Black Windows Quotes & Sayings

And somewhere, in a black California morning, some hour before dawn, amid the corridors, the galleries, the faces of dream, fragments of conversation she half-recalled, waking to pale fog against the windows of the master bedroom, she prized something free and dragged it back through the wall of sleep. Rolling over, fumbling through a bedside drawer, finding a Porsche pen, a present from an assistant grip, she inscribed her treasure on the glossy back of an Italian fashion magazine: — William Gibson

You didn't think I really liked you? Do you think I really like you now?"
He turned toward her, uncertainty in his face."You did go quite a lot of effort to be having this conversation, but ... I don't want to read too much of what I hope into that."
Val stretched out beside him, resting her head in the crook of his arm. "What do you hope?"
He pulled her close, hands careful not to touch her wounds as they wrapped around her. "I hope that you feel for me as I do for you," he said, his voice like a sigh against her throat.
And how is that?" she asked, her lips so close to his jaw that she could taste the salt of his skin when she moved them.
You carried my heart in your hands tonight," he said. "But I have felt as if you carried it long before that."
She smiled and let her eyes drift closed. They lay there together, under the bridge, city lights burning outside the windows like a sky full of falling stars, as they slid off into sleep — Holly Black

Then I went to the windows and pulled them open. The rain had stopped and the night was very still, black except for the glow behind the western hills that marked the Burning Lands. A dog barked far off, once and no more. — John Christopher

Good news arrives with TV cameras and big, brightly painted vans. Bad news arrives quietly, in dark sedans with black windows. — Delilah S. Dawson

He reached for the door handle. Fear nestled into his throat, but he did not stop. He pulled the handle, opened the door, and stepped out. It was dark. The streetlights in Soho were nearly worthless, like pen beams in a black hole. Lights drifting out from nearby windows provided more of an eerie kindle than real illumination. There were plastic garbage bags out on the street. Most had been torn open; the odor of spoiled food wafted through the air. The van slowly cruised toward him. A man stepped out from a doorway and approached without hesitation. The man wore a black turtleneck under a black overcoat. He pointed a gun at Myron. The van stopped, and the side door slid open. "Get in, asshole," the man with the gun said. Myron pointed at himself. "You talking to me?" "Now, asshole. Haul ass." "Is that a turtleneck or a dickey?" The man with the gun moved closer. "I said, now. — Harlan Coben

Rita Vargas caught her breath - the dark was spilling out of the mountains as the sun vanished in the west. The deep purple/blue shadows spread out on the water of the Caribe. The ocean was shadowy, yet at the same time, glowing. The massif green on one side, and velvety black on the other. And below, the lights of the cities scattered and burned, white, yellow, white, looking like gems. Stars.
She still recalls it as one of the most beautiful sights she'd ever witnessed, as if the coast of Veracruz were somehow welcoming its sons home. It would have astounded the dead if the could have looked out the windows. Why would they ever have left such a beautiful home for the dry bones and spikes of the desert? If they could have seen what she saw, they might have stayed home. — Luis Alberto Urrea

The club also had the custom of sending robed members to kidnap visiting celebrities and steal them away in a black coach with covered windows, all without saying a word. — Erik Larson

The only other thing I can really remember wanting to do besides acting was a gas station attendant. At the time, that seemed like a great job - wash the windows, pump the gas - it looks so cool coming home with black hands. There's a natural transition, from wanting to be a gas station attendant to being an actor, right? — Daniel Stern

Looking from outside into an open window one never sees as much as when one looks through a closed window. There is nothing more profound, more mysterious, more pregnant, more insidious, more dazzling than a window lighted by a single candle. What one can see out in the sunlight is always less interesting than what goes on behind a windowpane. In that black or luminous square life lives, life dreams, life suffers. — Charles Baudelaire

Outside the snow was falling. In the lamplight icy leaf-patterns could be seen glittering on the blue-black windows, and hoar-frost sparkled like melted sugar in the hollows of the bottle-glass panes, all splattered with gold.
The little house, lying snug and sleepy in the darkness, was wrapped in a deep silence. — Joris-Karl Huysmans

Outside, the sleet had gotten thicker. You could hear it pebbling against the large glass windows, you could see it swirling wildly through the spotlights of street lamps. It was the kind of night when you might expect to see a skeleton flying through the air, its ragged black shroud flapping in the wind. — Dan Chaon

