Best Short Lines Quotes & Sayings

No poet is required to write in stanzas, or indeed in regular forms at all. Coleridge's 'Dejection: An Ode' has a rhyme scheme and sequence of long and short lines that goes without regular pattern, following the mood and whim of the poet. Such a form is known as an irregular ode. — James Fenton

So for whatever reason those short lines just felt right to me, in my physical self. They were right for the movement of the poems. Some poems in the book have longer lines. — Matthew Zapruder

You can have a pretty good first line but not a strong enough thought to tag along more lines and sometimes in the middle words become bored and make war on one another. Notebooks are full of these fragments, shrapnel of our intention. Life is short on conclusions and that's why it's often a struggle to end a poem. — Jim Harrison

When I'm in a city that's just clean, concrete lines, I get really short of breath and confused. It's much more interesting to me when nature is creeping back and tearing the mortar apart between the bricks. — Feist

I thought a bit of poetry might be interesting - I even write a few lines myself. I composed a short poem for my mum's 70th birthday recently. When I recited it I saw the glint of a tear in her eye ... although I guess it wasn't the quality of the poetry was that making her cry! — Iain Dowie

Then eventually Westwood arrived. He looked nothing like Reacher expected, but the reality fit the bill just as well as the preconceptions had. He was an outdoors type, not a lab rat, and sturdy rather than pencil-necked. He looked like a naturalist or an explorer. He had short but unruly hair, fair going gray, and a beard of the same length and color. He was red in the face from sunburn and had squint lines around his eyes. He was forty-five, maybe. He was wearing clothing put together from high-tech fabrics and many zippers, but it was all old and creased. He had hiking boots on his feet, with speckled laces like miniature mountain-climbing ropes. He was toting a canvas bag about as big as a mail carrier's. — Lee Child

After a few short years (fifteen, to be exact - brief by his count, interminable by hers), surrounded by all this vegetative rampancy, she was feeling increasingly unsure of herself. She missed the built environment of New York City. It was only in an urban landscape, amid straight lines and architecture, that she could situate herself in human time and history. As a novelist she needed this. She missed people. She missed human intrigue, drama and power struggles. She needed her own species, not to talk to, necessarily, but just to be among, as a bystander in a crowd or an anonymous witness.
But here, on the sparsely populated island, human culture barely existed and then only as the
thinnest veneer. — Ruth Ozeki

It's not as if he's good-looking, because he's not. Sometimes he's so plain that he looks bland. But it's his voice and his mannerisms that fill him with some kind of color. I listen to his voice and its resonance hooks me in. The worry lines on his forehead, his expression when he twists his face into a smile, and the way his whole face lights up when he laughs those short bursts of laughter. — Melina Marchetta

Justin Hermann is one of the best new voices in short fiction-deep and entertaining as hell, with many funny lines, unexpected turns of events, and great insights. Wonderful stories: each one is a trip! — Josip Novakovich

I like my first lines short and declarative. No complicated sentences. Of course, that's not really a Scott thing. It's pretty classic grab-the-reader technique. — Scott Westerfeld

Are tou trying to be annoying?" I demanded. My patience was not waning, but entirely gone. "Because if you are, then be assured, you have succeeded."
Jared and Wes looked at me with shocked eyes.
"I am female," I complained. "That 'it' business is really getting on my nerves."
Jared blinked in surprise, then his face settled back into harder lines. "Because of the body you wear?"
Wes glared at him.
"Because of me," I hissed.
"By whose definition?"
"How about by yours? In my species, I am the one that bears young. Is that not female enough for you?"
That stopped him short. I felt almost smug.
'As you should', Melanie approved. 'He's wrong and he's being a pig about it'.
Thank you.
'We girls have to stick together'. — Stephenie Meyer

My father worked on assembly lines in Detroit while I was growing up. Every day, I watched him do what he needed to do to support the family. But he told me, 'Life is short. Do what you want to do.' — Anita Baker

As they approached a puddle, he laid his hand against the small of her back to steer her around it, and her stomach flipped over.
Stupid, traitorous stomach, performing acrobatics for the likes of Dom Manton. Why couldn't it do that with Edwin? He, at least, wanted to marry her.
But sadly, Edwin didn't have smoldering eyes the exotic color of the finest jade. Or hair cropped unfashionably short, which only emphasized the carved masculine lines of his face. Or a body that looked so amazing in blue superfine it made a grown woman want to weep.
She would not weep over Dom's body, curse it! — Sabrina Jeffries

Not for a minute did I believe that this wasn't goodbye. Still, I had loved and been loved in return, and there was nothing greater than that. It far outweighed the alienation of all the previous years.
Bones thought five months was too short; I was amazed I'd been granted joy for so long.
"I love you," he moaned, or maybe I said it. I couldn't tell the difference anymore. The lines had
dissolved between us. — Jeaniene Frost

I suppose the more you have to do, the more you learn to organize and concentrate-or else get fragmented into bits. I have learned to use my 'ten minutes'. I once thought it was not worth sitting down for a time as short as that; now I know differently and, if I have ten minutes, I use them, even if they bring only two lines, and it keeps the book alive. — Rumer Godden

