Black And White Film Quotes & Sayings
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Top Black And White Film Quotes

It is the fear of death
24/7 in every shade of hospital white and doomsday black
that sells the pharmaceutical, political, financial, film, and food product promising to make good the wish to live forever. — Lewis H. Lapham

In 1982 I bought the newly released Makina Plaubel 55mm fixed-lens camera. With this shift from 35mm to 6 x 7, I also changed from black and white to color. Later that year, I started my project on New Brighton called The Last Resort. However, the first project I shot in colour was composed of urban scenes from Liverpool. This image was on the second roll of film. It's the first good photo I made in this new chapter of my work. — Martin Parr

The Runaway Five's obvious influence is The Blues Brothers. During localization, their black and white suits were made more colorful to avoid legal action from Universal Pictures or the film's producers. When I told my wife Aviva about this, she admitted she had never seen The Blues Brothers film. Having grown up on a steady diet of Saturday Night Live-spawned movies, I told her that her innocence here was blasphemous. That night, we marveled together at James Brown's hair. — Ken Baumann

It was an honor to work with Samantha Morton on this Casablanca-esque, silent-film-esque, Americana photobooth Woolworth's hay day period piece of surrealism/ realism/ story time tell-tale-ism, black and white 35 mm film, washed in strange light, over this love hate tune, heartbreak song, life-goes-on lullaby, The Last Goodbye. It's a doorway into the future of the fatal past-tense. Get it? — Alison Mosshart

Richard Price got a million dollar advance on one fake film book based on a paragraph outline and is able to seduce gullible White reviewers who know less about ghetto life than he. The New York Times has devoted more space to Price's tourist, ghetto writing than to any Black writer in history. — Ishmael Reed

To me, a poem that's in rhyme and meter is the difference between watching a film in full color and watching a film in black and white. Not that a few black and white films aren't wonderful. So are certain successful pieces of free verse. — X.J. Kennedy

He had a face right out of film noir, a face meant to be shot in black and white, parallel shadows of venetian blinds slashing across it, a plume of cigarette smoke spiraling beside it. — Khaled Hosseini

'Mixtape' is a very appropriate word to include in the title of Goran Hugo Olsson's film because it includes a rich mixture of cultural voices. They speak across different dividing lines such as those of haves and have-nots, youth and maturity, black and white, national and global, and the past and the present. — Aberjhani

Life isn't a vintage film," Christopher said. When he saw my confused face he explained. "Things aren't always black-and-white. — Eileen Cook

A film fable so structured that all alchemical searchings are clearly filmwise (gold being discovered cinematically in each sequence ot mixed black-and-white and color) so that when the drama-discovery is actually made, it acts as a deliberate anti-climax of aesthetic perfection. — Stan Brakhage

Old film-noir movies. There's something comforting about watching black-and-white movies, and hearing this kind of music just puts me in a fantasy world. It's a really great escape for me. — Petra Haden

Our personal past is only available to us now through black-and-white film, it's a medium for communication with the dead, including our dead selves, the way we used to be, which is why we're drawn to it. — Frank Lentricchia

It was a black and white film [at first]. And then it changed to colour film, and I was surprised and culture shocked when I was six or seven years old. And then HD, then 3D now. So what's going? What's coming next? It's so exciting. — Hiroyuki Sanada

Around them, from horizon to horizon, several different eras were all happening at once. Transparent trees and buildings overlapped in a delirious rush of images that changed and grew and bled into each other, see-through structures crumbling away and vanishing only to reappear and run through their accelerated lives over again, a boiling blur of black and white as if a mad projectionist were running many different loops of old film through his whirring, flickering contraption at the same time, at the wrong speed. Looking — Alan Moore

MAN: Do you have black and white film posters?
BOOKSELLER: Yes, we do. They're over here.
MAN: Do you have any posters of Adolf Hitler?
BOOKSELLER: Pardon?
MAN: Adolf Hitler.
BOOKSELLER: Well, he wasn't a film star, was he.
MAN: Yes, he was. He was American. Jewish, I think ... — Jen Campbell

I look at Woody Allen's prolific career of 30 or 40 films, and I'm watching the clock. I'd love to work at a clip of a film a year. We don't get the benefit of the doubt, particularly black women. We're presumed incompetent, whereas a white male is assumed competent until proven otherwise. They just think the guy in the ball hat and the T-shirt over the thermal has got it, whether he's got it or not. For buzzy first films by a white male, the trajectory is a 90-degree angle. For us, it's a 30-degree angle. — Dee Rees