Suddenly, I became conscious of the fact that the driver was in the act of pulling up the horses in the courtyard of a vast ruined castle, from whose tall black windows came no ray of light, and whose broken battlements showed a jagged line against the sky. — Bram Stoker

A Belgian journalist, struggling to describe the scene, had said that it resembled a cross between a permanent mass wake, an ongoing grad night for at least a dozen subcultures unheard of before the disaster, the black market cafes of occupied Paris, and Goya's idea of a dance party (assuming Goya had been Japanese and smoked freebase methamphetamine, which along with endless quantities of alcohol was clearly the Western World's substance of choice). It was, the Belgian said, as though the city, in its convolsion and grief, had spontaneously and necessarily generated this hidden pocket universe of the soul, its few unbroken windows painted over with black rubber aquarium paint. There would be no view of the ruptured city. As the reconstruction began around it, it had already become a benchmark in Tokyo's psychic history, an open secret, an urban legend. — William Gibson

When the sun was set I might perhaps go to sleep. I never let myself sleep during the day. Daytime sleep is a cursed slumber from which one wakes in despair. The sun will not tolerate it. If he can he will pry under your eyelids and prise them apart; and if you hang black curtains at your windows he will lay siege to your room until it is so stifling that at last you stagger with staring eyes to the window and tear back the curtains to see that most terrible of sights, the broad daylight outside a room where you have been sleeping. — Iris Murdoch

There were colored and white waiting rooms everywhere, from doctor's offices to the bus stations, as people may already know. But there were actually colored windows at the post office in, for example, Pensacola, Florida. And there were white and colored telephone booths in Oklahoma. And there were separate windows where white people and black people would go to get their license plates in Indianola, Mississippi. And there were even separate tellers to make your deposits at the First National Bank in Atlanta. — Isabel Wilkerson

I'm working on the Star Wars script today and the people in my office have covered up all my windows with black paper. I guess they wanted to make sure no one could see what I was doing. It seems rather extreme. — J.J. Abrams

Rabbi Heskel Shpilman is a deformed mountain, a giant ruined desert, a cartoon house with the windows shut and the sink left running. A little kid lumped him together, a mob of kids, blind orphans who never laid eyes on a man. They clumped the dough of his arms and legs to the dough of his body, then jammed his head down on top. A millionaire could cover a Rolls-Royce with the fine black silk-and-velvet expanse of the rebbe's frock coat and trousers. It would require the brain strength of the eighteen greatest sages in history to reason through the arguments against and in favor of classifying the rebbe's massive bottom as either a creature of the deep, a man-made structure, or an unavoidable act of God. — Michael Chabon

This is where I go, when I go:
It's a room with no windows and no doors, and walls that are thin enough for me to see and hear everything but too thick to break through.
I'm there, but I'm not there.
I am pounding to be let out, but nobody can hear me.
This is where I go, when I go:
To a country where everyone's face looks different from mine, and the language is the act of not speaking, and noise is everywhere in the air we breathe. I am doing what the Romans do in Rome; I am trying to communicate, but no one has bothered to tell me that these people cannot hear.
This is where I go, when I go:
Somewhere completely, unutterably orange.
This is where I go, when I go:
To the place where my body becomes a piano full of black keys only - the sharps and the flats, when everyone know that to play a song other people want to hear, you need some white keys.
This is why I come back:
To find those white keys. — Jodi Picoult

I use Windows; '98 second edition and it works very good for me. You know, I just started on the computer about 9 months ago and am fascinated with the possibilities. I don't know what I would do without it now. — Jimmy Carl Black

There was a black sedan with tinted windows at the end of the lot--the windows cracked down enough for her to see two sunglassed agents of a vague yet menacing government agency watching her intently. One of them had a camera that kept going off, but the agent didn't seem to know how to deactivate the flash. The light against the tinted windows made the shots worthless, and the agent cursed and tried again and it flashed again. Jackie waved good night to them, as she always did. — Joseph Fink

And private in his chamber pens himself,
Shuts up his windows, locks fair daylight out,
And makes himself an artificial night.
Black and portentous must this humor prove — William Shakespeare

