Black Street Quotes & Sayings

I had a terrible premonition. His flight was to Miami. The old news footage flashed through my mind of Air Florida Flight 90 to Miami that went down in a freezing rain. It showed pieces of the wings and smashed fuselage floating in a huge hole in the ice next to the Fourteenth Street Bridge. A helicopter trying to lift a survivor from the black water. Rescuers watching helplessly from the shore. I tried to call him, but the network was down. I'd seen this fearsome power of the past before, how it can rise up without warning and strike the living with unerring timing. Later Lorenzo called from Miami and said it was a rough flight but they made it. I was happy that for once my intuition was wrong. — J. J. Jorgens

Looking into it a bit, Jamie found that the model used by Wall Street to price LEAPs, the Black-Scholes option pricing model, made some strange assumptions. — Michael Lewis

Now, there is a tendency at a point like this to look over one's shoulder at the cover artist and start going on at length about leather, tightboots and naked blades.
Words like 'full', 'round' and even 'pert' creep into the narrative, until the writer has to go and have a cold shower and a lie down.
Which is all rather silly, because any woman setting out to make a living by the sword isn't about to go around looking like something off the cover of the more advanced kind of lingerie catalogue for the specialized buyer.
Oh well, all right. The point that must be made is that although Herrena the Henna-Haired Harridan would look quite stunning after a good bath, a heavy-duty manicure, and the pick of the leather racks in Woo Hun Ling's Oriental Exotica and Martial Aids on Heroes Street, she was currently quite sensibly dressed in light chain mail, soft boots, and a short sword.
All right, maybe the boots were leather. But not black. — Terry Pratchett

You've got the Wall Street situation, the sub-prime situation. You've got a black president. We've got wars. We've got unemployment. But the music doesn't reflect that. And I challenge anybody to show me a music that's on the radio that reflects that. — Ice-T

The spectacle shop was old, long, and narrow, with a glass front and a small thin door that opened onto a somewhat busy avenue in the antiques district on the South side of Lovat. It was a quiet enough area, away from the rougher warrens, but not particularly elevated. Across the cramped street hawkers sold vases, while up the road outside a rug merchant's shop a man sold antique suits. There was also Dubois' new storefront to the East; he dealt in religious artifacts and trinkets. The shopkeep hadn't liked when he had moved in; it had somehow changed the feel of the warren. Odd folks had started showing up shortly after Saint Olmstead Religious Antiques opened: black-clad priests, Hasturians in yellow robes, and a few Deeper cultists dressed in their gray sackcloth rags. It had set the entire warren on edge. — K.M. Alexander

Las Vegas is not the kind of town where you want to drive down Main Street aiming a black bazooka-looking instrument at people. — Hunter S. Thompson

The street is as diverse as any other sector, but in peoples' mind it gets appropriated as a black man who's tough. Trying to make it through by staying hard and phallocentric. To me, that is just an impoverished conception of what it is to be a black male. It doesn't do justice to my grandfather, my father, my brother - or just the black men I grew up with. — Cornel West

He reached for the door handle. Fear nestled into his throat, but he did not stop. He pulled the handle, opened the door, and stepped out. It was dark. The streetlights in Soho were nearly worthless, like pen beams in a black hole. Lights drifting out from nearby windows provided more of an eerie kindle than real illumination. There were plastic garbage bags out on the street. Most had been torn open; the odor of spoiled food wafted through the air. The van slowly cruised toward him. A man stepped out from a doorway and approached without hesitation. The man wore a black turtleneck under a black overcoat. He pointed a gun at Myron. The van stopped, and the side door slid open. "Get in, asshole," the man with the gun said. Myron pointed at himself. "You talking to me?" "Now, asshole. Haul ass." "Is that a turtleneck or a dickey?" The man with the gun moved closer. "I said, now. — Harlan Coben

It was too late to tell Dally. Would he have listened? I doubted it. Suddenly it wasn't only a personal thing to me. I could picture hundreds and hundreds of boys living on the wrong sides of cities, boys with black eyes who jumped at their own shadows. Hundreds of boys who maybe watched sunsets and looked at stars and ached for something better. I could see boys going under street lights because they were mean and tough and hated the world, and it was too late to tell them that there was still good in it, and they wouldn't believe you if you did. It was too much of a problem to be just a personal thing. — S.E. Hinton

The road was wet with rain, black and shiny like oilskin. The reflection of the street lamps wallowed like yellow jelly-fish. A bus was approaching - a bus to Piccadilly, a bus to the never-never land - a bus to death or glory.
I found neither. I found something which haunts me still.
The great bus swayed as it sped. The black street gleamed. Through the window a hundred faces fluttered by as though the leaves of a dark book were being flicked over. And I sat there, with a sixpenny ticket in my hand. What was I doing! Where was I going?
("Same Time, Same Place") — Mervyn Peake

Outside, the sleet had gotten thicker. You could hear it pebbling against the large glass windows, you could see it swirling wildly through the spotlights of street lamps. It was the kind of night when you might expect to see a skeleton flying through the air, its ragged black shroud flapping in the wind. — Dan Chaon

