Black Features Quotes & Sayings

The photograph showed a young couple smiling at the camera. The man didn't look much older than seventeen or eighteen, with light-coloured hair and delicate, aristocratic features. The woman may have been a bit younger, one or two years at the most. She had pale skin and a finely chiselled face framed by
short black hair. She looked drunk with happiness. The man had his arm round her waist, and she seemed to be whispering something to him in a teasing way. The image conveyed a warmth that drew a smile from me, as if I had recognized two old friends in those strangers. — Carlos Ruiz Zafon

It leaned forward, elbows on its knees, all amusement vanishing from its features, leaving its chiseled visage quietly regal, dignified. "I give you my word, Gabrielle O'Callaghan," it said softly. "I will protect you."
"Right. The word of the blackest fairy, the legendary liar, the great deceiver," she mocked. How dare it offer its word like it might actually mean something?
A muscle leapt in its jaw. "That is not all I have been, Gabrielle. I have been, and am, many things."
"Oh, of course, silly me, I left out consummate seducer and ravager of innocence. — Karen Marie Moning

Where you can starve to death in safety," I mutter. Then I glance quickly over my shoulder. Even here, even in the middle of nowhere, you worry someone might overhear you. When I was younger, I scared my mother to death, the things I would blurt out about District 12, about the people who rule our country, Panem, from the far-off city called the Capitol. Eventually I understood this would only lead us to more trouble. So I learned to hold my tongue and to turn my features into an indifferent mask so that no one could ever read my thoughts. Do my work quietly in school. Make only polite small talk in the public market. Discuss little more than trades in the Hob, which is the black market where I make most of my money. Even at home, where I am less pleasant, I avoid discussing tricky topics. Like the reaping, or food — Suzanne Collins

Seen on her own, the woman was not so remarkable. Tall, angular, aquiline features, with the close-cropped hair which was fashionably called an Eton crop, he seemed to remember, in his mother's day, and about her person the stamp of that particular generation. She would be in her middle sixties, he supposed, the masculine shirt with collar and tie, sports jacket, grey tweed skirt coming to mid-calf. Grey stockings and laced black shoes. He had seen the type on golf courses and at dog shows - invariably showing not sporting breeds but pugs - and if you came across them at a party in somebody's house they were quicker on the draw with a cigarette lighter than he was himself, a mere male, with pocket matches. The general belief that they kept house with a more feminine, fluffy companion was not always true. Frequently they boasted, and adored, a golfing husband. ("Don't Look Now") — Daphne Du Maurier

A voice: "My goodness, Nurse Jones." I look up, startled. Simon's in the doorway, leaning against the frame, smiling.
No doubt I'm quite the sight in my bloody, sexy nurse's outfit, sitting on a bed next to a tied-up, taped-up target. "Oh, please." I collect my purse, my phone and my stun gun and walk around the bed.
Simon's smile reaches deep into his dark blue eyes. He has a long face and delicate features for a man.
I grab the sleeve of his black jacket and pull him into the outer room.
"What the fuck are you wearing? You look insane," he says.
"This? This is the creepy outfit the Alchemist put me in after he kidnapped me."
Simon stops smiling. "Are you okay?"
"Yeah. — Carolyn Crane

In the years that I could not see him, I came to know my father through the medium of photography. My perceptions of him were forged on black-and-white squares that stole an instant out of history and immortalized it between the pages of a family album. When I summoned up the image of the man, it came to me frozen, black-bordered, flat. He stood pale above the creases of his uniform, framed in the foamy wake of some ship, drops of sunlight caught in the buttons on his jacket. He winked at me from the liberty ports of countless exotic places. In an atrocious hand he scrawled stilted, affectionate words to the stranger that bore his name and his features, telling of adventures far away, misbehavings under suns hotter than that which shone over the Greater German Reich. — Miles Watson

My breath returned as I observed my escort. He was wearing the same black coat and trousers from the evening of Sir Winston's ball. No strange clothes, altered features, or even a false mustache. He cared not one whit about his reputation. "Fine disguise," I said. — Tarun Shanker

She thought of the grainy video of him she had seen, head tipped back, so covered in blood that she hadn't remembered his features, hadn't remembered him as looking like anything but a monster, laughing, endlessly laughing.
Mad as a dog. Mad as a god. — Holly Black