A man in a white shirt and black pants leapt from one of the open windows. His hair was on fire. His arms pinwheeled as he dropped out of frame. He was followed seconds later by a woman in a dark skirt. When she jumped, she clasped her hands to her thighs, as if to keep her skirt from flapping up and showing her underwear. Jakob — Joe Hill

In the courtyard there was an angel of black stone, and its angel head rose above giant elephant leaves; the stark glass angel eyes, bright as the bleached blue of sailor eyes, stared upward. One observed the angel from an intricate green balcony - mine, this balcony, for I lived beyond in three old white rooms, rooms with elaborate wedding-cake ceilings, wide sliding doors, tall French windows. On warm evenings, with these windows open, conversation was pleasant there, tuneful, for wind rustled the interior like fan-breeze made by ancient ladies. And on such warm evenings this town is quiet. Only voices: family talk weaving on an ivy-curtained porch; a barefoot woman humming as she rocks a sidewalk chair, lulling to sleep a baby she nurses quite publicly; the complaining foreign tongue of an irritated lady who, sitting on her balcony, plucks a fryer, the loosened feathers floating from her hands, slipping into air, sliding lazily downward. — Truman Capote

The morning of that day, as Gabriel rose and started out to work, the sky was low and nearly black and the air too thick to breath. Late in the afternoon the wind rose, the skies opened, and the rain came. The rain came down as though once more in Heaven the Lord had been persuaded of the good uses of a flood. It drove before it the bowed wanderer, clapped children into houses, licked with fearful anger against the high, strong wall, and the wall of the lean-to, and the wall of the cabin, beat against the bark and the leaves of trees, trampled the broad grass, and broke the neck of the flower. The world turned dark, forever, everywhere, and windows ran as though their glass panes bore all the tears of eternity, threatening at every instant to shatter inward against this force, uncontrollable, so abruptly visited on the earth. — James Baldwin

Night-time train travel is wonderful again! No standing in the corridors for hours, no being shunted off for a troop train to pass, and above all, no black-out curtains. All the windows we passed were lighted, and I could snoop once more. I missed it so terribly during the war. I felt as if we had all turned into moles scuttling along in our separate tunnels. I don't consider myself a real peeper-they go in for bedrooms, but it's families in sitting rooms or kitchens that thrill me. I can imagine their entire lives from a glimpse of bookshelves, or desks, or lit candles, or bright sofa cushions. — Mary Ann Shaffer

However, inflation and unemployment have affected the shopping centers at least as much as the rest of the economy, so that here and there among the brave enticements stood a storefront dark, silent, its windows black, its forehead nameless, its prospects bleak. The survivors seemed to beam the more brightly in their efforts to distract attention from their fallen comrades, but Dortmunder could see them. Dortmunder and a failed enterprise could always recognize one another. — Donald E. Westlake

At five-thirty the rain began to fall in great, heavy drops which bounced off the pavement before they spread out into black spots. At the same time thunder rumbled from the direction of Charenton and an eddy of wind lifted the dust, carried away the hats of passers-by who took to their heels and who, after a few confused moments, were all in the shelter of doorways or under the awnings of cafe terraces.
Street pedlars of the Faubourg Saint-Antoine scurried about with an apron or a sack over their heads, pushing their carts as they tried to run. Rivulets already began to flow along the two sides of the street, the gutters sang, and on every floor you could see people hurriedly closing their windows. — Georges Simenon

Evening Concert, Sainte-Chapelle
The celebrated windows flamed with light
directly pouring north across the Seine;
we rustled into place. Then violins
vaunting Vivaldi's strident strength, then Brahms,
seemed to suck with their passionate sweetness,
bit by bit, the vigor from the red,
the blazing blue, so that the listening eye
saw suddenly the thick black lines, in shapes
of shield and cross and strut and brace, that held
the holy glowing fantasy together.
The music surged; the glow became a milk,
a whisper to the eye, a glimmer ebbed
until our beating hearts, our violins
were cased in thin but solid sheets of lead. — John Updike

But the events that transpired on those various dates did not throw the city of Moscow into upheaval. When the page was torn from the calendar, the bedroom windows did not suddenly shine with the light of a million electric lamps; that Fatherly gaze did not suddenly hang over every desk and appear in every dream; nor did the drivers of a hundred Black Marias turn the keys in their ignitions and fan out into the shadowy streets. For the launch of the First Five-Year Plan, Bukharin's fall from grace, and the expansion of the Criminal Code to allow the arrest of anyone even countenancing dissension, these were only tidings, omens, underpinnings. And it would be a decade before their effects were fully felt. No. — Amor Towles

