Black Poetry Quotes & Sayings

Paint in blue and black ... sometimes gray - the colors of night - occasionally I surprise you with a mustard yellow, but then, I am a poet ... — John Geddes

If I could take all my parts with me when I go somewhere, and not have to to say to one of them, 'No, you stay home tonight, you won't be welcome,' because I'm going to an all-white party where I can be gay, but not Black. Or I'm going to a Black poetry reading, and half the poets are anti-homosexual or thousands of situations where something of what I am cannot come with me. The day all the different parts of me can come along, we would have what I would call a revolution. — Pat Parker

Answer Professor Mandell's letter when you get a chance and the patience. Ask him not to send me any more poetry books. I already have enough for 1 year anyway. I am quite sick of it anyway. A man walks along the beach and unfortunately gets hit in the head by a cocoanut. His head unfortunately cracks open in two halves. Then his wife comes along the beach singing a song and sees the 2 halves and recognizes them and cries heart breakingly. That is exactly where I am tired of poetry. Supposing the lady just picks up the 2 halves and shouts into them very angrily "Stop that!" Do not mention this when you answer his letter, however. It is quite controversial and Mrs. Mandell is a poet besides. — J.D. Salinger

And this is when I knew I was black for real.
This is when I knew black was a city
whose walls were constantly under siege.... — Roger Bonair-Agard

Cup of Joe
There's nothing like a cup of joe,
when the morning's grey and grim and slow,
when the streets collide with the world outside,
when litter lies where lilies grow.
Just drink that smoking cup of black
and feel your feelings surging back.
Plus, spill a drop and a coffee shop
will sprout up from a sidewalk crack! — Bo Burnham

John Whately lived about a mile from town,
Up where the hills began to huddle thick;
We never thought his wits were very quick,
Seeing the way he let his farm run down.
He used to waste his time on some queer books
He'd found around the attic of his place,
Till funny lines got creased into his face,
And folks all said they didn't like his looks.
When he began those night-howls we declared
He'd better be locked up away from harm,
So three men from the Aylesbury town farm
Went for him - but came back alone and scared.
They'd found him talking to two crouching things
That at their step flew off on great black wings. — H.P. Lovecraft

In the dark I rest,
unready for the light which dawns
day after day,
eager to be shared.
Black silk, shelter me.
I need
more of the night before I open
eyes and heart
to illumination. I must still
grow in the dark like a root
not ready, not ready at all. — Denise Levertov

How I go to the woods
Ordinarily, I go to the woods alone, with not a single
friend, for they are all smilers and talkers and therefore
unsuitable.
I don't really want to be witnessed talking to the catbirds
or hugging the old black oak tree. I have my way of
praying, as you no doubt have yours.
Besides, when I am alone I can become invisible. I can sit
on the top of a dune as motionless as an uprise of weeds,
until the foxes run by unconcerned. I can hear the almost
unhearable sound of the roses singing.
If you have ever gone to the woods with me, I must love
you very much. — Mary Oliver

My early attempts writing plays, which are very poetic, did not use the language that I work in now. I didn't recognize the poetry in everyday language of black America. I thought I had to change it to create art. — August Wilson

How much living have you done?
From it the patterns that you weave
Are imaged:
Your own life is your totem pole,
Your yard of cloth,
Your living.

How much loving have you done?
How full and free your giving?
For living is but loving
And loving only giving. — Georgia Douglas Johnson

It is always easy to mock 'distress,' but we are its contemporaries; we are at the endpoint of what Nous, ratio, & Logos, still today the framework for what we are, cannot have failed to show: that murder is the first thing to count on, and elimination the surest means of identification. Today, everywhere, against this black but 'enlightened' background, remaining reality is disappearing in the mire of a 'globalized' world. Nothing, not even the most obvious phenomena, not even the purest, most wrenching love, can escape this era's shadow: a cancer of the subject, whether in the ego or in the masses... — Philippe Lacoue-Labarthe

Looking from outside into an open window one never sees as much as when one looks through a closed window. There is nothing more profound, more mysterious, more pregnant, more insidious, more dazzling than a window lighted by a single candle. What one can see out in the sunlight is always less interesting than what goes on behind a windowpane. In that black or luminous square life lives, life dreams, life suffers. — Charles Baudelaire

Why is it that all those who have become eminent in philosophy, politics, poetry, or the arts are clearly of an atrabilious temperament and some of them to such an extent as to be affected by diseases caused by black bile? — Aristotle.

