Between Light And Dark Quotes & Sayings

A red-gold glow burst suddenly across the enchanted sky above them as an edge of dazzling sun appeared over the sill of the nearest window. The light hit both of their faces at the same time, so that Voldemort's was suddenly a flaming blur. Harry heard the high voice shriek as he too yelled his best hope to the heavens, pointing Draco's wand:
"Avada Kedavra!"
"Expelliarmus!"
The bang was like a cannon blast, and the golden flames that erupted between them, at the dead center of the circle they had been treading, marked the point where the spells collided. Harry saw Voldemort's green jet meet his own spell, saw the Elder Wand fly high, dark against the sunrise, spinning across the enchanted ceiling, spinning through the air toward the master it would not kill, who had come to take full possession of it at last. — J.K. Rowling

It was the face that disturbed me. The artist had lit it in such a way that it appeared very strong, actually, to my mind, brutal. The nose was long and thin, the full underlip protruberant [sic], and the blue eyes icy cold. There was a great deal of pride in his look - more than pride, arrogance, rather. I wondered if it were only animals he had hunted with that gun.
Yet there was no doubt that the face was well done. The contrast between light and dark was evidence enough of the artist's skill. The man, I thought, must have actually been proud of the insolence and brutality which I saw in his face. Otherwise he would never have let the artist depict so clearly those aspects of his character. — Barbara Cohen

If the hand be held between the discharge-tube and the screen, the darker shadow of the bones is seen within the slightly dark shadow-image of the hand itself ... For brevity's sake I shall use the expression 'rays'; and to distinguish them from others of this name I shall call them 'X-rays'. — Wilhelm Conrad Rontgen

Live the light, love the dark and embrace everything in between. — Sheila Renee Parker

A high-pitched sound, like steam escaping from a kettle whistles through the dark room. But nobody's making tea. We both turn toward the source of the eerie noise.
A weak stream of unearthly light seeps through the window near the corner of the room and pours onto the floor. Its consistency seems to lie somewhere between a liquid and a solid, like mercury, only blue. Out of the gleaming, wobbly puddle, a phosphorescent vapor rises up. The ghost we thought was Daniel materializes and looms over us for two seconds before he lunges and wraps his hands around Wyatt's neck. — Alyson Larrabee

Bridgewater Hall
Again, the endless northern rain between us
like a veil. Tonight, I know exactly where you are,
which row, which seat. I stand at my back door.
The light pollution blindfolds every star.
I hold my hand out to the rain, simply to feel it, wet
and literal. It spills and tumbles in my palm,
a broken rosary. Devotion to you lets me see
the concert hall, lit up, the other side of town,
then see you leave there, one of hundreds in the dark,
your black umbrella raised. If rain were words, could talk,
somehow, against your skin, I'd say look up, let it utter
on your face. Now hear my love for you. Now walk. — Carol Ann Duffy

The seconds tick. They always do. The power of an entire sun cannot stop them even for a moment, and so death comes between the moments, like a thief of light in the dark. — Christopher Pike

Kneels? Falters? Look to the night sky, foolish man, and gauge the victor in the contest between Dark and Light. — Steven Erikson

Burr had the dark and severe coloring of his Edwards ancestry, with black hair receding from the forehead and dark brown, almost black, eyes that suggested a cross between an eagle and a raven. Hamilton had a light peaches and cream complexion with violet-blue eyes and auburn-red hair, all of which came together to suggest an animated beam of light to Burr's somewhat stationary shadow. — Joseph J. Ellis

I don't love you as if you were the salt-rose, topaz
or arrow of carnations that propagate fire:
I love you as certain dark things are loved,
secretly, between the shadow and the soul.
I love you as the plant that doesn't bloom and carries
hidden within itself the light of those flowers,
and thanks to your love, darkly in my body
lives the dense fragrance that rises from the earth.
I love you without knowing how, or when, or from where,
I love you simply, without problems or pride:
I love you in this way because I don't know any other way of loving
but this, in which there is no I or you,
so intimate that your hand upon my chest is my hand,
so intimate that when I fall asleep it is your eyes that close. — Pablo Neruda

Until the last light faded. Until the space between the tree branches and the branches themselves became the same dark thing. — Carol Rifka Brunt

Carnal apple, Woman filled, burning moon,
dark smell of seaweed, crush of mud and light,
what secret knowledge is clasped between your pillars?
What primal night does Man touch with his senses?
Ay, Love is a journey through waters and stars,
through suffocating air, sharp tempests of grain:
Love is a war of lightning,
and two bodies ruined by a single sweetness.
Kiss by kiss I cover your tiny infinity,
your margins, your rivers, your diminutive villages,
and a genital fire, transformed by delight,
slips through the narrow channels of blood
to precipitate a nocturnal carnation,
to be, and be nothing but light in the dark. — Pablo Neruda