But it was the second guy who caught my eye. Like the girl, he, too, paused by the door, seeming even more wary than she looked. The sunlight streaming in through the windows highlighted the rich honey in his dark chocolate brown hair, even as it cast his face in shadow. The tan skin of his arms resembled marble - hard, but smooth and supple at the same time.
He must have passed through the mist spewed up by the fountain outside, because his black T-shirt was wet in places and the damp patches clung to his skin. The wetness allowed me to see just how muscled his chest was. Oh, yeah, I totally ogled that part of him, right up until I spotted the silver cuff on his right wrist.
Given the angle, I couldn't tell what crest was stamped into the metal, but I glanced at the others, who also wore cuffs. I sighed. So they belonged to some Family then. Wonderful. This day just kept getting better. — Jennifer Estep

The narrow path had opened up suddenly onto the edge of a great black lake. Perched atop a high mountain on the other side, its windows sparkling in the starry sky, was a vast castle with many turrets and towers. — J.K. Rowling

She stuck to side streets, riding slowly, with care. The trip took a little under an hour, and Diane was feeling a pulsing pain in her calf by the time sh pulled up to the front of the pawnshop. There was a black sedan with tinted windows at the end of the lot--the windows cracked down enough for her to see two sunglassed agents of a vague yet menacing government agency. One of them raised her camera and tried to take a photo of Diane, but the camera flashed, only reflecting the car window back at the lens. The agent swore. Diane waved a cursory hello at them and walked into the store. — Joseph Fink

Lot's Wife

And the just man trailed God's messenger,
his huge, light shape devoured the black hill.
But uneasiness shadowed is wife and spoke to her:
'It's not too late, you can look back still

At the red towers of Sodom, the place that bore you,
the square in which you sang, the spinning-shed,
at the empty windows of that upper storey
where children blessed your happy marriage-bed.'

Her eyes that were still turning when a bolt
of pain shot through them, were instantly blind;
her body turned into transparent salt,
and her swift legs were rooted to the ground.

Who mourns one woman in a holocaust?
Surely her death has no significance?
Yet in my heart she never will be lost,
she who gave up her life to steal one glance.

1922-24 — Anna Akhmatova

Once more Mary Jo, Bobby, Kevin, Dennis, Raymond, Lucille, Frankie, Coddles, Lyle, John, Andy, Miss Ursula, Jim, Lonnie, Postmaster Jones, William, Travis, Todd, Tony, Dennis M. . . . On the ride home from Sheriff's office, everyone was again on porches or at windows. Daron didn't call out their names this time, and this time no one waved. Where do the black people live? In the front yards! It was funny. (I guess that's better than the back of the bus, Louis had later added. Daron had thought that funny, too.) Louis's absence was always noticeable. Though skinny, he'd filled space like a fat man on a crowded elevator, except a welcome addition, not someone who provoked strangers to regard each other with situational solidarity. He had, in fact, induced people to regard each other with suspicion, to question the known. — T. Geronimo Johnson

In my mind's eye I can still see the first night flight I made in Argentina. It was pitch-dark. Yet in the black void, I could see the lights of man shining down below on the plains, like faintly luminous earthbound stars. Each star was a beacon signaling the presence of a human mind. Here a man was meditating on human happiness, perhaps, or on justice or peace. Lost among this flock of stars was the star of some solitary shepherd. There, perhaps, a man was in communication with the heavens, as he labored over his calculations of the nebula of Andromeda. And there, a pair of lovers. These fires were burning all over the countryside, and each of them, aven the most humble, had to be fed. The fire of the poet, of the teacher, of the carpenter. But among all these living fires, how many closed windows there were, how many dead stars, fires that gave off no light for lack of nourishment. — Antoine De Saint-Exupery