Lying in a Hammock at William Duffy's Farm in Pine Island, Minnesota
Over my head, I see the bronze butterfly,
Asleep on the black trunk,
Blowing like a leaf in green shadow.
Down the ravine behind the empty house,
The cowbells follow one another
Into the distances of the afternoon.
To my right,
In a field of sunlight between two pines,
The droppings of last year's horses
Blaze up into golden stones.
I lean back, as the evening darkens and comes on.
A chicken hawk floats over, looking for home.
I have wasted my life. — James Wright

I find a lot of poetry very disappointing, but I do have poets that I go back to. One book of poetry that I'd like to mention is 'The Exchange' by Sophie Cabot Black. Her poems are difficult without being too difficult. — Billy Collins

Think of what starlight
And lamplight would lack
Diamonds and fireflies
If they couldn't lean against Black ... — Mary O'Neill

Fat bed, lick the black cat in my mouth
each morning. Unfasten all the bones

that make a head, and let me rest: unknown
among the oboe-throated geese gone south

to drop their down and sleep beside the out-
bound tides. Now there's no nighttime I can own

that isn't anxious as a phone
about to ring. Give me some doubt

on loan; give me a way to get away
from what I know. I pace until the sun

is in my window. I lie down. I'm a coal:
I smolder to a bloodshot glow. Each day

I die down in my bed of snow, undone
by my red mind and what it woke. — Malachi Black

Even as I hold you
I think of you as someone gone
far, far away. Your eyes the color
of pennies in a bowl of dark honey
bringing sweet light to someone else
your black hair slipping through my fingers
is the flash of your head going
around a corner
your smile, breaking before me,
the flippant last turn
of a revolving door,
emptying you out, changed,
away from me.
Even as I hold you
I am letting go. — Alice Walker

Accidentals

Something out of place,
seen where it doesn't belong.

A surprise on the water
like Tundra Swans unexpected
and flung far from the Arctic
onto a Vermont pond.

Me, driving home, seeing all that white
with sinewy S-shaped necks
out of the corner of my eye.

Blessed is an ordinary Wednesday,
now etched forever in memory
as that Wednesday I went home

another way and found myself
far flung from work, from home,
from whoever I was before

black beaks beckoned me
while four pairs of wings unfolded. — Lynn Martin

I'd spent way more years worrying about how to look like a poet
buying black clothes, smearing on scarlet lipstick, languidly draping myself over thrift-store furniture
than I had learning how to assemble words in some discernible order. — Mary Karr

Soft you day, be velvet soft,
My true love approaches,
Look you bright, you dusty sun,
Array your golden coaches.
Soft you wind, be soft as silk
My true love is speaking.
Hold you birds, your silver throats,
His golden voice I'm seeking.
Come you death, in haste, do come
My shroud of black be weaving,
Quiet my heart, be deathly quiet,
My true love is leaving. — Maya Angelou

Final Disposition

Others divided closets full of mother's things.
From the earth, I took her poppies.
I wanted those fandango folds
of red and black chiffon she doted on,
loving the wild and Moorish music of them,
coating her tongue with the thin skin
of their crimson petals.

Snapping her fingers, flamenco dancer,
she'd mock the clack of castanets
in answer to their gypsy cadence.
She would crouch toward the flounce of flowers,
twirl, stamp her foot, then kick it out
as if to lift the ruffles, scarlet
along the hemline of her yard.

And so, I dug up, soil and all,
the thistle-toothed and gray-green clumps
of leaves, the testicle seedpods and hairy stems
both out of season, to transplant them in my less-exotic garden. There, they bloom
her blood's abandon, year after year,
roots holding, their poppy heads nodding
a carefree, opium-ecstatic, possibly forever sleep. — Jane Glazer

They do not like to hear such expressions as "Negro literature," "Negro poetry," "African art," or "thinking black"; and, roughly speaking, we must concede that such things do not exist. These things did not figure in the courses which they pursued in school, and why should they? "Aren't we all Americans? Then, whatever is American is as much the heritage of the Negro as of any other group in — Carter G. Woodson

The cover was pebbled black leather, the pages onionskin, and he opened it carefully. It was his first Bible, the one his mother had given him, the one that had taken its time showing him what he was supposed to do with his life, his size, that voice of his. It was the one used for his ordination, and when he had buried his mother on a autumn hillside in Tennesee five years ago. King James. He didn't care about the scholars or the accuracy or the bringing of his church into whatever century they claimed it was these days; he cared about the poetry, and about the comfort it brought to those who needed to hear it. — Charles L. Grant

Go. Think. Turn black into white.
Night into day. I am tired of thinking.
I know where it will lead me and I don't
Want to be there.
Go love. Do your thinking. — Walter Dean Myers

I find in my poetry and prose the rhythms and imagery of the best - I mean, when I'm at my best - of the good Southern black preachers. The lyricism of the spirituals and the directness of gospel songs and the mystery of blues are in my music or in my poetry and prose, or I missed everything. — Maya Angelou

Funeral Blues

Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.