In some sense, list-making is to mind-mapping as black and white photography is to color photography. Both are good, both are useful. One gives you precision and clarity; the other gives you a broader spectrum of potential beauty, as well as access to otherwise-unseen features. — Anonymous

And David and Goliath I have done before, but this time there is a difference. David holds the head at arm's length and looks disgusted. And onto Goliath's severed head, I put my own features. The head hangs in darkness so that the black hair and beard framing the face blend off into the shadows, and there are four thin ropes of dark blood trailing down into space from the neck. And in one eye of the freshly severed head, there is still the faint glimmer of life.
That's me and that's the last painting I ever did.
Spectator, viewer, audience, however you care to call yourself; I address you here, with this, my final picture.
Cast a cold eye on it all, and on my work. I am still alive. — Christopher Peachment

Dantes had entered the Chateau d'If with the round, open, smiling face of a young and happy man, with whom the early
paths of life have been smooth. and who anticipates a future corresponding with his past. This was now all changed. The oval face was lengthened, his smiling mouth had assumed the firm and marked
lines which betoken resolution; his eyebrows were arched beneath a brow furrowed with thought; his eyes were full of melancholy, and from their depths occasionally sparkled gloomy fires of misanthropy and hatred; his complexion, so long kept from the sun, had now that pale color which produces, when the features are encircled with black hair, the aristocratic beauty of the man of the north; the profound learning he had acquired had besides diffused over his features a refined intellectual expression; and he had also acquired, being naturally of a goodly stature, that vigor which a frame possesses which has so long concentrated all its force within itself. — Alexandre Dumas

And what was she like?" "Tall, fine bust, sloping shoulders; long, graceful neck: olive complexion, dark and clear; noble features; eyes rather like Mr. Rochester's: large and black, and as brilliant as her jewels. And then she had such a fine head of hair; raven-black and so becomingly arranged: a crown of thick plaits behind, and in front the longest, the glossiest curls I ever saw. She was dressed in pure white; an amber-coloured scarf was passed over her shoulder and across her breast, tied at the side, and descending in long, fringed ends below her knee. She wore an amber-coloured flower, too, in her hair: it contrasted well with the jetty mass of her curls. — Charlotte Bronte

Seth stood about six feet eight inches tall with broad shoulders, a leanly muscled form, beautiful patrician features, and long wavy black hair (drawn back with a leather tie) that reached his waist. David stood about six feet seven inches with equally broad shoulders, a bit more muscle, the face of a pharaoh, flawless skin as dark as midnight, and pencil-thin dreadlocks that fell to his hips. — Dianne Duvall

He stalked into the room, leaned his long rifle against the mantelpiece and spread out his hands to the fire. He was clad from head to foot in fringed and beaded buckskin, which showed evidence of a long and arduous tramp. It was torn and wet and covered with mud. He was a magnificently made man, six feet in height, and stood straight as an arrow. His wide shoulders, and his muscular, though not heavy, limbs denoted wonderful strength and activity. His long hair, black as a raven's wing, hung far down his shoulders. Presently he turned and the light shone on a remarkable face. So calm and cold and stern it was that it seemed chiselled out of marble. The most striking features were its unusual pallor, and the eyes, which were coal black, and piercing as the dagger's point. — Zane Grey

We walked the length of Jackson Square, stopping to look at the work of a couple of artists who'd set up their sidewalk shops for the day.
"Look." Eugenie stopped in front of an acrylic painting of a mustached man with curly dark hair, hooded eyes, and a big hooked nose. He looked like he'd steal the hubcaps off your grandmother's Cadillac.
"It's Jean Lafitte, our most famous pirate," the artist said. "He was quite a character."
She had no idea. She also had badly missed the mark on his looks. His hair wasn't that curly, he'd been clean-shaven the whole time I'd known him, his nose was straight and in perfect proportion to the rest of his features, and he didn't have hooded black eyes. Still, he might find it entertaining. "How much?" I asked. — Suzanne Johnson