One of the windows was open, she noticed, curtain fluttering. The party must have gotten too warm, everyone sweating in the small house and yearning for the cool breeze just outside. Then, once the window was open, it would have been easy to forget to close it. There was still the garlic, after all, still the holy water on the lintels. Things like this happened in Europe, in places like Belgium, where the streets teemed with vampires and the shops didn't open until after dark. Not here. Not in Tana's town, where there hadn't been a single attack in more than five years.
And yet it had happened. A window had been left open to the night, and a vampire had crawled through. — Holly Black

Maybe you've been there. You go into a police or sheriff's station after a gang of black kids forced you to stop your car while they smashed out your windows with garbage cans; a strung-out addict made you kneel at gunpoint on the floor of a grocery store, and before you knew it the begging words rose uncontrollably in your throat; some bikers pulled you from the back of a bar and sat on your arms while one of them unzippered his blue jeans. Your body is still hot with shame, your voice full of thumbtacks and strange to your own ears, your eyes full of guilt and self-loathing while uniformed people walk casually by you with Styrofoam cups of coffee in their hands. Then somebody types your words on a report and you realize that this is all you will get. — James Lee Burke

Hummer with six doors to a side and black-tinted windows for maximum privacy. "What I'm talking a-bout!" cried Sergeant Dime as he pounced on the bar, everyone whooping over all the pimp finery, but after destroying all hopes for a quick recovery Billy subsides into a gnarled, secret funk. "Billy," says — Ben Fountain

Martin thought of the iron El trestles winding and stretching across the city, of department store windows and hotel lobbies, of electric elevators and street-car ads, of the city pressing its way north on both sides of the great park, of dynamos and electric lights, of ten-story hotels, of the old iron tower near the depot at West Brighton with its two steam-driven elevators rising and falling in the sky
and in his blood he felt a surge of restlessness, as if he were a steam train spewing fiery coal smoke into the black night sky as he roared along a trembling El track, high above the dark storefronts, the gaslit saloons, the red-lit doorways, the cheap beer dives, the dance halls, the gambling joints, the face in the doorway, the sudden cry in the night. — Steven Millhauser

out-of-doors there was quite a snow-storm. "It is the white bees that are swarming," said Kay's old grandmother. "Do the white bees choose a queen?" asked the little boy; for he knew that the honey-bees always have one. "Yes," said the grandmother, "she flies where the swarm hangs in the thickest clusters. She is the largest of all; and she can never remain quietly on the earth, but goes up again into the black clouds. Many a winter's night she flies through the streets of the town, and peeps in at the windows; and they then freeze in so wondrous a manner that they look like flowers. — Hans Christian Andersen

The Lighthouse was then a silvery, misty-looking tower with a yellow eye, that opened suddenly, and softly in the evening. Now
James looked at the Lighthouse. He could see the white-washed rocks; the tower, stark and straight; he could see that it was barred with black and white; he could see windows in it; he could even see washing spread on the rocks to dry. So that was the Lighthouse, was it?
No, the other was also the Lighthouse. For nothing was simply one thing. The other Lighthouse was true too. — Virginia Woolf

Thumb and forefinger, grimacing at its matted feel. One of those low cellar windows was directly behind it, one pane broken, the other opaque with dirt. He leaned forward, now feeling almost hypnotized. He leaned closer to the window, closer to the cellar-darkness, breathing in that smell of age and must and dry-rot, closer and closer to the black, and surely the leper would have caught him if his asthma hadn't picked that exact moment to kick up. It cramped his lungs with a weight that was painless yet frightening; his breath at once took on the familiar hateful whistling sound. — Stephen King

What Waringa tried hard to avoid was looking at the pictures of the walls and windows of the church. Many of the pictures showed Jesus in the arms of the virgin Mary or on the cross. But others depicted the devil, with two cow-like horns and a tail like a monkey's, raising one leg in a dance of evil, while his angels, armed with burning pitchforks, turned over human beings on a bonfire. The Virgin Mary, Jesus and God's angels were white, like European, but the devil and his angels were black. — Ngugi Wa Thiong'o

The orange light looks like a gasoline fire. It comes in through people's rear windows, bounces off their rearview mirrors, projects a fiery mask across their eyes, reaches into their subconscious, and unearths terrible fears of being pinned, fully conscious, under a detonating gas tank, makes them want to pull over and let the Deliverator overtake them in his black chariot of pepperoni fire. — Neal Stephenson