Let aeroplanes circle moaning overhead
Scribbling on the sky the message 'He is Dead'.
Put crepe bows round the white necks of the public doves,
Let the traffic policemen wear black cotton gloves.

He was my North, my South, my East and West,
My working week and my Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last forever: I was wrong.

The stars are not wanted now; put out every one,
Pack up the moon and dismantle the sun,
Pour away the ocean and sweep up the wood;
For nothing now can ever come to any good. — W. H. Auden

Lot's Wife

And the just man trailed God's messenger,
his huge, light shape devoured the black hill.
But uneasiness shadowed is wife and spoke to her:
'It's not too late, you can look back still

At the red towers of Sodom, the place that bore you,
the square in which you sang, the spinning-shed,
at the empty windows of that upper storey
where children blessed your happy marriage-bed.'

Her eyes that were still turning when a bolt
of pain shot through them, were instantly blind;
her body turned into transparent salt,
and her swift legs were rooted to the ground.

Who mourns one woman in a holocaust?
Surely her death has no significance?
Yet in my heart she never will be lost,
she who gave up her life to steal one glance.

1922-24 — Anna Akhmatova

I see a bright
portion
under the overhead light
that shades into
darkness
and then into darker
darkness
and I can't see beyond that. — Charles Bukowski

Now that Karen has been resurrected, I can travel beyond the black mirror. I can discover who I have lost with the
floating hearts and severed heads of my medicine. I must now whisper my other friends back too. I'm sad they're gone ... sad and blue. — Nicholaus Patnaude

AGATHA, an old Labradoodle ATHENA, a brown teacup Poodle ATTICUS, an imposing Neapolitan Mastiff, with cascading jowls BELLA, a Great Dane, Athena's closest pack mate BENJY, a resourceful and conniving Beagle BOBBIE, an unfortunate Duck Toller DOUGIE, a Schnauzer, friend to Benjy FRICK, a Labrador Retriever FRACK, a Labrador Retriever, Frick's litter mate LYDIA, a Whippet and Weimaraner cross, tormented and nervous MAJNOUN, a black Poodle, briefly referred to as 'Lord Jim' or simply 'Jim' MAX, a mutt who detests poetry PRINCE, a mutt who composes poetry, also called Russell or Elvis RONALDINHO, a mutt who deplores the condescension of humans ROSIE, — Andre Alexis

There was something musical about Ronan when he swore, a careful and loving precision to the way he fit the words together, a black-painted poetry. It was far less hateful sounding than when he didn't swear. — Maggie Stiefvater

The trip to Mars can only be understood through Black Americans. I say, the trip to Mars can only be understood through Black Americans. — Nikki Giovanni

Poetry contains few words but tells much. Its beauty is that by being condensed it is rich in meaning and open to various interpretations. Unlike prose, there is no boundary to poetry. There is nothing concrete or black and white. Poetry is mutable; it is transformative. Poetry is the alchemy of hearts. And what cannot be said in prose can sometimes be only said through poetry. — Salil Jha

By death the moon was gathered in Long ago, ah long ago;
Yet still the silver corpse must spin
And with another's light must glow.
Her frozen mountains must forget
Their primal hot volcanic breath,
Doomed to revolve for ages yet,
Void amphitheatres of death.
And all about the cosmic sky,
The black that lies beyond our blue,
Dead stars innumerable lie,
And stars of red and angry hue
Not dead but doomed to die. — Julian Huxley

Her Kind

I have gone out, a possessed witch,
haunting the black air, braver at night;
dreaming evil, I have done my hitch
over the plain houses, light by light:
lonely thing, twelve-fingered, out of mind.
A woman like that is not a woman, quite.
I have been her kind.

I have found the warm caves in the woods,
filled them with skillets, carvings, shelves,
closets, silks, innumerable goods;
fixed the suppers for the worms and the elves:
whining, rearranging the disaligned.
A woman like that is misunderstood.
I have been her kind.

I have ridden in your cart, driver,
waved my nude arms at villages going by,
learning the last bright routes, survivor
where your flames still bite my thigh
and my ribs crack where your wheels wind.
A woman like that is not ashamed to die.
I have been her kind. — Anne Sexton

Black Poetry is not for Black People ... it is for everybody — Nikki Giovanni

I haven't come to you only to take , I haven't come to you empty handed : I bring you poetry as great as yours but in anther tongue , I bring you black eyes and golden skin and curly hair , I bring you Islam and Luxor and Alexandria and Lutes and tambourines and date-palms and silk rugs and sunshine and incense and voluptuous ways — Ahdaf Soueif