Having Black hair is unique in that Black women change up styles a lot. You can walk down one street block in New York City and see 10 different hairstyles that Black women are wearing: straight curls, short cuts, braids - we really run the gamut. — Queen Latifah

Why am I anti-social?? Hey GreenWind can you answer me, little black biatch that I don't go out makes me anti social? How about the people which can't cross the street, everyday talking about football and playing box. You are one of them, so you are without minded guy, you are dumb, stupid and black biatch. Let's see how now you will win??? Why you are so quite??? Oh,oh I know you don't have what to say! — Deyth Banger

Be wary of those with overpowering presence. It is usually a one-way street taking away your freedom of choice. Gravity is compelling particularly when it is a Black Hole. — R.N. Prasher

I guess I was lucky I didn't drown, or smother in the thick, black, icy mud that the river left behind in its slow withdrawal back within its banks.

I didn't feel lucky.

When I regained consciousness, my head and ribs winning the battle with the rest of my body for sharp, almost unbearable pain, my first thought was Chrissy. Chrissy, pulled away from me by the merciless power of the water. Chrissy, lost somewhere, maybe injured, calling for me and I wasn't there for her. Chrissy, beautiful, wonderful Chrissy, quite probably lying in the mud, dead!

My scream of anguish, of pain and loss, echoed through the empty Liverpool streets. There was no shame or embarrassment in that shout, that bellow of emotion. I had lost the woman I loved. Nothing I'd ever felt compared to the agony, the gut-wrenching loss of that moment.

I cried. I sat there in the middle of a street I didn't recognise, not knowing how far the wave had carried me, and cried. — Neil Davies

I've got a bike in the lounge that I watch Coronation Street on. I never had to watch my weight until I had the children, but with the bike, I'm fine. — Cilla Black

It got dark and the rain-clouded lights of the stores were soaked up by the black street. — Raymond Chandler

If I'm walking down an American street and anyone darker than a peanut shell approaches, I'll say, "Hello." This because, if I don't say it, he or she might think that I'm anxious. Which, of course, I must be, otherwise I'd walk by in silence, just as I do with my fellow Caucasians.
Does this make me racist, or simply race conscious? Either way, I'm more afraid of conservatives than I am of black people. — David Sedaris

The immolation occurred late on a Friday morning. The lunchtime bustle was picking up as Paul descended from his office building onto the crowded street. He cut an imposing figure against the flow of pedestrians: six feet four inches, broad shouldered, clean-shaven, clothed in the matching black coat, vest, and long tie that was to be expected of New York's young professional men. His hair, perfectly parted on the left, had just begun to recede into a gentle widow's peak. He looked older than his twenty-six years. As — Graham Moore

The hurdler hit the sidewalk midstride and accelerated, dressed all in black, boots pounding the street. He carried a machete whose wet blade glimmered under the glancing beam of his headlamp, running hard, breathing hard, — Blake Crouch

She stepped toward Anna.
"I can get you a night with an accomplished male whore or a virginal schoolboy." Coral's eyes widened and seemed to flame. "Famous libertines or ragpickers off the street. One very special man or ten complete strangers. Dark men, red men, yellow men, men you've only dreamed of in the black of night, lonely in your bed, snug under your covers. Whatever you long for. Whatever you desire. Whatever you crave. You have only to ask me."
Anna stared at Coral like a mesmerized mouse before a particularly beautiful snake. — Elizabeth Hoyt

Wolf's fur was speckled with drops of blood that had beaded on it like rain. The gravel in the alley shone in the half-light from the distant street lamps. The wolf's muzzle, a little shorter and broader than I had seen on Wild Kingdom, was drawn back, black lips from fangs striped white and red like peppermints. Its eyes were blue, rather than any proper lupine shade, and gleamed with a sort of demented awareness. — Jim Butcher

Read this morning of a black family - husband and wife both work in govt. printing office. They live in a nice house near U. of Maryland. They have been harassed and even had a cross burned on their lawn. It was all on the front page of the "Post." I told Mike & Jim I'd like to call on them. We cleared the last part of the afternoon schedule & Nancy & I went calling. They were a very nice couple with a 4 year old daughter - grandma (a most gracious lady) lived with them. Their home was very nice & tastefully furnished. They were very nice about our coming & expressed their thanks. The whole neighborhood was lining the street - most of them cheering and applauding us. I hope we did some good. There is no place in this land for the hate-mongers & bigots. — Ronald Reagan

I think about never losing my voice, never giving in, never selling out, always keeping black, always sticking to the street. Staying neighborhood and not Hollywood. — Paul Mooney

I would love it if, even for one day, you could walk through a neighborhood and see an Asian guy sitting on his stoop, then you look across the street and see a black guy and a white guy sitting on their porches, and a Mexican dude walking by. — Eminem

Before this ugly edifice, and between it and the wheel-track of the street, was a grass-plot, much overgrown with burdock, pig-weed, apple-pern, and such unsightly vegetation, which evidently found something congenial in the soil that had so early borne the black flower of civilized society, a prison. — Nathaniel Hawthorne

