Black Love Poetry Quotes & Sayings

A black boy brought Wilson's gin and he sipped it very slowly because he had nothing else to do except to return to his hot and squalid room and read a novel - or a poem. Wilson liked poetry, but he absorbed it secretly, like a drug. The Golden Treasury accompanied him wherever he went, but it was taken at night in small doses - a finger of Longfellow, Macaulay, Mangan: 'Go on to tell how, with genius wasted, Betrayed in friendship, befooled in love ... ' His taste was romantic. For public exhibition he has his Wallace. He wanted passionately to be indistinguishable on the surface from other men: he wore his moustache like a club tie - it was his highest common factor, but his eyes betrayed him - brown dog's eyes, a setter's eyes, pointing mournfully towards Bond Street. — Graham Greene

I went to the Garden of Love,
And saw what I never had seen:
A Chapel was built in the midst,
Where I used to play on the green.

And the gates of this Chapel were shut,
And 'Thou shalt not' writ over the door;
So I turn'd to the Garden of Love,
That so many sweet flowers bore.

And I saw it was filled with graves,
And tomb-stones where flowers should be:
And Priests in black gowns, were walking their rounds,
And binding with briars, my joys & desires.

- The Garden of Love — William Blake

And me, standing under the splintered night,
catching fractured glimpses into the black behind the black,
hearing the prayers of stars, the angry whispers of the dark summer night.

Its voice cracks,
on your name.

My eyes close,
on your name. — Marlen Komar

How I go to the woods
Ordinarily, I go to the woods alone, with not a single
friend, for they are all smilers and talkers and therefore
unsuitable.
I don't really want to be witnessed talking to the catbirds
or hugging the old black oak tree. I have my way of
praying, as you no doubt have yours.
Besides, when I am alone I can become invisible. I can sit
on the top of a dune as motionless as an uprise of weeds,
until the foxes run by unconcerned. I can hear the almost
unhearable sound of the roses singing.
If you have ever gone to the woods with me, I must love
you very much. — Mary Oliver

How much living have you done?
From it the patterns that you weave
Are imaged:
Your own life is your totem pole,
Your yard of cloth,
Your living.

How much loving have you done?
How full and free your giving?
For living is but loving
And loving only giving. — Georgia Douglas Johnson

Girls, be good to these spirits of music and poetry
that breast your threshold with their scented gifts.
Lift the lyre, clear and sweet, they leave with you.
As for me, this body is now so arthritic
I cannot play, hardly even hold the instrument.
Can you believe my white hair was once black?
And oh, the soul grows heavy with the body.
Complaining knee-joints creak at every move.
To think I danced as delicate as a deer!
Some gloomy poems came from these thoughts:
useless: we are all born to lose life,
and what is worse, girls, to lose youth.
The legend of the goddess of the dawn
I'm sure you know: how rosy Eos
madly in love with gorgeous young Tithonus
swept him like booty to her hiding-place
but then forgot he would grow old and grey
while she in despair pursued her immortal way. — Sappho

It is always easy to mock 'distress,' but we are its contemporaries; we are at the endpoint of what Nous, ratio, & Logos, still today the framework for what we are, cannot have failed to show: that murder is the first thing to count on, and elimination the surest means of identification. Today, everywhere, against this black but 'enlightened' background, remaining reality is disappearing in the mire of a 'globalized' world. Nothing, not even the most obvious phenomena, not even the purest, most wrenching love, can escape this era's shadow: a cancer of the subject, whether in the ego or in the masses... — Philippe Lacoue-Labarthe

Yesterday, I was collecting words.
One was up there, sitting in the bo tree,
Another was in the banyan.
One was wandering in my street,
Another was lying in the earthen jar.
A green word lay in the fields,
A black one was eating flesh.
A blue word was flying
With a grain of the sun in its beak.
Every single thing in this world looks like a word to me.
The words of eyes,
The words of hands.
But I do not understand words I hear from a mouth.
I can only read words.
I can only read words. — Shiv Kumar Batalvi