Father, R.I.P., Sums Me Up at Twenty-Three
She has no head for politics,
craves good jewelry, trusts too readily,
marries too early. Then
one by one she sends away her friends
and stands apart, smug sapphire,
her answer to everything a slender
zero, a silent shrug
and every day
still hears me say she'll never be pretty.
Instead she reads novels, instead her belt
matches her shoes. She is master
of the condolence letter, and knows
how to please a man with her mouth:
Good. Nose too large, eyes too closely set,
hair not glorious blonde, not her mother's red,
nor the glossy black her younger sister has,
the little raven I loved best. — Deborah Garrison

February. Get ink, shed tears. Write of it, sob your heart out, sing, While torrential slush that roars Burns in the blackness of the spring. Go hire a buggy. For six grivnas, Race through the noice of bells and wheels To where the ink and all you grieving Are muffled when the rainshower falls. To where, like pears burnt black as charcoal, A myriad rooks, plucked from the trees, Fall down into the puddles, hurl Dry sadness deep into the eyes. Below, the wet black earth shows through, With sudden cries the wind is pitted, The more haphazard, the more true The poetry that sobs its heart out. — Boris Pasternak

I didn't look to the shore much after this first long and memorable glimpse. I looked up at Heaven and her court of mythical creatures fixed forever in the all powerful and inscrutable stars. Ink black was the night beyond them, and they so like jewels that old poetry came back to me, the sound even of hymns sung only by men. — Anne Rice

Whiteness is the color of death, you know, not black. Wetness is life, the breeder and shaper of life. In the beginning the sun was black. So all light was absorbed before it had a chance to return. And our dreams, then, were empty. — Jim Carroll

My gray zone is starting to include poetry here white is not absolute white black is not absolute black the edges of these non-colors adjoin — Tadeusz Rozewicz

(About "Black Debt" by Steve McCaffery)

'Impersonal' as this text is, it is by no means unemotional or uninvolved. We learn nothing-- at least nothing direct-- about McCaffery's (or his narrator's) personal life, his opinions or ruminations. Nonetheless I would posit that 'Lag' projects a highly particularized way of looking at things, of processing the most diversified information fields-- geology and genetics, archeology and advertising, classics and commercials-- that is finally recognizable in its particular ways of negotiating with language as is the more personal lyric consciousness we expect to find in poetry. — Marjorie Perloff

Bugle"

Black beetles know where the most recent bones
bake in the heat, tendons and meat long gone,
bleached white, and if you give them cheap wine --
drizzle a few red drops on a flat stone--
they will lead you to a barren gulch
surrounded by sages and nettles, dirt
burnt to powdery sand and sharp thorns. Hunch
above the skeleton, bow your head, start reciting verses you learned as a child, there, under the sun with rocks and brush, bare
locust tree a telling reliquary
of dust to dust, all so brutally hot.
You must pull ribs from that rotting body,
words that matter: love me, love me not. — Tod Marshall

A panther poised in the cypress tree about to jump is a
panther poised in a cypress tree about to jump.
The panther is a poem of fire green eyes and a heart charged
by four winds of four directions.
The panther hears everything in the dark: the unspoken
tears of a few hundred human years, storms that will break
what has broken his world, a bluebird swaying on a branch a
few miles away.
He hears the death song of his approaching prey:
I will always love you, sunrise.
I belong to the black cat with fire green eyes.
There, in the cypress tree near the morning star. — Joy Harjo

In this night too, in this night of his mortal eyes into which he was now descending, love and danger were again waiting ...
a murmur of glory and hexameters, of men defending a temple the gods will not save, and of black vessels searching the sea for a beloved isle;
the murmor of the Odysseys and Iliads it was his destiny to sing and leave echoing concavely in the memory of man.
These things we know, but not those he felt descending into the last shade of all. — Jorge Luis Borges

Black drinks the sun and draws all colours into it.
I am bleached white, my truant love. Come back,
and stain me with the intensity of black. — Robert Graves

You Don't Know What Love Is
But you know how to raise it in me
like a dead girl winched up from a river. How to
wash off the sludge, the stench of our past.
How to start clean. This love even sits up
and blinks; amazed, she takes a few shaky steps.
Any day now she'll try to eat solid food. She'll want
to get into the fast car, one low to the ground, and drive
to some cinderblock shithole in the desert
where she can drink and get sick and then
dance in nothing but her underwear. You know
where she's headed, you know she'll wake up
with an ache she can't locate and no money
and a terrible thirst. So to hell
with your warm hands sliding inside my shirt
and your tongue down my throat
like an oxygen tube. Cover me
in black plastic. Let the mourners through. — Kim Addonizio

The Lake

In spring of youth it was my lot
To haunt of the wide world a spot
The which I could not love the less-
So lovely was the loneliness
Of a wild lake, with black rock bound,
And the tall pines that towered around.