I knew that I'd lived in New York too long when, a few years ago, I was on a subway going downtown, and it stopped at 14th Street. At the station, the doors opened, and the conductor announced that there was a bomb on board and we should evacuate immediately. Nobody moved. We just looked at each other, 'Do you see a bomb?' 'I don't see a bomb.' 'There's no bomb.' 'I've only got two stops - let's go for it. — Lewis Black

I started playing golf when I was a kid, because across the street from where we lived there was a little nine-hole golf course where my father worked. — Lewis Black

I've seen the end of the universe, and it happens to be in the United States and, oddly enough, it's in Houston, Texas. I know - I was shocked, too. Imagine my surprise when I left a comedy club one day and walked to the end of the block, and there on one corner was a Starbucks, and across the street from that Starbucks, in the exact same building as that Starbucks, there was - a Starbucks. I looked back and forth, thinking the sun was playing tricks with my eyes. That there was a Starbucks across from a Starbucks - and that, my friends, is the end of the universe. — Lewis Black

Malcolm stood at the microphone. 'Every person under the sound of my voice is a soldier. You are either fighting for your freedom or betraying the fight for freedom or enlisted in the army to deny somebody else's freedom.' His voice, deep and textured, reached through the crowd, across the street to the tenement windows where listeners leaned half their bodies out into the spring air. 'The black man has been programmed to die. To die either by his own hand, the hand of his brother or at the hand of a blue-eyed devil trained to do one thing: take the black man's life.' The — Maya Angelou

In the same way that Occupy Wall Street forever elevated that concept of income inequality, the Black Lives Matter protesters have elevated the idea of inequity in policing as it relates to minority communities. — Charles M. Blow

In 1965, worked with Nite Owl bringing street gangs under control. Tackled the Big Figure together. Brought down Underboss together. Good team.
Until he got soft, like rest. Until he quit.
No staying power. None of them. Except Comedian. Met him in 1966. Forceful personality. Didn't care if people liked him. Uncompromising. Admired that.
Of us all, he understood most. About world. About people. About society and what's happening to it.
Things everyone knows in gut. Things everyone too scared to face, too polite to talk about. He understood.
Understood man's capacity for horrors and never quit. Saw the world's black underbelly and never surrendered. Once man has seen, he can never turn his back on it. Never pretend it doesn't exist.
No matter who orders him to look the other way.
We do not do this thing because it is permitted. We do it because we have to.
We do it because we are compelled. — Alan Moore

I grew up watching old black and white movies where Marlene Dietrich or Jean Harlow would go walking down some cobblestone street in ripped stockings and head into some smoky boite and sing for a pathetic living. That's so what I wanted to be. — Ellen Greene

We're going to go right by a couple 24/7s crossing town. Maybe we could stop and get some hot chocolate."
"That stuff they sell in those places is swill."
"Yeah, but it's chocolate swill." Peabody tried a pitiful, pleading look. "You wouldn't let her give us any of the good stuff."
"Maybe you'd like some cookies, too. Or little frosted cakes."
"That would be nice. Thanks for asking."
"That was sarcasm, Peabody."
"Yes, sir. I know. Responded in kind."
The easy laugh had the black cloud lifting. Because it did, Eve pulled over at a cross-street 24/7 and waited while Peabody ran in and loaded up. — J.D. Robb

My parents first rented a tiny apartment on Chapel Street with their black standard poodle, Turbo. When I arrived, they had to move out because the landlord allowed dogs but not babies. They found a place on Edwards Street, where the owner allowed babies but not dogs. Fortunately, I made the cut and Turbo went to live at Grove Lane. — George W. Bush

Former spider boys came from all walks of life - they ranged from homeless street kids and school dropouts to decent kids, but the best ones were those who had gone anywhere and everywhere to search out and capture their fighting spiders; they even ventured into dangerous bushes infested with black mambas. These boys were risk-takers and crowd-pullers, always on the move, always looking for worthy opponents with which to fight their spiders. — Ming Cher

Andras went through the Sortie doors and walked out into a city that no longer contained his brother. He walked on benumbed feet in the new black Oxfords his brother had brought him from Hungary. He didn't care who passed him on the street or where he was going. If he had stepped off the curb into the air instead of down into the gutter, if he had climbed the void above the cars and between the buildings until he was looking down at the rooftops with their red-clay chimney pots, their irregular curving grid, and if he had then kept climbing until he was wading through the slough of low-lying clouds in the winter sky, he would have felt no shock or joy, no wonder or surprise, just the same leaden dampness in his limbs. — Julie Orringer

Black(people) hold onto their God just as the drunken man holds on to the street lamp post - for physical support only. — Tai Solarin

