Black And White Light Quotes & Sayings

I am Charles Mingus. Half-black man. Yellow man. Half-yellow. Not even yellow, nor white enough to pass for nothing but black and not too light enough to be called white. — Charles Mingus

Thoughtful white people know they are inferior to black people. Anyone who has studied the genetic phase of biology knows that white is considered recessive and black is considered dominant. When you want strong coffee, you ask for black coffee. If you want it light, you want it weak, integrated with white milk. Just like these Negroes who weaken themselves and their race by this integrating and intermixing with whites. If you want bread with no nutritional value, you ask for white bread. All the good that was in it has been bleached out of it, and it will constipate you. If you want pure flour, you ask for dark flour, whole-wheat flour. If you want pure sugar, you want dark sugar. — Malcolm X

Light and subject is inseparable. But when it is well integrated, it becomes the work of a fine masterpiece. — Paul Chong Hasang

No Difference
Small as a peanut,
Big as a giant,
We're all the same size
When we turn off the light.
Rich as a sultan,
Poor as a mite,
We're all worth the same
When we turn off the light.
Red, black or orange,
Yellow or white,
We all look the same
When we turn off the light.
So maybe the way,
To make everything right
Is for god to just reach out
And turn off the light! — Shel Silverstein

The term 'black' was given a rebirth by the black youth revolt. As reborn, it does not refer to the particular color of any particular person, but to the attitude of pride and devotion to the race whose homeland from times immemorial was called 'The Land of the Blacks.' Almost overnight our youngsters made 'black' coequal with 'white' in respectability, and challenged the anti-black Negroes to decide on which side they stood. This was no problem for many who are light or even near-white in complexion, for they themselves were among the first to proclaim with pride, 'call me black!' Those who hate the term but hold the majority of leadership positions feel compelled to use it to protect their leadership roles. — Chancellor Williams

It is because the critics are not detached that they do not see this detachment; it is because they are not looking at things in a dry light that they cannot see the difference between black and white. It is because they are in a particular mood of reaction and revolt that they have a motive for making out that all the white is dirty grey and the black not so black as it is painted. I do not say there are not human excuses for their revolt; I do not say it is not in some ways sympathetic; what I say is that it is not in any way scientific. An iconoclast may be indignant; an iconoclast may be justly indignant; but an iconoclast is not impartial. And it is stark hypocrisy to pretend that nine-tenths of the higher critics and scientific evolutionists and professors of comparative religion are in the least impartial. Why should they be impartial, what is being impartial, when the whole world is at war about whether one thing is a devouring superstition or a divine hope? — G.K. Chesterton

The lightning bugs are back. They fly low to the ground as the lawn dissolves from green to black in the dusk. Seeing them, I can reconstruct a childhood: a hot night under tall trees; the Good Humor man, in his square white truck, the freezer smoky when he reaches inside for an ice cream.
The lightning bugs trapped in empty jars with holes on top. "Let them out," our mother said, "or they will die in there." We were careless. We always
forgot to open the jars. The bugs would be there in the morning, their yellow tails dim in the white light of the summer sun, pathetic as they lay on
their backs. We were always horrified by what we had done. As night fell we shook them out and caught more.
I relive the magic of the yellow light without the bright white of hindsight. The little flares in the darkness, a distillation of the kind of life we think we had, we wish we had, we want again. — Anna Quindlen

In light this bright, after so long in the dark, everything we can see is only black and white. Only glaring
shape-outlines we have to blink against. — Chuck Palahniuk

It was an honor to work with Samantha Morton on this Casablanca-esque, silent-film-esque, Americana photobooth Woolworth's hay day period piece of surrealism/ realism/ story time tell-tale-ism, black and white 35 mm film, washed in strange light, over this love hate tune, heartbreak song, life-goes-on lullaby, The Last Goodbye. It's a doorway into the future of the fatal past-tense. Get it? — Alison Mosshart

The Labrador Retriever coat colors are black, yellow, and chocolate. Any other color or a combination of colors is a disqualification in the show ring, according to the breed standard. A small white spot on the chest is permissible, however, but not desirable. Black - Blacks should be all black. Yellow - Yellows may range in color from fox-red to light cream, with variations in shading on the ears, back and underparts of the dog. Chocolate - Chocolates can vary in shade from light to dark chocolate. — Dog Fancy Magazine

I believe that if there is a huge chunk of white/truth in you, you will be drawn mostly to truth. If there is a lot of black/ego in you, you will naturally migrate to darkness/ego. We can't change our natural compositions or our attraction to certain lighting, but we can slowly change our angle of perception. Anyone can work on balancing their inner lighting simply by adjusting their outer lenses. All you have to do is learn to use your heart before your mind to see things. There is no light greater than truth, and it shines at the heart of all creation. Be like a butterfly and celebrate it every day. It is inside you. Be aware of it so it can cultivate it to grow stronger and bigger. — Suzy Kassem

There is no such thing as White Magick or Black Magick. If you are participating in magick, you are interfering with the natural order of how life would have developed without your hand in it. You are manipulating reality to suit your own personal needs. Regardless of whether you perceive it as "positive" or "white light", you are manipulating life. If you are afraid of this responsibly or are intimidated by this statement, I encourage you to reexamine your belief structure. Witchcraft requires confidence and courage. — Dacha Avelin

