Black And White Colored Quotes & Sayings

I like everything about you, honey. Everything. Lived in black and white seems like all my life. Never noticed. Not until you colored my world — Kristen Ashley

That year, and every year, it seemed, we began by studying the Revolutionary War. We were taken in school buses on field trips to visit Plymouth Rock, and to walk the Freedom Trail, and to climb to the top of the Bunker Hill Monument. We made dioramas out of colored construction paper depicting George Washington crossing the choppy waters of the Delaware River, and we made puppets of King George wearing white tights and a black bow in his hair. During tests we were given blank maps of the thirteen colonies, and asked to fill in names, dates, capitals. I could do it with my eyes closed. — Jhumpa Lahiri

There were colored and white waiting rooms everywhere, from doctor's offices to the bus stations, as people may already know. But there were actually colored windows at the post office in, for example, Pensacola, Florida. And there were white and colored telephone booths in Oklahoma. And there were separate windows where white people and black people would go to get their license plates in Indianola, Mississippi. And there were even separate tellers to make your deposits at the First National Bank in Atlanta. — Isabel Wilkerson

Debt Chauffeur, that's my name for him now, wants to marry me. He asked me down on bended knee, and I would have been honored - except he wants us to live in London, and he wants me to live white. I crowed at that. I laughed so hard and not a tear came. He couldn't understand it. I don't often think on how white I look; it's always been a question of how colored I feel, and I feel plenty colored. He said that no one in London will know that I'm supposed to be colored. And I said I am colored, colored black, the way I talk, the way I cook, the way I do most everything, and he said but you don't have to be. — Alice Randall

When I'm born I'm black, when I grow up I'm black, when I'm in the sun I'm black, when I'm sick I'm black, when I die I'm black, and you ... when you're born you're pink, when you grow up you're white, when you're cold you're blue, when you're sick you're blue, when you die you're green and you dare call me colored — Oglala Lakota

Lawrence's suggestion for a starter wardrobe: a black dress, a fitted black jacket, black pants, a black skirt, a camel-colored skirt, a white blouse, a trendy-looking cardigan in a color (red could be good, for instance), several cool, inexpensive blouses (from places such as H&M or Zara) that pick up or work with the color of the cardigan and will go with your pants and skirts. For shoes, go for black heels and a pair of colored ones (they will make one of your all-black outfits look totally fab). Then build from there. — Kate White

What does a victorious or defeated black woman's body in a historically white space look like? Serena and her big sister Venus Williams brought to mind Zora Neale Hurston's "I feel most colored when I am thrown against a sharp white background." This appropriated line, stenciled on canvas by Glenn Ligon, who used plastic letter stencils, smudging oil sticks, and graphite to transform the words into abstractions, seemed to be ad copy for some aspect of life for all black bodies. — Claudia Rankine

No matter what we may think and say of Germany, by singular paradox the race-religion which Germany has suddenly thrust to the front, is but an interpretation of what America and Europe have practiced against the colored peoples of the world. No matter who wins this war it is going to end with the question of the equal humanity of black, brown, yellow and white people, thrust firmly to the front. Is this a world where its peoples in mutual helpfulness and mutual respect can live and work; or will it be a world in the future as in the past, where white Europe and white America must rule "niggers"? The problem of the reconstruction of the United States, 1876, is the problem of the reconstruction of the world in 1943. — W.E.B. Du Bois

Bekka treated her role has Frankenstein's bride more like an audition to be Brett's bride. Every part of her body had been colored bright kelly green - even parts that her mother had stressed were 'not to be seen by anyone except God and the inside of a toilet bowl.' Instead of wearing a wig, Bekka had teased and then shellacked her own hair into a windblown cone and she'd used female-mustache bleach to create white streaks. Her seams, made of real suture thread, had been attached to her neck and wrists with clear double-sided costume tape because drawing them on with kohl would not have been 'honoring the character.' Her Costume Castle dress had been exchanged for something 'more authentic' from the Bridal Barn. If Brett didn't see his future in her heavily black-shadowed eyes tonight, he never would. Or so she believed. — Lisi Harrison

inequality and commitment to its end alongside almost total lack of awareness of the meanings of whiteness-and it is, it is one that many whites live with every day, with no discomfort.
It was only when I stopped being white, in some sense, that I began to understand what whiteness means in America. Under South African apartheid, the white partner of a black person was reclassified as "colored": legally, in other words, there was no such thing as a white/black marriage. Although we do not live under apartheid, a de facto reclassification happens here, too, I — Maureen T. Reddy

