Best Love Story Movie Quotes & Sayings

It didn't matter.
Carson wasn't the one for me. He wasn't even the one for right now. My life would hopefully have its great love story but this wasn't it. It would happen in D.C. in the next four years or it would happen in Africa, if I ever got there, or in Sienna or, for all I knew, Kentucky or Timbuktu.
Life was long.
And people only really had great love affairs in high school in the movies. And maybe during world wars. But this was not a movie and not a war, even if it sometimes felt that way. It was only high school and it was almost over with anyway. — Tara Altebrando

I test the movies a lot, and if the audience says they love the movie, we know we're on the right track. And if they tell me they hate it, I try to figure out what I've done wrong. But every time out, the audience wants me to go deeper, they want to know more about the characters, and they don't want these movies to be shallow. So they really urge me to tell them a complicated story, and then when I do so, they're thrilled — Judd Apatow

None of it made any sense to her - the deceit, the betrayal, the sheer chutzpah of it. Like something from a movie. Who in real life acted this way? But then she remembered this had happened in India, and India was not real life. The most heartbreaking, most desperate, most bizarre stories she had ever heard all came from India. Every story was epic; every emotion was exaggerated; every action was melodramatic. Desperate love, mad obsessions, outbursts of rage, bizarre self sacrifice, self immolation. Young women eat rat poison, jumping off buildings, or burning themselves alive. Young men throwing themselves onto railroad tracks in the path of oncoming trains. And all this self destruction over issues that in the West would be solved by a simple elopement or estrangement from one's parents or a move to a different city. — Thrity Umrigar

I think, for a love story, the most important element is the music, since you don't have action sequences or item numbers. It really draws in the audience and adds to at least 70 percent of the opening of the movie. — Ranbir Kapoor

I won't do this movie because I don't believe the love story," she told Selznick. "The heroine is an intellectual woman, and an intellectual woman simply can't fall in love so deeply. — Ingrid Bergman

Many friends of mine told me that normally only guys like a kung fu movie and the girls would be turned off - they want to see a love story. But Ip Man is a family man, so the women see this and go: 'I want my husband to be like this man. He'll be a scholar, he'll be fighting, he'll care for the family.' So we had a bigger audience. — Donnie Yen

I find inspiration in many places. Sometimes music gives me the kernel of a story. Sometimes it's dissatisfaction with the plot of a movie or a book that gets me thinking. Sometimes it's love of a movie or book. — Christopher Paolini

I love doing television; it's such a brilliant way to tell a story over six hours rather over the two hours of doing a movie. — Richard Madden

Telling the story with only a few shots, I love that style. It makes you feel like you're part of the action, part of the story. It reminds me of the theater, where one act is basically like one long shot. It almost makes you forget that you're seeing a movie. — Vilmos Zsigmond

The business didn't trust it, audiences didn't want it, but marriage could never be ignored. It was everywhere and nowhere, the genre that dared not speak its name, the ghost that hung over the happy ending of every romantic comedy. As a subject, it existed to be achieved (jolly comedy, great love story), destroyed (death, murder, tragedy), or denied (divorce). If it was achieved, the movie was over. If it was destroyed, it was no longer there, gotten rid of and abandoned once and for all. If it was denied, it was only temporarily shelved (for some fun) and could be reassuringly restored. — Jeanine Basinger

'Cabin Fever' was very much inspired by 'The Thing.' It's really a perfect guy's horror movie: There's no love story, it's just straight-up horror. And it's so well-done. It moves at a slow pace, but it's really terrific. — Eli Roth

I think the best type of action movie combines a love story with the action. — Morris Chestnut

Our love story comes to me in waves, in movie stills and long summer afternoons spent under a sky of incessant blue. I still think of your eyes in flashes of color, your hands in a frenetic, feverish blur - your smile a mosaic of light and shadow. I still find myself lost in those moments of abstraction. — Lang Leav

He's wrong--high school isn't a pyramid with all the power clustered in a chosen few at the top--it's more of a movie theater with twenty-two screens showing simultaneously. The love story in theater three doesn't care what happens on the football field in theater twelve. Actors and audiences overlap on the screen in the hallways, but there's a place for everyone. — Tiffany Schmidt

Girls are taught a lot of stuff growing up. If a guy punches you he likes you. Never try to trim your own bangs and someday you will meet a wonderful guy and get your very own happy ending. Every movie we see, Every story we're told implores us to wait for it, the third act twist, the unexpected declaration of love, the exception to the rule. But sometimes we're so focused on finding our happy ending we don't learn how to read the signs. How to tell from the ones who want us and the ones who don't, the ones who will stay and the ones who will leave. And maybe a happy ending doesn't include a guy, maybe ... it's you, on your own, picking up the pieces and starting over, freeing yourself up for something better in the future. Maybe the happy ending is ... just ... moving on. Or maybe the happy ending is this, knowing after all the unreturned phone calls, broken-hearts, through the blunders and misread signals, through all the pain and embarrassment you never gave up hope. — Greg Behrendt

Martin is always telling me to put all of this behind me, to get on with my life. But the thing is, before Jesse, I never really had a life. I had a routine. I did things. But aside from the accident" - he gestured with his prosthetic arm - "nothing ever happened to me. But she happened. And it was like a train wreck. It was big and painful and beautiful and every second mattered. You know what Beaudelaire said about love? It's 'an oasis of horror in a desert of boredom.' But it's still an oasis. Our time together - that's the story of my life. Everything before her was just the boring setup. Like the first hour of a miniseries, the part that's just padding to stretch it out for three nights. And the time since she's gone - that's just been some sort of weird, dragged-out anticlimax. I can feel myself sitting in the audience watching my life and wondering, 'Why isn't this movie over? — Phoef Sutton