A Death at the White Camellia Orphanage tells of a young boy's travels through the black heart of Depression American and his search for light both metaphorical and real. Writing with a controlled lyrical passion, Marly Youmans has crafted the finest, and the truest period novel I've read in years. — Lucius Shepard

They stood brow to brow, brown to white, black to black, he supporting her elbows, she playing her limp light fingers over his collarbone, and how he "ladored,"he said, the dark aroma of her hair blending with crushed lily stalks, Turkish cigarettes and the lassitude that comes from "lass." "No, no, don't," she said, I must wash, quick-quick, Ada must wash; but for yet another immortal moment they stood embraced in the hushed avenue, enjoying as they had never enjoyed before, the "happy-forever" feeling at the end of never-ending fairy tales. — Vladimir Mayakovsky

When I was in the Navy, everyone fell under the purview of "navy gray". It is the military's way of reminding its enlisted personnel that they are all equal. Man or woman, black or white, young or old, everyone was navy gray. With God's grace I can proudly say a better understanding of this concept has helped me ameliorate disputes, mend fences that appeared hopeless and find light in the midst of darkness. — Carlos Wallace

How was the light today?"
"Big. Hot. Yellow-white. The sky's blue was like a drumbeat. I watched the black tree shadows revolve. When the sun went down it was like someone's hand was pulling it, very gently. It was soft-edged and orange. The land went purple, then dark blue and grey, then black. Then you opened your eyes. — Glen Duncan

My mother bore me in the southern wild, And I am black, but O! my soul is white; White as an angel is the English child, But I am black as if bereaved of light. — William Blake

Today my passion is still black and white. Today if I have an array of cameras in front of me the one I would reach for that I would feel most comfortable with would be a 4 X 5 View camera. I was once working in a sort of soft light situation. — John Sexton

Love is not black and white. It's not even gray. Love is every shade of color in the spectrum, changing with every ray of light given and stolen. — Cassia Leo

I believe that God is like a powerhouse, like where you keep electricity, like a power station. And that he's a supreme power, and that he's neither good not bad, left, right, black or white. He just is. And we tap that source of power and make of it what we will. Just as electricity can kill people in a chair, or you can light a room with it. I think God is. — John Lennon

When you say that you are a race man, it means that you embrace the entire black community regardless of the hue, whether somebody is very light and could pass for possibly white or someone is very dark. — Ed Smith

Wolf's fur was speckled with drops of blood that had beaded on it like rain. The gravel in the alley shone in the half-light from the distant street lamps. The wolf's muzzle, a little shorter and broader than I had seen on Wild Kingdom, was drawn back, black lips from fangs striped white and red like peppermints. Its eyes were blue, rather than any proper lupine shade, and gleamed with a sort of demented awareness. — Jim Butcher

Suddenly, from behind the rim of the moon, in long, slow-motion moments of immense majesty, there emerges a sparkling blue and white jewel, a light, delicate, sky-blue sphere laced with slowly swirling veils of white, rising gradually like a small pearl in a thick sea of black mystery. It takes more than a moment to fully realize this is Earth ... home. My view of our planet was a glimpse of divinity. — Edgar Mitchell

Typical!" he said to Sophie. " I break my neck to get here, and I find you peacefully tidying up!"
Sophie looked up at him. As she had feared, the hard black-and white light coming through the broken wall showed her that Howl had not bothered to shave or tidy his hair. His eyes were still red-rimmed and his black sleeves were torn in several place. There was not much to choose between Howl and the scarecrow. Oh, dear! Sophie thought. He must love Miss Angorian very much. "I came for Miss Angorian," she explained.
"And I thought if I arranged for your family to visit you, it would keep you quiet for once!" Howl said disgustedly. "But no
". — Diana Wynne Jones

Ethnically, Tuareg describe themselves as white. And they don't look Arab or black. Many Tuareg have light skin, light eyes and sharp angular noses and cheekbones. They are cousins of the Berbers of North Africa. Some legends say the Tuareg are the decedents of an ancient Roman legion that disappeared into the desert two millennia ago. — Richard Engel

It is as if the moon and the trees have switched places. The sky is plunged into the heavy cloud-lidded darkness that seems to come every night, but in the valley below, the trees - or the places between the trees, it is impossible to tell the source - are fully lit, glowing. The woods are alight like an ember, bluish white and cradled by the rolling hills. It's like a beacon, I think with a chill. So this is what happens when the world goes black. The forest steals the light from the sky. Cole straightens beside me, taking ragged breaths. I cannot stop staring at the glowing trees. It is strange and magical. Almost lovely. The wind song has become simply a song, clear and articulate, as if made by an instrument instead of the air. It is all a perfect dream. — Victoria Schwab