Gregory was in the walls, in the crawl space between the board floor of the cabin and the bitter ground. He was gone, but he was everywhere. He was on the small pantry shelf where canning was removed. The air of the cabin still held Gregory. He filled and expanded every dark corner, tight, to exploding. He was jammed between her legs so that no matter how she moved, he was inside of Agnes. She couldn't shake him from her vestments or burn him from the stove. He nested in the books, of course. She couldn't stand to touch their pages. He was in the sweet, fragrant wood Mary Kashpaw chopped, split, and piled. In the cloth of curtains, the clasp of doors, he waited. She turned the handle, let the light in, and he came, too, solid and good and alive. — Louise Erdrich

The chief concern of the French Impressionists was the discovery of balance between light and dark. — Stephen Gardiner

Just as the spectrums of light and sound are far broader than what we humans can see and hear, so the spectrum of mental states is far larger than what the average human perceives. We can see light in wavelengths of between 400 and 700 nanometres only. Above this small principality of human vision extend the unseen but vast realms of infrared, microwaves and radio waves, and below it lie the dark dominions of ultraviolet, X-rays and gamma rays. Similarly, the spectrum of possible mental states may be infinite, but science has studied only two tiny sections of it: the sub-normative and the WEIRD. For — Yuval Noah Harari

Mappo frowned. 'I have not heard that phrase before. Lost Elementals?'
'Scholars tend to acknowledge but four, generally: water, fire, earth and air; yet others exist. ( ... ) Life, death, dark, light, shadow ... possibly, but even that seems a truncated selection. What of, for example, time? Past, present, future? What of desire, and deed? Sound, silence? Or are the latter two but minor aspects of air? Does time belong to light? Or is it but a point somewhere between light and dark, yet distinct from shadow? What of faith and denial? Can you now understand, Mappo, the potential complexity of relationships?'
'Assuming they exist at all, beyond the notion of concepts.'
'Granted. Yet, maybe concepts are all that's needed, if the purpose of the elements is to give shape and meaning to all that surrounds us on the outside, and all that guides us from within. — Steven Erikson

Left alone, I am overtaken by the northern void-no wind, no cloud, no track, no bird, only the crystal crescents between peaks, the ringing monuments of rock that, freed from the talons of ice and snow, thrust an implacable being into the blue. In the early light, the rock shadows on the snow are sharp; in the tension between light and dark is the power of the universe. This stillness to which all returns, this is reality, and soul and sanity have no more meaning than a gust of snow; such transience and insignificance are exalting, terrifying, all at once ... Snow mountains, more than sea or sky, serve as a mirror to one's own true being, utterly still, utterly clear, a void, an Emptiness without life or sound that carries in Itself all life, all sound. — Peter Matthiessen

Those small spaces of time, too soon gone, when everything seems to stand still, and existence is balanced on a perfect point, like the moment of change between the dark and the light, when both and neither surround you. — Diana Gabaldon

Forget the buildings and the monuments. Let the softness of dark come in, all those light-years between stars and planets. Cities were the works of men but the earth before and after those cities, outside and beneath and around them, was the dream of a sleeping leviathan--it was god sleeping there and dreaming, the same god that was time and transfiguration. From whatever dreamed the dream at the source, atom or energy, flowed all the miracles of evolution--tiger, tiger burning bright, the massive whales in the deep, luminescent specters in their mystery. The pearls that were their eyes, their tongues that were wet leaves, their bodies that were the bodies of the fantastic.

Spectacular bestiaries of heaven, the limbs and tails of the gentle and the fearsome, silent or raging at will . . . they could never be known in every detail and they never should be. — Lydia Millet

San Francisco is a breathtakingly beautiful city, with lots of great contrasts between dark and light, often overlapping each other. It's a great setting for a horror story. — Christopher Moore

The night I left home I felt that I had been tricked or trapped into going - and not even by Mrs Winterson, but by the dark narrative of our life together.
Her fatalism was so powerful. She was her own black hole that pulled in all the light. She was made of dark matter and her force was invisible unseen except in its effects.
What would it have meant to be happy? What would it have meant if things had been bright, clear, good between us? — Jeanette Winterson

He felt a little queasy, and more than a little light-headed. More and more, he felt the disorientation, the fragmenting of himself between day and night. By day, he was a creature of the mind alone, as he escaped his damp immobility by a stubborn, disciplined retreat into the avenues of thought and meditation, seeking refuge in the pages of books. But with the rising of the moon, all sense fled, succumbing at once to sensation, as he emerged into the fresh air like a beast from its lair, to run the dark hills beneath the stars, and hunt, driven by hunger, drunk with blood and moonlight. — Diana Gabaldon

Life was made up of moments, big ones and little, the good and bad, dark and light. We never remembered the gray, the times in between, but instead only the moments that had the ability to transform us in some way, affect us so completely that the memory would be forever etched upon who we were, who we are, and who we would become. — Madeline Sheehan

And just as he had tried, on the southern beach, to find again that unique rounded black pebble with the regular little white belt, which she had happened to show him on the eve of their last ramble, so now he did his best to look up all the roadside items that retained her exclamation mark: the special profile of a cliff, a hut roofed with a layer of silvery-gray scales, a black fir tree and a footbridge over a white torrent, and something which one might be inclined to regard as a kind of fatidic prefiguration: the radial span of a spider's web between two telegraph wires that were beaded with droplets of mist. She accompanied him: her little boots stepped rapidly, and her hands never stopped moving, moving - to pluck a leaf from a bush or stroke a rock wall in passing - light, laughing hands that knew no repose. He saw her small face with its dense dark freckles, and her wide eyes, whose pale greenish hue was that of the shards of glass licked smooth by the sea waves. — Vladimir Nabokov