But when the Night had thrown her pall
Upon that spot, as upon all,
And the mystic wind went by
Murmuring in melody-
Then-ah then I would awake
To the terror of the lone lake.

Yet that terror was not fright,
But a tremulous delight-
A feeling not the jewelled mine
Could teach or bribe me to define-
Nor Love-although the Love were thine.

Death was in that poisonous wave,
And in its gulf a fitting grave
For him who thence could solace bring
To his lone imagining-
Whose solitary soul could make
An Eden of that dim lake. — Edgar Allan Poe

i am like the moon--
sometimes, full.
sometimes, black.

sometimes,
forever and ever alone. — AVA.

Something about the turbulence of adolescence makes you want to do something creative ... I thought as I got older I would stop writing about it, but I find adolescence, and popular depictions of it, very interesting. I like to see where my own life intersects or diverges from notions of what a teenager is supposed to be, or what a black person is supposed to be, or a woman. — Allison Joseph

And we are put on earth a little space,
that we may learn to bear the beams of love;
And these black bodies and this sunburnt face
Is but a cloud, and like a shady grove. — William Blake

A black cat among roses,
phlox, lilac-misted under a quarter moon,
the sweet smells of heliotrope and night-scented stock. The garden is very still.
It is dazed with moonlight,
contented with perfume ... — Amy Lowell

My heart is small, like a love of buttons or black pepper. — S. Jane Sloat

A night of exhilaration, of boredom and terror, in which the merest of sounds took on other forms - grew large in the expanse of darkness. After several hours the sheep gradually stopped calling to each other from accross the river banks, and a brittle quiet descended. I desperately wanted to walk down to the water's edge. To see the black river in the moonlight. But a mixture of reason and fear kept me locked along the safe paths high above. — Richard Skelton

Yet do I marvel at this curious thing: To make a poet black, and bid him sing. — Countee Cullen

Misery is when you always seem to be getting dressed in black to go to a funeral.
Misery is when you get there and realize that the person who is dead is another close friend.
Misery is when you look around and all your friends are crying.
Misery is when you hear them say they'll try to stop and stay away from this stuff.
Misery is when the next day you see them stocking up in White Clay for a party soon to come.
Misery is whenyou hear the sirens, and you have to sit and wonder whose funeral you'll be attending for the next few days.
Misery is when you realize they'll never stop,
and you'll always be choosing black clothing for the next day.

(Kayla Matthews, student) — Timothy P. McLaughlin

That the language of the poetry of Jamaican music is rastafarian or biblical language cannot simply be put down to the colonizer and his satanic missionaries. The fact is that the historical experience of the black Jamaican is an experience of the most acute human suffering, desolation and despair in the cruel world that is the colonial world ... — Linton Kwesi Johnson

Though she appeared confected of sugar and air, there was a bitter black walnut at her core. — Lauren Groff

Do not trap yourself into an owl's hooting sound
where sad nights linger through the blackness of a hound — Munia Khan

I also learned to tell a story. I think I learned from poetry how to time a story. Poetry's timing, beats and pauses. That white space on the page is as important as the black. The bottom of the page is blackout. It's performance. — Sandra Cisneros

Poetry is the plough that turns up time in such a way that the abyssal strata of time, its black earth, appear on the surface. — Osip Mandelstam

On Waterloo Bridge where we said our goodbyes,
the weather conditions bring tears to my eyes.
I wipe them away with a black woolly glove
And try not to notice I've fallen in love
On Waterloo Bridge I am trying to think:
This is nothing. you're high on the charm and the drink.
But the juke-box inside me is playing a song
That says something different. And when was it wrong?
On Waterloo Bridge with the wind in my hair
I am tempted to skip. You're a fool. I don't care.
the head does its best but the heart is the boss-
I admit it before I am halfway across — Wendy Cope

Sonnet III: Black Coffin opened wide for all to See

Black Coffin opened wide for all to See,
The lifeless form of one I loved so dear.
O, listen! mournful knells that soon shall be
All night long tolling for the folk to hear.
The lanterns overlight the old churchyard
To watch the coffin lowered into the ground;
Soon Frost shall grasp the turf already hard,
Decay ye have to face without a sound.
But years have pass'd herein do I relate
My dear sweet mother's form within my mind.
Still happiness fills all my heart and state,
As I see my small family so kind.
Love cannot be withheld by death or grave,
It stays alive within the heart so brave. — Timothy Salter

Southern trees bear strange fruit,
Blood on the leaves and blood at the root,
Black bodies swinging in the southern breeze,
Strange fruit hanging from the poplar trees.
Pastoral scene of the gallant south,
The bulging eyes and the twisted mouth,
Scent of magnolias, sweet and fresh,
Then the sudden smell of burning flesh.
Here is the fruit for the crows to pluck,
For the rain to gather, for the wind to suck,
For the sun to rot, for the trees to drop,
Here is a strange and bitter crop. — Abel Meeropol

