Blood Images With Quotes & Sayings

In his cradle he had been given four gifts. The ring in his hands and the locket that hung around his neck, the sword on his hip and an oath sworn in his name. The locket, containing the painted images of the mother and father he could not remember seeing in life, was the most precious, the oath the heaviest. "To stand against the Shadow so long as iron is hard and stone abides. To defend the Malkieri while one drop of blood remains. To avenge what cannot be defended." And then he had been anointed with oil and named Dai Shan, consecrated as the next King of Malkier and sent away from a land that knew it would die. — Robert Jordan

I won't fatten them in cages, though. I won't ply them with poisoned fruit items. I won't change them into clockwork images or talking shadows. I won't drain out their life's blood. They can do all those things for themselves. — Margaret Atwood

Life everywhere is life, life is in ourselves and not in the external. There will be people near me, and to be a human being among human beings, and remain one forever, no matter what misfortunes befall, not to become depressed, and not to falter- this is what life is, herein lies its task. I have come to recognize this. This idea has entered into my flesh and blood. Yes, it's true! That head which created, lived b the hightes life of art, which acknowledged and had come to know the highest demands of the spirit, that head has been cut from my shoulders. Memory remains, and the images I have created and still not molded in flesh. They will leave their harsh mark on me, it is true! But my heart is left me, and the same flesh and blood which likewise can love and suffer and desire and remember, and this is, after all, life. on voit le soleil! — Fyodor Dostoyevsky

By taking notice of those feelings and images that seemed to be in my blood and bones rather than in my head, I had found myself able to behave, not less reasonably, but more so. Apparently it was as much a false extreme to try and live by reason alone, leaving the passions out of count, as to ignore reason and put passion in its place as the guiding force of life. — Marion Milner

The intoxication of frenzy and, ultimately, some suitable crime reveal
in a moment the whole meaning of a life. Without exactly advocating crime, the romantics insist on
paying homage to a basic system of privileges which they illustrate with the conventional images of the
outlaw, the criminal with the heart of gold, and the kind brigand. Their works are bathed in blood and
shrouded in mystery. The soul is delivered, at a minimum expenditure, of its most hideous desires
desires that a later generation will assuage in extermination camps. Of course these works are also a
challenge to the society of the times. But romanticism, at the source of its inspiration, is chiefly concerned
with defying moral and divine law. That is why its most original creation is not, primarily, the
revolutionary, but, logically enough, the dandy. — Albert Camus

When horror turns into gore, when you show the monster, the killings, and the blood, it loses its suggestive powers. It loses part of what makes a horror film a horror film, which is that the images you see develop in your brain and you become the one imagining what you are not seeing on screen. — Raul Garcia

Talking on a cell phone makes us four times as likely to have an accident - the same as a driver who has a blood alcohol content of .08 percent, which qualifies as intoxicated in most states. The risk is equal for drivers holding their phones to their ears and for those speaking through a hands-free device. In both cases, researchers suggest, the drivers generate mental images of the unseen person at the other end of the line, which conflicts with their capacity for spatial processing. "It's not that your hands aren't on the wheel," says David Strayer, the director of the Applied Cognition Laboratory at the University of Utah, "it's that your mind is not on the road. — Tony Schwartz

Trust me, Anita, if you get dead, especially if he blames himself in any way, he will be a force of destruction looking for a place to be aimed. And he's blamed himself for introducing you to Olaf here from the get-go. If Olaf did to you what he's done to some of his other victims, Edward would drown the world in blood to erase those images. — Laurell K. Hamilton

The city was hers, as, made up and sleeked so with the customary words and images (cosmopolitan, culture, cable cars) it had not been before: she had safe-passage tonight to its far blood's branchings, be they capillaries too small for more than peering into, or vessels mashed together in shameless municipal hickeys, out on the skin for all but tourists to see. Nothing of the night's could touch her; nothing did. — Thomas Pynchon

Once again decent citizens will be able to enter this house of worship, kneel down in front of a nearly-naked man hanging from a wooden apparatus by a series of gruesome body piercings, and engage in their bizarre practices of ritualized blood-drinking and cannibalism without being assaulted by graphic images of attractive young women with bare breasts. — A. Whitney Brown

The images start to darken and she feels another hunger well up in her, this one having to do with another kind of desire. The desire to feed, to possess, and the aggressive thrill of a predator capturing and killing its prey as it tears into unspoiled flesh. Its teeth ripping and rending and the satisfying coppery taste of blood. There is the ultimate moment of surrender of drinking away the life essence. The pinnacle of lust which mounts in the very last breath, when the light drains from the victim's eyes and when the soul fades ... Then there is only a triumphant cry to the moonlight and the beckoning depths of the ever waiting water. — Melissa St. Hilaire