Feels almost like real agent work, doesn't it?" Barron says as we walk down the street, heads bowed against the wind. "You know, if we caught your girlfriend committing a crime, I bet Yulikova would give us a bonus or something for being prize pupils."
"Except that we're not going to do that," I say.
"I thought you wanted us to be good guys." He grins a too-wide grin. He's enjoying needling me, and my reacting only makes it worse, but I can't stop.
"Not if it means hurting her," I say, my voice as deadly as I can make it. "Never her."
"Got it. Hurting, bad. But how do you excuse stalking her and her friends, little brother?"
"I'm not excusing it," I say. "I'm just doing it. — Holly Black

Listen: I am ideally happy. My happiness is a kind of challenge. As I wander along the streets and the squares and the paths by the canal, absently sensing the lips of dampness through my worn soles, I carry proudly my ineffable happiness. The centuries will roll by, and schoolboys will yawn over the history of our upheavals; everything will pass, but my happiness , dear, my happiness will remain,in the moist reflection of a street lamp, in the cautious bend of stone steps that descend into the canal's black waters, in the smiles of a dancing couple, in everything with which God so generously surrounds human loneliness. — Vladimir Nabokov

If I see a black kid in a hoodie and it's late at night, I'm walking to the other side of the street. And if on that side of the street, there's a guy that has tattoos all over his face, white guy, bald head, tattoos everywhere, I'm walking back to the other side of the street, and the list goes on of stereotypes that we all live up to and are fearful of. — Mark Cuban

Nothing is going to happen to you if you throw salt on the floor, stand under a ladder, or see eight black cats on the street. — Penelope Cruz

One day I saw something very strange, people walking around who looked like they had come directly from the grave, their skin was so pale. Mzungus. They carried a black machine that flashed bright when they pointed it at me. I screamed. I thought the machine was going to harm me, and so I fled. Later I learned it was a camera. Its flash and their voices terrified me. We didn't see them often, less than once in a year. But whenever I saw them, I ran and hid.
I had many ideas about them; first, I did not expect them to be smart, because they loved to take pictures of silly things like chickens on the street, shanties, and other things that were not interesting. Second, since I had seen a kid touching their skin and shouting, "How are you?," for many years I believed the name for all white people was "How are you?" I touched their skin as well and found it soft, but I was surprised and a bit disappointed because I thought touching it would leave a mark on my skin too. — Kennedy Odede

How do you like your coffee?" "Black, but I'll fix it myself." "I don't mind fixing your coffee for you. It's part of the job." "I'll fix it myself." "All the secretaries do it." "If you ever touch my coffee, I'll see to it that you're sent to the mail room to lick stamps." "We have an automated licker. Do they lick stamps on Wall Street?" "It was a figure of speech. — John Grisham

At the bakery it's just me. It's a small place. Just me and the raspberry horns and the tourtiere pies and my cigarette going in the ashtray near the black sink. Every once in a while a car passes through the dark street outside the storefont windows, but that's pretty much all I see of people while I'm there, until the end of my shift at eight when Monica shows up to open the store for the day. A solid twelve hours by myself, nothing but the radio to keep me company, and I like it just fine, being alone. It's even better in the winter, during a storm, when the snow piles up outside and no cars come by at all. Inside the bakery it's warm and there's plenty to keep my hands busy. Times like that, for all I can tell I'm the only person left on earth. I could go on making pies and watching the snow pile up until the end of time, so long as there was enough coffee on hand. I don't need company like some people seem to. — Ron Currie Jr.

It looks scary. And reminds me of the street that is usually the first we see in Vice City. You know after the first meeting when the guy plans to do his first job? The street on which the building of his first client is? Well, that particular street. — Ritika Chhabra

The long drizzle had begun. Pedestrians had turned up collars and trousers at the bottom. Hands were hidden in the pockets of the umbrella-less - umbrellas were up. The street looked like a sea of round, black-cloth roofs, twisting, bobbing, moving. Trucks and vans were rattling in a noisy line, and everywhere men were shielding themselves as best they could. — Theodore Dreiser

My father saw two black men lynched on his street in Cartersville, as a child. And I think seeing two black businessmen - not vagrants - hanging from trees as a child was traumatic for him. — Toni Morrison

Superstition, as indigenous to Louisiana as gators and Tabasco, holds that the spirits of the dead avenge any disruption of their bodies, which makes one wonder at the rancor released on the 1957 day when fifty-five white families re-interred their beloved in Hope Mausoleum after the Rt. Rev. Girault M. Jones, Bishop of Louisiana, deconsecrated the Girod Street Cemetery, condemning every last African American bone to anonymity in a mass grave in Providence Memorial Park. From that pogrom grew the Superdome. Thirteen acres of structural steel framing stretch up to 273 feet from the unholy ground, a towering testament to the American propensity to cheer black men into the end zones and desert them entirely six points later. — Ellen Urbani

I am a writer, a professional journalist with serious credentials in Crime, Craziness, and Politics. I have mingled with dangerous criminals and attended many trials ... from Hell's Angels, Black Panthers and Chicano street fighters to Roxanne Pulitzer and even Richard Nixon, back in the good old days before he was run out of the White House for fraud, perjury, graft, and criminal negligence. — Hunter S. Thompson