Even as I hold you
I think of you as someone gone
far, far away. Your eyes the color
of pennies in a bowl of dark honey
bringing sweet light to someone else
your black hair slipping through my fingers
is the flash of your head going
around a corner
your smile, breaking before me,
the flippant last turn
of a revolving door,
emptying you out, changed,
away from me.
Even as I hold you
I am letting go. — Alice Walker

Armenian Cognac

A bottle of cognac from Yerevan
is on my kitchen table
as closed as that history
and as silent
If I broke it down I'd lose a hundred years
of love
and if I opened it the ancestors
hanging here in black and white
would come down from the walls
to have a glass with me
I know a history that's been forgotten
and I know why that bottle of cognac
stands with such singular pride....

If I broke it now I'd lose a hundred years
of my people's history — Najwan Darwish

Soft you day, be velvet soft,
My true love approaches,
Look you bright, you dusty sun,
Array your golden coaches.
Soft you wind, be soft as silk
My true love is speaking.
Hold you birds, your silver throats,
His golden voice I'm seeking.
Come you death, in haste, do come
My shroud of black be weaving,
Quiet my heart, be deathly quiet,
My true love is leaving. — Maya Angelou

Go. Think. Turn black into white.
Night into day. I am tired of thinking.
I know where it will lead me and I don't
Want to be there.
Go love. Do your thinking. — Walter Dean Myers

Funeral Blues

Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.

Let aeroplanes circle moaning overhead
Scribbling on the sky the message 'He is Dead'.
Put crepe bows round the white necks of the public doves,
Let the traffic policemen wear black cotton gloves.

He was my North, my South, my East and West,
My working week and my Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last forever: I was wrong.

The stars are not wanted now; put out every one,
Pack up the moon and dismantle the sun,
Pour away the ocean and sweep up the wood;
For nothing now can ever come to any good. — W. H. Auden

I see a bright
portion
under the overhead light
that shades into
darkness
and then into darker
darkness
and I can't see beyond that. — Charles Bukowski

In this night too, in this night of his mortal eyes into which he was now descending, love and danger were again waiting ...
a murmur of glory and hexameters, of men defending a temple the gods will not save, and of black vessels searching the sea for a beloved isle;
the murmor of the Odysseys and Iliads it was his destiny to sing and leave echoing concavely in the memory of man.
These things we know, but not those he felt descending into the last shade of all. — Jorge Luis Borges

Black drinks the sun and draws all colours into it.
I am bleached white, my truant love. Come back,
and stain me with the intensity of black. — Robert Graves

You Don't Know What Love Is
But you know how to raise it in me
like a dead girl winched up from a river. How to
wash off the sludge, the stench of our past.
How to start clean. This love even sits up
and blinks; amazed, she takes a few shaky steps.
Any day now she'll try to eat solid food. She'll want
to get into the fast car, one low to the ground, and drive
to some cinderblock shithole in the desert
where she can drink and get sick and then
dance in nothing but her underwear. You know
where she's headed, you know she'll wake up
with an ache she can't locate and no money
and a terrible thirst. So to hell
with your warm hands sliding inside my shirt
and your tongue down my throat
like an oxygen tube. Cover me
in black plastic. Let the mourners through. — Kim Addonizio

The Lake

In spring of youth it was my lot
To haunt of the wide world a spot
The which I could not love the less-
So lovely was the loneliness
Of a wild lake, with black rock bound,
And the tall pines that towered around.

But when the Night had thrown her pall
Upon that spot, as upon all,
And the mystic wind went by
Murmuring in melody-
Then-ah then I would awake
To the terror of the lone lake.

Yet that terror was not fright,
But a tremulous delight-
A feeling not the jewelled mine
Could teach or bribe me to define-
Nor Love-although the Love were thine.

