Bilbao Quotes & Sayings

Museum architectural search committees have invariably included the Kimbell in their international scouting tours of exemplary art galleries (a practice pioneered by Velma Kimbell, the founder's widow, in 1964). Those groups no doubt respond to the Kimbell with suitable reverence, but given the buildings they later commissioned, many post-Bilbao museum patrons obviously wanted something quite different. The disparity between Kahn's museums and recent examples of that genre parallels the discrepancy he saw between postwar Modernism and ancient Classicism: "Our stuff looks tinny compared to it." At a time when commercial values are systematically corrupting the museum - one of civilized society's most elevating experiences - the example of Kahn, among the most courageous and successful architectural reformers of all time, seems more relevant and cautionary than ever. — Martin Filler

The Guggenheim Museum Bilbao looks like a great adventure. — Eduardo Chillida

I think I knew from the first moment I met her, she would be the one to replace me. I didn't think it would happen that fast, but it did. — Megan Duke

Against expectations I was charmed by Gehry's Edgemar development, which housed the Santa Monica Museum of Art, and positively awed by the Bilbao Guggenheim. That Gehry is a great artist I have no doubt, but talent and determination are no warrant against confusion, nor are they a guaranty to produce great art. — Leon Krier

I walked all around it [the Guggenheim Bilbao] and couldn't find one clear, clean shot. To make things worse, the weather was lousy. Nothing about this rang commercial money shot. In a situation like this there's only one thing to do: forget about pleasing editors, please yourself. — Robert Polidori

When I looked at you, my life made sense. Even the bad things made sense. They were necessary to make you possible. — Jonathan Safran Foer

Bilbao opened in 1997. It was only ten years later that I was asked to do another museum. A lot of other people got work because of Bilbao. — Frank Gehry

People didn't fight for grand causes or great purposes, but for the closest and most personal of reasons. They might say the fought for high ideals, but in practice they fought for the comrades beside them and their loved ones at home. — Jack Campbell

NEW YORK Climate change is likely to exact enormous costs on U.S. regional economies in the form of lost property, reduced industrial output and more deaths, according to a report backed by three men with vast business experience. The report, released Tuesday, is designed to persuade businesses to factor in the cost of climate change in their long-term decisions and to push for reductions in emissions blamed for heating the planet. It was commissioned by the Risky Business Project, which describes itself as nonpartisan and is chaired by former New York City Mayor Michael R. Bloomberg, former Treasury Secretary Henry M. Paulson Jr. and Thomas F. Steyer, a former Bay Area hedge fund manager. — Anonymous

You see, as far as the man's personality goes, there's no one who can touch Fred Astaire. He's unique. — Donald O'Connor

I think people care. If not, why do so many people spend money going on vacations to see architecture? They go to the Parthenon, to Chartres, to the Sydney Opera House. They go to Bilbao ... Something compels them, and yet we live surrounded by everything but great architecture. — Frank Gehry

I do quite like Gehry's Guggenheim. But where in Bilbao it's seen as an outgrowth of years of investment in urban design and engineering, in Britain it's seen as the catalyst for urban regeneration rather than the icing on the cake. — David Chipperfield

Twenty minutes later, I walk out of Melinda's hotel with a plate of finger sandwiches, a bag of prostitute clothes, and a weird wedge on my head that makes me look like you could tip me upside down and fill it with cream of mushroom.
I need another donut. — Cyn Balog

No night is long enough for us to dream twice. — Mahmoud Darwish

In 1967, the students at San Francisco State invited the poet Amiri Baraka to the campus for a semester. He attracted other influential black writers such as Sonia Sanchez, Ed Bullins, Eldridge Cleaver. What emerged was something we called the community communications program. That's how I got involved; I got involved in a little play. — Danny Glover