Short, dark, and slight, he looks simultaneously middle-aged and prepubescent, a little worse for wear in any case with his black hair matted like a street cat and his eyes crusted over and bleary. — David Winner

The story about Bessie Goldberg that I heard from my parents was that a nice old lady had been killed down the street and an innocent black man went to prison for the crime. Meanwhile
unknown to anyone
a violent psychopath named Al was working alone at our house all day and probably committed the murder. In our family this story eventually acquired the tidy symbolism of a folk tale. Roy Smith was a stand-in for everything that was decent but utterly defenseless. Albert DeSalvo, of course, was a stand-in for pure random evil. — Sebastian Junger

The yellow moon dreamily
tipping buttons of light
down among the leaves. Marimba,
marimba - from beyond the
black street.
Somebody dancing,
somebody
getting the hell
outta here. Shadows of cats
weave round the treetrunks,
the exposed knotty roots.
("Scenes from the Life of the Peppertrees") — Denise Levertov

Gay people represent art. Start allowing gay people to be beaten in the street then you allow art to be beaten in the street. History has taught us where that leads. — Robert Black

There was a black marine called Philly Dog who'd been a gang lord in Philadelphia and who was looking forward to some street fighting after six months in the jungle, he could so the kickers what he could do with some city ground. (In Hue he turned out to be incredibly valuable. I saw him pouring out about a hundred rounds of .30-caliber fire into a breach in the wall, laughing, 'You got to bring some to get some'; he seemed to be about the only man in Delta Company who hadn't been hurt yet.) — Michael Herr

I came back to Louisville after the Olympics with my shiny gold medal. Went into a luncheonette where black folks couldn't eat. Thought I'd put them on the spot. I sat down and asked for a meal. The Olympic champion wearing his gold medal. They said, "We don't serve niggers here." I said, "That's okay, I don't eat 'em." But they put me out in the street. So I went down to the river, the Ohio River, and threw my gold medal in it. — Muhammad Ali

In until ten, not even on Mardi Gras nights. No one except the girl in the black silk dress, the thin little girl with the short, soft dark hair that fell in a curtain across her eyes. Christian always wanted to brush it away from her face, to feel it trickle through his fingers like rain. Tonight, as usual, she slipped in at nine-thirty and looked around for the friends who were never there. The wind blew the French Quarter in behind her, the night air rippling warm down Chartres Street as it slipped away toward the river, smelling of spice and fried oysters and whiskey and the dust of ancient bones stolen and violated. — Poppy Z. Brite

Myron walked up the little brick walk and knocked on the door. A very attractive black woman answered, a pleasant smile at the ready. Her hair was tied back in a severe bun, emphasizing the high cheekbones. Age lines around the eyes and mouth, but nothing drastic. She was well dressed, kind of conservative. Anne Klein II. Her jewelry was noticeable but not too flashy. The overall impression: classy. Her smile seemed to fade when she saw him. "Can I help you?" "Mrs. Yeller?" She nodded slowly, as though not sure. "My name is Myron Bolitar. I'd like to ask you a few questions." The smile fled completely. "What about?" Her diction was different now. Less suburban civil. More street suspicious. — Harlan Coben

If you intend to look like a street urchin and smell like a sow, I shall have to call you something else." He looked Teach over from head to toe, noting his shabby black hair and beard. "You're no dandy. I'll call you Blackbeard. Welcome aboard. — Nicole Castroman

Golosh Street is an interesting locality. All the oddities of trade seemed to have found their way thither and made an eccentric mercantile settlement. There is a bird-shop at one corner. Immediately opposite is an establishment where they sell nothing but ornaments made out of the tinted leaves of autumn, varnished and gummed into various forms. Further down is a second-hand book-stall. There is a small chink between two ordinary-sized houses, in which a little Frenchman makes and sells artificial eyes, specimens of which, ranged on a black velvet cushion, stare at you unwinkingly through the window as you pass, until you shudder and hurry on, thinking how awful the world would be if everyone went about without eyelids. Madame Filomel, the fortune-teller, lives at No. 12 Golosh Street, second storey front, pull the bell on the left-hand side. Next door to Madame is the shop of Herr Hippe, commonly called the Wondersmith.
("The Wondersmith") — Fitz-James O'Brien

There is a place where the sidewalk ends
And before the street begins,
And there the grass grows soft and white,
And there the sun burns crimson bright,
And there the moon-bird rests from his flight
To cool in the peppermint wind.
Let us leave this place where the smoke blows black
And the dark street winds and bends.
Past the pits where the asphalt flowers grow
We shall walk with a walk that is measured and slow,
And watch where the chalk-white arrows go
To the place where the sidewalk ends.
Yes we'll walk with a walk that is measured and slow,
And we'll go where the chalk-white arrows go,
For the children, they mark, and the children, they know
The place where the sidewalk ends. — Shel Silverstein

Once he saw a young girl with a small black satchel descend from a train, and she seemed so lonely and frightened that he wanted to shout to her and run down to her and smile and tell her, My name is Joe Silvera. I was born in this town, but I went away when I was seventeen and stayed away seven years. I've been back four months. I live across the street. I'm a painter. Come on up to my place and rest; I've got some wine.
All he did, though, was stare at her, and finally when she disappeared, walking down Tulare Street, he wanted very much, even then, to run down to the street and catch up with her; and a day later he wanted to look for her all over town; and a week later he wondered where she might be. — William, Saroyan

Nighthawks

I wanted to run away with you tonight
but you are a difficult woman
the rules of you -

Past and future circle round us
now we know more now less
in the institute of shadows.