But between the images, we are privy to the real-life action being played out on the set. Peeta's attempt to continue speaking. The camera knocked down to record the white tiled floor. The scuffle of boots. The impact of the blow that's inseparable from Peeta's cry of pain.
And his blood as it splatters the tiles. — Suzanne Collins

Brothers of the Second Order searched her house and found evidence of Deniers activity. Forbidden books, images of gods, herbs and candles, the usual stuff. Turned out she and her father were followers of the Sun and the Moon, a minor sect. They're pretty harmless mostly since they don't try to convert others to their heresy, but a Denier's a Denier. — Anthony Ryan

My blood was in a ferment within me, my heart was full of longing, sweetly and foolishly; I was all expectancy and wonder; I was tremulous and waiting; my fancy fluttered and circled about the same images like martins round a bell-tower at dawn; I dreamed and was sad and sometimes cried. But through the tears and the melancholy, inspired by the music of verse or the beauty of the evening, there always rose upwards, like the grasses of early spring, shoots of happy feeling, of young and surging life. — Ivan Turgenev

Cain killed Abel, and the blood cried out from the ground
a story so sad that even God took notice of it. Maybe it was not the sadness of the story, since worse things have happened every minute since that day, but its novelty that He found striking. In the newness of the world God was a young man, and grew indignant over the slightest things. In the newness of the world God had perhaps not Himself realized the ramifications of certain of his laws, for example, that shock will spend itself in waves; that our images will mimic every gesture, and that shattered they will multiply and mimic every gesture ten, a hundred, or a thousand times. Cain, the image of God, gave the simple earth of the field a voice and a sorrow, and God himself heard the voice, and grieved for the sorrow, so Cain was a creator, in the image of his creator. — Marilynne Robinson

The old grief of the great mystery of human life gradually passes into a quiet, tender joy; in place of the boiling blood of youth there comes a meek serene old age: I bless the daily rising of the sun, and my heart sings to it as it did of old, but now I am more enamored of its setting, its long, oblique rays, and the quiet, gentle, tender memories that accompany them, the dear images from the whole of a long and blessed life
and above it all the truth of God, moving, reconciling, all-forgiving! — Fyodor Dostoyevsky

But it is possible, it is possible: the old grief, by a great mystery of human life, gradually passes into quiet, tender joy; instead of young, ebullient blood comes a mild, serene old age: I bless the sun's rising each day and my heart sings to it as before, but now I love its setting even more, its long slanting rays, and with them quiet, mild, tender memories, dear images from the whole of a long and blessed life
and over all is God's truth, moving, reconciling, all-forgiving! — Fyodor Dostoyevsky

It broke over him, a frothing, churning sea a images and sound, so vivid he had to close his eyes against it and hold his breath. Faces long dead; words spoken and heard; professions of love and regret and hate; episodes of intimacy as painful to recall as those characterised by violence. — Stephen Lloyd Jones

Looking over world literature, it is almost impossible to find a single sympathetic representation of a moneylender- or anyway, a professional moneylender, which means by definition one who charges interest. I'm not sure there is another profession (executioners?) with such a consistently bad image. It's especially remarkable when one considers that unlike executioners, usurers often rank among the richest and most powerful people in their communities. Yet the very name, "usurer," evokes images of loan sharks, blood money, pounds of flesh, the selling of souls, and behind them all, the Devil, often represented as himself a kind of usurer, an evil accountant with his books and ledgers. — David Graeber

The edges of the steel blade as Iron glamour flared around her, a maelstrom of deadly power. I saw her lips move, a name on them, perhaps mine, and felt nothing. My glamour rose up to meet hers, cold and dangerous, and our powers slammed into each other with the roar of dueling dragons.
Flashes of images, like broken mirror shards, falling to the earth. Iron and ice, clashing against each other. Rage and hate, swirling in vicious, ugly colors around us. Glamour and pain and blood. — Julie Kagawa

This is an extraordinary book of unique psychological power. It reveals not only scholarship and sophistication of the author, but deep and intimate knowledge of the recesses of the human psyche. By masterful juxtaposition of evocative images, poetry, and selected quotes from scholars, Flesh and Blood seems to engage both the right and left hemispheres in an unprecedented dialogue. The result is a multi-dimensional, almost holographic picture of the primordial foundations of the human mind. — Stanislav Grof