They're the strongest creatures I know and they'd make a formidable ally in the coming war. Perhaps ... just perhaps, Thirrin could make a friend of them and bring them into the struggle. If anyone can do it, she can. She could make peace between night and day, between dark and light if she wanted. — Stuart Hill

It was by this time about nine in the morning, and the first fog of the season. A great chocolate-colored pall lowered over heaven, but the wind was continually charging and routing these embattled vapors; so that as the cab crawled from street to street, Mr. Utterson beheld a marvelous number of degrees and hues of twilight; for here it would be dark like the black end of evening; and there would be a glow of a rich, lurid brown, like the light of some strange conflagration; and here for a moment, the fog would be quite broken up and a haggard shaft of daylight would glance in between the swirling wreaths. The dismal quarter of Soho seen under these changing glimpses, with its muddy ways, and slatternly passengers, and its lamps, which had never been extinguished or had been kindled afresh to combat this mournful reinvasion of darkness, seemed, in the lawyer's eyes, like a district of some city in a nightmare. — Robert Louis Stevenson

She feels a splash of water on her hand and, turning, sees that the sky has become overcast with a blanket of ominous dark rose-colored cloud, and of a sudden the light fades from the lawn and the cedars.

Steerpike, who is on his way back to the Earl's bedroom, stops a moment at a staircase window to see the first decent of the rain. It is falling from the sky in long, upright, and seemingly motionless lines of rosy silver that stand rigidly upon the ground as though there were a million harp strings strung vertically between the solids of earth and sky. — Mervyn Peake

The world is constructed of pairs. The sky overhead and the depths of the earth. Light and dark. It originates from either end, and then wanders the gap between ... The land belongs to the sky, starting at the horizon. The sea would appear to be in between, but there is no sea without a bottom. As it is above the earth, it is within the sky's domain. Those which have life all arrive beneath the earth upon dying. Those which cannot be in the light all descend beneath the earth, all equal. Evil avoids light. Below the earth is darkness. Am I am its god. — Aki

Gloaming," Dad said. "What?" "That word I couldn't remember. Gloaming. That short, murky time between half-light and dark. — Laurie Halse Anderson

He stands in the kitchen doorway, a black figure surrounded by the yellow light background, the small details of his face unseen from the darkness of the living room. His left shoulder leans slightly against the threshold, a pistol suspended from the left hand, dangling in the yellow space between the hip and the dark. — Frank Turner Hollon

Sonnet XVII
I do not love you as if you were salt-rose, or topaz,
or the arrow of carnations the fire shoots off.
I love you as certain dark things are to be loved,
in secret, between the shadow and the soul.
I love you as the plant that never blooms
but carries in itself the light of hidden flowers;
thanks to your love a certain solid fragrance,
risen from the earth, lives darkly in my body.
I love you without knowing how, or when, or from where.
I love you straightforwardly, without complexities or pride;
so I love you because I know no other way than this:
where I does not exist, nor you,
so close that your hand on my chest is my hand,
so close that your eyes close as I fall asleep. — Pablo Neruda

XVII (I do not love you ... )
I love you as certain dark things are to be loved,
in secret, between the shadow and the soul.
I love you as the plant that never blooms
but carries in itself the light of hidden flowers;
thanks to your love a certain solid fragrance,
risen from the earth, lives darkly in my body.
I love you without knowing how, or when, or from where.
I love you straightforwardly, without complexities or pride;
so I love you because I know no other way — Pablo Neruda

I think the thing that impressed me the most was the Lunar's sunrises and sunsets. These in particular bring out the stark nature of the terrain ... The horizon here is very, very stark, the sky is pitch black and the earth, or the moon rather, excuse me, is quite light, and the contrast between the sky and the moon is a vivid dark line. — William Anders

That was the thing: Once, the difference between light and dark had been basic. One was good, one bad. Suddenly, though, things weren't so clear. The dark was still a mystery, something hidden, something to be scared of, but I'd come to fear the light, too. It was where everything was revealed, or seemed to be. Eyes closed, I saw only the blackness, reminding me of this one thing, the most deep of my secrets; eyes open, there was only the world that didn't know it, bright, inescapable, and somehow, still there. — Sarah Dessen

It was dark in the corridor; they were standing near a light. For a minute they looked silently at each other. Razumikhin remembered that minute all his life. Raskolnikov's burning and fixed look seemed to grow more intense every moment, penetrating his soul, his consciousness. All at once Razumikhin gave a start. Something strange seemed to pass between them . . . as if the hint of some idea, something horrible, hideous, flitted by and was suddenly understood on both sides . . . Razumikhin turned pale as a corpse.
"You understand now? — Fyodor Dostoyevsky

