Quotes & Sayings About Black And White Flowers

The Darkness of the black night is commencing over the white wobbling flowers at the bay of the stream whose water is sparkling and is running down from those earthly mountains to surrender into your arms full of happiness and love ...
It cherishes your existence and so do i do ... — AashiQi

They are beautiful, heart-rendingly beautiful, those wilds, with a quality of wide-eyed, unsung, innocent surrender that my lacquered, toy-bright Swiss villages and exhaustively lauded Alps no longer possess. Innumerable lovers have clipped and kissed on the trim turf of old-world mountainsides, on the innerspring moss, by a handy, hygienic rill, on rustic benches under the initialed oaks, and in so many cabanes in so so many beech forests. But in the Wilds of America the open-air lover will not find it easy to indulge in the most ancient of all crimes and pastimes. Poisonous plants burn his sweetheart's buttocks, nameless insects sting his; sharp items of the forest floor prick his knees, insects hers; and all around there abides a sustained rustle of potential snakes
que dis-je,of semi-extinct dragons!
while the crablike seeds of ferocious flowers cling, in a hideous green crust, to gartered black sock and sloppy white sock alike. — Vladimir Nabokov

Neither religion nor race mattered to me, but communication did. If you were willing to be my friend and accept my deafness, I didn't care if you were white, black, Catholic, Jewish, Swahili, or whatever. I didn't care if you worked as a CEO or passed your time handing out flowers at the airport. If you can communicate, you're my friend. This is a great example of how I feel that my deafness has helped me grow spiritually - I could appreciate my interaction with anyone, and just be happy we could get along rather than get bogged down on whatever groups or religions they belonged to. Really, human interaction is a blessing; it is such a waste to discriminate. — Mark Drolsbaugh

It had not seemed difficult, on a small income, to know what was right to do ... Now, with so much, it was daily a decision: what was necessary, what was frivolous ... It was so much gray
so little black and white; for a year she'd spent more of her time questioning herself and how she lived in Truth than she had done altogether in her life. — Laura Kinsale

In the narrow thread of sod between the shaved banks and the toppling fences grow the relics of what once was Illinois - the prairie.
No one in the bus sees these relics. A worried farmer, his fertilizer bill projecting from his shirt pocket, looks blankly at the lupines, lespedezas or Baptisias that originally pumped nitrogen out of the prairie air and into his black loamy acres. He does not distinguish them from the parvenu quack-grass in which they grow. Were I to ask him the name of that white spike of pea-like flowers hugging the fence, he would shake his head. A weed, likely. — Aldo Leopold

Let us leave this place where the smoke blows black And the dark street winds and bends.
Past the pits where the asphalt flowers grow
We shall walk with a walk that is measured and slow,
And watch where the chalk-white arrows go
To the place where the sidewalk ends. — Shel Silverstein

Chamberlain closed his eyes and saw it again. It was the most beautiful thing he had ever seen. No book or music would have that beauty. He did not understand it: a mile of men flowing slowly, steadily, inevitably up the long green ground, dying all the while, coming to kill you, and the shell bursts appearing above them like instant white flowers, and the flags all tipping and fluttering, and dimly you could hear the music and the drums, and then you could hear the officers screaming, and yet even above your own fear came the sensation of unspeakable beauty. He shook his head, opened his eyes. Professor's mind. But he thought of Aristotle: pity and terror. So this is tragedy. Yes. He nodded. In the presence of real tragedy you feel neither pain nor joy nor hatred, only a sense of enormous space and time suspended, the great doors open to black eternity, the rising across the terrible field of that last enormous, unanswerable question. — Michael Shaara

In my mind, I see a line. And over that line, I see green fields and lovely flowers and beautiful white women with their arms stretched out to me over that line, but I can't seem to get there no-how. I can't seem to get over that line. — Harriet Tubman

Melissa popped open the clattery little Rotring tin. Pencils, putty rubber, scalpel. She sharpened a 3B, letting the curly shavings fall into the wicker bin, then paused for a few seconds, finding a little place of stillness before starting to draw the flowers. Art didn't count at school because it didn't get you into law or banking or medicine. It was just a fluffy thing stuck to the side of Design and Technology, a free A level for kids who could do it, like a second language, but she loved charcoal and really good gouache, she loved rolling sticky black ink on to a lino plate and heaving on the big black arm of the Cope press, the quiet and those big white walls. — Mark Haddon

5Our standard of living, our very survival here, is based upon raw exploitation of working-class women - white black, and third world - in all parts of the world. Our hands are not clean. We must also come to terms with the that still largely unexamined, undisclosed faith in the idea of America, that no matter how unbearable it is here, it is better than anywhere else; that's slippage between third world and third rate. We eat bananas. Buy flowers. Use salt to flavour our food. Drink sweetened coffee. Use tires for the cars we drive. Depend upon state-of-the-art electronics. Travel. We consume and rely upon multiple choice to reify consumption. All those things that give material weight to idea of America - conflating capitalism and democracy, demarcating 'us' from 'them'. — M. Jacqui Alexander

If you ever try to change my memories again, I will slap you into next spring." I took a breath, knees shaking as I felt small beside him, my white dress brushing against his black trousers. Some women get flowers or poems from their suitors. I get insults and threats. — Dawn Cook