'Harold and Maude' was a seminal movie for me because it's not only a beautiful love story, but it's also about the moment when misfits find each other. — Stephen Chbosky

It's exciting to me that Ride Along is a movie that has two African American leads, but it's even more exciting to me that it's not a movie about two African American leads. They just happen to be African American. It's a universal story. It's a story about a guy in love with a girl, and he's gotta get the approval of the overbearing, mean brother. That's a universal theme. — Will Packer

You know that was much more of a kind of cameo, I love the movie, I love the story, I love Johnny as a fun little role but it was more of a cameo, not anywhere near as developed as this role. — Oliver Platt

I would love to sign on to do a movie if it was the right role and if it was the right script, because I would be taking time away from music to tell a big grand story, and spend all of my time and pouring all of my emotions into being someone else. So for me to do that, it would have to be a story worth telling. — Taylor Swift

I've always wanted to play Maria in West Side Story. My idol is Natalie Wood, and I love the movie, so I think a modern-day twist on it would be really neat. — Vanessa Hudgens

Life is depressing and hopeless enough, without imbibing further depression and hopelessness through story. I don't care how realistic people like to think that is. It's not what inspires me, or makes me love and cherish a book or a television show or a movie. When I am imbibing fiction, I want to be inspired. I want bold tales, told boldly. I want genuine Good People who, while not perfect, are capable of rising beyond their ordinary beginnings. To make a positive difference in their world. Even when all hope or purpose might seem lost. Because this is what I think fiction - as originally told around the campfires, through verbal legend - ought to do, more than anything else: Illuminate the way, shine a spiritual beacon, tell us that there is a bright point in the darkness, a light to guide the way, when all other paths are cast in shadow. — Brad R. Torgersen

I try to enjoy a movie or a television programme just like anybody else. I'd love to be emerged into the story and watch it, but if you work a lot as an actor, in any aspect of the industry, things might arise in a programme that somebody might miss, whereas it might catch your attention. — Rory Cochrane

Sometimes, a scene goes on too long and, with this being a suspense story and murder mystery that you're trying to discover through her heightened paranoia, you don't want scenes that take you on a tangent. Sometimes, you love those scenes, but you know that it's better not to be in the overall film. So, I'm not sad that they're not in the main movie, but I do think it's fun for people to get to watch them, if they want to. — Catherine Hardwicke

Pearl Harbor is a two-hour movie squeezed into three hours, about how on December 7, 1941, the Japanese staged a surprise attack on an American love triangle. Its centerpiece is 40 minutes of redundant special effects, surrounded by a love story of stunning banality. The film has been directed without grace, vision, or originality, and although you may walk out quoting lines of dialog, it will not be because you admire them. — Roger Ebert

I think all cinematographers, at least most of them, would love to do everything on location because you cannot cheat on location. It's there, it's part of the story usually. You have to deal with the elements. You have the sunshine, you have rain, you have fog - it really makes you work harder to try to match things during the day to make it look like it was shot within five minutes, movie time. — Vilmos Zsigmond

'The Master' with Joaquin Phoenix puts up a good fight, but my favorite movie of all time is 'The Wizard of Oz.' I just love it. I watched it over and over again as a child, and I think it has all the elements of wonder, and it's a beautiful story. — Jonny Weston

In this movie, you have all the things you love from Tim. All the magic and the whimsy and the surreal, but he also has a fantastic story of a father and son that really gets under your skin. — Danny DeVito

You start out with big dreams and I mean, big dreams artistically. You want to work with the greatest living directors, make a great movie. I wanted to make a great love story, I wanted to make a great epic and then you realize that the truth of it is that it's so hard to make a great film. It's hard to get a great role. Those big expectations change to realism pretty quickly. But what's never changed is my desire to work with great directors and to find projects that push me out of my comfort zone and keep me alive. I still don't think I've done my best work — Nicole Kidman

My greatest debt will always be to the movie-going public of yesterday and today, without whose love and devotion I would have had no story to tell. — Gloria Swanson

What I love about the way they both [Paul Thomas Anderson and Joaquin Phoenix] work is that all of the monkey business is on film. There's no monkey business outside of the monkey business of making the movie. There's no ego bullshit, there's no wasted energy. It's all directed at the story and that's rare. — Katherine Waterston

I am in love with the idea of doing a movie in 3D. I think 3D would be great in a kind of realistic normal story without throwing objects to the camera, but using the 3D on the emotions in an intimate story. — Bernardo Bertolucci

You know that man's story already. He's just starting to believe what Day's been saying to him for years, but he's scared as fuck. If you hurt him in any way, Day will hurt you." Johnson stopped grinning and looked back at God. "I thought Day hated him?" "Day is complex, Johnson. He's crazy about Ronowski, that's why he rides the man so hard." "I get that," Johnson responded. "All right. I don't mind doing the slow thing. We'll start with wings and a game tonight." Johnson shrugged and started inching toward his car. "Next week, maybe dinner and a movie." "Sounds good, bro." God waved and climbed in his truck. Now that he was done playing Chuck Woolery and there were no more love connections to be made. He was going home to his sweetheart. — A.E. Via

I love how you can shoot a movie in a month or two or three of four, and it's this encapsulated story that you box up and ship out into the world, and what it is, is what it is. — Steven Strait