The closest I'd ever got to seeing a naked woman before was black and white cleavage, and then Rosie tossed her clothes in a corner just like they were getting in the way and spun around in the dim light of Number 16, palms up, luminous, laughing, almost close enough to touch. The thought still knocks the wind out of me. I was too young even to know what I wanted to do about her, I just knew nothing in the World, not the Mona Lisa walking through the Grand Canyon with the Holy Grail in one hand and a winning lotto ticket in the other, was ever going to be that beautiful. — Tana French

And just as he had tried, on the southern beach, to find again that unique rounded black pebble with the regular little white belt, which she had happened to show him on the eve of their last ramble, so now he did his best to look up all the roadside items that retained her exclamation mark: the special profile of a cliff, a hut roofed with a layer of silvery-gray scales, a black fir tree and a footbridge over a white torrent, and something which one might be inclined to regard as a kind of fatidic prefiguration: the radial span of a spider's web between two telegraph wires that were beaded with droplets of mist. She accompanied him: her little boots stepped rapidly, and her hands never stopped moving, moving - to pluck a leaf from a bush or stroke a rock wall in passing - light, laughing hands that knew no repose. He saw her small face with its dense dark freckles, and her wide eyes, whose pale greenish hue was that of the shards of glass licked smooth by the sea waves. — Vladimir Nabokov

Now the moon of the Aztecs is at the zenith, and all the world lies still. Full and white, the white of bones, the white of a skull; blistering the center of the sky well with its throbbing, not touching it on any side. Now the patio is a piebald place of black and white, burning in the downward-teeming light. Not a leaf moves, not a petal falls, in this fierce amalgam. ("The Moon Of Montezuma") — Cornell Woolrich

Like many insects, flies are most sensitive to green light. This means that they would see their world as 'black and white,' in that they can't see the multiple colors required to reconstruct a color image of the world. They do, however, have specialized cells that enable them to see ultraviolet wavelengths. — Michael Dickinson

As the glow of the cabin windows turned to flickers through the trees and then to black, her eyes adjusted and the starlight alone on the pure white snow was enough to light her way. The cold scorched her cheeks and her lungs, but she was warm in her fox hat and wool. An owl swooped through the spruce boughs, a slow-flying shadow, but she was not frightened. She felt old and strong, like the mountains and the river. She would find her way home. — Eowyn Ivey

Desolate city. Snow on the streets. Fire in the sky.
It could have been one of a hundred wars.
But there-
The place on the street where the snow had melted. The dark crater in the sea of white.Daniel sank to his knees and reached for the ring of black ash stained on the ground.He closed his eyes.And he remembered the precise way she had died in his arms.
Moscow.1941.
So this was what she was doing-tunneling into her past lives. Hoping to understand.
The thing was,there was no rhyme or reason to her deaths.More than anyone, Daniel knew that.
But there were certain lifetimes when he'd tried to shed some light for her,hoping it would change things. Sometimes he'd hoped to keep her alive longer,though that never really worked. Sometimes-like this time during the siege of Moscow-he'd chosen to send her on her way more quickly.To spare her.So that his kiss could be the last thing she felt in that lifetime. — Lauren Kate

White is not always light and black is not always dark. — Habeeb Akande

When the white spotlight from the watchtower swept toward us we paused, pressing against the rough wall; when it passed, we eased out and ran again. Meritt kept pace with me until the houses ended, until the street and wall ran past nothing but orchards and empty stubbled ground. Then he let loose and raced ahead, hurtling through black shadows and pockets of blue light. — Amanda Witt

When we hold a photo negative up to the light all objects are reversed. Black is white, white is black. Moreover, the character lines of any face in the picture are not clear. Once placed into the developing solution, what photographers call "the latent image" is revealed in the print-darkness is turned to light; and, lo, we have a beautiful picture. — Catherine Marshall

The stones lay lumpish and cold under my bare feet. I thought longingly of the black shoes on the beach. A wave drew back, like a hand, then advanced and touched my foot.
The drench seemed to come off the sea floor itself,where blind white fish ferried themselves by their own light through the great polar cold. I saw sharks' teeth and whales' earbones littered about down like gravestone.
I waited, as if the sea could make my decision for me.
A second wave collapsed over my feet, lipped with white froth, and the chill gripped my ankles with a mortal ache.
My flesh winched, in cowardice, from such a death. — Sylvia Plath

I know when the anthrax thing hit - white people, y'all was very nervous. Y'all would come up to me at work and warn me, like 'Oh my God, Aries, be careful. Don't open your mail.' Let me tell you something - black folks was never worried about anthrax because, half the time, we don't open our mail no way. We might think that's a bill. We might hold it to the light and go, 'That's a red slip.' If you want to get us with anthrax, put that in a Jay-Z CD. That's how you get us. — Aries Spears

Something that is appealing is wars are terrible and ugly and hard and each conflict is different, but of every conflict I've ever gone to, I've also seen people being extraordinary in a good sense. It's not just a black and white extreme situation that pushes people to extremes and they do crazy bad stuff. You also see crazy brave stuff. You see humanity in a different light. — Shaul Schwarz

we were never here nor there, never allowed to be happy or allowed to be sad.
Darkness and light, black and white, good and evil. Memories and new experiences were polar opposites requiring the same host: you. — Katia Lief