Winston knew better than to give a heartfelt synopsis of a grainy black-and-white film that had inadvertently touched his heart and caused him to empathize with a loafer-shod French boy, Doinel, the young, unloved Parisian, running toward the sea in the last reel. Winston had wanted to chase behind him, clasp him on the shoulder ... — Paul Beatty

I am just pitifully nostalgic. I can't help but roll my eyes at myself frequently. I mean, I still shoot black-and-white film. And I am constantly reminiscing about the 'good old days.' I'm 28 years old. There haven't even been that many 'good old days.' But still, I love to look back. — Chris Lowell

I watched him walk behind the bamboo bars. Black stripes and sunlit white fur flashed through the slits in the dark bamboo; it was like watching the slow-down reels of an old black-and-white film. He was walking in the same line, again and again - from one end of the bamboo bars to the other, then turning around and repeating it over, at exactly the same pace, like a thing under a spell. He was hypnotizing himself by walking like this - that was the only way he could tolerate this cage — Aravind Adiga

Up until the middle to late '60s, it was a choice to film in black-and-white or color. But then television became so vital to a film's finance, and television won't show black-and-white. So that killed it off, really. — John Boorman

It was 100 feet of 16 mm black-and-white film of a car coming to a stop sign, and driving off. I had to decide how to frame and light it. It was magic. There was a sense of mystery. — Conrad Hall

I like making black and white films in natural surroundings, but I much prefer shooting a color film inside a studio where the colors are easier to control. — Claude Chabrol

The more film I watch, the more John Ford looks like a giant. His politics aren't so good, and you have to learn to accept John Wayne as an actor, but he's a poet in black and white. — Jonathan Lethem

The Joke...Audience as reflexive cast; 35 mm. X2 cameras;variable length; black and white, silent. Parody of Hollis Frampton's 'audience-specific events,' two Ikegami EC-35 video cameras in theater record the film's audience and project the resultant raster onto screen - the theater audience watching itself watch itself get the obvious 'joke' and become increasingly self-conscious and uncomfortable and hostile supposedly comprises the film's involuted 'antinarrative' flow. Incandenza's first truly controversial project, Film & Kartridge Kulcher's Sperber credited it with 'unwittingly sounding the death-knell of post-postsctructural film in terms of sheer annoyance. — David Foster Wallace

'The Butler' has virtually nothing in common with its source material, the life of White House butler Gene Allen, except for the fact that the main character of the film and Allen were both black butlers in the White House. — Ben Shapiro

My first film goes into production in October. It's called White Boy Shuffle and it's based on a novel about a young black kid and it's sort of reminiscent of Catcher in the Rye. — Ryan Phillippe

The whole series is black-and-white, so when I went to shoot one of the women I only had black-and-white film with me. She had reddish hair and was a very pretty girl, a nice girl. — Helmut Newton

I like black and white films. I don't exactly know why - probably because there is a stylization which is removed from actual life, unlike a color film. — Norman McLaren

I did a dance sequence in my second short film, which was my best short film, called 'Hairway to the Stars,' and I think Chris Wink, the founder of Blue Man Group, was in that. It's a black-and-white dance sequence. We were Glorious Food waiters together. — David O. Russell

White people found that freedom was indeed indivisible. We had kept saying in the dark days of apartheid's oppression that white South Africans would never be truly free until we blacks were free as well. Many thought it was just another Tutu slogan, irresponsible as all his others had been. Today they were experiencing it as a reality. I used to refer to an intriguing old film The Defiant Ones, in which Sidney Poitier was one of the stars. Two convicts escape from a chain gang. They are manacled together, the one white, the other black. They fall into a ditch with slippery sides. The one convict claws his way nearly to the top and out of the ditch but cannot make it because he is bound to his mate, who has been left at the bottom in the ditch. The only way they can make it is together as they strive up and up and up together and eventually make their way over the side wall and out. — Desmond Tutu

The thing about '48 Hrs.' that really isn't thought about much is that's the first film where the black and the white criticize each other. — Nick Nolte

A film like 'Good Night And Good Luck,' you make that for $7 million because you know it's a black-and-white film, and it's not an easy sell. If you make it for $7 million, then everybody can have a chance to make a little bit of money, and you get to make the film you want to make. — Grant Heslov

