Best Landscape Architecture Quotes & Sayings

If Prague and the rest of Bohemia, with all their charming hospodas delightful architecture and pretty landscape should become too cosy for you, Ostrava, the Czech Republic's third largest city with about 330,000 inhabitants, will rapidly cure your spleen. Tucked away in the country's northeastern corner on the border between Moravia, Silesia and Poland, the former Czechoslovakia's "heart of steel" offers the true flair of the Wild East. As an Australian probably would have put it, this is a city where men are men, and sheep are nervous. — Terje B. Englund

Landscaping is the great cardinal sin of modern architecture. It's not your garden, it's not a park - it's a formless patch of grass, shrubbery and the occasional tree that exists purely to stop the original developer's plans from looking like a howling concrete wilderness. — Ben Aaronovitch

I like to think about machines and technology in relation to landscape and architecture. — Antoine Predock

line. Creativity is a response to our environment. Greek painting was a response to the complex light (the Greek painter Apollodoros was the first to develop a technique for creating the illusion of depth), Greek architecture a response to the complex landscape, Greek philosophy a response to the complex, uncertain times. The problem with paradise is that it is perfect and therefore requires no response. This is why wealthy people and places often stagnate. Athens — Eric Weiner

It is not, of course, only the Japanese who find flat sterile surfaces attractive and kirei. Foreign observers, too, are seduced by the crisp borders, sharp corners, neat railings, and machine-polished textures that define the new Japanese landscape, because, consciously or unconsciously, most of us see such things as embodying the very essence of modernism. In short, foreigners very often fall in love with kirei even more than the Japanese do; for one thing, they can have no idea of the mysterious beauty of the old jungle, rice paddies, wood, and stone that was paved over. Smooth industrial finish everywhere, with detailed attention to each cement block and metal joint: it looks 'modern'; ergo, Japan is supremely modern. — Alex Kerr

I don't divide architecture, landscape and gardening; to me they are one. — Luis Barragan

I've always been interested, - if you look back at my work from the beginning, really - I've always been interested in the idea of the artificial landscape. Reforming the landscape. Architecture being a method of reforming the earth's surface. We reshape the earth's surface, from architecture to paving streets, to parking lots and buildings that are really reforming the surface of the earth. Reforming nature, taking over what we find. And we're mushing it around and remaking a new earth - or, what we used to call Terra Nova. — Lebbeus Woods

The building is absolutely stunning. It is a magnificent and important piece of architecture that contributes greatly to the cultural landscape of Washington. It is one the best designed buildings in D.C. in the last decade. — Zelda Fichandler

Landscape architecture is basically geodesign; it's designing geography. And yet geodesign is not only done by landscape architects, it's done by some of the world's largest corporations. — Jack Dangermond

Whenever I listen to an artist or an art historian I'm struck by how much they see and how much they know--and how much I don't.

Good art writing should therefore do at least two things. It should teach us how to look: at art, architecture, sculpture, photography and all the other visual components of our daily landscape. And it should give us the information we need to understand what we're looking at. — William Zinsser

There is a lot of bad architecture. What we need more is to look at how our landscape should look in the next decades. — Dieter Rams

After a few short years (fifteen, to be exact - brief by his count, interminable by hers), surrounded by all this vegetative rampancy, she was feeling increasingly unsure of herself. She missed the built environment of New York City. It was only in an urban landscape, amid straight lines and architecture, that she could situate herself in human time and history. As a novelist she needed this. She missed people. She missed human intrigue, drama and power struggles. She needed her own species, not to talk to, necessarily, but just to be among, as a bystander in a crowd or an anonymous witness.
But here, on the sparsely populated island, human culture barely existed and then only as the
thinnest veneer. — Ruth Ozeki

A garden path,' write the landscape architects Charles W. Moore, William J. Mitchell, and William Turnbull, 'can become the thread of a plot, connecting moments and incidents into a narrative. The narrative structure might be a simple chain of events with a beginning, middle, and end. It might be embellished with diversions, digressions, and picaresque twists, be accompanied by parallel ways (subplots), or deceptively fork into blind alleys like the althernative scenerios explored in a detective novel. — Rebecca Solnit

I think the future of architecture does not lie so much in continuing to fill up the landscape, as in bringing back life and order to our cities and towns. — Gottfried Bohm

You have to love writing a song and architecture. You have to give it a form. It is my job to create a sonic landscape. I like to create ambiance and atmosphere. The writing is the intimate part of it. It is a sketch. The production is the whole painting. — Keren Ann

The village lay in the hollow, and climbed, with very prosaic houses, the other side. Village architecture does not flourish in Scotland. The blue slates and the grey stone are sworn foes to the picturesque; and though I do not, for my own part, dislike the interior of an old-fashioned pewed and galleried church, with its little family settlements on all sides, the square box outside, with its bit of a spire like a handle to lift it by, is not an improvement to the landscape. Still, a cluster of houses on differing elevations - with scraps of garden coming in between, a hedgerow with clothes laid out to dry, the opening of a street with its rural sociability, the women at their doors, the slow waggon lumbering along - gives a centre to the landscape. It was cheerful to look at, and convenient in a hundred ways. ("The Open Door") — Mrs. Oliphant