There's an immense dramatic possibility in describing that universe. The books, for me, were an enormous relief in that sense of how they were written to allow primary emotion, elemental emotion, to matter enormously but to give the thing an extraordinary flow so you don't notice at what point that you're actually overwhelmed by this. There's no showiness, at all. It's the opposite of showiness. I think, if it was a painting, it could be very grey abstract, almost, with some lines and very, very beautiful. But you wouldn't have a notion of where the beauty was.
(Talking about the short stories of Alistair MacLeod, who he discovered while working on The Modern Library.) — Colm Toibin

The belt slid down her thin hips, and she nervously gripped at it, pulling it up. Short sleeves showed her very thin arms and big delicate elbow joints. Her body was all concave and jerkily fluid lines; it moved with sensitive looseness, loosely threaded together: each movement had a touch of exaggeration , as though some secret power kept springing out. — Elizabeth Bowen

There's an old poem by Neruda that I've always been captivated by, and one of the lines in it has stuck with me ever since the first time I read it. It says "love is so short, forgetting is so long." It's a line I've related to in my saddest moments, when I needed to know someone else had felt that exact same way. And when we're trying to move on, the moments we always go back to aren't the mundane ones. They are the moments you saw sparks that weren't really there, felt stars aligning without having any proof, saw your future before it happened, and then saw it slip away without any warning. — Taylor Swift

Prose is when all the lines except the last go on to the end. Poetry is when some of them fall short of it. — Jeremy Bentham

Have it compose a poem- a poem about a haircut! But lofty, tragic, timeless, full of love, treachery, retribution, quiet heroism in the face of certain doom! Six lines, cleverly rhymed, and every word beginning with the letter S!!" [sic] ... .
Seduced, shaggy Samson snored.
She scissored short. Sorely shorn,
Soon shackled slave, Samson sighed,
Silently scheming
Sightlessly seeking
Some savage, spectacular suicide."
("The First Sally (A) or The Electronic Bard"
THE CYBERIAD) — Stanislaw Lem

I read somewhere that a man should tell the story of his life at the age of forty, and this deadline is fast approaching as I write these lines, only a few short weeks remain before this ominous birthday arrives. — Juan Gabriel Vasquez

In short, the animal and vegetable lines, diverging widely above, join below in a loop. — Asa Gray

TV spots are short. If you can't hold folks' attention for 20 seconds before revealing the brand, find another line of work. — Lee Clow

Long-lived persons have one or two lines which extend through the whole hand; short-lived persons have two lines not extending through the whole hand. — Aristotle.

Our physical health is dependent upon energy. We have a short lifespan compared with past Yuga's. We are made up of energy lines. The reason people lived longer is because there was less negative energy in the world. — Frederick Lenz

I think the Eritrean government is aware that any full-scale invasion of Ethiopia along the lines of 1998 could turn out to be suicidal ... And we will not respond to any provocation short of all-out invasion. We are already engaged in a much more fruitful war - against poverty. — Meles Zenawi

They drove together under the stars to the lake, where they sat with fishing poles in a metal rowboat and waited for something to bite. Zack ate the toast, Uncle Orson gave some pointers, and then they cast their lines, again and again, into the pale fog. Dawn broke. The sunrise cracked. Clouds settled across the sky. The fog scattered as the air heated. And they still weren't catching anything. And that whole time, the exact same gull was circling overhead. "Nothing's happening," Zack complained. But Uncle Orson smiled at the clouds and smiled at the rowboat and smiled at the gull and smiled at the poles. "Nothing has to happen," Uncle Orson had said. — Matthew Baker

I look at the natural geological record as a history of the world imperfectly kept and written in a changing dialect; of this history we possess the last volume alone, relating only to two or three countries. Of this volume, only here and there a short chapter has been preserved; and of each page, only here and there a few lines. — Charles Darwin

We hear much of special interest groups. Well, our concern must be for a special interest group that has been too long neglected. It knows no sectional boundaries or ethnic and racial divisions, and it crosses political party lines. It is made up of men and women who raise our food, patrol our streets, man our mines and factories, teach our children, keep our homes, and heal us when we're sick - professionals, industrialists, shopkeepers, clerks, cabbies, and truck drivers. They are, in short, "We the people," this breed called Americans. — Ronald Reagan

I can't actually explain why my lines got shorter, but they did. Just as I can't explain why my early poems were 'all image' and my current ones are relatively abstract. The sense of the line changed with the theme, somehow my ear (or brain or heart/mind) fell in love with a short line and very very simple words. — Gregory Orr

Because Trickster is looking to stir things up, to scramble the conventions, to undo history and received notions of what is art and what is not, to sing for his supper, to find and lose himself in the act of entertaining. Trickster haunts the boundary lines, the margins, the secret shelves between the sections in the bookstore. And that is where, if it wants to renew itself in the way that the novel has done so often in its long history, the short story must, inevitably, go. — Michael Chabon

You come to this place, mid-life. You don't know how you got here, but suddenly you're staring fifty in the face. When you turn and look back down the years, you glimpse the ghosts of other lives you might have led; all houses are haunted. The wraiths and phantoms creep under your carpets and between the warp and weft of fabric, they lurk in wardrobes and lie flat under drawer-liners. You think of the children you might have had but didn't. When the midwife says, 'It's a boy,' where does the girl go? When you think you're pregnant, and you're not, what happens to the child that has already formed in your mind? You keep it filed in a drawer of your consciousness, like a short story that never worked after the opening lines. — Hilary Mantel