The Ministry of Love was the really frightening one. There were no windows in it at all. Winston had never been inside the Ministry of Love, nor within half a kilometer of it. It was a place impossible to enter except on official business, and then only by penetrating through a maze of barbed-wire entanglements, steel doors, and hidden machine-guns nests. Even the streets leading up to its outer barriers were roamed by gorilla-faced guards in black uniforms, armed with jointed truncheons — George Orwell

Perhaps I should go back a few years earlier. My parents, who travelled from Odessa, the Russian city on the Black Sea, shortly before the 1914 war, were part of a vast migration of Jews fleeing Tsarist oppression to the dream of America that obsessed poor men all over Europe. The tailors thought of it as a place where people had, maybe, three, four different suits to wear. Glaziers grew dizzy with excitement reckoning up the number of windows in even one little skyscraper. Cobblers counted twelve million feet, a shoe on each. There was gold in the streets for all trades; a meat dinner every single day. And Freedom. That was not something to be sneezed at, either.

But my parents never got to America. — Emanuel Litvinoff

It's the journeys we make you said not our sins that we have to account for: places we passed on a road and failed to recognise: the light in a gap between trees that we barely noticed storms above a hayfield like the black in monochrome the neither here nor there of detours or oncoming traffic. It's the lives we failed to lead lost in a stalled conversation or glancing away to cottonwoods and miles of blue-stemmed grass and everything we miss each least detail patterns and lines in the packed silt around a mooring windows flecked with light and water shades of grey in this or any other afternoon. — John Burnside

There is nothing fiercer than a failed artist. The energy remains, but, having no outlet, it implodes in a great black fart of rage which smokes up all the inner windows of the soul. Horrible as successful artists often are, there is nothing crueler or more vain than a failed artist. — Erica Jong

When the windows like the jackal's eye and desire pierce the dawn, silken windlasses lift me up to suburban footbridges. I summon a girl who is dreaming in the little gilded house; she meets me on the piles of black moss and offers me her lips which are stones in the rapid river depths. Veiled forebodings descend the buildings' steps. The best thing is to flee from the great feather cylinders when the hunters limp into the sodden lands. If you take a bath in the watery patterns of the streets, childhood returns to the country like a greyhound. Man seeks his prey in the breezes and the fruits are drying on the screens of pink paper, in the shadow of the names overgrown by forgetfulness. Joys and sorrows spread in the town. Gold and eucalyptus, similarly scented, attack dreams. Among the bridles and the dark edelweiss subterranean forms are resting like perfumers' corks. — Andre Breton

Only a handful of minutes ago, I'd seen the outline of her pass in front of the windows. Sadly, she was completely clothed. — Jennifer L. Armentrout

At the end of the world there lies a mountain so high it makes you dizzy even to think about it. It is as black as soot, as smooth as silk, terribly steep, and where there should be a bottom, there are only clouds. But high up on the peak stands the Hobgoblin's House, and it looks like this." And Snufkin drew a house in the sand.
"Hasn't it got any windows?" asked Sniff.
"No," said Snufkin, "and it hasn't got a door either, because the Hobgoblin always goes home by air riding on a black panther. He goes out every night and collects rubies in his hat."
"What did you say?" asked Sniff, with his eyes popping out of his head. "Rubies! Where does he get them from?"
"The Hobgoblin can change himself into anything he likes," Snufkin answered, "and then he can crawl under the ground and even down onto the sea bed where buried treasure lies. — Tove Jansson

If you see me with my face all black, don't be frightened. If you see me flapping wings like a bat's, as big as the whole sky, don't be frightened. If you hear me raging ten times worse than Mrs. Bill, the blacksmith's wife - even if you see me looking in at people's windows like Mrs. Eve Dropper, the gardener's wife - you must believe that I am doing my work. Nay, diamond, if I change into a serpent or a tiger, you must not let go your hold of me, for my hand will never change in yours if you keep a good hold. If you keep a hold, you will know who I am all the time, even when you look at me and can't see me the least like the North Wind. I may look something very awful. Do you understand? — George MacDonald

Useless, it was useless to get in since I don't want to go anywhere.