At dawn, the grains of sleep turn to floating black spots, then out of focus the world tilts, and the cat scratches at the door ... — John Geddes

From the passenger seat, Ronan began to swear at Adam. It was a long, involved swear, using every forbidden word possible, often in compound-word form. As Adam stared at his lap, penitent, he mused that there was something musical about Ronan when he swore, a careful and loving precision to the way he fit the words together, a black-painted poetry. It was far less hateful sounding than when he didn't swear.
Ronan finished with, "For the love of ... Parrish, take some care, this is not your mother's 1971 Honda Civic."
Adam lifted his head and said, "They didn't start making the Civic until '73. — Maggie Stiefvater

For you she learned to wear a short black slip
and red lipstick,
how to order a glass of red wine
and finish it. She learned to reach out
as if to touch your arm and then not
touch it, changing the subject.
Didn't you think, she'd begin, or
Weren't you sorry. . . .

To call your best friends
by their schoolboy names
and give them kisses good-bye,
to look away when they say
Your wife! So your confidence grows.
She doesn't ask what you want
because she knows.

Isn't that what you think?

When actually she was only waiting
to be told Take off your dress---
to be stunned, and then do this,
never rehearsed, but perfectly obvious:
in one motion up, over, and gone,
the X of her arms crossing and uncrossing,
her face flashing away from you in the fabric
so that you couldn't say if she was
appearing or disappearing. — Deborah Garrison

The poetry you read has been written for you, each of you - black, white, Hispanic, man, woman, gay, straight. — Maya Angelou

If you stand right at the edge of the night sky, some place where one o'clock leaves to meet two, the breeze will carry your words up to the stars. And they'll swallow your secrets until its time to hand them over to the truths in the sky- the ones that draw maps in the black.

They carve their answers into the backs of my hands, the grooves of the words running deep in my palms. — Marlen Komar

That day, that day when I can gaze at the sea
both of us calm
and I, trusting, having poured my whole heart into my Life Work ... when death
black waves!
no longer courts me and I can smile, constantly, at everything because, my bones, there will be so little of myself left to give it. — Juan Ramon Jimenez

Blossom

In April
the ponds open
like black blossoms,
the moon
swims in every one;
there's fire
everywhere: frogs shouting
their desire,
their satisfaction. What
we know: that time
chops at us all like an iron
hoe, that death
is a state of paralysis. What
we long for: joy
before death, nights
in the swale - everything else
can wait but not
this thrust
from the root
of the body. What
we know: we are more
than blood - we are more
than our hunger and yet
we belong
to the moon and when the ponds
open, when the burning
begins the most
thoughtful among us dreams
of hurrying down
into the black petals
into the fire,
into the night where time lies shattered
into the body of another. — Mary Oliver

They blew up your homes and demolished the grocery / stores and blocked the Red Cross and took away doctors / to jail and they cluster-bombed girls and boys / whose bodies / swelled purple and black into twice the original size / and tore the buttocks from a four month old baby / and then / they said this was brilliant — June Jordan

I know certainly, for instance, it's part of the black aesthetic, the whole concept of art as business, art for art's sake, art as the competitive gesture, I connect with a very male-oriented concept of living, as opposed to, and we would call them alternate aesthetics, which include the black aesthetic, the feminist aesthetic, where art and poetry become part and parcel of one's daily living, one's daily expression, the need to communicate, the need to share one's feelings, to develop within oneself the best that is possible. And the definition of art as betterment, I think, is a mainstay of the alternative aesthetics. — Audre Lorde

Gretel in Darkness:


This is the world we wanted.
All who would have seen us dead
are dead. I hear the witch's cry
break in the moonlight through a sheet
of sugar: God rewards.
Her tongue shrivels into gas....

Now, far from women's arms
And memory of women, in our father's hut
we sleep, are never hungry.
Why do I not forget?
My father bars the door, bars harm
from this house, and it is years.