As sure as God made black and white, what's done in the dark will be brought to the light. — Johnny Cash

Up on the bridge of the Anubis, the storm paws loudly on the glass, great wet flippers falling at random in out of the night whap! the living shape visible just for the rainbow edge of the sound - it takes a certain kind of maniac, at least a Polish cavalry officer, to stand in this pose behind such brittle thin separation, and stare each blow full in its muscularity. Behind Procalowski the clinometer bob goes to and fro with his ship's rolling: a pendulum in a dream. Stormlight has turned the lines of his face black, black as his eyes, black as the watchcap cocked so tough and salty aslant the furrows of his forehead. Light clusters, clear, deep, on the face of the radio gear . . . fans up softly off the dial of the pelorus . . . spills out portholes onto the white river. — Thomas Pynchon

There are only shades of gray. Black and white are nothing more than lofty ideals in our minds, the standards by which we try to judge things, and map out our place in the world in relevance to them. Good and evil, in their purest form, are as intangible and forever beyond our ability to hold in our hand as any Fae illusion. We can only aim at them, aspire to them, and hope not to get so lost in the shadows that we can no longer aim for the light. — Karen Marie Moning

She had seen Brianna's face for a moment in the light; white as paper and hard as bone, with the eyes black holes. Her gentle, kindly mistress had vanished like smoke, taken over by a deamhan, a she-devil. Lizzie was a town lass, born long after Culloden. She had never seen the wild clansmen of the glens, or a Highlander in the grip of blood fury - but she'd heard the auld stories, and now she knew them true. A person who looked like that might do anything at all. She — Diana Gabaldon

How wonderful it would be if everything could always be as clear and simple as it used to be when you were twelve years old, or twenty years old. If there really were only two colors in the world: black and white. But even the most honest and ingenuous cop, raised on the resounding ideal of the stars and stripes, has to understand sooner or later that there's more than just Darkness and Light out on the streets. There are understandings, concessions, agreements. Informers, traps, provocations. Sooner or later the time comes when you have to betray your own side, plant bags of heroin in pockets, and beat people on the kidneys - carefully, so there are no marks. — Sergei Lukyanenko

She was wearing a simple silver sheath cut within an inch of indecency, curving round her slender shoulders and then falling away to expose the smooth white skin of her back and just a hint of the soft round curve of her breasts. She had on no jewellery, only a pale wash of lipstick, and again the black halo of hair was arranged so that it looked almost wind tossed. Yet her dark tresses shone, framing her face with a soft, unearthly light. Next to the other women at the table, with their diamonds, heavy strands of pearls, and meticulously groomed faces and hair, she seemed feral and bewitching. The impact of her beauty lay in her confidence and her utter lack of self-awareness. In contrast, others appeared to be trying too hard, careful and staid. — Kathleen Tessaro

We had a succession of black nights, going up the river, and it was observable that whenever we landed, and suddenly inundated the trees with the intense sunburst of the electric light, a certain curious effect was always produced: hundreds of birds flocked instantly out from the masses of shining green foliage, and went careering hither and thither through the white rays, and often a song-bird tuned up and fell to singing. — Mark Twain

Nowadays, people shoot digitally and it's all in color, but you press a button and it all goes to black and white. But it's not lit for black and white. So, it's a tricky thing. If you're going do black and white, you better remember to separate things with light, because color ain't gonna be there. — David Lynch

As if from the back row of a smoky movie theater, she watched as they entered the kitchen and took their places on her mother's polished black and white linoleum. The Wing Commander, his face kind. His wife, sunglasses in the morning. People really do wring their hands when they are anxious. The Chaplain, specks of dried blood on his chin - a quick shave before the breaking of the hearts. — Penny McCann Pennington

Her entire life, she'd been told sin was wrong, a black and white interpretation of what is evil and what is holy in the world - colored like a priest's robe and collar - but she never believed it to be true. Sin was colorful: scarlet like rose blood, azure like skin deprived oxygen, violet as bruises, jade as rot; a colorful contradiction to the darkness and blinding light all are taught sin and holiness to be. — Madi Merek

Roppongi is an interzone, the land of gaijin bars, always up late. I'm waiting at a pedestrian crossing when I see her. She's probably Australian, young and quite serviceably beautiful. She wears very expensive, very sheer black undergarments, and little else, save for some black outer layer - equally sheer, skintight, and micro-short - and some gold and diamonds to give potential clients the right idea. She steps past me, into four lanes of traffic, conversing on her phone in urgent Japanese. Traffic halts obediently for this triumphantly jaywalking gaijin in her black suede spikes. I watch her make the opposite curb, the brain-cancer deflector on her slender little phone swaying in counterpoint to her hips. When the light changes, I cross, and watch her high-five a bouncer who looks like Oddjob in a Paul Smith suit, his skinny lip beard razored with micrometer precision. There's a flash of white as their palms meet. Folded paper. Junkie origami. — William Gibson

Though we can never be fully pure in body, we can be fully pure in heart. Half black, half white, half evil, half good, we are all the same, struggling to find our path in this seemingly never-ending chasm of darkness. And may we one day reach the light we so eagerly seek, knowing that the freedom from darkness may only come when we shine our own light upon others. — E.J. Squires

