Best Classic Novel Quotes & Sayings

He looked just perfect to play Dorian Gray in a film version of Oscar Wilde's novel. Young, graceful, and indecently fresh and handsome, he could easily have worn a badge that said READY FOR DEBAUCHERY! — Sergei Lukyanenko

Say, you told me you thought Les Miserables was the greatest novel ever written. I think Vanity Fair is the greatest. Let's fight. - Joe Willard — Maud Hart Lovelace

As always with the greatest works, the novel is so many-sided that over time it mirrors back the shifting concerns of those who read it, and that is the definition of a classic. — Carl F. Hovde

I've never met anyone as kind as you are, except me Mum, o' course." --Benjamin Trimmel to Lady Alexandra. — Lisa M. Prysock

'Of Mice and Men,' Steinbeck's fifth novel, adheres to a simple dramatic structure, which observes the classic Aristotelian unities of time, place and action. — Jay Parini

Ladies sheltering behind men, men sheltering behind servants - the whole system's wrong, and she must challenge it. — E. M. Forster

The person, be it gentleman or lady, who has not pleasure in a good novel, must be intolerably stupid. — Jane Austen

One often hears of writers that rise and swell with their subject, though it may seem but an ordinary one. How, then, with me, writing of this Leviathan? Unconsciously my chirography expands into placard capitals. Give me a condor's quill! Give me Vesuvius' crater for an inkstand! Friends, hold my arms! For in the mere act of penning my thoughts of this Leviathan, they weary me, and make me faint with their out-reaching comprehensiveness of sweep, as if to include the whole circle of the sciences, and all the generations of whales, and men, and mastodons, past, present, and to come, with all the revolving panoramas of empire on earth, and throughout the whole universe, not excluding its suburbs. Such, and so magnifying, is the virtue of a large and liberal theme! We expand to its bulk. To produce a mighty book, you must choose a mighty theme. No great and enduring volume can ever be written on the flea, though many there be who have tried it. — Herman Melville

To borrow from Budd Schulberg's description of a media manipulator in his classic novel The Harder They Fall, I was "indulging myself in the illusions that we can deal in filth without becoming the thing we touch." I no longer have those illusions. Winston Churchill wrote of the appeasers of his age that "each one hopes that if he feeds the crocodile enough, the crocodile will eat him last." I was even more delusional. I thought I could skip being devoured entirely. It would never turn on me. I was in control. I was the expert. But I was wrong. — Ryan Holiday

I've never been comfortable with one-on-one interviews, preferring the anonymity of a group discussion where I can sit inconspicuously at the back of the room. To be honest, I prefer my own company, reading a classic British novel, curled up in a chair in the campus library. Not sitting twitching nervously in a colossal glass-and-stone edifice. — E.L. James

It is a strange thing, looking at the sea. When it is calm, or with only gentle ripples, it gives an impression of being soft and kind. But often, on such a calm, the wind suddenly blows, thrusting the water back into angry waves. At such times, in a certain sense, one feels sorry for the sea. Never of itself offensive to others, it is all too often attacked by wind and rain, the rain falling densely upon it, shaming the beauty of its calm face with a million bouncing bubbles. Were the wind to stop blowing, the ocean, surely, would never afflict the land with any calamity, nor would any human beings suffer. — Tan Kok Seng

Danilo's was the kind of place where many drinking men come to hide, be it from their wives, in-laws, their jobs or life in general. it was where men and women can come to drink poison as if it was the only form of medicine available to remedy the migraine headache called life. The lighting dim and secluded, mostly covering the tables, counters and the door to the bathroom. The walls were decorated in decades of memories, favorite sports teams and other miscellaneous decor that was typical of small bars such as this one. It was too dark to tell what they were from a distance.
There was a thick layer of smoke hovering in the air around the ceiling lights, the place was smothered in it but was strongest above everyone's heads. The smell was the classic stale bar odor of cigarettes and cheap cigars. — J.C. Joranco

The young man never seemed to know what idleness was," marveled Cutler, "and every leisure moment would find the last novel, some English classic or some abstruse book on natural history in his hands. — Doris Kearns Goodwin

