Biellmann Spin Quotes & Sayings
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Top Biellmann Spin Quotes

I'm getting to a point in my life where my whole attitude about the relationship between myself and the audience is totally different. — Adrian Tomine

Backbends are not poses meant for expressionism. Backbends are meant to understand the back parts of our bodies. The front body can be seen with the eyes, but the back body can only be felt. That's why I say these are the most advanced postures, where the mind begins to look at the back. — B.K.S. Iyengar

But I can't make up my mind yet which to marry," wrote Phil. "I do wish you had come with me to decide for me. Some one will have to. When I saw Alec my heart gave a great thump and I thought, 'He might be the right one.' And then, when Alonzo came, thump went my heart again. So that's no guide, though it should be, according to all the novels I've ever read. Now, Anne, YOUR heart wouldn't thump for anybody but the genuine Prince Charming, would it? There must be something radically wrong with mine. But I'm having a perfectly gorgeous time. How I wish you were here! — L.M. Montgomery

It's funny the ways we try to punish ourselves when we feel we've committed some crime. — Deb Caletti

The man who says, 'my country right or wrong' is like the man who says, 'my mother drunk or sober' — Gilbert K. Chesterton

What do news services get rated on anyhow, how many times they can use the word fear? — Teri Louise Kelly

Autobiographical comics, I love them. I love them. — Alison Bechdel

Make every thought, every fact, that comes into your mind pay you a profit. Make it work and produce for you. Think of things not as they are but as they might be. Don't merely dream - but create! — Robert Collier

As long as there is insistence of the truth, one cannot know the Vitarag Lord [the enlightened one]. — Dada Bhagwan

You cannot entirely control your subconscious mind, but you can voluntarily hand over to it any plan, desire, or purpose which you wish transformed into concrete form. — Napoleon Hill

Our favorite film is Vertigo. Amy Eleni and I must watch it seventeen or eighteen times a year, and with each viewing our raptness grows looser and looser; we don't need the visuals anymore
one or the other of us can go into the kitchen halfway through and call out the dialogue while making up two cups of Horlicks. From the minute you see empty, beautiful, blond Madeleine Elster, you know she is doomed because she exists in a way that Scottie, the male lead, just doesn't. You know that Madeleine is in big trouble, because she's a vast wound in a landscape where wounds aren't allowed to stay open
people have to shut up and heal up. She's in trouble because the film works to a plan that makes trauma speak itself out, speak itself to excess until it dies; this film at the peak of its slyness, when people sweat and lick their lips excessively and pound their chests and grab their hair and twist their heads from side to side, performing this unspeakable torment. — Helen Oyeyemi

What man ever blamed himself for his misfortune? — William Graham Sumner