I suppose the truth is simply that it was possible for benefits like these to accrue only to a Negro lucky enough to remain in the poor but relatively benign atmosphere of Virginia. For here in this worn-out country with its decrepit little farms there was still an ebb and flow of human sympathy - no matter how strained and imperfect - between slave and master, even an understanding (if sometimes prickly) intimacy; and in this climate a black man had not yet become the cipher he would become in the steaming fastnesses of the far South but could get off in the woods by himself or with a friend, scratch his balls and relax and roast a stolen chicken over an open fire and brood upon women and the joys of the belly or the possibility of getting hold of a jug of brandy, or pleasure himself with thoughts of any of the countless tolerable features of human existence. — William Styron

I didn't choose to be the Angel of Death, blast it!" He practically spat the words. When she blinked, taken aback by his vehemence, he added, "That was some fool's idea of a joke"
She kept staring at him, speechless. A joke? Her brother's death was a joke to someone?
Seeing her reaction, he went on in a low, tortured voice, "After Roger's accident, I wore black to mourn him. Since Roger wasn't my family, Chetwin commented on it, saying that I dressed in black because Death was my constant companion. He pointed out that everyone I touched died
my parents, my best friend ... everyone."
He began to pace the clearing, pain etched in his features. "Chetwin was right, of course. Death was my constant companion. So it was no great surprise when other people started calling me the Angel of Death." His voice grew choked. "I fit the part, after all."
-Gabriel to Virginia — Sabrina Jeffries

Raven briefly pondered the phrase, "staring down the barrel of a gun". It wasn't really that accurate, he decided. After all, it was too dark to see any features down a barrel, only a black circle at the end of it. — A. Ashley Straker

Myrnin wasn't especially tall, but he was just . . . strangely cool. Long, curling, lush black hair that fell to his shoulders. His face was vampire-pale, but it suited him, somehow, and he had the kind of sharp features that would have made him a star if he'd wanted to be in the movies. Big, expressive dark eyes and full lips. Definitely cover-model material. — Rachel Caine

She fought the urge to take a closer look at his ruggedly handsome features, but failed. How could he have gotten better looking after being abused by every bronc-busting horse on the rodeo circuit? His angular jaw, strong and determined, was shaded with beard growth that was probably a day old, maybe more. Mandy suspected if Beau grew a full beard, it would grow in thick and be the smooth texture of his almost black head of hair. She forced aside past memories that gave her such knowledge with renewed irritation. — Lisa Mondello

More of the planet was unfolding beneath them as the Heart of Gold streaked along its orbital path. The suns now stood high in the black sky, the pyrotechnics of dawn were over, and the surface of the planet appeared bleak and forbidding in the common light of day - gray dusty and only dimly contoured. It looked dead and cold as a crypt. From time to time promising features would appear on the distant horizon - ravines, maybe mountains, maybe even cities - but as they approached the lines would soften and blur into anonymity and nothing would transpire. The planet's surface was blurred by time, by the slow movement of the thin stagnant air that had crept across it for century upon century. — Douglas Adams

Valkyrie Cain got out of the passenger side. She zipped up
her black jacket against the cold, and joined Skulduggery as he
walked up to the front door. She glanced at him, and saw that he was smiling.
"Stop doing that," she sighed.
"Stop doing what?" Skulduggery responded in that gloriously velvet voice of his.
"Stop smiling. The person we want to talk to lives in the only dark house on a bright street. That's not a good sign."
"I didn't realise I was smiling," he said.
They stopped at the door, and Skulduggery made a concerted effort to shift his features. His mouth twitched
downwards. "Am I smiling now?"
"No."
"Excellent," he said, and the smile immediately sprang back up. — Derek Landy

Some series teach us that ethnic features must be "fixed," by drastic means if necessary. Plastic surgeons with questionable ethics give insecure women of all ethnicities boob jobs, liposuction, and face-lifts on shows such as Extreme Makeover, The Swan, and Dr. 90210, ignoring medical risks and reinforcing problematic ideas about women's worth. Yet they don't make white surgical candidates feel like their cultural identity should also be on the chopping blocking - or that they'd be so much more attractive and fulfilled if only they didn't look so... Caucasian.