Bluish objects pass the windows. In jerks all stiff, and brittle; people, walls; a house offers me its black heart through open windows; and the windows pale, all that is black becomes blue, blue this great yellow brick house advancing uncertainly, trembling, suddenly stopping and taking a nose dive. — Jean-Paul Sartre

They enter, locking themselves in, descend the rugged steps, and are down in the Crypt. The lantern is not wanted, for the moonlight strikes in at the groined windows, bare of glass, the broken frames for which cast patterns on the ground. The heavy pillars which support the roof engender masses of black shade, but between them there are lanes of light. — Charles Dickens

Listen, I traipse no I run no I sprint--a fat, impotent ghoul sprung straight from the cellar of my childhood home--past the pregnant girl with five skeletal children and the nun and the synagogue with its windows stoned through and I'm headed directly for my daughter, Sylvia, at her school where she's stationed with classmates of wannabe punks and black boys with their heads shaved and every one of them, apes, gushing out their hormones as I sprint to the edge of the Earth where Sylvia studies the canon of our national literature that I'm desperately trying to forget. — Leland Pitts-Gonzalez

The magnitude of these shattering changes can perhaps be grasped by imagining that the invasion had been in the reverse direction and that the Aztecs or Incas had arrived suddenly in Europe, imposed their culture and calendar, outlawed Christianity, set up sacrificial altars for thousands of victims in Madrid and Amsterdam, unwittingly spread disease on a scale that virtually matched the Black Death, melted down the golden images of Christ and the saints, threw stones at the stained-glass windows and converted the cathedral aisles into arms or food warehouses, toppled unfamiliar Greek statues and Roman columns, and carried home to the Mexican and Peruvian highlands their loot in precious metals along with slaves, indentured servants and other human trophies. — Geoffrey Blainey

I just don't think there are any rules to color. You have a small space with no windows? Put lamps in there, make it dramatic, paint the ceiling black. Do something with it. If it's dark, accentuate the darkness. — David Bromstad

My doors enter from the sidestreet,
my windows painted basement black,
my mouth kisses the blues harp,
my heart hides like notes
locked in a cedar chest. — Yusef Komunyakaa

She turned off all the lights in the duplex and peered out the windows, moving from one room to the next to see if she could catch sight of the a black sedan. Security lights and streetlights in her complex cast a strange orange glow on the misty snow. It looked like the perfect night for a murder. — Terry Spear

I only work at night, generally. Usually when I work [during the day] I'll black out the windows or something. — Grimes

I feel like everyone who sees me knows what I am. As if it is written on my forehead in bold black ink. Perhaps it is written on my soul, now, and they can see it in my eyes, those windows to my soul. — Jasinda Wilder

It was a cold hard easterly morning when he latched the garden gate and turned away. The light snowfall which had feathered his schoolroom windows on the Thursday, still lingered in the air, and was falling white, while the wind blew black. — Charles Dickens

Venice took on the feeling of a city paved with black glass, the odd lantern, torch, or candle reflecting in the canals like distant windows into hell, the crescent moon throwing silver scythes across the water where it could find its way between buildings. — Christopher Moore

I wandered through Kino parlors and peered through the windows of the magnificent sprawling Grant's Raw Bar filled with men in black coats scooping up piles of fresh oysters. — Patti Smith

I don't really know what 'a dark place' means. I have windows in my house, and I'm generally an upbeat person! A lot of people throw that word at me because I wear a lot of black and leather. — Natalia Kills

Malcolm stood at the microphone. 'Every person under the sound of my voice is a soldier. You are either fighting for your freedom or betraying the fight for freedom or enlisted in the army to deny somebody else's freedom.' His voice, deep and textured, reached through the crowd, across the street to the tenement windows where listeners leaned half their bodies out into the spring air. 'The black man has been programmed to die. To die either by his own hand, the hand of his brother or at the hand of a blue-eyed devil trained to do one thing: take the black man's life.' The — Maya Angelou

The wind outside nested in each tree, prowled the sidewalks in invisible treads like unseen cats.
Tom Skelton shivered. Anyone could see that the wind was a special wind this night, and the darkness took on a special feel because it was All Hallows' Eve. Everything seemed cut from soft black velvet or gold or orange velvet. Smoke panted up out of a thousand chimneys like the plumes of funeral parades. From kitchen windows drifted two pumpkin smells: gourds being cut, pies being baked. — Ray Bradbury

When you write for a living and you can't do anything else, you know that sooner or later that the deadline is going to come screaming down on you like a goddamn banshee. There's no avoiding it ... So one day you just don't appear at the El Adobe bar anymore; you shut the door, paint the windows black, rent an electric typewriter and become the monster you always were - the writer. — Hunter S. Thompson

NIGHT 1: LEXI

Lexi arrives at eleven o'clock wearing a black lace dress that is both sexy and modest at the same time. It comes to just above her knees and the v-neckline reveals a hint of her small, round breasts. She's wearing black stockings and short heels, and I'm curious to see if she's wearing a garter belt under there. Her thick brown hair falls to her shoulders and her large brown eyes make her look innocent and doe-like.