Death was in that poisonous wave,
And in its gulf a fitting grave
For him who thence could solace bring
To his lone imagining-
Whose solitary soul could make
An Eden of that dim lake. — Edgar Allan Poe

The Garden of Love
I went to the Garden of Love,
And saw what I never had seen:
A Chapel was built in the midst,
Where I used to play on the green.
And the gates of this Chapel were shut,
And 'Thou shalt not' writ over the door;
So I turn'd to the Garden of Love,
That so many sweet flowers bore.
And I saw it was filled with graves,
And tomb-stones where flowers should be:
And Priests in black gowns, were walking their rounds,
And binding with briars, my joys & desires. — William Blake

i am like the moon--
sometimes, full.
sometimes, black.

sometimes,
forever and ever alone. — AVA.

And we are put on earth a little space,
that we may learn to bear the beams of love;
And these black bodies and this sunburnt face
Is but a cloud, and like a shady grove. — William Blake

A panther poised in the cypress tree about to jump is a
panther poised in a cypress tree about to jump.
The panther is a poem of fire green eyes and a heart charged
by four winds of four directions.
The panther hears everything in the dark: the unspoken
tears of a few hundred human years, storms that will break
what has broken his world, a bluebird swaying on a branch a
few miles away.
He hears the death song of his approaching prey:
I will always love you, sunrise.
I belong to the black cat with fire green eyes.
There, in the cypress tree near the morning star. — Joy Harjo

Bugle"

Black beetles know where the most recent bones
bake in the heat, tendons and meat long gone,
bleached white, and if you give them cheap wine --
drizzle a few red drops on a flat stone--
they will lead you to a barren gulch
surrounded by sages and nettles, dirt
burnt to powdery sand and sharp thorns. Hunch
above the skeleton, bow your head, start reciting verses you learned as a child, there, under the sun with rocks and brush, bare
locust tree a telling reliquary
of dust to dust, all so brutally hot.
You must pull ribs from that rotting body,
words that matter: love me, love me not. — Tod Marshall

Her close friends have gathered.
Lord, ain't it a shame
Grieving together
Sharing the blame.
But when she was dying
Lord, we let her down.
There's no use cryin'
It can't help her now.

The party's all over
Drink up and go home.
It's too late to love her
And leave her alone.

Just say she was someone
Lord, so far from home
Whose life was so lonesome
She died all alone
Who dreamed pretty dreams
That never came true
Lord, why was she born
So black and blue?
Oh, why was she born
So black and blue?

Epitaph (Black And Blue)
Written by: Kris Kristofferson
Note: "Epitaph" is about Janis Joplin. — Kris Kristofferson

My heart is small, like a love of buttons or black pepper. — S. Jane Sloat

On Waterloo Bridge where we said our goodbyes,
the weather conditions bring tears to my eyes.
I wipe them away with a black woolly glove
And try not to notice I've fallen in love
On Waterloo Bridge I am trying to think:
This is nothing. you're high on the charm and the drink.
But the juke-box inside me is playing a song
That says something different. And when was it wrong?
On Waterloo Bridge with the wind in my hair
I am tempted to skip. You're a fool. I don't care.
the head does its best but the heart is the boss-
I admit it before I am halfway across — Wendy Cope

Four years ago the clocks started turning back. I open my eyes and see nothing. I feel nothing below or above me. I feel the absence of things. The absence of my flesh, my bones, my body, my mind. All that is left is awareness. I see nothing but the absence of colour. It's not a black darkness. It's simply nothing. The interior of a black hole. I recall news of a black hole lingering along the edges of our solar system. All that time ago. Four years ago. When the clocks started turning back. I hear nothing. Until there is a something. A small thing. A voice. I listen. There are more voices. The sounds are human. How long has it been since I've heard a human? The sounds scratch along my now present attention. They carve into my hearing. They are horrid, wretched things. Voices screaming. Growing loud and desperate. How many voices? Billions. This is the birth of our species. We are born screaming. It's all we know to do. We have screamed for eternity. Within this empty space. — F.K. Preston

Poetry contains few words but tells much. Its beauty is that by being condensed it is rich in meaning and open to various interpretations. Unlike prose, there is no boundary to poetry. There is nothing concrete or black and white. Poetry is mutable; it is transformative. Poetry is the alchemy of hearts. And what cannot be said in prose can sometimes be only said through poetry. — Salil Jha

My love has eyes blue as the sky.
Her warm, bright smile makes me want to try
To give her the world,
And when she's curled
Up in my arms where I can feel her touch,
I realize again that I love her so much.
My world has turned from black to white.
Kissing in starlight, basking in sunlight, dancing at midnight.'
~John's poem for Belle — Julia Quinn

If you stand right at the edge of the night sky, some place where one o'clock leaves to meet two, the breeze will carry your words up to the stars. And they'll swallow your secrets until its time to hand them over to the truths in the sky- the ones that draw maps in the black.