In contrast, TV docs' scalpels reduce or remove racial markers on patients of colour. Black women's noses and lips are made smaller. In an increasingly common procedure targeting Asian women, creases are added to Asian women's eyelids. — Jennifer L. Pozner

His limbs were in proportion, and I had selected his features as beautiful. Beautiful!
Great God! His yellow skin scarcely covered the work of muscles and arteries beneath; his hair was of a lustrous black, and flowing; his teeth of pearly whiteness; but these luxuriances only formed a more horrid contrast with his watery eyes, that seemed almost of the same colour as the dun-white sockets in which they were set, his shrivelled complexion and straight black lips. — Mary Shelley

Aldrik laughed darkly. "What did you think I was?" he snarled. "Did you think I went to war and read books?" Vhalla took another step back. "You ran head-first into my daily hell. Would it not be more convenient if weapons of death and torture could not talk back?" Vhalla forced herself not to tremble as she looked at him. He glared at her; the orange of the fire reflecting in the black mirrors of his eyes.
With all the bravery she possessed, Vhalla crossed the distance between them; he straightened and looked down at her, imposing. Vhalla swallowed hard and tried to muster her last scrap of confidence. There would be time later to ask him about the real reasons behind the war. For now, they needed to go home.
She grabbed his hand, praying it didn't burst into flames at her touch. It didn't.
"Quit being stupid, Aldrik. Let's go." His features barely softened, but it was more than enough to know she had made herself clear. Whatever this man was, he wasn't a monster. — Elise Kova

Under his buckskin riding-coat he wore a black vest and the cravat and collar of a churchman. A young priest, at his devotions; and a priest in a thousand, one knew at a glance. His bowed head was not that of an ordinary man, - it was built for the seat of a fine intelligence. His brow was open, generous, reflective, his features handsome and somewhat severe. There was a singular elegance about the hands below the fringed cuffs of the buckskin jacket. Everything showed him to be a man of gentle birth - brave, sensitive, courteous. His manners, even when he was alone in the desert, were distinguished. He had a kind of courtesy toward himself, toward his beasts, toward the juniper tree before which he knelt, and the God whom he was addressing. — Willa Cather

A teenage girl lay asleep on the sofa, curled up under a red-and-black knitted afghan. She was on her side, with one slender arm cradling a throw cushion nestled under her head. Long wavy blond hair spread across her back and her shoulders like a cape. Even though she was sleeping, Alex could see how pretty she was, with her delicate, almost elfin features. He stood in the doorway, watching the soft rise and fall of her chest. — L.A. Weatherly

Scarlet O'Hara was not beautiful, but men seldom realized it when caught by her charm as the Tarleton twins were. In her face were too sharply blended the delicate features of her mother, a Coast aristocrat of French descent, and the heavy ones of her florid Irish father. But it was an arresting face, pointed of chin, square of jaw. Her eyes were pale green without a touch of hazel, starred with bristly black lashes and slightly tilted at the ends. Above them, her thick black brows slanted upward, cutting a startling oblique line in her magnolia-white skin-that skin so prized by Southern women and so carefully guarded with bonnets, veils and mittens against hot Georgia suns. — Margaret Mitchell

For years afterward, I had dreams in which my mother appeared in strange forms, her features sewn onto other beings in combinations that seemed both grotesque and profound: as a slippery white fish at the end of my hook, with a trout's gaping, sorrowful mouth and her dark, shuttered eyes; as the elm tree at the edge of our property, its ragged clumps of tarnished gold leaves replaced by knotted skeins of her black hair; as the lame gray dog that lived on the Mueller's property, whose mouth, her mouth, opened and closed in yearning and who never made a sound. As I grew older, I came to realize that death had been easy for my mother; to fear death, you must first have something to tether you to life. But she had not. It was as if she had been preparing for her death the entire time I knew her. One day she was alive; the next, not.
And as Sybil said, she was lucky. For what more could we presume to ask from death - but kindness? — Hanya Yanagihara

I was struck that morning, as I would occasionally be struck the entire time I was in India, by the notion that the town was brown-skinned and black-haired, that their facial features approached my own. There was a solidarity, unexpected, unreasoning, that I felt with the people I passed on the street. They were, during those moments, my people, and though I had my difficulties with the subtleties of their language, thought our manners of dress and thought were distinct, though, perhaps, these people that I passed did not regard themselves as bound together in any particular way, at these instants I would disregard such nuance and imagine a profound relationship between us. Later, during stretches more lucid, I'd marvel at this rush of emotion and wonder as to its source. — Sameer Parekh