I was a young black man, light-skinned enough so that four out of five people who met me, of whatever race, assumed I was white ... I was a homosexual who now knew he could function heterosexually.
And I was a young writer whose early attempts had already gotten him a handful of prizes ...
So, I thought, you are neither black nor white.
You are neither male nor female.
And you are that most ambiguous of citizens, the writer.
There was something at once very satisfying and very sad, placing myself at this pivotal suspension. It seemed, in the park at dawn, a kind of revelation
a kind of center, formed of a play of ambiguities, from which I might move in any direction. — Samuel R. Delany

After midday, the rain eased, and the Land Rover rode into Pokhara on a shaft of storm light. Next day there was humid sun and shifting southern skies, but to the north a deep tumult of swirling grays was all that could be seen of the Himalaya. At dusk, white egrets flapped across the sunken clouds, now black with rain; on earth, the dark had come. Then four miles above these mud streets of the lowlands, at a point so high as to seem overhead, a luminous whiteness shone- the light of snows. Glaciers loomed and vanished in the grays, and the sky parted, and the snow cone of Machhapuchare glistened like a spire of a higher kingdom. In the night, the stars convened, and the vast ghost of Machhapuchare radiated light, although there was no moon. — Peter Matthiessen

Who that man in the black Sedan
With two cheap hookers and a Mexican
Pumpin' white lines, sippin' warm Coors Light
Mickey Avalon, call me Mr. Right — Mickey Avalon

They began to come upon chains and packsaddles, singletrees, dead mules, wagons. Saddletrees eaten bare of their rawhide coverings and weathered white as bone, a light chamfering of miceteeth along the edges of the wood. They rode through a region where iron will not rust nor tin tarnish. The ribbed frames of dead cattle under their patches of dried hide lay like the ruins of primitive boats upturned upon that shoreless void and they passed lurid and austere the black and desiccated shapes of horses and mules that travelers had stood afoot. — Cormac McCarthy

Her eyes bothered him most. Unlike the Kai, hers were layers of opaque white, blue ringed in gray and black pinpoint centers that expanded or contracted with the light. The first time he'd witnessed that reaction in a human, all the hairs on his nape stood straight up. That, and the way the contrasting colors made it easy to see the eyes move in their sockets gave the impression they weren't body parts but entities unto themselves living as parasites inside their hosts' skulls.

He was used to seeing the frantic eye-rolling in a frightened horse but not a person. If the parasite impression didn't repulse him so much, he'd think humans lived in a constant state of hysterical terror. — Grace Draven

To see things in black and white is to see the basics, and I would recommend to any designer of gardens that he go out and look at his work by the light of the moon. — Eleanor Perenyi

THERE IT IS,' my mother says, and what she means is that the dot we've been nearing for weeks, the one that's been growing into a larger dot with two smaller dots circling it, has now become even larger than that, growing from a dot to a disc, shining back the light from its sun, until you can see the blue of its oceans, the green of its forests, the white of its polar caps, a circle of colour against the black beyond. — Patrick Ness

For horror to work, you have to be afraid. You have to keep the monster in a black and white light. — Guillermo Del Toro

Heaven and Hell. White and black. Good and evil. This was a face-off between light and dark, as stark and true as any war since time immemorial. The — Mark Cassell

The first of all single colors is white ... We shall set down white for the representative of light, without which no color can be seen; yellow for the earth; green for water; blue for air; red for fire; and black for total darkness. — Leonardo Da Vinci

It's all black and white to you, isn't it?" "Gray is but another word for light black. Gray is never white. Only white is white. There are no shades of it. — Karen Marie Moning

As she felt his fangs against her neck, she was in another world.
There was screaming. A woman was somewhere in agony. Everything was black, and the tormented scream was overwhelming, echoing through the emptiness. After the screaming subsided, there was panting, loud and steady, and it wasn't as dark anymore. There was a room visible now, in a reddish light. A pale man with black hair hovered over a woman dressed in white. She lay on a bed, looking disheveled and sweaty. Her brown-black hair clung to her wet forehead and shoulders. She was covered in blood. The man sat next to her, and held her close to him. He stroked her hair as her chest heaved desperately.
"I love you, my dearest Katerina," he said, cradling her in his strong arms. "Soon, we'll be together forever." Everything faded to black once more, and the woman stopped breathing. All was silent and still. — Dawn Bonney

We'd never seen anything as green as these rice paddies. It was not just the paddies themselves: the surrounding vegetation - foliage so dense the trees lost track of whose leaves were whose - was a rainbow coalition of one colour: green. There was an infinity of greens, rendered all the greener by splashes of red hibiscus and the herons floating past, so white and big it seemed as if sheets hung out to dry had suddenly taken wing. All other colours - even purple and black - were shades of green. Light and shade were degrees of green. Greenness, here, was less a colour than a colonising impulse. Everything was either already green - like a snake, bright as a blade of grass, sidling across the footpath - or in the process of becoming so. Statues of the Buddha were mossy, furred with green. — Geoff Dyer