A breeze stirred Dovewing's pelt, as is someone had walked past. She lifted her head an saw two figures standing just beyond her Clanmates. One was a badger with a narrow, striped face, the other a grotesque, hairless cat who's blind, bulging eyes saw nothing but everything. They met her gaze and nodded, just once. "Thank you." Dovewing heard, quieter then a sigh.
"There will be three, kin of your kin, who will hold the power of the stars in their paws. They will find a fourth, and the battle between light and dark will be won. A new leader will rise fro the shadows. This s how it always has been, and always will be."
-Rock and Midnight, The Last Hope — Erin Hunter

Lying asleep between the strokes of night
I saw my love lean over my sad bed,
Pale as the duskiest lily's leaf or head,
Smooth-skinned and dark, with bare throat made to bite,
Too wan for blushing and too warm for white,
But perfect-coloured without white or red.
And her lips opened amorously, and said
I wist not what, saving one word
Delight.
And all her face was honey to my mouth,
And all her body pasture to my eyes;
The long lithe arms and hotter hands than fire,
The quivering flanks, hair smelling of the south,
The bright light feet, the splendid supple thighs
And glittering eyelids of my soul's desire. — Algernon Charles Swinburne

I thought the earth remembered me,
she took me back so tenderly,
arranging her dark skirts, her pockets
full of lichens and seeds.
I slept as never before, a stone on the river bed,
nothing between me and the white fire of the stars
but my thoughts, and they floated light as moths
among the branches of the perfect trees.
All night I heard the small kingdoms
breathing around me, the insects,
and the birds who do their work in the darkness.
All night I rose and fell, as if in water,
grappling with a luminous doom. By morning
I had vanished at least a dozen times
into something better. — Mary Oliver

There is only one time of absolute silence. Halfway between the dark of night and the light of morning, all animals and crickets and birds fall into a profound silence as if pressed quiet by the deep quality of the blackest time of night ... This silence is how I know it is not yet dawn, nor is it the middle of the night, but it is the place of no-time, when all things sleep most deeply, when their guard is dozing — Alexandra Fuller

Take us to the in-between,
Where earth meets sky, and wake meets dream.
And time rushes by, unseen.

Take us to the infinite night,
Where up is down, and left is right,
And dark vanquishes light. — S.L. Stacy

Outside, it was coming on night. Twilight. "The magic time," his daddy called it, "the make-a-wish moment between the dark and the light. — Deborah Johnson

Balance comes not only from the principal ability to discover equilibrium amid all the opposing forces of the universe, but also from the ability to recognize and harness them. The cosmos itself is a collection of all the forces that have ever existed throughout space and time. Light and dark, good and evil, the divine and the diabolical, sinner and saint, and every other set of conflicting energies that saturates the universe - these are the lifeblood that courses through us and animates our actions. It's the flow and even collision of these forces and energies that generates life itself. The history of human civilization is just another testament to this, depicting contrasts within humanity itself. For every Gandhi, there's a Hitler. For every movement bred in hate that grows and has an impact over time, there's a righteous one that counteracts and contrasts with it. It's his friction and subsequent balance between opposing forces that lays the foundation of our ongoing existence. — Deepak Chopra

For that is the meaning of a farewell in the full, important sense of the word: that the two people, because they part, come to an understanding of how they have seen and experienced each other. What succeeded between them and what failed. That takes fearlessness: you have to be able to endure the pain of dissonance. It is also about acknowledging what was impossible. Parting is also something you do with yourself: to stand by yourself under the look of the other. The cowardice of a farewell resides in the transfiguration: in the attempt to bathe what was in a golden light and deny the dark. What you forfeit in that is nothing less than the acknowledgement of your self in those features produced by darkness. — Pascal Mercier

You came back," He said, as if that were an answer.
They joined hands.
So the world ended.
And the next one began.
They were infinite.
They were the beginning and the ending; they were eternity.
The king standing before them gaped as the shield of flame died out to reveal Aelin and Dorian, hand in hand, glowing like newborn gods as their magic entwined.
"YOUR MINE," the man raged. He became darkness; folded himself into the powers he carried, as if he were nothing but malice on a dark wind.
He struck them, swallowed them.
But they held tighter to each other, past and present and future; flickering between an ancient hall in a mountain castle perched above Orynth, a bridge suspended between glass towers, and another place, perfect and strange, where they had been crafted from stardust and light.
A wall of night knocked them back. But they could not be contained.
The darkness paused for a breath.
They erupted. — Sarah J. Maas

I think 'Breaking Bad' is brilliant. Good drama in the U.S. is also so funny and blurs the line between light and dark. — Arthur Darvill

There were moments, of course. Those small spaces in time, too soon gone, when everything seems to stand still, and existence is balanced on a perfect point, like the moment of change between the dark and the light, and when both and neither surround you. — Diana Gabaldon

The most successful way to combat these dark clouds that come between the light of you and that which you love, is to feel that love itself will rescue you. — Frederick Lenz