I call the high and light aspects of my being SPIRIT and the dark and heavy aspects SOUL.
Soul is at home in the deep shaded valleys.
Heavy torpid flowes saturated with black grow there.
The rivers flow like arm syrup. They empty into huge oceans of soul.
Spirit is a land of high,white peaks and glittering jewel-like lakes and flowers.
Life is sparse and sound travels great distances.
There is soul music, soul food, and soul love.
People need to climb the mountain not because it is there
But because the soulful divinity need to be mated with the Spirit.
Deep down we must have a rel affection for each other, a clear recognition of our shared human status. At the same time we must openly accept all ideologies and systems as means of solving humanity's problems. No matter how strong the wind of evil may blow, the flame of truth cannot be extinguished. — Dalai Lama XIV

I was stuck back on "you can't have two maids of honor" and therefore fighting back hyperventilation at the same time flashing pictures filled my head of a commando-style wedding; Hawk in black cargos, me in a white flak jacket festooned with lace. The picture of me carrying a bouquet of flowers and Hawk carrying an automatic weapon. The picture of me admiring Hawk's huge-ass hunting knife. The picture of Hawk carrying me out of the reception in a fireman's hold while bullets flew and flames caused by Molotov cocktails danced on the dance floor. — Kristen Ashley

The View from Europe And that was Africa: the long line to the south little higher than the Atlantic that defined it. The sea rolled its drums on the shore, broke in white foam, flowers for the hair of the girls. I sipped the wind with my nostrils, and the smell was the smell of fear. Two million- year-old skulls surfaced from soil fathoms, grinning their disdain at the accuracy of the new weapons. And that was Eden indeed: Adam was black and the woman, Eve, was black; and the serpent, master of the click languages, spoke to them sibilantly of how the machine would sound as it waited under the tree of death, offering them nothing but a pretence of life. 1988 — R.S. Thomas

There is a place where the sidewalk ends
And before the street begins,
And there the grass grows soft and white,
And there the sun burns crimson bright,
And there the moon-bird rests from his flight
To cool in the peppermint wind.
Let us leave this place where the smoke blows black
And the dark street winds and bends.
Past the pits where the asphalt flowers grow
We shall walk with a walk that is measured and slow,
And watch where the chalk-white arrows go
To the place where the sidewalk ends.
Yes we'll walk with a walk that is measured and slow,
And we'll go where the chalk-white arrows go,
For the children, they mark, and the children, they know
The place where the sidewalk ends. — Shel Silverstein

The Thwaites lived on Central Park West in the upper Eighties, in a building that, while manifestly grand, particularly to someone from Ohio, was by no means the most elegant among its neighbors. Its lobby, for one thing, was little more than a wide corridor, with two drably upholstered wing chairs propped against a wall and, between them, a glass table upon which rested an elaborate but unaesthetic arrangement of silk flowers. The light in the corridor was greenish, dim and lavatorial, barely illuminating the shallowly carved figures that marched, in pseudo-Egyptian fashion, along the pink stone tiles as far as the elevator. The floor, incongruously, was of a black and white parquet, upon which all but the softest slippers echoed ominously. And the elevator itself - paneled, with brass fixtures and a single tiny red velvet stool, presumably for its operator's comfort - seemed again of a different, though no less ancient, era. — Claire Messud

There was a Sears, Roebuck catalogue painfully twisted and shellacked and tied with a red cord. The white card beneath it said, An inexpensive doorstop." ... There were catsup bottles made into bud vases, closthespins decorated with crepe paper butterflies for use as curtin hold-backers, crocheted bags for silverware, bouquets of crepe paper and velvet flowers, an enormous funeral set piece of white organdy gardenias and dark green oilcloth leaves with REST IN PEACE spelled out in white pipe cleaners, embroidered pictures, burned wood match boxes, and fancy pillows by the hundreds. The pillows embraced every sentiment from FRANKY AND JOHNNY WERE LOVERS in black beads on a cerise satin background to the Twenty-Third Psalm in white on black velvet. It was an impressive exhibit of what loneliness can do to people. — Betty McDonald

out-of-doors there was quite a snow-storm. "It is the white bees that are swarming," said Kay's old grandmother. "Do the white bees choose a queen?" asked the little boy; for he knew that the honey-bees always have one. "Yes," said the grandmother, "she flies where the swarm hangs in the thickest clusters. She is the largest of all; and she can never remain quietly on the earth, but goes up again into the black clouds. Many a winter's night she flies through the streets of the town, and peeps in at the windows; and they then freeze in so wondrous a manner that they look like flowers. — Hans Christian Andersen

I took the liberty of designing your pennant," said Rhy, resting his elbows on the gallery's marble banister. "I hope you don't mind."
Kell cringed. "Do I even want to know what's on it?"
Rhy tugged the folded piece of fabric from his pocket, and handed it over. The cloth was red, and when he unfolded it, he saw the image of a rose in black and white. The rose had been mirrored, folded along the center axis and reflected, so the design was actually two flowers, surrounded by a coil of thorns.
"How subtle," said Kell tonelessly.
"You could at least pretend to be grateful."
"And you couldn't have picked something a little more ... I don't know ... imposing? A serpent? A great beast? A bird of prey?"
"A bloody handprint?" retorted Rhy. "Oh, what about a glowing black eye?"
Kell glowered.
"You're right," continued Rhy, "I should have just drawn a frowning face. But then everyone would know it's you. I thought this was rather fitting. — Victoria Schwab