He was a splendid specimen of manhood, standing a good two inches over six feet, broad of shoulder and narrow of hip, with the carriage of the trained fighting man. His features were regular and clear cut, his hair black and closely cropped, while his eyes were of a steel gray, reflecting a strong and loyal character, filled with fire and initiative. His manners were perfect, and his courtliness was that of a typical southern gentleman of the highest type. — Edgar Rice Burroughs

He was a compact, clearcut man, with precise features, a lot of very soft black hair, and thoughtful dark brown eyes. He had a look of wariness, which could change when he felt relaxed or happy, which was not often in these difficult days, into a smile of amused friendliness and pleasure which aroused feelings of warmth, and something more, in many women. — A.S. Byatt

In the 1960s, college students forcibly occupied administration buildings, demanding courses in "black studies." Today, every major university features full departments (and even some designated dormitories and cafeterias) for a variety of ethnic excogitations. Today, instead of violent sit-ins, there has been a quiet coup by "diversity committees," whose authoritarian thought-police reign on campuses and who banish "politically incorrect" dissenters to the dungeons of re-education seminars. — Ayn Rand

Will anyone understand it outside Paris? That is open to doubt. The special features of this scene, full of local colour and observations, can only be appreciated in the area lying between the heights of Montmartre and the hills of Montrouge, in that illustrious valley of flaking plasterwork and gutters black with mud; a valley full of suffering that is real, and of joy that is often false, where life is so hectic that it takes something quite extraordinary to produce feelings that last. — Honore De Balzac

Rena?" I looked up as a figure emerged from the white void of snowfall. The snow dusted his broad shoulders as he took long, measured strides toward me, his black coat flapping in the wind.
As he neared, I made out his startled features. "Wallace?"
His gaze burned with indiscernible emotion. "Are you hugging the lamp post? — Carrie Butler

When he came down, he was slower, and clutching something his hand. He leapt down the last 5 feet or so and came over to me, uncurling his fingers. In his palm was something trembling and silky and the bright, delicious pale gold of apples; in the gloom of the jungle it looked like light itself. Uva nudged the thing with a finger and it turned over, and I could see it was a monkey of some sort, though no monkey I had ever seen before; it was only a few inches larger than one of the mice I had once been tasked with killing, and his face was a wrinkled black heart, its features pinched together but its eyes large and as blankly blue as a blind kitten's. It had tiny, perfectly formed hands, one of which was gripping its tail, which it had wrapped around itself and which was flamboyantly furred, its hair hanging like a fringe. — Hanya Yanagihara

A SMALL PIECE OF TRUTH
I do not carry a sickle or scythe.
I only wear a hooded black robe when it's cold.
And I don't have those skull-like facial features you seem to enjoy pinning on me from a distance. You want to know what I truly look like? I'll help you out. Find yourself a mirror while I continue. — Markus Zusak

A face stared up at her from the mirror beside her hand. Was that really what she looked like? Was that really what she looked like, all sharp lines and huge silver-grey eyes? Certainly, no one would ever call those features beautiful, Jame thought ruefully; but were they really enough like a boy's to have fooled that old man the alley? Well, maybe with that long black hair out of sight under a cap. It was a very young face and a defiant one, she thought with a odd sense of detachment, but frightened, too. And those extraordinary eyes ... what memories lived in them that she could not share? Stranger, where have you been she asked silently. What have you seen? The thin lips locked in their secrets.
"Ahhh!" Jame said in sudden disgust, tossing away the mirror. Fool, to be obsessed with a past she couldn't even remember. But it was all behind her now. — P.C. Hodgell

For a moment, I tried to see myself through the eyes of the girl with the black hair, or even the boy in the cowboy hat, studying my features for a vibration under the skin. The effort was visible in my face, and I felt ashamed. No wonder the boy had seemed disgusted: He must have seen the longing in me. Seen how my face was blatant with need, like an orphan's empty dish. And that was the difference between me and the black-haired girl- her face answered all it's own questions. — Emma Cline