This was how you wound up in the Inquisition. When you stopped being able to see any difference between Light Ones and Dark Ones. When for you, people weren't even a flock of sheep, but just a handful of spiders in a glass jar. When you stopped believing in the future, and all you wanted to do was preserve the status quo. For yourself. For those few individuals who were still dear to you. — Sergei Lukyanenko

Cause nobody's the slightest idea who we are, or who we were, not even we ourselves
- except, that is, in the glimmer of a moment of fair business between strangers, or the nod of knowing and agreement between friends.
Other than these, we go out anonymous into the insect air and all we are is the dust of colour, brief engineerings of wings towards a glint of light on a blade of grass or a leaf in a summer dark. — Ali Smith

They will find a fourth, and the battle between light and dark will be won. A new leader will rise from the shadows of his death, and the Clans will survive beyond the memories of his memories. This is how it has always been, and how it will always be. — Erin Hunter

Twilight, the only time of the day when the light and dark meet and become one. The bright powerful light of the day, calmly surrenders before the engulfing duskiness of the night. And the dense whelming darkness of the night yields before the surreal dawning saffron of the morning. The only two moments of the day that absolve the difference between 'dark and light'. (Page 71) — Neena Verma

I believe the night I've never met
hides one elusive star I need
to divide me between darkness and light — Munia Khan

There is a struggle inside you between these two parts. It's as if at times your heart becomes a battlefield! The secret part, full of light, seems so small and weak in the face of the discouraging and morbid part, which seems enormous and overwhelming. However, if you light a small candle in a dark room, everything is lit up. It is a matter of trusting in this little light in the deepest part of your being which can gradually chase away the darkness. — Jean Vanier

I believe I have already suggested that colour is the most obvious bridge between emotion and perception, that is, between subjective experience of the psyche and quality objective in nature. Both light up only between the extremes of light and darkness, and in their reciprocal interplay. Thus, outward the rainbow
or, if you prefer it, the spectrum
is the bridge between dark and light, but inwardly the rainbow is, what the soul itself is, the bridge between body and spirit, between earth and heaven. — Owen Barfield

There are two kinds of knowing. The kind that resides in your brain, with straight edges and smooth planes, and fits tidily between memories like a book on a shelf. The kind that matches your hopes and tells you everything is as it should be. But then there's the knowing that comes for you at night, after layers of consciousness have been peeled off by the exhaustion of the day. It lives in that pit in your stomach, jagged and dark. The kind of knowing that won't let you rest until you finally surrender and let it, in all its ferocious and hideous glory, step into the light. The — Sarah Fine

For a witch stands on the very edge of everything, between the light and the dark, between life and death, making choices, making decisions so that others may pretend no decisions have even been needed. Sometimes they need to help some poor soul through the final hours, help them to find the door, not to get lost in the dark. — Terry Pratchett

He was a failure, he repeated. Well, look then, feel then. Flashing her needles, glancing round about her, out of the window, into the room, at James himself, she assured him, beyond a shadow of a doubt, by her laugh, her poise, her competence (as a nurse carrying a light across a dark room assures a fractious child), that it was real; the house was full; the garden blowing. If he put implicit faith in her, nothing should hurt him; however deep he buried himself or climed high, not for a second should he find himself without her. So boasting of her capacity to surround and protect, there was scarcely a shell of herself left for her to know herself by; all was so lavished and spent; and James, as he stood stiff between her knees, felt her rise in a rosy-flowered fruit tree laid with leaves and dancing boughs into which the beak of brass, the arid scimitar of his father, the egotistical man, plunged and smote, demanding sympathy. — Virginia Woolf

His ordeal has stripped away every bit of himself and leaves him feeling completely exposed to his Enemy. He has no way to know when the next full-scale attack will come, only that it will and that he cannot hide or protect himself from it.
Yet even in Frodo's darkness, with the fiery Ring as the only illumination he senses, there is still deep union between him and God. Evil continually forces its way into the hobbit's soul, but God is already there to strengthen him in his struggle to keep the demonic power from overwhelming him completely. As Frodo burns upon the kindled wheel, he becomes a candle set alight by both Light and Dark, a figure 'clothed in flame' (LOTR, 890), as Sam saw by the red light in the Tower chamber. The combination of this torment, God's love for him, and his own love for his world consume him in 'a holy sacrifice, truly pleasing to God' (Rom. 12:1). — Anne Marie Gazzolo

Pain, fear, humiliation, it turned his beautiful dark eyes into a window of hell. It was the first glimpse I'd had of the prison he lived in. A captive to the uncontrollable tics ravaging his body. I think it was then I understood the solace he found in the light. Just as it blinded the world to seeing what was there, it blinded Morgan. It tucked him away from the things he could not control and the things reminding him he was different. How he would never truly fit in. How he existed on the edge between here and wherever it was he went when the light spoke to him. — Adrienne Wilder

There will be three cats, kin of your kin, with the power of the stars in their paws. They will find a fourth, and the battle between light and dark will be won. A new leader will rise from the shadows of his death, and the clan will survive beyond thge memories of his memeries. This is how it has always been and alway will be. — Erin Hunter