On a street black as widows
with nothing to confess
our distances found us

the rules of you -
so difficult a woman
I wanted to run away with you tonight. — Anne Carson

I got arrested for playing chess in the street. I said, it's because I'm black, isn't it. — Milton Jones

I was born in Newark, New Jersey, and grew up in Summit, an upscale town in north Jersey. There was this tiny area of Summit where most of the black families lived. My parents and I lived in a duplex house on Williams Street. — Ice-T

The day of the wedding went like these things generally do, full of anxious moments interspersed with black comedy. — Janet Street-Porter

I've been pulled out of my nice new car and laid out in the street by the police, interrogated and then have them get in the car and roll off leaving me lying in the street without even saying 'Get up.' The humiliation that they can put on a black man because they determine that you ain't got the money. — Ice-T

It was Christmas Day and Danny the Car Wiper hit the street junksick and broke after seventy-two hours in the precinct jail. It was a clear bright day, but there was warmth in the sun. Danny shivered with an inner cold. He turned up the collar of his worn, greasy black overcoat.
This beat benny wouldn't pawn for a deuce, he thought. — William S. Burroughs

He moved well. He looked good. He was tall. He worked on his body and this work was extremely successful. He had a lot of thick, messy black hair. And he had a face that was movie star handsome in a way that, without a doubt, launched a million wedding fantasies, even from women who just caught a glimpse of him walking down the street. — Kristen Ashley

And what the white students had not expected to let themselves in for, when boarding the Freedom Train, was the realisation that the black situation in America was but one aspect of the fraudulent nature of American life. They had not expected to be forced to judge their parents, their elders, and their antecedents, so harshly, and they had not realised how cheaply, after all, the rulers of the republic held their white lives to be. Coming to the defence of the rejected and the destitute, they were confronted with the extent of their own alienation, and the unimaginable dimensions of their own poverty. They were privileged and secure only so long as they did, in effect, what they were told: but they had been raised to believe that they were free. — James Baldwin

Do you remember that piece of footage on the local news, just as the first tower comes down, woman runs in off the street into a store, just gets the door closed behind her, and here comes this terrible black billowing, ash, debris, sweeping through the streets, gale force past the window ... that was the moment, Maxi. Not when 'everything changed.' When everything was revealed. No grand Zen illumination, but a rush of blackness and death. Showing us exactly what we've become, what we've been all the time."
"And what we've always been is ... ?"
"Is living on borrowed time. Getting away cheap. Never caring about who's paying for it, who's starving somewhere else all jammed together so we can have cheap food, a house, a yard in the burbs ... planetwide, more every day, the payback keeps gathering. And meantime the only help we get from the media is boo hoo the innocent dead. Boo fuckin hoo. You know what? All the dead are innocent. There's no uninnocent dead. — Thomas Pynchon

McGahern still lives on and works a farm in Leitrim, and friends say that even though he has held high profile academic posts round the world as a visiting professor he remains essentially a countryman.

Last term he taught in an upstate New York college, but seeing him in the soulless urban grid of downtown Syracuse wearing an old tweed flat cap and long black overcoat, he could have been in an Irish agricultural town on market day as he casually engaged strangers on the street to ask for advice on finding a decent restaurant. Friends say he has extraordinary confidence in who he is and where he's from - he behaves pretty much the same way wherever is and whoever he is with. — John McGahern

Christmas Eve, 1955, Benny Profane, wearing black levis, suede jacket,
sneakers and big cowboy hat, happened to pass through Norfolk, Virginia. Given to sentimental impulses, he thought he'd look in on the Sailor's Grave, his old tin can's tavern on East Main Street. — Thomas Pynchon

The sleepless hum of the city was abidingly in his ears, and the lamps that dotted the misty pavements stared at him blinkingly all along the route. The tall black buildings rose up grimly into the night; the faces that flitted to and fro along the pavements, kept ever sliding past him, melting into the darkness; and the cabs and 'buses, still astir in the streets, had a ghostly air as they vanished in the gloom.