No one remembers. Even you, my brother,
summer afternoons you look at me as though
you meant to leave,
as though it never happened.
But I killed for you. I see armed firs,
the spires of that gleaming kiln--

Nights I turn to you to hold me
but you are not there.
Am I alone? Spies
hiss in the stillness, Hansel
we are there still, and it is real, real,
that black forest, and the fire in earnest. — Louise Gluck

Four years ago the clocks started turning back. I open my eyes and see nothing. I feel nothing below or above me. I feel the absence of things. The absence of my flesh, my bones, my body, my mind. All that is left is awareness. I see nothing but the absence of colour. It's not a black darkness. It's simply nothing. The interior of a black hole. I recall news of a black hole lingering along the edges of our solar system. All that time ago. Four years ago. When the clocks started turning back. I hear nothing. Until there is a something. A small thing. A voice. I listen. There are more voices. The sounds are human. How long has it been since I've heard a human? The sounds scratch along my now present attention. They carve into my hearing. They are horrid, wretched things. Voices screaming. Growing loud and desperate. How many voices? Billions. This is the birth of our species. We are born screaming. It's all we know to do. We have screamed for eternity. Within this empty space. — F.K. Preston

He / thought of women. / What is it like to be a woman / listening in the dark? Black mantle of silence / stretches between them like geothermal pressure. / Ascent of the rapist up the stairs seems as slow as / lava. She listens / to the blank space where / his consciousness is, moving towards her. Lava can / move as slow as / nine hours per inch. [ ... ] She wonders if / he is listening too. The cruel thing is, she falls asleep / listening. — Anne Carson

Once you have learned to trust your own voice and allowed that creative force inside you to come out, you can direct it to write short stories, novels, and poetry, do revisions, and so on. You have the basic tool to fulfill your writing dreams. But beware. This type of writing will uncover other dreams you have, too-going to Tibet, being the first woman president of the United States, building a solar studio in New Mexico-and they will be in black and white. It will be harder to avoid them. — Natalie Goldberg

These words are my mother's,
my father's, my brother's, my lender's, my garbage
man's - the poem runs
like oil on fire
beneath this earth where we know each other.
Witness the black smoke everywhere. — B.J. Ward

My love has eyes blue as the sky.
Her warm, bright smile makes me want to try
To give her the world,
And when she's curled
Up in my arms where I can feel her touch,
I realize again that I love her so much.
My world has turned from black to white.
Kissing in starlight, basking in sunlight, dancing at midnight.'
~John's poem for Belle — Julia Quinn

O sun, heart of the heavens whose blood of light
Infuses the vigor which transmutes to azure
The black ice strangler of great space obscure
I hate you, mask of gold, mist and fire, circular
Blind monster blinding all the prey around
You who veil the impure dazzling phantasm
To the loving vertigo of my avid gazes
The visions of the colorless abyss of the void
Reversed hollow truth-mask of the other world. — Roger Gilbert-Lecomte

A Soul-Furlurn
Let none bewail the bitterness of orphancy,
Nor weep if destitute of friend or kin is he,
But pity him whose soul's bereaved by ruthless fate;
Once lost-'tis hard to find again a worthy mate.

Deprived of kin and friend the heart seems lone and dead
Yet soon it finds another one to love instead;
But if the soul does lose its mate, then it must bear
The curse of yielding all its hopes to black despair.

His faith is lost, he trusts no more this world of woe;
Distraught and wild, he shuns mankind, and does not know
To whom to trust the secrets of his troubled breast,
Afraid to feel again the faith it once possessed.

'Tis hard to bear the anguish of a soul forlorn,
To shun all worldly joys and smiles or pleasures scorn;
The lonely soul forever mourns its friend and mate,
And heavy sighs bring calm to him thus doomed by fate. — Nikoloz Baratashvili

But before a computer became an inanimate object, and before Mission Control landed in Houston; before Sputnik changed the course of history, and before the NACA became NASA; before the Supreme Court case Brown v. Board of Education of Topeka established that separate was in fact not equal, and before the poetry of Martin Luther King Jr.'s "I Have a Dream" speech rang out over the steps of the Lincoln Memorial, Langley's West Computers were helping America dominate aeronautics, space research, and computer technology, carving out a place for themselves as female mathematicians who were also black, black mathematicians who were also female. — Margot Lee Shetterly

The BALLPOINT PENGUINS, black and white,
Do little else but write and write.
Although they've nothing much to say,
They write and write it anyway ... — Jack Prelutsky

All the black leather
she needs

is the E-Z boy recliner
where her love is parked

with one of his hands wrapped around a remote,
the other, a bottle of beer.

She's right. It's kinky.
The way he doesn't look away

from the TV,
as her head bobs

in his lap
like a fisherman's float

on a nature program,
hectic

with the pace
his breath sets.