I never had any flesh and blood children, you know. Only words, and paintings, and images of light that flickered in the darkness, and were too soon over. — Neil Gaiman

To whom do I owe the power behind my voice, what strength I have become, yeasting up like sudden blood from under the bruised skin's blister?
My father leaves his psychic print upon me, silent, intense, and unforgiving. But his is a distant lightning. Images of women flaming like torches adorn and define the borders of my journey, stand like dykes between me and the chaos. It is the images of women, kind and cruel, that lead me home. — Audre Lorde

I feel closer ties and more intimate bonds with certain characters in books, with certain images I've seen in engravings, than with many supposedly real people with the metaphysical absurdity known as 'flesh and blood'. In fact, 'flesh and blood' describes them very well: they resemble cuts of meat laid out on the butcher's marble slab, dead creatures bleeding as though still alive. — Fernando Pessoa

Hire myself out to whom? What beast must I worship? What sacred images should I destroy? What hearts shall I break? What lies am I supposed to believe? March through whose blood? — Arthur Rimbaud

And this, she saw, her dream had done. She had built against that fear a vision of power not wholly selfish - power to protect not only herself, but others. And that vision - however partial it had been in those days - was worth following. For it led not away from the fear, as a dream of rule might do, but back into it. The pattern of her life - as she saw it then, clear and far away and painted in bright colors - the pattern of her life was like an intricate song, or the way the Kuakgan talked of the grove's interlacing trees. There below were the dream's roots, tangled in fear and despair, nourished in the death of friends, the bones of the strong, the blood of the living, and there high above were the dream's images, bright in the sun like banners or the flowering trees of spring. And to be that banner, or that flowering branch, meant being nourished by the same fears: meant encompassing them, not rejecting them. — Elizabeth Moon

I too love everything that flows: rivers, sewers, lava, semen, blood, bile, words, sentences. I love the amniotic fluid when it spills out of the bag. I love the kidney with it's painful gall-stones, it's gravel and what-not; I love the urine that pours out scalding and the clap that runs endlessly; I love the words of hysterics and the sentences that flow on like dysentery and mirror all the sick images of the soul ... — Henry Miller

Every word he wrote would be strong with that sweet purity and simplicity that was his gift alone, placing him higher than any living poet, secure on his pedestal apart from the world, like a great silent god above the little dwarfs of men tossed hither and thither in the stream of life. From the crystal clearness of his brain the images became words, and the words became magic, and the whole was transcendent of beauty, one thread touching another, alike in their perfection and their certitude of immortality. Thus it seemed to me he was not a living figure of flesh and blood, but a monument to the national pride of his country, his England, and now and then he would bow gravely from his pedestal and scatter to the people a small quantity of his thought, which they would grub for on their poor rough ground, then clasp to their hungry hearts as treasure. — Daphne Du Maurier

Harry's blood quickened as lurid images filled his mind ... her against him, beneath him. That smiling mouth, his alone, her whispers curling into his ear. Her skin, soft and ivory pale in the darkness. Skin heated by skin, sensation emerging as he touched her.
She was worth anything, he thought, even giving up the last remnants of his soul. — Lisa Kleypas

Why do many believers insist on repeatedly pointing to the crimes of 20th century dictators who led officially atheistic societies as some sort of evidence of their god's existence? It makes no sense.
If the rivers of blood on Stalin's hands and Mao's hands, for example, are supposed to prove there is a god, then what do the oceans of blood on the hands of several thousand years' worth of religious kings, queens, presidents, popes, priests, generals, Crusadersm jihadists and tribal chiefs prove? It's not, of course, but if bodycount is somehow the measure of a god's likelihood of existence, then believers lose.
It is clear that humans are quite capable of killing with or without images of gods bouncing around in their heads. If anything, however, history suggests that the concept of gods makes the idea of massacring your fellow man (and women and children, too, of course) a lot easier to act upon. — Guy P. Harrison

I sit here before my computer, Amiguita, my altar on top of the monitor with the Virgen de Coatlalopeuh candle and copal incense burning. My companion, a wooden serpent staff with feathers, is to my right while I ponder the ways metaphor and symbol concretize the spirit and etherealize the body. The Writing is my whole life, it is my obsession. This vampire which is my talent does not suffer other suitors. Daily I court it, offer my neck to its teeth. This is the sacrifice that the act of creation requires, a blood sacrifice. For only through the body, through the pulling of flesh, can the human soul be transformed. And for images, words, stories to have this transformative power, they must arise from the human body
flesh and bone
and from the Earth's body
stone, sky, liquid, soil. This work, these images, piercing tongue or ear lobes with cactus needle, are my offerings, are my Aztecan blood sacrifices. — Gloria E. Anzaldua