But...what makes you Nathan--what makes you so special--is that you are both White Witch and Black Witch, both dark and full of light. That's what I love about you. What I've always loved. And I love you still, Nathan, and I know I always will. But you're changing. And now...now what I fear is that you'll get the amulet and you'll hone the Gifts you took from your father. You'll be invulnerable and you'll kill more people, many, many more people. I fear you won't be able to stop and you'll lose yourself completely. And then I'll come to dread you too. — Sally Green

The Thwaites lived on Central Park West in the upper Eighties, in a building that, while manifestly grand, particularly to someone from Ohio, was by no means the most elegant among its neighbors. Its lobby, for one thing, was little more than a wide corridor, with two drably upholstered wing chairs propped against a wall and, between them, a glass table upon which rested an elaborate but unaesthetic arrangement of silk flowers. The light in the corridor was greenish, dim and lavatorial, barely illuminating the shallowly carved figures that marched, in pseudo-Egyptian fashion, along the pink stone tiles as far as the elevator. The floor, incongruously, was of a black and white parquet, upon which all but the softest slippers echoed ominously. And the elevator itself - paneled, with brass fixtures and a single tiny red velvet stool, presumably for its operator's comfort - seemed again of a different, though no less ancient, era. — Claire Messud

And there in the middle, high above Prechistensky Boulevard, amidst a scattering of stars on every side but catching the eye through its closeness to the earth, its pure white light and the long uplift of its tail, shone the comet, the huge, brilliant comet of 1812, that popular harbinger of untold horrors and the end of the world. But this bright comet with its long, shiny tail held no fears for Pierre. Quite the reverse: Pierre's eyes glittered with tears of rapture as he gazed up at this radiant star, which must have traced its parabola through infinite space at speeds unimaginable and now suddenly seemed to have picked its spot in the black sky and impaled itself like an arrow piercing the earth, and stuck there, with its strong upthrusting tail and its brilliant display of whiteness amidst the infinity of scintillating stars. This heavenly body seemed perfectly attuned to Pierre's newly melted heart, as it gathered reassurance and blossomed into new life. — Leo Tolstoy

A witch is a woman who emerges from deep within herself. She is a woman who has honestly explored her light and learned to celebrate her darkness. She is a woman who is able to fall in love with the magnificent possibilities of her power. She is a woman who radiates mystery. She is magnetic. She is a witch. — Dacha Avelin

It is the mission of the printer to diffuse light and knowledge by a judicious intermingling of black with white. — Frederick Douglass

Light is meaningful only in relation to darkness, and truth presupposes error. It is these mingled opposites which people our life, which make it pungent, intoxicating. We only exist in terms of this conflict, in the zone where black and white clash. — Louis Aragon

There was something sly about his smile,
his eyes so black and sharp, his rufous hair. Something
that sent her early to their trysting place,
beneath the oak, beside the thornbush,
something that made her climb the tree and wait.
Climb a tree, and in her condition.
Her love arrived at dusk, skulking by owl-light,
carrying a bag,
from which he took a mattock, shovel, knife.
He worked with a will, beside the thornbush, beneath the oaken tree,
he whistled gently, and he sang, as he dug her grave,
that old song ...
shall I sing it for you, now, good folk? — Neil Gaiman

I? I am the wind,' said Thowra. 'I come, I pass, and I am gone.' The strange feathers moved up and down, the strange voice said tartly: 'And are your sons the same?' 'My son is the lightning that strikes through the black night. My grandson is light that pierces the dark sky at dawning.' 'Ah,' said the first emu, 'and we know your daughter is the snow that falls softly from above and clothes the world in white. You want but the rainbow - that is and was and never will be, and is yet the promise of life - and the glittering ice which is there and is gone: then you and your family will possess all magic. — Elyne Mitchell

The process of dying begins with the dissolution of the elements within the body. It has eight stages, beginning with the dissolution of the earth element, then the water, fire and windelements. The color: appearance of a white vision, increase of the red element, black near-attainment, and finally the clear light of death. — Dalai Lama

Las Vegas has become a child's picture-book dream of a city-here a storybook castle, there a sphinx-flanked black pyramid beaming white light into the darkness as a landing beam for UFOs, and everywhere neon oracles and twisting screens predict happiness and good fortune, announce singers and comedians and magicians in residence or on their way, and the lights always flash and beckon and call. Once every hour a volcano erupts in light and flame. Once every hour a pirate ship sinks a man o'war. — Neil Gaiman

You're not just looking up into a curtain of black. You're looking into the eye of the universe. Stare for a while and you start to realize -- on a deep, gut level -- that the moon is a giant rock circling us in space. The sun is a violent, fusion-fueled ball of plasma and gas millions of miles away that destroyed the atmospheres of all of the inner planets (including Mars, which is farther away from it than we are) and would do the same to ours if we weren't lucky enough to have a magnetic field that diverts the solar wind. The cute little pinpricks of light you see out there are other giant, explosive, incredibly pissed-off balls of gas floating in an infinite void, most of which are far more impressive than our puny sun. And that smear of milky white through the sky? That's the center of our own galaxy -- a gigantic pinwheel circling a supermassive black hole like floating detritus around the vortex of a flushing toilet. — Johnny B. Truant

