Black P Stone Quotes & Sayings

Janie starched and ironed her face and came set in the funeral behind her veil. It was like a wall of stone and steel. The funeral was going on outside. All things concerning death and burial were said and done. Finish. End. Never-more. Darkness. Deep hole. Dissolution. Eternity. Weeping and wailing outside. Inside the expensive black folds were resurrection and life. — Zora Neale Hurston

We drank the blood of our enemies. That's why you see Gnostics so hunted. The sacrament of the Eucharist is really drinking the blood of the enemy. The Grail, the Sangraal, is the bloody vehicle. Why else guard it so sacredly? Why should the black honor-guard ride half a continent, half a splintering Empire, stone night and winter day, if it's only for the touch of sweet lips on a humble bowl? No, it's mortal sin they're carrying: to swallow the enemy, down into the slick juicery to be taken in by all the cells. Your officially defined 'mortal sin,' that is. A sin against you. A section of your penal code, that's all. — Thomas Pynchon

Near the Mexican border, rocky canyons cleave the mountains, laying them aside like broken wedges of gray cheese furred with a dark mold of pinon and juniper that sheds hard shadows on moon glazed stone, etched lithographs in gray and black, taupe and silver. Beneath feathery chamisa a rattlesnake flicks his tongue, following a scent. Along a precarious rock ledge a ring-tailed cat strolls, nose snuffling the cracks. At the base of the stone a peccary trots along familiar foot trails, toward the toes of a higher cliff where a seeping spring gathers in a rocky goblet. In the desert, sounds are dry and rattling: pebbles toed into cracks, hoofs tac-tacking on stone, the serpent rattle warning the wild pig to veer away, which she does with a grunt to the tribe behind her. From the rocky scarp the ring-tailed cat hears the whole population of the desert pass about its business in the canyon below. — Sheri S. Tepper

Shadows in shadows He watches through dreams Wings black as Africa Body strong as stone Done waiting The ravens call. — P.C. Cast

Palo's three older brothers had died in the Paraguayan War, conscripted by the Argentinian government, taken off by force along with all the black men of their generation, because, Palo told young Santiago, they needed a way to not only win their war but also rid this country of us in the process, two birds with one stone. Buenos Aires was too black for them, one third of the population, that's enough blackness to swallow you up! to get strong on you! and so they sent our fathers off to war and opened floodgates to European steamships so that white men would pour into the city to replace us, and their plan worked, the bastarda, look at our city now. — Carolina De Robertis

The river was behind him. The wind was full of acid. In the slow float of light I looked away, down at the river. On the brink of freezing, it gleamed in large, bulging blisters. The water, where it still moved, was black and braided. And it occurred to me then how it took hours, sometimes days, for the surface of a river to freeze over - to hold in its skin the perfect and crystalline world - and how that world could be shattered by a small stone dropped like a single syllable. — Nam Le

I stood looking down through the beech trees. When I threw a stone I could count to five before the splash. Then I jumped in a rush of gold to the head, through black and cold, red and cold, brown and warm, giving water the weight and size of myself in order to imagine it, water with my bones, water with my mouth and my understanding. When my body was in some way a wave to swim in, one continuous fin from head to tail, I steered through rapids like a canoe, digging my hands in, keeping just ahead of the river. — Alice Oswald

South Africans will kick down a statue of a dead white man but won't even attempt to slap a live one. Yet they can stone to death a black man simply because he's a foreigner — Robert Mugabe

While the burning fish is tracing his arc
near the cypress, beneath the highest blue of all,
and the blind boy flies away in the white stone,
and the ivory poem of the green cicada
beats and reverberates in the elm,
let us give honor to the Lord
the black mark of his good hand
who has arranged for silence in all this noise.
Honor to the god of distance and of absence,
ff the anchor in the sea - the open sea ...
He frees us from the world - it's everywhere
he opens roads for us to walk on.
With our cup of darkness filled to the brim,
with our heart that always knows some hunger,
let us give honor to the Lord who created the zero
and carved our thought out of the block of faith. — Antonio Machado

As the track bends north-east, the ethereal sandstone disappears. The slopes turn black with granite, and the mountain's lower ridges break into unstable spikes and revetments. Their ribs are slashed in chiaroscuro, and their last outcrops pour towards the valley in the fluid, anthropomorphic shapes that pilgrims love. The spine and haunches of a massive stone beast, gazing at Kailas, are hailed as the Nandi bull, holy to Shiva; another rock has become the votive cake of Padmasambhava. — Colin Thubron