("An Unexpected Journey") — J.H. Pearce

I was struck that morning, as I would occasionally be struck the entire time I was in India, by the notion that the town was brown-skinned and black-haired, that their facial features approached my own. There was a solidarity, unexpected, unreasoning, that I felt with the people I passed on the street. They were, during those moments, my people, and though I had my difficulties with the subtleties of their language, thought our manners of dress and thought were distinct, though, perhaps, these people that I passed did not regard themselves as bound together in any particular way, at these instants I would disregard such nuance and imagine a profound relationship between us. Later, during stretches more lucid, I'd marvel at this rush of emotion and wonder as to its source. — Sameer Parekh

Dear Natasha,
It's the middle of the night. I can't sleep. Thoughts are creeping through my head like darkness slips around the bodies of sky scrapers in every city we've ever been to. From the bottom up, suffocating the life on the street first and then raising to the head and the brain, circling into smog and clouds until the black stretches up so high that nobody can even remember what the stars used to look like.
This is how I feel when I lie awake and think of you. I miss you. — Melodie Ramone

Though the white liberal imagination likes to feel temporarily bad about black suffering, there really is no mode of empathy that can replicate the daily strain of knowing that as a black person you can be killed for simply being black: no hands in your pockets, no playing music, no sudden movements, no driving your car, no walking at night, no walking in the day, no turning onto this street, no entering this building, no standing your ground, no standing here, no standing there, no talking back, no playing with toy guns, no living while black. Eleven — Jesmyn Ward

I took the sleeper out of Glasgow, and as the smelly old train bumped out of Central Station and across the Jamaica Street Bridge, I stared out at the orange halogen streetlamps reflected in the black water of the river Clyde. I gazed at the crumbling Victorian buildings that would soon be sandblasted and renovated into yuppie hutches. I watched the revelers and rascals traverse the shiny wet streets. I thought of the thrill and danger of my youth and the fear and frustration of my adult life thus far. I thought of the failure of my marriage and my failures as a man. I saw all this through my reflection in the nighttime window.
Down the tracks I went, hardly aware that I was going further south with every passing second. — Craig Ferguson

Britains still commemorate the Battle of Cable Street in London. There are still pop songs in Britain that reference Sir Oswald Mosley and his black shirts. — Rachel Maddow

No one on the street thought anything of the downtown girl dressed in black who had paused in the middle of midtown foot traffic. In her art student camouflage she could walk the entire length of Manhattan and, if not blend in, be classified and therefore ignored. — Alice Sebold

Bustopher Jones is not skin and bones
In fact, he's remarkably fat.
He doesn't haunt pubs - he has eight or nine clubs,
For he's the St. James's Street Cat!
He's the Cat we all greet as he walks down the street
In his coat of fastidious black:
No commonplace mousers have such well-cut trousers
Or such an impeccable back.
In the whole of St. James's the smartest of names is
The name of this Brummell of Cats;
And we're all of us proud to be nodded or bowed to
By Bustopher Jones in white spats! — T. S. Eliot

People, even if they are so thoughtless as to be born black, do not come into this world merely to provide mink coats and diamonds for chattering, trivial, pale matrons, or genocidal opportunities for their unsexed, unloved, and, finally, despicable men - oh, pioneers!

There will be bloody holding actions all over the world, for years to come: but the Western party is over, and the white man's sun has set. Period. — James Baldwin

How old are you?'
The question startled him. 'Earth and Air. There are times you are no more comfortable a companion than I am. The answer to that serves no conceivable purpose, and I refuse to give it to you.'
When I was a kid I read Black Beauty. There were horse-drawn cabs in that. Are you that old?'
Older, older, older. I shall not tell you, so you may as well leave off, my primrose.'
She snorted. 'I think that means I should give up. You've started sweet-talking.'
I am torn,' the phouka said, grinning, 'between responding, 'Oh, absolutely!' and 'What do you mean, started?' He grabbed her hand, dropped a kiss on the knuckles, and loped across the street. Eddi felt the touch of his mouth on her hand for an inexplicably long time. — Emma Bull

Any Black person in amerika [sic], if they are being honest with themselves, have got to come to the conclusion that they don't know what it feels like to be free. We aren't free politically, economically, or socially. We have very little power over what happens in our lives. In fact, a Black person isn't free to walk down the street. Walk down the wrong street, in the wrong neighborhood at night, and you know what happens. — Assata Shakur

From the cab stepped a tall old man. Black raincoat and hat and a battered valise. He paid the driver, then turned and stood motionless, staring at the house. The cab pulled away and rounded the corner of Thirty-sixty Street. Kinderman quickly pulled out to follow. As he turned the corner, he noticed that the tall old man hadn't moved but was standing under the streetlight glow, in mist, like a melancholy traveler frozen in time. — William Peter Blatty

There was some kind of scuffle two hundred yards down the street, again strangely noiseless, and a huddled knot of men opened up to reveal two brawlers being separated and pulled away from their fight. What I saw next gave me a fright: in the farther distance, beyond the listless crowd, the body of a lynched man dangling from a tree. The body was slender, dressed from head to toe in black, reflecting no light. It soon resolved itself, however, into a less ominous thing: dark canvas sheeting on a construction scaffold, twirling in the wind. — Teju Cole

A shift in class values occurs in black life when integration comes and with it the idea that money is the primary marker of individual success, not how one acquires money. Adopting that worldview changed the dynamics of work in black communities. Black men who could show they had money (no matter how they acquired it) could be among the powerful. It was this thinking that allowed hustlers in black communities to be seen as just as hardworking as their Wall Street counterparts. — Bell Hooks