Did you too see it, drifting, all night, on the black river?
Did you see it in the morning, rising into the silvery air -
An armful of white blossoms,
A perfect commotion of silk and linen as it leaned
into the bondage of its wings; a snowbank, a bank of lilies,
Biting the air with its black beak?
Did you hear it, fluting and whistling
A shrill dark music - like the rain pelting the trees - like a waterfall
Knifing down the black ledges?
And did you see it, finally, just under the clouds -
A white cross Streaming across the sky, its feet
Like black leaves, its wings Like the stretching light of the river?
And did you feel it, in your heart, how it pertained to everything?
And have you too finally figured out what beauty is for?
And have you changed your life? — Mary Oliver

The impressionistic method leads into a complete splitting and dissolution of all areas involved in the composition, and color is used to create an overall effect of light. The color is, through such a shading down from the highest light in the deepest shadows, sacrified an degraded to a (black-and-white) function. This leads to the destructions of the color as color. — Hans Hofmann

It's not that I'm being shy. It's just that
well, for one, I don't even remember the event. It's a blank: a white slate, a black hole. I have vague images, half-impressions: of being, or having been
or, more precisely, being about to be
hit; blue light; railings; lights of other colours; being held above some kind of tray or bed. But who's to say that these are genuine memories? Who's to say my traumatized mind didn't just make them up, or pull them out from somewhere else, some other slot, and stick them there to plug the gap
the crater
that the accident had blown? Minds are versatile and wily things. Real chancers. — Tom McCarthy

But when you walk through yonder gate," Churchill said, pointing toward the Middle Tower at the end of the causeway, which was visible only as a crenellated cutout in the orange sky, "you'll find yourself in a London you no longer know. The changes wrought by the Fire were nothing. In that London, loyalty and allegiance are subtle and fluxional. 'Tis a chessboard with not only black and white pieces, but others as well, in diverse shades. You're a Bishop, and I'm a Knight, I can tell that much by our shapes, and the changes we have wrought on the board; but by fire-light 'Tis difficult to make out your true shade. — Neal Stephenson

Miracles, black, white, and grey all over. Like light on a wall, telling a story; like magic. Like cinema itself. — Gemma Files

Clear night, thumb-top of a moon, a back-lit sky.
Moon-fingers lay down their same routine
On the side deck and the threshold, the white keys and the black keys.
Bird hush and bird song. A cassia flower falls.
I want to be bruised by God.
I want to be strung up in a strong light and singled out.
I want to be stretched, like music wrung from a dropped seed.
I want to be entered and picked clean.
And the wind says "What?" to me.
And the castor beans, with their little earrings of death, say "What?" to me.
And the stars start out on their cold slide through the dark.
And the gears notch and the engines wheel. — Charles Wright

All his life Robert Grainier would remember vividly the burned valley at sundown, the most dreamlike business he'd ever witnessed waking - the brilliant pastels of the last light overhead, some clouds high and white, catching daylight from beyond the valley, others ribbed and gray and pink, the lowest of them rubbing the peaks of Bussard and Queen mountains; and beneath this wondrous sky the black valley, utterly still, the train moving through it making a great noise but unable to wake this dead world. — Denis Johnson

I wanted to do the whole album in black and white, and it really killed me that when you see it in the light it's got green in it. I don't know what the hell that was about. — Nuno Bettencourt

Everywhere I looked, I could see only shades of gray. Black and white were nothing more than lofty ideals in our minds, the standards by which we tried to judge things and map out our place in the world in relevance to them. Good and evil, in their purest form, were as intangible and forever beyond our ability to hold in our hand as any Fae illusion. We could only aim at them, aspire to them, and hope not to get so lost in the shadows that we could no longer see the light. — Karen Marie Moning

I would have artists be convinced that the supreme skill and art in painting consists in knowing how to use black and white ... because it is light and shade that make objects appear in relief. — Leon Battista Alberti

Some things seem to be viewed in similar ways by many people, and I think we should take another look at these and truly question them. In our search for our own truth we need to ensure that we are not acting like sheep, merely following the herd behaviour.
One of these areas is that things are often regarded as opposites, things like black and white, day and night, light and dark, are obvious examples. A more open view might say they are opposite sides of one coin. I would go a little further and suggest to you that they are actually part of the same thing. Just as the coin cannot exist without its two sides, I would suggest that our world cannot exist without these so called opposites because they give us a spectrum to exist in, a matrix, or framework, that stretches between the two extremes (or polarities) to include every variation of light and shade that we sense or experience in-between. — Julia Woodman

It was a cold hard easterly morning when he latched the garden gate and turned away. The light snowfall which had feathered his schoolroom windows on the Thursday, still lingered in the air, and was falling white, while the wind blew black. — Charles Dickens

one of the plagues that God sent on the Egyptians was lice. This was a plague in whose presence we were helpless. The lice were big and white, each with a black cross on its back. They feasted on us day and night. This was an enemy whom you had to fight - search and destroy. When I went to the bathroom at night I would see women standing near the electric lamp that gave off a faint light, searching for lice in their clothes. One would leave her position near the light, and immediately someone would take her place. — Sara Nomberg-Przytyk