Anything that could be conceived of that would separate black people from white people was devised and codified by someone in some state in the South. There were colored and White waiting rooms everywhere, from doctor's offices to the bus stations, as people may already know. — Isabel Wilkerson

Her entire life, she'd been told sin was wrong, a black and white interpretation of what is evil and what is holy in the world - colored like a priest's robe and collar - but she never believed it to be true. Sin was colorful: scarlet like rose blood, azure like skin deprived oxygen, violet as bruises, jade as rot; a colorful contradiction to the darkness and blinding light all are taught sin and holiness to be. — Madi Merek

I've played 'The Wizard of Oz' for my kids, but by today's standards, it seems really long. I don't know if there's enough action in it for them. And there's the whole black-and-white sequence in the beginning where she's on a farm. It takes a while to get to the colored part, and then it gets more exciting, and things start to happen. — Corin Tucker

Lying in bed would be an altogether perfect and supreme experience if only one had a colored pencil long enough to draw on the ceiling. This, however, is not generally a part of the domestic apparatus on the premises. I think myself that the thing might be managed with several pails of Aspinall and a broom. Only if one worked in a really sweeping and masterly way, and laid on the color in great washes, it might drip down again on one's face in floods of rich and mingled color like some strange fairy rain; and that would have its disadvantages. I am afraid it would be necessary to stick to black and white in this form of artistic composition. To that purpose, indeed, the white ceiling would be of the greatest possible use; in fact, it is the only use I think of a white ceiling being put to. — G.K. Chesterton

She trained the girls in her Girl Scout troop to believe that they could be anything, and she went to lengths to prevent negative stereotypes of their race from shaping their internal views of themselves and other Negroes. It was difficult enough to rise above the silent reminders of Colored signs on the bathroom doors and cafeteria tables. But to be confronted with the prejudice so blatantly, there in that temple to intellectual excellence and rational thought, by something so mundane, so ridiculous, so universal as having to go to the bathroom...In the moment when the white women laughed at her, Mary had been demoted from professional mathematician to a second-class human being, reminded that she was a black girl whose piss wasn't good enough for the white pot. — Margot Lee Shetterly

Ii do not walk with alienation everywhere I go in the world. I have been to small taverns in rural Ohio, big city bars, San Francisco bath houses, and in all these have felt welcome and happy. But walking through that sunglassed throng, I felt like a Martian. I didn't hate the feeling - indeed, being a black woman in the academy, it wasn't new to me - but it was interesting. I kept wondering: where is the performance? When will the performance start? Is this the performance - me walking through this space without sunglasses with all these Nordic quasi-hipster white people in multi-colored, motorcycle cop sunglasses? — Gabrielle Civil

I know I grew up in the time when a young man in a baggy suit and slicked-down hair stood spraddle-legged in the crossroads of history and talked hot and mean about the colored, giving my poor and desperate people a reason to feel superior to somebody, to anybody. I know that even as the words of George Wallace rang through my Alabama, the black family who lived down the dirt road from our house sent fresh-picked corn and other food to the poor white lady and her three sons, because they knew their daddy had run off, because hungry does not have a color. — Rick Bragg

I was distracted by the secrets of a new world. In the silence, broken only by the exaggerated oosh shoo of my own breath, I watched shoals of tiny iridescent fish, and larger black-and-white fish, that stared at me with blank, inquisitive faces, and gently swaying anemones filtering the gentle currents of their tiny, unseen haul. I saw distant landscapes twice as brightly colored and varied as they were above land. I saw caves and hollows where unknown creatures lurked, distant shapes that shimmered in the rays of the sun. — Jojo Moyes

My basics are black, white, or neutral, and I'll wear a ton of jewelry or carry a brightly colored bag. — Rachel Zoe

Happy is a poor word for someone who's trying to live a rainbow-colored life in a black-and-white world. — Kate Bornstein

The day Stamp Paid saw the two backs through the window and then hurried down the steps, he believed the undecipherable language clamoring around the house was the mumbling of the black and angry dead. Very few had died in bed, like Baby Suggs, and none that he knew of, including Baby, had lived a livable life. Even the educated colored: the long-school people, the doctors, the teachers, the paper-writers and businessmen had a hard row to hoe. In addition to having to use their heads to get ahead, they had the weight of the whole race sitting there. You needed two heads for that. Whitepeople believed that whatever the manners, under every dark skin was a jungle. Swift unnavigable waters, swinging screaming baboons, sleeping snakes, red gums ready for their sweet white blood. — Toni Morrison

The story describes an incident during the trial of a black schoolteacher accused of disposing of a mule on which there was a mortgage. A defense witness, who was colored but looked white, took the stand and was being sworn in when the judge told the sheriff the man had been given the wrong Bible. — Isabel Wilkerson