We have also set up for them an edifying project for a continuous mitigation of their own tyranny, ascribing to them an unshakeable faith in the triumph of virtue, as well as in the moral justification of their crimes. These are the theories of well-meaning children who see everything in black or white, dream of nothing but angels or demons, and have no idea of the incredible number of hypocritical masks of every color and shape and size which men use to conceal their features when they have passed the age of devotion to ideals and have abandoned themselves unrestrainedly to their egotistic desires — Alfred De Vigny

These days everyone was insisting on their identity, coming out as a man, woman, gay, black, Jew - brandishing whichever features they could claim, as if without a tag they wouldn't be human. — Hanif Kureishi

I brought the newspaper close up to my eyes to get a better view of George Pollucci's face, spotlighted like a three-quarter moon against a vague background of brick and black sky. I felt he had something important to tell me, and that whatever it was might just be written on his face.
But the smudgy crags of George Pollucci's features melted away as I peered at them, and resolved themselves into a regular pattern of dark and light and medium gray dots.
The inky black newspaper paragraph didn't tell why Mr Pollucci was on the ledge, or what Sgt Kilmartin did to him when he finally got him in through the window. — Sylvia Plath

She has the same features as every other Syrena. Smooth olive skin, dark black hair, violet eyes. But hers are all arranged in just the right way to make her stunning. — Anna Banks

They stand beside a grave. Hermann sprinkles upon it a powder, which falls in sparkles of light from his fingers. The earth begins to heave; and presently, as a volcano casts up its ashes, the grave empties itself. Slowly and slowly, like the rippling waves of a becalmed ocean, it rises to the surface, divides, and falls in crumbling heaps on either side. Then there ascends the venerable figure of an aged man, clothed in robes of purple and scarlet, the ensigns of senatorial dignity. At the same moment, the spectre arm, by wondrous motion of its own, tears itself aloft, and becomes a dimly gleaming torch; each livid finger sending forth pale red dusky flames, which fling a horrid glare upon the cadaverous features of the phantom. ("The Forsaken Of God") — William Mudford

Unlike other features on OkCupid, there is no visual component to match percentage. The number between two people only reflects what you might call their inner selves - everything about what they believe, need, and want, even what they think is funny, but nothing about what they look like. Judging by just this compatibility measure, the four largest racial groups on OkCupid - Asian, black, Latino, and white - all get along about the same.1 In fact, race has less effect on match percentage than religion, politics, or education. Among the details that users believe are important, the closest comparison to race is Zodiac sign, which has no effect at all. To a computer not acculturated to the categories, "Asian" and "black" and "white" could just as easily be "Aries" and "Virgo" and "Capricorn." But this racial neutrality is only in theory; things change once the users' own opinions, and not just the color-blind workings of an algorithm, come into play. — Christian Rudder

Michael [Jackson] reconstructed his face and deconstructed the African features into a spooky European geography of fleshly possibilities, and yet what we couldn't deny, that even as his face got whiter and whiter his music got Blacker and Blacker. His soul got more deeply rooted in the existential agony and the profound social grief that Black people are heir to. — Michael Eric Dyson

Ink black hair, dark smoldering eyes with eyelashes so enviably long they cast shadows upon his cheekbones, a dimpled smile and broad shoulders and a height a little over six feet was all that comprised of Logan Jackson. Basically, he looked like he had just stepped out of the cover of GQ magazine and belonged in Milan and not Haven Falls.
He looked the same but completely different all at once. His pretty boyish features had hardened. He was still handsome but in a rougher more masculine way. Gone was the slightly mischievous innocent child. Now there only remained a devilishly handsome young man — Ali Harper

He hadn't changed since I had seen him a few years earlier. With his close-cropped black beard, angular features, and riveting gaze, Craig still looks the role of a serious scholar. He speaks in cogent sentences, never losing his train of thought, always working through an answer methodically, point by point, fact by fact. — Lee Strobel

His features had the fine precision of sculpture. His hair was black and straight, swept back. The suntan of his skin intensified the startling color of his eyes: they were a pure, clear blue. His face was open, its rapid changes of expression reflecting whatever he felt, as if he had nothing to hide. The blue eyes were still and changeless, never giving a hint of what he thought. — Ayn Rand

As I looked there came, I thought a change - he seemed to swell - his face became suddenly black and the features seemed to melt and alter ... — Robert Louis Stevenson