I was free to appreciate the quiet and the way the yellowish-gray light of the rising sun entered the room, turning everything from black and white to color. The journey from Kansas to Oz right in my own kitchen. — Edward Kelsey Moore

At first we raced through space, like shadows and light; her rants, my raves; her dark hair, my blonde; black dresses, white. She's a purple-black African-violet-dark butterfly and I a white moth. We were two wild ponies, Dawn and Midnight, the wind electrifying our manes and our hooves quaking the city; we were photo negatives of each other, together making the perfect image of a girl. — Francesca Lia Block

As he stood in the red light of the oil-lamp, strong, tall, and beautiful, his long black hair sweeping over his shoulders, the knife swinging at his neck, and his head crowned with a wreath of white jasmine, he might easily have been mistaken for some wild god of a jungle legend. -"Son," she said at last, - her eyes were full of pride, - "have any told thee that thou art beautiful beyond all men?"
"Hah?" said Mowgli, for naturally he had never heard anything of the kind. — Rudyard Kipling

In black America there's such a thing as passing, the black people who are light skinned and they will pass for white. — Juan Williams

Leaning against my car after changing the oil,
I hold my black hands out and stare into them
as if they were the faces of my children looking
at the winter moon and thinking of the snow
that will erase everything before they wake.
In the garage, my wife comes behind me
and slides her hands beneath my soiled shirt.
Pressing her face between my shoulder blades,
she mumbles something, and soon we are laughing,
wrestling like children among piles of old rags,
towels that unravel endlessly, torn sheets,
work shirts from twenty years ago when I stood
in the door of a machine shop, grease blackened,
and Kansas lay before me blazing with new snow,
a future of flat land, white skies, and sunlight.
After making love, we lie on the abandoned
mattress and stare at our pale winter bodies
sprawling in the half-light. She touches her belly,
the scar of our last child, and the black prints
of my hand along her hips and thighs. — B.H. Fairchild

Whenever you leave cleared land, when you step from some place carved out, plowed, or traced by a human and pass into the woods, you must leave something of yourself behind. It is that sudden loss, I think, even more than the difficulty of walking through undergrowth, that keeps people firmly fixed to paths. In the woods, there is no right way to go, of course, no trail to follow but the law of growth. You must leave behind the notion that things are right. Just look around you. Here is the way things are. Twisted, fallen, split at the root. What grows best does so at the expense of what's beneath. A white birch feeds on the pulp of an old hemlock and supports the grapevine that will slowly throttle it. In the dead wood of another tree grow fungi black as devil's hooves. Overhead the canopy, tall pines that whistle and shudder and choke off light from their own lower branches. (from "Revival Road") — Louise Erdrich

If you're good at this job, and I am, then every step in a murder case moves you in one direction: towards order. We get thrown shards of senseless wreckage, and we piece them together until we can lift the picture out of the darkness and hold it up to the white light of day, solid, complete, clear. Under all the paperwork and the politics, this is the job; this is its cool shining heart that I love with every fiber of mine. This case was different. It was running backwards, dragging us with it on some ferocious ebb tide. Every step washed us deeper in black chaos, wrapped us tighter in tendrils of crazy and pulled us downwards. — Tana French

Deeper into the woods, the inky black threatened to engulf her tiny beam of light. But everything was so clear in its path. Within that beam, she and Blake had danced in the club, twirling in the corner. She had felt his white shirt under her fingers. She had kissed the hollow of his neck. He had touched her so gently, and when his eyes sparked with a naughty idea, he'd tightened his hold on her. Blake. — Debra Anastasia

Its more than a simple belief that there is good and that it should fight the evil in the world. It's a personification of Light and Darkness at their most elemental level, as forces that are so absorbed with themselves that one cannot exist without the other though they constantly try to consume one another. One of the earliest repersentations of Light and Darkness was of Light being a massive black bull and Darkness being an enormous white bull. — P.C. Cast

Everything's not black and white. We choose to make bad decisions or not. I wanted to explore that and shine a light on it. Chip is trying to be a better person and lead a better life. His methods are just super flawed. — Will Arnett

Life isn't that simple; it's not black and white. You have to take the light with the dark, and all the shadows in between. — Simone Nicole

I call the high and light aspects of my being SPIRIT and the dark and heavy aspects SOUL.
Soul is at home in the deep shaded valleys.
Heavy torpid flowes saturated with black grow there.
The rivers flow like arm syrup. They empty into huge oceans of soul.
Spirit is a land of high,white peaks and glittering jewel-like lakes and flowers.
Life is sparse and sound travels great distances.
There is soul music, soul food, and soul love.
People need to climb the mountain not because it is there
But because the soulful divinity need to be mated with the Spirit.
Deep down we must have a rel affection for each other, a clear recognition of our shared human status. At the same time we must openly accept all ideologies and systems as means of solving humanity's problems. No matter how strong the wind of evil may blow, the flame of truth cannot be extinguished. — Dalai Lama XIV