I taste like dark, sinful chocolate and the bite of whiskey sliding down a parched throat. I taste like the wild rush of freedom as you change into wolfskin and race beneath the moon's silvery light. I taste like a man's tongue between your legs, slowly stroking and licking your succulent flesh. I am the caress of a hand against your bare bottom, a slow slap of your soft, pink core just before I mount you and push deep inside your most intimate place ... stroking you deep and slow. — Jennifer Ashley

Life isn't that simple; it's not black and white. You have to take the light with the dark, and all the shadows in between. — Simone Nicole

It's all about the light. Always face it, because that's how you give your face good angles. If you're outside when the sun is overhead, you're going to have dark circles from the sun creating shadows on your face. So no outdoor pictures between 12 and two! — Gisele Bundchen

Heaven and Hell. White and black. Good and evil. This was a face-off between light and dark, as stark and true as any war since time immemorial. The — Mark Cassell

I don't personally see my work as being dark. What interests me is a balance between light and dark. — Carter Burwell

Now see the nasturtiums. The leaves are like tiny green parasols blown inside-out and the flowers are terrifically garish. In every village we pass through, see how they are everywhere, how they fill every gap in every wall, every crack in every path.
The nasturtiums have it figured out, how survival's just a matter of filling in the gaps between sun up and sun down. Boiling kettles, peeling potatoes, laundering towels, buying milk, changing light-bulbs, rooting wet mats of pubic hair out of the shower's plughole. This is the way people survive, by filling one hole at a time for the flightiest of temporary gratifications, over and over and over, until the season's out and they die off anyway, wither back into the wall or path, into their dark crevasse. This is the way life's eaten away, expended by the onerous effort of living itself. — Sara Baume

No person has ever held all the power. There must be a balance between chaos and order, dark and light. With the Temple magic bound to you, the realms are no longer in balance. The power could change you ... and you could change the magic. — Libba Bray

In Western culture, there's a dichotomy between the easy narratives of God and the Devil. I now believe in this greater overarching spiritual thing. We are the light and the dark, and have to own the darkness. It's part of us. It's not evil. It's needed. You need to own both of them to be whole. Absorb it, and live it as part of your life. — Kevin Sessums

The difference between the "natural" individuation process, which runs its course unconsciously, and the one which is consciously realized, is tremendous. In the first case consciousness nowhere intervenes; the end remains as dark as the beginning. In the second case so much darkness comes to light that the personality is permeated with light, and consciousness necessarily gains in scope and insight. The encounter between conscious and unconscious has to ensure that the light which shines in the darkness is not only comprehended by the darkness, but comprehends it. The filius solis et lunae (the son of the Sun and Moon) is the possible result as well as the symbol of this union of opposites. It is the alpha and omega of the process, the mediator and intermedius. "It has a thousand names," say the alchemists, meaning that the source from which the individuation process rises and the goal toward which it aims is nameless, ineffable. — C. G. Jung

There might not be so much of a difference between the side of Light and the side of Dark as you suppose. After all, without the Dark, there is nothing for the light to burn away. — Cassandra Clare

I can't muster a smile. Even with the knowledge that it's dark outside and light up here, it's hard to believe that he can see us. We should be invisible. We are so alone. Mabel and I are standing side by side, but we can't even see each other. In the distance are the lights of town. People must be finishing their workdays, picking up their kids, figuring out dinner. They're talking to one another in easy voices about things of great significance and things that don't mean much. The distance between us and all of that living feels insurmountable. — Nina LaCour

The dance between darkness and light will always remain - the stars and the moon will always need the darkness to be seen, the darkness will just not be worth having without the moon and the stars. — C. JoyBell C.

Sundown- When the sun must make peace with the moon and for a few brief moments, the two touch in mutual friendship and respect. Perfect balance between the light and dark. A time for reflection and for preparation. — Sherrilyn Kenyon

Life is a battle immortal, an eternal struggle between Light and Dark. — Karen Azinger

There is the image of the man who imagines himself to be a prisoner in a cell. He stands at one end of this small, dark, barren room, on his toes, with arms stretched upward, hands grasping for support onto a small, barred window, the room's only apparent source of light. If he holds on tight, straining toward the window, turning his head just so, he can see a bit of bright sunlight barely visible between the uppermost bars. This light is his only hope. He will not risk losing it. And so he continues to staring toward that bit of light, holding tightly to the bars. So committed is his effort not to lose sight of that glimmer of life-giving light, that it never occurs to him to let go and explore the darkness of the rest of the cell. So it is that he never discovers that the door at the other end of the cell is open, that he is free. He has always been free to walk out into the brightness of the day, if only he would let go. (192) — Sheldon B. Kopp

Finally, he smiled, and although his smile was bumpy because some of his teeth were jagged and broken, it was a warming, infectious smile that was reflected in his eyes. It made her smile widely in return. She felt as if the room had been lit up. He held out his arms, and she went across the room to him, almost running. She buried her face in his shirt, her nose wrinkling up as the scent of his cologne mixed with the nutty, sourish smell of camphor that filled the room. He put his arms around her, but gently, so that there was space between his forearms and her back, holding her as if she was to fragile to hug properly. Awkwardly, he patted her light, bushy aureole of dark brown hair, repeating: Good girl. Fine daughter. — Helen Oyeyemi

I am a black bird, a Raven, I am Raven. I know and I am knowing - I know and see life and death, expansion and contraction and I do not shiver and cry - I am unafraid.