On the day the Grisha Examiners came, the boy and the girl were perched in the window seat of a dusty upstairs bedroom, hoping to catch a glimpse of the mail coach. Instead, they saw a sleigh, a troika pulled by three black horses, pass through the white stone gates onto the estate. — Leigh Bardugo

For the word "We" must never be spoken, save by one's choice and as a second thought. This word must never be placed first within man's soul, else it becomes a monster, the root of all the evils on earth, the root of man's torture by men, and of an unspeakable lie.
The word "We" is as lime poured over men, which sets and hardens to stone, and crushes all beneath it, and that which is white and that which is black are lost equally in the grey of it. It is the word by which the depraved steal the virtue of the good, by which the weak steal the might of the strong, by which the fools steal the wisdom of the sages. — Ayn Rand

The waitress came by with a pot of black coffee. She was a smallish woman, about forty, still had some of her looks left, but she had a hardness to her face. Money and bad men were the only things that left that much stone in a woman. I nudged my cup in her direction, and she served her purpose in life. — L. Joseph Shosty

I had written a tune called 'Shake, Rattle and Roll,' but the white stations refused to play it - they thought it was low-class black music. We thought what we needed was a new name. But a white disc jockey named Alan Freed laid on it, and he thought up the name 'rock n' roll.' — Jesse Stone

We like things to be black or white, tall or short, here or there. We like to consider two sides to every story. Unfortunately, there aren't always two sides. Sometimes there's only one; more often, there are multitudes. Many facets on the stone. Nooks and crannies in abundance. Things are usually not either black or white, but multicolored. — Barry Leiba

The stream of life is black and angry; how so many of us get across without drowning, I often wonder. The best way is not to look too far before-just from one stepping-stone to another; and though you may wet your feet, He won't let you drown-He has not allowed me. — J. Sheridan Le Fanu

He was waiting there for her beside the pool - a great black horse with shoulders like polished ebony and the water still streaming from his mane and tail. Morag stood and looked at him for a long moment. The great horse looked at her and never moved.
"Will you trust me?" he had asked her the evening before, and she had trusted him then. She trusted him now, and so she walked towards him. She grasped his mane, and still the black horse never moved. She stood on a stone beside him, swung herself onto his back, and the black horse moved. — Mollie Hunter

Looking desultorily about, his attention had been drawn by a dull glimmering on one of the tables; and he had extricated the queer orblike stone from its shadowy, crowded position between an ugly little Aztec idol, the fossil egg of a dinornis, and an obscene fetish of black wood from the Niger. — H.P. Lovecraft

Self-Portrait at Twenty"

I stood inside myself
like a dead tree or a tower.
I pulled the rope
of braided hair
and high above me
a bell of leaves tolled.

Because my hand
stabbed its brother,
I said: Make it stone.

Because my tongue
spoke harshly, I said:
Make it dust.
And yet
it was not death, but
her body in its green dress
I longed for. That's why
I stood for days in the field
until the grass turned black
and the rain came. — Gregory Orr

Tie your heart at night to mine, love,
and both will defeat the darkness
like twin drums beating in the forest
against the heavy wall of wet leaves.
Night crossing: black coal of dream
that cuts the thread of earthly orbs
with the punctuality of a headlong train
that pulls cold stone and shadow endlessly.
Love, because of it, tie me to a purer movement,
to the grip on life that beats in your breast,
with the wings of a submerged swan,
So that our dream might reply
to the sky's questioning stars
with one key, one door closed to shadow. — Pablo Neruda

Hey everyone. This is Elizabeth Stone, the one who wrote a A BOY I ONCE KNEW and BLACK SHEEP AND KISSING COUSINS. To those of you who read either one, thanks! But another Elizabeth Stone, not me, wrote WOMEN AND THE CUBAN REVOLUTION and VALLEY OF THE SHADOW. Just setting the record straight! — Elizabeth Stone

You can have a wrestling idea, but you need to have these momentum-shifting moves. We had the Hulkamania movement, then it shifted to the beer-drinking, Stone Cold era, we reinvented the business with growing the black beard and becoming the bad guy, what's that next level. — Hulk Hogan