"Come in," I say opening the door wide and stepping aside. Lexi hesitates for a second then comes in, looking around at our small studio apartment. The room is dimly lit by shaded lamps, letting most of the light come in through the uncurtained windows. I can see the full moon framed against one pane. In the center of the room is our four-poster king sized bed. Eric is lying on the red silk sheets. — Marketa Giavonni

At the bakery it's just me. It's a small place. Just me and the raspberry horns and the tourtiere pies and my cigarette going in the ashtray near the black sink. Every once in a while a car passes through the dark street outside the storefont windows, but that's pretty much all I see of people while I'm there, until the end of my shift at eight when Monica shows up to open the store for the day. A solid twelve hours by myself, nothing but the radio to keep me company, and I like it just fine, being alone. It's even better in the winter, during a storm, when the snow piles up outside and no cars come by at all. Inside the bakery it's warm and there's plenty to keep my hands busy. Times like that, for all I can tell I'm the only person left on earth. I could go on making pies and watching the snow pile up until the end of time, so long as there was enough coffee on hand. I don't need company like some people seem to. — Ron Currie Jr.

there to Baltimore," he says, and Lucy keeps her helicopter in Norwood, just outside of Boston, where she has her own hangar. "I see. That's why she's in a flight suit. She's taking you," and I think about the timing of her showing up as I emerged from the trailer. Benton must have let her know about Briggs's death hours ago. "When I'm done here I'll come meet you," I promise as we approach a black Tahoe with dark-tinted windows and government plates. — Patricia Cornwell

It glowed in the mid-morning sunlight, the black shutters on the open windows eyelashes on a beautiful face. — Emma Straub

May I ask what you have in your black leather bag with gold buckles?"
"Everything." They were climbing a narrow staircase. Rhoda stopped to look when Jennie opened her bag.
"You do have everything."
"I have even more," Jennie said modestly. "Two windows that I left at home. — Maurice Sendak

As the glow of the cabin windows turned to flickers through the trees and then to black, her eyes adjusted and the starlight alone on the pure white snow was enough to light her way. The cold scorched her cheeks and her lungs, but she was warm in her fox hat and wool. An owl swooped through the spruce boughs, a slow-flying shadow, but she was not frightened. She felt old and strong, like the mountains and the river. She would find her way home. — Eowyn Ivey

Put me on a train with no windows where nighttime lasts forever and a speed-mad engineer with a mechanical heart high balls a coal-black engine through time tunnels like a bullet leaving a gun where the speed of darkness is faster than the speed of light. — D.B. Cox

It was snowing. In the lamplight, blades of ice were growing on the outside of the blue-tinged window-panes and the hoarfroast, like melted sugar, glittered on the gold-spangled bottle-glass of the windows. Absolute silence enveloped the little house as it slumbered in the shadows.
Des Esseintes let his mind wander ... Like some great hanging of reverse ermine, the sky rose before him, black and dappled with white. An icy wind gusted, intensifying the wild scudding of the snow, inverting the proportions of black and white. The heraldic hanging of the sky turned itself over, becoming true white ermine, itself dappled with black by the tiny patches of night strewn among the snowflakes. — Joris-Karl Huysmans

I think that maybe, if human beings have souls, that maybe their souls are in their eyes. That maybe that's what the color is. Their souls."
"Well, they say the eyes are the windows to the soul."
"No, that's not what I mean. I mean, the actual color is kind of like your spirit, like your soul. And the black space, maybe the black space is the tunnel that people talk about when they die. Do you know what I mean? Like when you die, you go into the eyes of the person you're looking at and walk through their eyes and, at the other end, that's where heaven is. — Brent Runyon