I am Raven. I am black as liquid night with wings and my eyes are stars to see by.

The light within me leads the way and it is revealed through my eyes and I am what lies between the dark and light.

I am the balance between. — Sophia Rose

Shadow is ever besieged, for that is its nature. Whilst darkness devours, and light steals. And so one sees shadow ever retreat to hidden places, only to return in the wake of the war between dark and light. — Steven Erikson

As I Grew Older"

It was a long time ago.
I have almost forgotten my dream.
But it was there then,
In front of me,
Bright like a sun -
My dream.
And then the wall rose,
Rose slowly,
Slowly,
Between me and my dream.
Rose until it touched the sky -
The wall.
Shadow.
I am black.
I lie down in the shadow.
No longer the light of my dream before me,
Above me.
Only the thick wall.
Only the shadow.
My hands!
My dark hands!
Break through the wall!
Find my dream!
Help me to shatter this darkness,
To smash this night,
To break this shadow
Into a thousand lights of sun,
Into a thousand whirling dreams
Of sun! — Langston Hughes

We crave a world of either/or, but the Dream says, Both/and. We build a wall between our social persona and our inner selves; the Dream bids us, Demolish it. We wish to believe we're separate from one another, but the Dream insists, We are in this together. We are pleased to believe Time is a one-way river from past to present to future, yet the Dream reveals, All three times flow into one. We wish to seek pure virtue and avoid all stain, but the Dream avers, The dark and the light are braided and bound. — Marc Ian Barasch

We are the voices in the shadows,
Between the light and shade,
Betwixt life and restful death,
In the dark periphery of the unseen.

We're here,
At the edges.
We are the villainous punished,
The innocent murdered or abandoned,
Our lives ended by foul means, or unspeakable deeds.
We are your lovers long gone; your siblings forsaken.

Can you hear us?
At the edges

From the Foreword of Cautionary Tales - by Emmanuelle de Maupassant — Emmanuelle De Maupassant

The glue that holds the natural world together appears to be a harmonious balance of opposites: day and night, light and dark, winter and summer, liquid and solid, acidic and alkaline, male and female, wave and trough, proton and electron, etc. There prevails in our reality an explicit duality that represents an implicit unity (the "oneness" about which I've previously babbled), and the line of separation between those things just named is as thin as it is necessary: yang rubs up against yin, yin against yang, distinct but mutually supportive. — Tom Robbins

The longest life is no more than a sliver of light between two boundless ribbons of dark, like the light you see through the chinks of a log cabin at sunrise. And that last ribbon of dark, the one that comes after you are gone, that one goes on until the end of time. — Jack Todd

There was a rupture in the fabric of space inside the truck, and a rift developed that connected worlds and dimensions. William Connoley, travelling book-salesman and keeper of the portal between the worlds, saw shimmers of a room with a large, dark, wooden table laden with mysterious utensils, a chair, glass-like shards on the floor, vials, small windows, shelves with jars, and many other things he had never seen before. The vision, strange as it was, only lasted seconds, but it burnt itself into his memory. Then a bright flash of light took away his eyesight momentarily, while an invisible roller-coaster-like sensation filled his stomach with the most unwelcome and sickening feeling. There was a roaring sound, and suddenly smoke filled the cabin, chasing William into the street as he coughed and gasped for air. His eyes burnt from the grey fumes. — Paul Kater

I'm drawn between the light and dark. — David Bowie

To me the erotic is the relationship that organically manifests itself between people finding and exploring love. It is the universality of accepting the darkness that makes up human nature, the darkness I find so romantic within that dance, the inevitable opening up that lets in the light of sensuality between two human beings becoming one together without the confines of preconceived morality. In short, an exploration of all the facets of both the subconscious and conscious of light and dark. "Emotional connectedness. — R.B. O'Brien

Of all the facts I daily live with, there's none more comforting than this; If I have two rooms, one dark, the other light, and I open the door between them, the dark room becomes lighter without the light one becoming darker. I know this is no headline, but it's a marvelous footnote; and comforts me in that. — Gerhard E Frost

Stale beer sticks to wobbling tables. The cigarette machine flashes in the corner, mocking smokers who never have any change on them. There's no natural light in this pub, so it's dark and gloomy. The pain on the face of the staff tells its own story: overworked, underpaid, exploited and treated as expendable. I feel at home with them. They're so scared they will be fired from their terrible jobs, every time I order a beer they ask me if I want any peanuts or crisps, in case between drinks I've turned into the dreaded mystery shopper. The air is chewy and weighs heavy on the skin. The fruit machines in the corners don't make a sound, aware this is the last stop saloon for the drunk few who can't afford to gamble properly. Everyone here is down to their last pint and pound. — Craig Stone