The lyric abstrusities of Auden ring mystically down the circular canals of my ear and it begins to look like snow. The good gray conservative obliterating snow. Smoothing (in one white lacy euphemism after another) out all the black bleak angular unangelic nauseous ugliness of the blasted sterile world: dry buds, shrunken stone houses, dead vertical moving people all all all go under the great white beguiling wave. And come out transformed. Lose yourself in a numb dumb snow-daubed lattice of crystal and come out pure with the white virginal veneer you never had. — Sylvia Plath

I loved old black and white movies, especially the Fred Astaire and Ginger Rogers musicals. I loved everything about them - the songs, the music, the romance and the spectacle. They were real class and I knew that I wanted to be in that world. — Sharon Stone

Bugle"

Black beetles know where the most recent bones
bake in the heat, tendons and meat long gone,
bleached white, and if you give them cheap wine --
drizzle a few red drops on a flat stone--
they will lead you to a barren gulch
surrounded by sages and nettles, dirt
burnt to powdery sand and sharp thorns. Hunch
above the skeleton, bow your head, start reciting verses you learned as a child, there, under the sun with rocks and brush, bare
locust tree a telling reliquary
of dust to dust, all so brutally hot.
You must pull ribs from that rotting body,
words that matter: love me, love me not. — Tod Marshall

These Greek capitals, black with age, and quite deeply graven in the stone, with I know not what signs peculiar to Gothic calligraphy imprinted upon their forms and upon their attitudes, as though with the purpose of revealing that it had been a hand of the Middle Ages which had inscribed them there, and especially the fatal and melancholy meaning contained in them, struck the author deeply. — Victor Hugo

I've always loved black culture; I don't know any other way to put it. Since I was a kid I loved music and early jazz, Sly and the Family Stone. — Robert Greene

Thingumy and Bob sighed contentedly and settled down to contemplate the precious stone. They stared in silent rapture at it.
The ruby changed colour all the time. At first it was quite pale, and then suddenly a pink glow would flow over it like sunrise on a snow capped mountain
and then again crimson flames shot out of its heart and it seemed like a great black tulip with stamens on fire. — Tove Jansson

What anguish! Cincinnatus, what anguish! What stone anguish, Cincinnatus - the merciless bong of the clock, and the obese spider, and the yellow walls, and the roughness of the black wool blanket. The skim on the chocolate. Pluck it with two fingers at the very center and snatch it whole from the surface, no longer a flat covering, but a wrinkled brown little skirt. The liquid is tepid underneath, sweetish and stagnant. Three slices of toast with tortoise shell burns. A round pat of butter embossed with the monogram of the director. What anguish, Cincinnatus, how many crumbs in the bed! — Vladimir Nabokov

The Thwaites lived on Central Park West in the upper Eighties, in a building that, while manifestly grand, particularly to someone from Ohio, was by no means the most elegant among its neighbors. Its lobby, for one thing, was little more than a wide corridor, with two drably upholstered wing chairs propped against a wall and, between them, a glass table upon which rested an elaborate but unaesthetic arrangement of silk flowers. The light in the corridor was greenish, dim and lavatorial, barely illuminating the shallowly carved figures that marched, in pseudo-Egyptian fashion, along the pink stone tiles as far as the elevator. The floor, incongruously, was of a black and white parquet, upon which all but the softest slippers echoed ominously. And the elevator itself - paneled, with brass fixtures and a single tiny red velvet stool, presumably for its operator's comfort - seemed again of a different, though no less ancient, era. — Claire Messud

I've liked different women at different times in my life. I've been attracted to white women. I've been attracted to black women. I've been attracted to Asian women. I've been attracted to various subspecies of women. I can say with gratitude that I've been able to experiment. — Oliver Stone

I see not the time of the fulfilling the promise; yet "Though the vision tarry, wait for it, because it will surely come and not tarry." (Hab. 2:3) We are to remember, God can trail his promise, in our seeming, through hell, and the devil's black hands, (as he led Christ through death, the curse, and hell,) and yet fulfill it. When Christ is under a stone, and buried, the gospel seems to be buried. — Samuel Rutherford

The two of them walked toward the road and the stone marker. Behind them, other cars were pulling out. A woman began screaming abruptly. Unconsciously, Garraty and McVries drew closer together. Neither of them looked back. Ahead of them was the road, wide and black. — Stephen King

Kansas City, I would say, did more for jazz music, black music, than any other influence at all. Almost all their joints that they had there, they used black bands. Most musicians who amounted to anything, they would flock to Kansas City because that's the place where jobs were plentiful. — Jesse Stone