters angrily near the roof's edge, one of its blades bent just enough to scrape against the side of the casing. For a second I let the wind push me close enough to the fan's razor- sharp blades that a lock of my hair gets snipped and sent out into the night. As it twists and flutters toward the gazebo, I think about just letting go, letting the breeze carry my body into the whirling blades, the wind scattering pieces of me throughout the city. Blood and flesh seeping into the cracked pavement. Flowers blooming wherever I land. — Paula Stokes

Skin white as snow, lips red as blood, and hair black as ebony. — Jacob Grimm

Mary bring out your umbrella -
The sun shines down on this fine, fine day
But the ashes raining down forever
Are going to turn your hair to gray.
Mary keep your oars a-steady
Sail away on the rising flood
Keep your candle at the ready
Red tides can't be told from blood.
- "Miss Mary" (a common child's clapping game, dating from the time of the blitz), from Pattycake and Beyond: A History of Play — Lauren Oliver

But the best stories were about their mother, how her hair was as red as blood, how she had seventy-four freckles on her face, how she was a ferryboat captain's daughter who believed that people could fly. — Alice Hoffman

From the Prize winning poem - UNBORN in the book Terra Affirmative.
Under the surface / her body is curled, / seed of the one race, / shell of the world. // She is thw waterfall, / she is the womb, / she is the bubble, /she is the tomb. // Her hair flows upward, / blood red of the birth. / Her arms are folded / deep into the earth. // She is the fern, / she is the bark, / she is the lantern, / she is the dark. // Her eyes burn the flame / of the old and the young. / Her breath is the name / of each branch of each lung. // She is the ingredient. / She is the blend. / She is the beginning. / She is the end. — Jay Woodman

Red hair like yours is unusual in all corners of the world. Other folk have often feared the red-haired as witches, or called them soul-less... But, it's the perfect color for a mage!

Red is the color of the Earth itself, and of the fire that burns within it -- and of the blood in our own veins"

- Lindel, Ancient Magus Bride, V4 — Kore Yamazaki

The girl stood in the center of the large four-poster bed. She wore a nightgown and robe that Cordelia had generously, and unknowingly, donated. Anything of Emily's would have been far too short and too small. Her honey-colored hair fell over her shoulders in messy waves and her similarly colored eyes were almost black with wildness, her pupils unnaturally dilated.
Fear. He felt it roll off her in great waves. It shimmered around her in a rich red aura Griff knew he alone could see, as it was viewable only on the Aetheric plane. She was afraid of them and, like a trapped animal, her answer to fear was to fight rather than flee. Interesting.
She was certainly a sight to behold. Normally she was probably quite pretty, but right now she was ... she was ...
She was bloody magnificent. That's what she was. Except for the blood, of course. — Kady Cross

Her skin was as white as snow, her lips as red as blood, and her long hair as black as ebony. — C.J. Redwine

When his mouth was on hers, when he could feel her about to shatter yet again, he plunged into her, knocking her over the edge with that first rough stroke.
And still he thought: More.
Even as she shuddered, he shoved her knees up and went deeper inside her. His vision blurred, but through the red haze of lust he could see her eyes. Deep, dark, glazed like glass to throw his own reflection back at him.
"I'm inside you." He panted it out as he pushed them both to madness. "Everything I am. Body, heart, mind."
She struggled through layers of pleasure to say the one thing he needed. Her hands wrapped around his wrists to hold the beat of his blood. "Let go. I'll stay with you."
He pressed his face to her hair, let both heart and mind go, and let body rule them both. — J.D. Robb

A girl about her own age reached out and took hold of her hand. The girl was tall and thin. She had long black hair streaked with red, and the whites of her green eyes stood out against the black coal dust that covered her face. Her blue and white dress hung in tatters, and was blackened by coal dust and smeared with blood. The girl smiled and Rosie could see that in her other hand she was holding her red umbrella. — Denny Taylor