His crotch swells
under her mouth's

prowess. He's such
a sweetheart

he waits
until the

commercials
to come. — Daphne Gottlieb

This is the difficult miracle of Black poetry in America: that we persist, published or not, and loved or unloved: we persist. — June Jordan

Poetry by its very nature is subversive ... It turns words inside out, confounds meaning, changes black and white to ambiguous shades of gray. Never trust a poet. — Cristina Garcia

I think a lover, when broken, is given a gift
not a scar, not a poem, not a rhyme
(unless it fits.)
I think as humans, we see a set of hues
but when wounded, we see something more:
deeper shades of hurt and worry,
colors never seen before.
Because I can't imagine a child
could see the same black as a widower,
and I don't think healthy hearts
know the true meaning of blue.
When children close their eyes,
they see a color they call empty.
But in the eyelids of the bruised,
the empty black's a crowded room. — Katya Polo

We maintain, therefore, that the first essential, the life and soul, so to speak, of Tragedy is the Plot; and that the Characters come second - compare the parallel in painting, where the most beautiful colours laid on without order will not give one the same pleasure as a simple black-and-white sketch of a portrait. — Aristotle.

Another comber of far pleasure followed the first, for his books came suddenly before his eyes, row upon row of volumes, row upon priceless row of calf-bound Thought, of philosophy and fiction, of travel and fantasy; the stern and the ornate, the moods of gold or green, of sepia, rose, or black; the picaresque, the arabesque, the scientific - the essays, the poetry and the drama.
All this, he felt, he would now re-enter. He could inhabit the world of words, with, at the back of his melancholy, a solace he had not known before. — Mervyn Peake

I opened my veins. Unstoppably life spurts out with no remedy. Now I set out bowls and plates. Every bowl will be shallow. Every plate will be small. And overflowing their rims, into the black earth, to nourish the rushes unstoppably without cure, gushes poetry ... — Marina Tsvetaeva

The wheel of Time wrote the first half of the poetry of mass destruction on the black board of the ashes of a funeral ground by dint of a pair of pens of nuclear bombs. — Manmohan Acharya

And I saw it didn't matter
who had loved me or who I loved. I was alone.
The black oily asphalt, the slick beauty
of the Iranian attendant, the thickening
clouds
nothing was mine. And I understood
finally, after a semester of philosophy,
a thousand books of poetry, after death
and childbirth and the startled cries of men
who called out my name as they entered me,
I finally believed I was alone, felt it
in my actual, visceral heart, heard it echo
like a thin bell. — Dorianne Laux

When the plot is discovered no one suspects him and he remains close to Rosas for a while, then decides to flee, even though his life is not really in danger; he takes refuge in the house of his cousin Amparo Escalada. He lives hidden in the cellar of her house for some six months. The woman will have a son by him, a child Ossorio will never know. In 1842 he crosses to Montevideo. The exiles are fearful; they think he is a double agent. Isolated and disillusioned with politics, he goes to Brazil, where he settles in Rio Grande do Sul, lives with a black woman slave, and devotes himself to writing poetry and contracting syphilis. — Ricardo Piglia

Black was the without eye
Black the within tongue
Black was the heart
Black the liver, black the lungs
Unable to suck in light
Black the blood in its loud tunnel
Black the bowels packed in furnace
Black too the muscles
Striving to pull out into the light
Black the nerves, black the brain
With its tombed visions
Black also the soul, the huge stammer
Of the cry that, swelling, could not
Pronounce its sun. — Ted Hughes

It was when she started dealing coke so she could lose weight. It had worked, sort of. I think she still has a fat ass, and can look dumpy, and has dried-out black hair and writes awful poetry and I'm pissed off that I let her get into that position of denying me. — Bret Easton Ellis

Whose starboard eye
Saw chariot 'swing low'? — James Weldon Johnson

And, of course, that is what all of this is - all of this: the one song, ever changing, ever reincarnated, that speaks somehow from and to and for that which is ineffable within us and without us, that is both prayer and deliverance, folly and wisdom, that inspires us to dance or smile or simply to go on, senselessly, incomprehensibly, beatifically, in the face of mortality and the truth that our lives are more ill-writ, ill-rhymed and fleeting than any song, except perhaps those songs - that song, endlesly reincarnated - born of that truth, be it the moon and June of that truth, or the wordless blue moan, or the rotgut or the elegant poetry of it. That nameless black-hulled ship of Ulysses, that long black train, that Terraplane, that mystery train, that Rocket '88', that Buick 6 - same journey, same miracle, same end and endlessness. — Nick Tosches

New York! I say New York, let black blood flow into your blood.
Let it wash the rust from your steel joints, like an oil of life
Let it give your bridges the curve of hips and supple vines.
Now the ancient age returns, unity is restored,
The recociliation of the Lion and Bull and Tree
Idea links to action, the ear to the heart, sign to meaning.
See your rivers stirring with musk alligators
And sea cows with mirage eyes. No need to invent the Sirens.
Just open your eyes to the April rainbow
And your eyes, especially your ears, to God
Who in one burst of saxophone laughter
Created heaven and earth in six days,
And on the seventh slept a deep Negro sleep. — Leopold Sedar Senghor