I thought 'The Artist' was a perfect way to find a good balance. The artistic challenge is obvious because the film is black-and-white and its silent, but I did my best to make the movie accessible and easy to watch. I really don't want to make elitist movies. I really try hard to work for the audience. Audiences are smart. They get everything. — Michel Hazanavicius

I managed to get a short film with Channel 4 Films. I cast a young actor who'd done a bit of television before, a young actor called Ewan McGregor. That was very first thing. This writer had won this competition, and I made this little short, black and white movie. I think for both Ewan and I it was the start of our careers. — Justin Chadwick

Black and white are the most ravishing colors of all in film. — Penelope Gilliatt

When I photographed Marilyn Monroe, I mixed up my cameras - one had black-and-white film, the other color. I took many pictures. Only two color ones came out all right. My favorite picture of Marilyn hangs always on the wall in my office. It was taken on the little patio of her Hollywood house. — Alfred Eisenstaedt

There's a thing I really mind hearing, when someone says: "That's not my kind of film, I don't want to go and see that ... " I don't believe that, I don't believe that it's possible to write off a whole genre of filmmaking - "oh I don't like subtitled films", or "I don't like black and white films", or I don't like films made before or after, a certain date" - I don't believe that. — Tilda Swinton

You and I are black and white - a film noir, filled with gestures, poignant and tender — John Geddes

Here's the thing. We do a movie with a predominantly black cast, and it's put in a category of being a black film. When other movies are done with a predominantly white cast, we don't call them a white film. I'm trying to remove the stigma off things they call black films. — Kevin Hart

I made this movie for $40,000, which was this little black-and-white horror film called Dementia 13, which we made in about nine days. — Francis Ford Coppola

Full-color images lack the poignancy of monochrome ... Black-and-white film inherently peels off interesting images from the world; it sees things we do not see, and thus insists on the existence of a phantom presence within reality, a world we cannot perceive. — Peter C Bunnell

I've been fascinated by the Internet from the very start. In 2001, I had made a funny black-and-white film called 'How to Dance Properly,' a short video of me dancing to a Madonna song. I sent it to 17 of my friends on a Thursday, and by Monday, one million people a day were logging on to view it. — Ze Frank

The TV shouted an old black-and-white film he didn't recognize, wheelchairs facing it like church pews. — Sere Prince Halverson

Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature. CD distortion, the jitteriness of digital video, the crap sound of 8-bit - all of these will be cherished and emulated as soon as they can be avoided. It's the sound of failure: so much modern art is the sound of things going out of control, of a medium pushing to its limits and breaking apart. The distorted guitar sound is the sound of something too loud for the medium supposed to carry it. The blues singer with the cracked voice is the sound of an emotional cry too powerful for the throat that releases it. The excitement of grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to record them. — Brian Eno

It will be difficult if people can't get past their prejudices; I don't mean Black and White; I mean people automatically assume because a film has a predominantly Black cast, that it is a particular quality of film. — Romany Malco

The resistance to [black-and-white] is huge, in the way that you have to sell the film. It's difficult to distribute around the world. — John Boorman

Harvey Weinstein bought our film, and he's an animal. He's got us out there campaigning and everything because honestly it's a silent black-and-white film. — Penelope Ann Miller

When you look at Darling and the Oscars, it has to be luck. It was a black and white film and it was the last time that there was a black and white Oscar. — Julie Harris

They came there regularly every evening drawn by some need. It was as if the water floated off and set sailing thoughts which had grown stagnant on dry land, and gave to their bodies even some sort of physical relief. First, the pulse of colour flooded the bay with blue, and the heart expanded with it and the body swam, only the next instant to be checked and chilled by the prickly blackness on the ruffled waves. Then, up behind the great black rock, almost every evening spurted irregularly, so that one had to watch for it and it was a delight when it came, a fountain of white water; and then while one waited for that, one watched, on the pale semicircular beach, wave after wave shedding again and again smoothly, a film of mother-of-pearl. — Virginia Woolf

I am grateful for what I call well-spent moments: Making a tuna fish sandwich with the works. Taking at least a half hour to eat it outside. Ironing my vintage tea towels while watching old black-and-white film noir movies and sipping one martini with extra olives - a quirky combination, but it works. — Sarah Ban Breathnach