A million flashes of Avery went through my mind. His mouth, his hair, his hand now in mine and then a vision of the future played out behind my eyes. Avery covered in blood, an older version of himself, splayed out on the side of the road. He was next to a red pickup truck with its driver's side smashed in. I was there too, older, screaming, holding my pregnant belly, kneeling down beside him. "Hey, are you okay?" Avery asked. I blinked hard and the vision disappeared. He was still holding my hand. How long had I spaced out for? It couldn't have been long. — Stacey Wallace Benefiel

I threw back my head, my hair falling about me like a great red curtain, and cried out. My eyes felt hot and burned with tears as my body trembled with the passion for blood. — Rhiannon Frater

In a flash, the previously lusty green irises morphed into an angry blood red. Nadua stood with a gasp, not sure what was happening to him. The horns that peeked out of his sandy brown hair began to alter their color as well, taking on the cast of burning embers. Razor-sharp fangs peeked out from his lips, twisted in rage. This was how he had looked when he was tearing through her men. — Kiersten Fay

When you die, you'll be wearing your white dress with red roses, and your hair will be long and falling around your shoulders. When they shoot you, up on your damn roof or walking alone on the street, your blood will look like another red rose on your dress, and no one will notice, not even you when you bleed out for Mother Russia. — Paullina Simons

I should like it to be as fair as snow, as rosy as the red blood, and with hair and eyes as black as ebony. — Hamilton Wright Mabie

I was blessed with suck in the form of the traditional Snow White coloring: skin as white as snow, lips as red as blood, and hair as black as coal. In the cartoons and the storybooks, they make it look almost cute. Of course, when artists and animators design a Snow White, they essentially give their incarnation of my story a spray tan and some neutral lip liner. A true seven-oh-nine was nowhere near as marketable as those animated darlings. We're too pale, and our lips are too red, and we look like something out of a horror movie that didn't have the decency to stay on the screen. — Seanan McGuire

He reaches forward slowly, to lift the pen from my lax grip. Wearily I regard the faltering trail of ink it has tracked down my page. I have seen that shape before, I think, but it was not ink then. A trickle of drying blood on the deck of a Red-Ship, and mine the hand that spilled it? Or was it a tendril of smoke rising black against a blue sky as I rode too late to warn a village of a Red-Ship raid? Or poison swirling and unfurling yellowly in a simple glass of water, poison I had handed someone, smiling all the while? The artless curl of a strand of woman's hair left upon my pillow? Or the trail of a man's heels left in the sand as we dragged the bodies from the smoldering tower at Sealbay? The track of a tear down a mother's cheek as she clutched her Forged infant to her despite his angry cries? Like Red-Ships, the memories come without warning, without mercy. — Robin Hobb

The steel door of the incinerator went up and the muted hum of the eternal fire became a red roaring. The heat lunged out at them like a famished beast. Then Rahel's Ammu was fed to it. Her hair, her skin, her smile. Her voice. They way she used Kipling to love her children before putting them to bed: We be of one blood, though and I. Her goodnight kiss. The way she held their faces steady with one hand (squashed-cheeked, fish-mouthed) while she parted and combed their hair with the other. The way she held knickers out for Rahel to climb into. Left leg, right leg. All this was fed to the beast, and it was satisfied.
She was their Ammu and their Baba and she had loved them Double. — Arundhati Roy

The Wolf trots to and fro,
The world lies deep in snow,
The raven from the birch tree flies,
But nowhere a hare, nowhere a roe,
The roe -she is so dear, so sweet -
If such a thing I might surprise
In my embrace, my teeth would meet,
What else is there beneath the skies?
The lovely creature I would so treasure,
And feast myself deep on her tender thigh,
I would drink of her red blood full measure,
Then howl till the night went by.
Even a hare I would not despise;
Sweet enough its warm flesh in the night.
Is everything to be denied
That could make life a little bright?
The hair on my brush is getting grey.
The sight is failing from my eyes.
Years ago my dear mate died.
And now I trot and dream of a roe.
I trot and dream of a hare.
I hear the wind of midnight howl.
I cool with the snow my burning jowl,
And on to the devil my wretched soul I bear. — Hermann Hesse