A story is alive, as you and I are. It is rounded by muscle and sinew. Rushed with blood. Layered with skin, both rough and smooth. At its core lies soft marrow of hard, white bone. A story beats with the heart of every person who has ever strained ears to listen. On the breath of the storyteller, it soars. Until its images and deeds become so real you can see them in the air, shimmering like oases on the horizon line. A story can fly like a bee, so straight and swift you catch only the hum of its passing. Or move so slowly it seems motionless, curled in upon itself like a snake in the sun. It can vanish like smoke before the wind. Linger like perfume in the nose. Change with every telling, yet always remain the same. — Cameron Dokey

Our spiritual traditions have carried virtues across time. They are tools for the art of living. They are pieces of intelligence about human behavior that neuroscience is now exploring with new words and images: what we practice, we become. What's true of playing the piano or throwing a ball also holds for our capacity to move through the world mindlessly and destructively or generously and gracefully. I've come to think of virtues and rituals as spiritual technologies for being our best selves in flesh and blood, time and space. There are superstar virtues that come most readily to mind and can be the work of a day or a lifetime - love, compassion, forgiveness. And there are gentle shifts of mind and habit that make those possible, working patiently through the raw materials of our lives. — Krista Tippett

If you would just listen to me . . . if you would just look at the pictures I took - "
"We've seen them, Miss Maxwell. Several times already. Frankly, nothing you've said tonight checks out - not your statement, and not these grainy, unreadable images from your cell phone."
"I'm sorry if the quality is lacking," Gabrielle replied, acidly. "The next time I'm witnessing a blood slaughter by a gang of psychos, I'll have to remember to bring my Leica and a few extra lenses. — Lara Adrian

In time I could move, though my body wasn't thrilled about it. I moved from the floor to the sofa I had fallen off of, which was all the progress I was going to demand from myself right then. Karish was much more ambitious, moving from the floor by the table to the sofa. He sat beside me and without the slightest hesitation or diffidence wrapped his arms around me and pulled me close, and I bonelessly complied. Pain eased, muscles loosened, and the beating of his heart helped to drive disturbing images from my mind. For the moment not giving a damn about how it looked or whether it was a bad idea, I curled around him and flattened my palm against his chest so I could feel the blood pulsing around him. — Moira J. Moore

Americans in any century can be too inclined to accept consultant-crafted images of flesh-and-blood people. — Larry J. Sabato

Images flashed through his mind. He saw Nico and his sister on a snowy mountain cliff in Maine, Percy Jackson protecting them from the manticore. Percy's sword gleamed in the dark. He'd been the first demigod Nico had ever seen in action. Later at Camp Half-Blood, Percy took Nico by the arm, promising to keep his sister Bianca safe. Nico believed him. Nico looked into his sea-green eyes and though, How can he possibly fail? This is a real hero. — Rick Riordan

I hated the things they believe in, the things they so innocently and charmingly pretended. I hated the sanctimonious piety that let people hurt helpless creatures. I hated the prayers and the hymns - the fountains and the red images that coloured their drab music, the fountains filled with blood, the sacrifice of the lamb. — Ellen Glasgow

Immune to the blandishments of religions, countries, families, and whatever else that - with a smattering of emotive images and strains of maudlin music - can move the average citizen to tears or violence, the pessimist is invisible in both history books and the media. Without belief in gods or ghosts, unmotivated by a comprehensive delusion, he could never plant a bomb, plan a revolution, or shed blood for a cause. Pessimists are indeed lackadaisical as partisans in the human drama. — Thomas Ligotti

I remember the Hunt from ten years ago. How for months afterward I didn't dare fall asleep because of the nightmares that would invade my mind: hideous images of an imagines Hunt, wet and violent and full of blood. Horrific cries of fear and panic, the sound of flesh ripped and bones crushed puncturing the night stillness. — Andrew Fukuda

You, yesterday's boy,
to whom confusion came:
Listen, lest you forget who you are.
It was not pleasure you fell into. It was joy.
You were called to be bridegroom,
though the bride coming toward you is your shame.
What chose you is the great desire.
Now all flesh bares itself to you.
On pious images pale cheeks
blush with a strange fire.
Your senses uncoil like snakes
awakened by the beat of the tambourine.
Then suddenly you're left all alone
with your body that can't love you
and your will that can't save you.
But now, like a whispering in dark streets,
rumors of God run through your dark blood. — Rainer Maria Rilke