I am Darkness. I am Shadow. I am the Ruler of the Night. I, alone, stand between mankind and those who would see mankind destroyed. I am the Guardian. The Soulless Keeper. Neither Human, nor Apollite, I exist beyond the realm of the Living, beyond the realm of the Dead. I am the Dark-Hunter. And I am Eternal ... unless I find that one pure heart who will never betray me. The one whose faith and courage can return my soul to me and bring me back into the light. (Dark-Hunter Creed) — Sherrilyn Kenyon

Czernobog snorted and woke, sitting up slowly. "I dreamed a strange dream," he said. "I dreamed that I am truly Bielebog. That forever the world imagines that there are two of us, the light god and the dark, but that now we are both old, I find it was only me all the time, giving them gifts, taking my gifts away." He broke the filter from a Lucky Strike, put it between his lips and lit it with his lighter. Shadow wound down his window. "Aren't you worried about lung cancer?" he said. "I am cancer," said Czernobog. "I do not frighten myself. — Neil Gaiman

Your face is true and your hair is perfect and I love you. You make boats in my dreams and you speak without words and I love you. Your fears unnerve me and your questions amuse me and I love you. I love you not only for who you are, but for the interesting person I become when I'm with you. I say I love you and love you and love you until the words become the constant song of your voice in my head and the original ache of memory in my soul. I love you more than life and death, more than everything that's in between the light and the dark. Do you believe me? Try harder. Do you believe me now? I'm always with you, which is why I know you will never abandon yourself. — Rob Brezsny

What is the world doing? Have new gods been discovered, new laws, new freedoms? Who cares! But up here a primrose is blossoming and bearing silver fuzz on its leaves, and the light sweet wind is singing below me in the poplars, and between my eyes and heaven a dark golden bee is hovering and humming - I care about that. It is humming the song of happiness, humming the song of eternity. Its song is my history of the world. — Hermann Hesse

Some things seem to be viewed in similar ways by many people, and I think we should take another look at these and truly question them. In our search for our own truth we need to ensure that we are not acting like sheep, merely following the herd behaviour.
One of these areas is that things are often regarded as opposites, things like black and white, day and night, light and dark, are obvious examples. A more open view might say they are opposite sides of one coin. I would go a little further and suggest to you that they are actually part of the same thing. Just as the coin cannot exist without its two sides, I would suggest that our world cannot exist without these so called opposites because they give us a spectrum to exist in, a matrix, or framework, that stretches between the two extremes (or polarities) to include every variation of light and shade that we sense or experience in-between. — Julia Woodman

There is no difference between dark skin and light skin if you are both black. You are not inferior or superior, you are the same race. — Angela Khristin Brown

Close to the road a cow would stand knee-deep in the mist, with horns damp enough to have a pearly shine in the starlight, and it would look at the black blur we were as we went whirling into the blazing corridor of light which we could never quite get into for it would be always splitting the dark just in front of us. The cow would stand there knee-deep in the mist and look at the black blur and the blaze and then, not turning his head, at the place where the black blur and blaze had been, with the remote, massive, unvindictive indifference of God-All-Mighty or Fate or me, if I were standing there knee-deep in the mist, and the blur and the blaze whizzed past and withered on off between the fields and the patches of woods. — Robert Penn Warren

I think that television lately has been extremely dark and, in some ways, cynical but I also think that people who are writing those shows probably feel exactly as I do - that sometimes the darkness of a story can highlight the light in a story. There's a lot of cynical stuff but I think it may be even more in movies now where you see so many movies about cynical and corrupted characters. That's the state of many movies right now but movies, television, all of culture, there's always going to be a battle between the stories that are cynical and stories that are hopeful. — Randall Wallace

For example, the opposition between acute and grave phonemes has the capacity to suggest an image of bright and dark, of pointed and rounded, of thin and thick, of light and heavy, etc. — Roman Jakobson

Although we are necessarily concerned, in a chronicle of events, with physical action by the light of day, history suggests that the human spirit wanders farthest in the silent hours between midnight and dawn. Those dark fruitful hours, seldom recorded, whose secret flowerings breed peace and war, loves and hates, the crowning or uncrowning of heads. — Joan Lindsay

Willow, there is a lot of prejudice around magickal families. I think your terms are snobby and over privileged brats. Whether it be light dark or anything between, they will have it measured in percentages like DNA. For Wiccan culture, it's about purity above all. One with nature, the goddess, and the spirit. It's not that different with other magickal beings. - Aiden Warrington — Mira Monroe

Cambodian dust whipped up in the wind and stuck to my clothes like clay. I put a hand between my face and the sun and blinked Phnom Penn dust from my tired eyes. One idea, drink, beamed light in all directions across my dark consciousness.
A slim lady walked toward me with a big smile and a bigger head. Her left hand rested on her waggling hips and her right hand rose above her head, limp-wristed, like she'd just thrown a winning ball toward a basket and was leaving her hand in the shot position. The lady walking toward me was a man. At least that much was clear, but the nature or our relationship was still a fog to me. She wore blue jeans and a white top accentuating her breasts, but her Adam's apple and cow sized hands revealed more in daylight than she could hide at night. — Craig Stone