The detective novel is the art-for-art's-sake of our yawning Philistinism, the classic example of a specialized form of art removed from contact with the life it pretends to build on. — V.S. Pritchett

I thought you'd be interested in these things as a government man. Ain't you mixed up in the prices of things we eat or something? Ain't that it? Making them more costly or something. Making the grits cost more and the grunts less? — Ernest Hemingway,

To be a classic, a novel should be original. — Ruth Rendell

If you're doing a classic play, where if you do a Chekhov, you do the words as written. You can't do that with a novel; you have to do your version of the words as written. — Sam Mendes

I'm convinced that Nabokov wrote his novels around words like agglutinate, siliceous, gardyloo, ophidian, triskelions. That he took an ESL course at a local night school and the teacher wrote those words on the blackboard and said, "Today's assignment is to take these words and use them in a first novel the New York Times will call 'Riveting, truly a classic for the ages. — Paul Beatty

I had thought for years, probably 30 or 40 years, that it would be a lot of fun to try my hand at a classic English mystery novel ... I love that form very much because the reader is so familiar with all of the types of characters that are in there that they already identify with the book. — Alan Bradley

Gritty and witty, The Chicago Way is done the classic Raymond Chandler Way. Harvey's taut plot, snappy prose, and memorable characters make this debut novel a real winner. — Kathy Reichs

I hope for so much from every book I read. And time and again, I find myself disappointed. I look across my bookshelves and see hundreds of titles which in my memory seem merely mediocre or second-rate. Only occasionally does a novel appear for which I feel a lasting passion, a book that I think could in time become a classic. — John Boyne

When English author Anna Sewell wrote Black Beauty, in the late nineteenth century, she said that her aim was to "induce kindness, sympathy, and an understanding treatment of horses." Though now considered a children's classic, the book was originally intended for an adult audience. Narrated from the horse's point of view, the novel describes Black Beauty's life, from his earliest memory, of "a large pleasant meadow with a pond of clear water in it" to his wretched existence pulling a heavy load for a cruel peddler. The sentimental and emotionally wrenching book was wildly popular, quickly becoming a bestseller first in England and then in the United States, where it became a favorite of the progressive movement. Sewell's book was the first to popularize interest in the plight of the horse and to generate widespread concern about the beast of burden's treatment. — Elizabeth Letts

I had written a novel that was more of a classic linear novel, and I worked on it and worked on it for years, and it always seemed like it wouldn't catch fire. At a certain point I just scrapped it all, and I kept maybe 15 percent of it, and I wrote those parts out on note cards. — Jenny Offill

Own company, reading a classic British novel, curled — E.L. James

The Anglo-American tradition is much more linear than the European tradition. If you think about writers like Borges, Calvino, Perec or Marquez, they're not bound in the same sort of way. They don't come out of the classic 19th-century novel, which is where all the problems start. 19th-century novels are fabulous and we should all read them, but we shouldn't write them. — Jeanette Winterson

I told them this novel was an American classic, in many ways the quintessential American novel. There were other contenders: The Adventures of Huckleberry Finn, Moby-Dick, The Scarlet Letter. Some cite its subject matter, the American Dream, to justify this distinction. We in ancient countries have our past
we obsess over the past. They, the Americans, have a dream: they feel nostalgia about the promise of the future. — Azar Nafisi

During my last year of college I wrote the same ten pages over and over again. Those ten pages became the first few pages of my first novel. I can still recite the opening paragraph from memory - only now I cringe when I do it because they are - surprise! - a classic example of overwriting, in addition to being a more than a little pretentious. — Patricia Briggs

Charlotte Bronte borrowed liberally and sloppily from Joseph Sheridan le Fanu when penning Jane Eyre. The originality of this classic novel is tarnished as a result. — Andrew Barger

As a romance novelist, I have a rather skewed view of babies. You see, they don't typically fit into the classic structure of the romance novel - romance is about two people finding each other and falling in love against insurmountable odds. Babies ... well ... babies are complicated. — Sarah MacLean

With iron and blood, it seems, and from the rich depths of the earth, John Griswold has fashioned a classic American novel, its dignified intonations of our young nation's sweat and tears evocative of the indelible storytelling of Dos Passos, Frank Norris, and Upton Sinclair. — Bob Shacochis