Imagine a morning in late November. A coming of winter morning more than twenty years ago. Consider the kitchen of a spreading old house in a country town. A great black stove is its main feature; but there is also a big round table and a fireplace with two rocking chairs placed in front of it. Just today the fireplace commenced its seasonal roar. A woman with shorn white hair is standing at the kitchen window. She is wearing tennis shoes and a shapeless gray sweater over a summery calico dress. She is small and sprightly, like a bantam hen; but, due to a long youthful illness, her shoulders are pitifully hunched. Her face is remarkable - not unlike Lincoln's, craggy like that, and tinted by sun and wind; but it is delicate, too, finely boned, and her eyes are sherry-colored and timid. "Oh my," she exclaims, her breath smoking the windowpane, "it's fruitcake weather! — Truman Capote

Colored people don't like Little Black Sambo. Burn it. White people don't feel good about Uncle Tom's Cabin. Burn it. Someone's written a book on tobacco and cancer of the lungs? The cigarette people are weeping? Burn the book. Serenity, Montag. Peace, Montag. Take your fight outside. Better yet, into the incinerator. Funerals are unhappy and pagan? Eliminate them, too. Five minutes after a person is dead he's on his way to the Big Flue, the Incinerators serviced by helicopters all over the country. — Ray Bradbury

Do you want to know why I don't like the so-called connoisseurs of arts? I hate hypocrisy. I'll give you an example: if the movie is colored and tells us about two friends who sit in the pool, fart into the water, get out of the pool and fart into each other's face it will be thrash, a lack of a culture and a third-rate comedy. But if the movie is black-and-white and tells us about two friends who cross the desert and peeing on each other, shit on the sand, and then they eat each other's shit, and on top of that they fucking each other's ass it will be a brilliant art house movie. — Ilze Falb

Then it occurred to her (Elizabeth Keckley) that if Tad (Lincoln's son) had been a colored boy rather than the son of a president, and a teacher had found him so difficult to instruct, he would have been ridiculed as a dunce and held up as evidence of the inferiority of the entire race. Tad was bright; Elizabeth knew that well, and she was sure that with proper instruction and hard work, a glimmer of his father's genius would show in him too. But Elizabeth knew many black boys Tad's age who could read and write beautifully, and yet the myth of inferiority persisted. The unfairness of the assumptions stung. If a white child appeared dull, the entire race was deemed unintelligent. It seemed to Elizabeth that if one race should not judged by a single example, then neither should any other. — Jennifer Chiaverini

He was experiencing the aural equivalent of looking at a picture of two black silhouetted faces and suddenly seeing it as a picture of a white candlestick. Or of looking at a lot of colored dots on a piece of paper which suddenly resolve themselves into the figure six and mean that your optician is going to charge you a lot of money for a new pair of glasses. — Douglas Adams

Major mutations or changes took place among the descendants of Japheth. This is obvious because of their white skin. In other words, they were black at one time but their skin changed to white. This phenomenon can be understood in view of the total world population. Over two-thirds of the population of the world consists of colored people. That is a ratio of 2-1. Two out of Noah's three sons remained black. We know this to be true because many of the people throughout Africa, Asia, Latin America, and the islands in the Pacific Ocean are yellow, brown or, black. — Rudolph R. Windsor

When now we turn and look five miles above, there on the edge of town are five houses of prostitutes, - two of blacks and three of whites; and in one of the houses of the whites a worthless black boy was harbored too openly two years ago; so he was hanged for rape. And here, too, is the high whitewashed fence of the "stockade," as the county prison is called; the white folks say it is ever full of black criminals, - the black folks say that only colored boys are sent to jail, and they not because they are guilty, but because the State needs criminals to eke out its income by their forced labor. — W.E.B. Du Bois

For the middle majority of us all, knowledge of Negroes firsthand is probably limited - limited to the colored cleaning woman, who comes twice a week, limited to the colored baseball player who saves or loses a home game, limited to the garage mechanic, or dime-store clerk, or blues singer seen and heard on a Saturday night. To this white majority, the black man is as unknown as once was the heart of the Dark Continent of Africa. — Irving Wallace

All hair is away from the face - there's no emotion and all of the personality is taken away. I envisioned the way a 'virtual girl' is drawn in a cartoon. Then I added these different colored extensions - white, red and black, which adds to the synthetic feeling of the hair. I used colors which looked most dramatic against each of the models' real hair. The different colors give you that pop of fakeness so we're not talking about reality. Like a futuristic princess. — Guido Palau