New York's architecture alone is enough to inspire a whole album. In fact, that's what happened at first - my early stuff was mostly just interpretations of landscapes. — Lana Del Rey

It was in the library that he and May had always discussed the future of the children: the studies of Dallas and his young brother Bill, Mary's incurable indifference to "accomplishments," and passion for sport and philanthropy, and the vague leanings toward "art" which had finally landed the restless and curious Dallas in the office of a rising New York architect.
The young men nowadays were emancipating themselves from the law and business and taking up all sorts of new things. If they were not absorbed in state politics or municipal reform, the chances were that they were going in for Central American archaeology, for architecture or landscape-engineering; taking a keen and learned interest in the prerevolutionary buildings of their own country, studying and adapting Georgian types, and protesting at the meaningless use of the word "Colonial." Nobody nowadays had "Colonial" houses except the millionaire grocers of the suburbs. — Edith Wharton

Gifford presented the house to Bonaguidi as a series of 'telescopic' spaces in the landscape, and his inspiration hints at the atmosphere in the Pines at this time. A telescope is a device often used for spying: it elongates when engaged in order to capture objects in its gaze. — Christopher Bascom Rawlins

There is at the back of every artist's mind something like a pattern and a type of architecture. The original quality in any man of imagination is imagery. It is a thing like the landscape of his dreams; the sort of world he would like to make or in which he would like to wander, the strange flora and fauna, his own secret planet, the sort of thing he likes to think about. This general atmosphere, and pattern or a structure of growth, governs all his creations, however varied. — G.K. Chesterton

Why do so many Americans say they want their children to watch less TV, yet continue to expand the opportunities for them to watch it? More important, why do so many people no longer consider the physical world worth watching? The highway's edges may not be postcard perfect. But for a century, children's early understanding of how cities and nature fit together was gained from the backseat: the empty farmhouse at the edge of the subdivision; the variety of architecture, here and there; the woods and fields and water beyond the seamy edges
all that was and still is available to the eye. This was the landscape that we watched as children. It was our drive-by movie. — Richard Louv

I'm trying to discover - invent, I suppose - an architecture, and forms of urban planning, that do something of the same thing in a contemporary way. I started out trying to create buildings that would sparkle like isolated jewels; now I want them to connect, to form a new kind of landscape, to flow together with contemporary cities and the lives of their peoples. — Zaha Hadid

You can neither lie to a neighbourhood park, nor reason with it. 'Artist's conceptions' and persuasive renderings can put pictures of life into proposed neighbourhood parks or park malls, and verbal rationalizations can conjure up users who ought to appreciate them, but in real life only diverse surroundings have the practical power of inducing a natural, continuing flow of life and use. — Jane Jacobs

To achieve these goals [of making good landscapes}, there is but one necessity: when preparing and approving plans for new places, or spending money on old places, we must look beyond the confines of each and every project. Gazing at these wider horizons, we shall see that development projects are initiated by specialists who have been imprisioned within "closely drawn technical limits" and "narrowly drawn territorial boundaries" (Weddle 1967; vii). — Tom Turner

In town and in country there must be landscapes where we can walk in safety, pick fruit, cycle, work, sleep, swim, listen to the birds, bask in the sun, run through the trees and laze beside cool waters. — Tom Turner

I think one of the primary goals of a feminist landscape architecture would be to work toward a public landscape in which we can roam the streets at midnight, in which every square is available for Virginia Woolf to make up her novels — Rebecca Solnit

I think it is widely agreed that Carl Steinitz, over the 50 years he taught at Harvard, has been one of the most important figures in influencing the theory and practice of landscape architecture and the application of computer technology to planning. — Jack Dangermond

The world is moving into a phase when landscape design may well be recognized as the most comprehensive of the arts. Man creates around him an environment that is a projection into nature of his abstract ideas. It is only in the present century that the collective landscape has emerged as a social necessity. We are promoting a landscape art on a scale never conceived of in history (Geoffrey Jellicoe, Landscape of man) — Tom Turner

All buildings have a psychological as well as a purely visual effect on the landscape. — Elisabeth Beazley

The arts which we now call garden design and landscape design have three separate origins: sacred space, horticultural space and domestic space. Like Homo sapiens, the arts of garden and landscape design probably spread to Europe from West Asia. — Tom Turner

The concept of architecture as analogous to landscape is something that has interested me for a long time. — Antoine Predock

later i sat in the mosque balcony as the sun rose, watching while it unpicked the dark and misty folds of the forest and coloured the Bashgul river. We were all overcome by the fabulous richness of the landscape, the opulence of the wooden architecture, the yellow green coombes of ripening corn, the glistening trees. — Peter Levi