From this height the sleeping city seems like a child's construction, a model which has refused to be constrained by imagination. The volcanic plug might be black Plasticine, the castle balanced solidly atop it a skewed rendition of crenellated building bricks. The orange street lamps are crumpled toffee-wrappers glued to lollipop sticks. — Ian Rankin

A bum woke up in the gutter right beside where I stood looking across the street at this place. He felt in the waist of his pants and came up with a pint bottle, half full. He tipped it up and it gurgled steadily until he'd emptied it all down into him. I was only twenty-four or -five but I already knew from experience how it tasted. And people who've kissed the feet of Christ know how it tasted. I saw everything there in the gutter
the terror and the promise. Later I spent the morning in the smoky Day Labor Division with better than a hundred men who'd learned how not to move, learned how to stay beautifully still and let their lives hurt them, white men with gray faces and black men with yellow eyes. I worked the rest of the week in a factory without ever comprehending exactly what was manufactured there, and at night I'd get drunk and shut myself in a phone booth and call the woman in Minnesota who'd broken my heart. — Denis Johnson

ABANDON ALL HOPE YE WHO ENTER HERE is scrawled in blood red lettering on the side of the Chemical Bank near the corner of Eleventh and First and is in print large enough to be seen from the backseat of the cab as it lurches forward in the traffic leaving Wall Street and just as Timothy Price notices the words a bus pulls up, the advertisement for Les Miserables on its side blocking his view, but Price who is with Piece and Piece and twenty-six doesn't seem to care because he tells the driver he will give him five dollars to turn up the radio, "Be My Baby" on WYNN, and the driver, black, not American, does so. — Bret Easton Ellis

Help, the working Account Representative called, feeling the stir of a tinily remembered humid wind and pausing, again, to look behind him, past the Brougham's black hood and the carelessly dropped safety helmet beside the white cycle, at the Ramp that spiraled up and out of sight toward a street, empty and bright, before the Building, empty and bright, dispossessed, autonomous and autonomic. Bent to what two lives required, below everything, he called for help again and again. — David Foster Wallace

It is frustrating having to walk through America having to bob and weave people's impressions of me because they see a tall, black guy walking down the street. That is frustrating. — Justin Simien

Pounce had it easier than any of us. No one noticed a black cat in the street. He stopped here and there to sniff aught of interest. Wherever our Rat stopped, Pounce was there, close enough to see up the Rat's nose. I was so proud. Now there was a proper god, making himself useful!
Since my thought might be deemed blasphemy, I said silent prayers to the Goddess and to Mithros. I begged forgiveness and asked them not to misunderstand. Since I wasn't blasted where I stood, I guess they forgave me, or they hadn't heard my blasphemy. — Tamora Pierce

J was white, and a young white man identifying himself as J's cousin and fellow street performer has been deeply involved in the Hollywood and Highland protests against police violence. This led to an impassioned, but respectful debate among participants at a protest on December 7, over whether the movement should use the slogan #BlackLivesMatter or #AllLivesMatter. While most participants agreed that "Black Lives Matter" correctly reflects the overwhelming reality that police forces in the U.S. target Black Americans more than anybody else for harassment, arrest and violence, the LAPD's needless killing of a young white street performer shows that this system will direct its murderous violence against all manner of impoverished and marginalized people. — Anonymous

Sulphurous wind gusted in his wake; the dust of the street swirled and the folds of his black coat flapped against his thin body. — A.F. Stewart

Rob's small room on the second floor of the Chapman Street house, a three-shelf bookcase was packed with black-and-white composition books, the front and back of each page filled with single-spaced notes from various classes. Tavarus thought, Damn, this is how you go places. — Jeff Hobbs

I'm going to be a fashion icon in a minute. I'm not going to do it in a corny manner. I have a voice that speaks for a whole other market - not just black people, but high fashion urban people. I mix street wear with high fashion. It's never been seen before. — ASAP Rocky

Well do I remember a friend of mine telling me once--he was then a labourer in the field of literature, who had not yet begun to earn his penny a day, though he worked hard--telling me how once, when a hope that had kept him active for months was suddenly quenched--a book refused on which he had spent a passion of labour--the weight of money that must be paid and could not be had, pressing him down like the coffin-lid that had lately covered the ONLY friend to whom he could have applied confidently for aid--telling me, I say, how he stood at the corner of a London street, with the rain, dripping black from the brim of his hat, the dreariest of atmospheres about him in the closing afternoon of the City, when the rich men were going home, and the poor men who worked for them were longing to follow; and how across this waste came energy and hope into his bosom, swelling thenceforth with courage to fight, and yield no ear to suggested failure. And — George MacDonald

When you photograph people in color, you photograph their clothes. But when you photograph people in Black and white, you photograph their souls! — Ted Grant

There was a cold wind out on the street. It picked up the dust, whirled it about and suddenly scattered it, flinging it down like black chaff. There was an implacable severity in the frost, in the branches that tapped together like bones, in the icy blue of the tram-lines. — Vasily Grossman