They carve their answers into the backs of my hands, the grooves of the words running deep in my palms. — Marlen Komar

From the passenger seat, Ronan began to swear at Adam. It was a long, involved swear, using every forbidden word possible, often in compound-word form. As Adam stared at his lap, penitent, he mused that there was something musical about Ronan when he swore, a careful and loving precision to the way he fit the words together, a black-painted poetry. It was far less hateful sounding than when he didn't swear.
Ronan finished with, "For the love of ... Parrish, take some care, this is not your mother's 1971 Honda Civic."
Adam lifted his head and said, "They didn't start making the Civic until '73. — Maggie Stiefvater

Aflame in black ecstasy, orders extinguished:
after death
how will I know my love was true,
this sacrifice not an exercise in vanity? — Phan Ming Yen

A Soul-Furlurn
Let none bewail the bitterness of orphancy,
Nor weep if destitute of friend or kin is he,
But pity him whose soul's bereaved by ruthless fate;
Once lost-'tis hard to find again a worthy mate.

Deprived of kin and friend the heart seems lone and dead
Yet soon it finds another one to love instead;
But if the soul does lose its mate, then it must bear
The curse of yielding all its hopes to black despair.

His faith is lost, he trusts no more this world of woe;
Distraught and wild, he shuns mankind, and does not know
To whom to trust the secrets of his troubled breast,
Afraid to feel again the faith it once possessed.

'Tis hard to bear the anguish of a soul forlorn,
To shun all worldly joys and smiles or pleasures scorn;
The lonely soul forever mourns its friend and mate,
And heavy sighs bring calm to him thus doomed by fate. — Nikoloz Baratashvili

All the black leather
she needs

is the E-Z boy recliner
where her love is parked

with one of his hands wrapped around a remote,
the other, a bottle of beer.

She's right. It's kinky.
The way he doesn't look away

from the TV,
as her head bobs

in his lap
like a fisherman's float

on a nature program,
hectic

with the pace
his breath sets.

His crotch swells
under her mouth's

prowess. He's such
a sweetheart

he waits
until the

commercials
to come. — Daphne Gottlieb

I think a lover, when broken, is given a gift
not a scar, not a poem, not a rhyme
(unless it fits.)
I think as humans, we see a set of hues
but when wounded, we see something more:
deeper shades of hurt and worry,
colors never seen before.
Because I can't imagine a child
could see the same black as a widower,
and I don't think healthy hearts
know the true meaning of blue.
When children close their eyes,
they see a color they call empty.
But in the eyelids of the bruised,
the empty black's a crowded room. — Katya Polo

Sonnet 130
My mistress' eyes are nothing like the sun;
Coral is far more red than her lips' red;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damask'd, red and white,
But no such roses see I in her cheeks;
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go;
My mistress, when she walks, treads on the ground:
And yet, by heaven, I think my love as rare
As any she belied with false compare. — William Shakespeare

Sonnet III: Black Coffin opened wide for all to See

Black Coffin opened wide for all to See,
The lifeless form of one I loved so dear.
O, listen! mournful knells that soon shall be
All night long tolling for the folk to hear.
The lanterns overlight the old churchyard
To watch the coffin lowered into the ground;
Soon Frost shall grasp the turf already hard,
Decay ye have to face without a sound.
But years have pass'd herein do I relate
My dear sweet mother's form within my mind.
Still happiness fills all my heart and state,
As I see my small family so kind.
Love cannot be withheld by death or grave,
It stays alive within the heart so brave. — Timothy Salter