Benjamin Walter Quotes & Sayings

Technique of reproduction detaches the reproduced object from the domain of tradition. By making many reproductions it substitutes a plurality of copies for a unique existence. And in permitting the reproduction to meet the beholder or listener in his own particular situation, it reactivates the object reproduced. These two processes lead to a tremendous shattering of tradition which is the obverse of the contemporary crisis and renewal of mankind. — Walter Benjamin

The distracted person, too, can form habits. — Walter Benjamin

All the decisive blows are struck left-handed. — Walter Benjamin

Reminiscences, even extensive ones, do not always amount to an autobiography. For autobiography has to do with time, with sequence and what makes up the continuous flow of life. Here, I am talking of a space, of moments and discontinuities. For even if months and years appear here, it is in the form they have in the moment of recollection. This strange form - it may be called fleeting or eternal - is in neither case the stuff that life is made of. — Walter Benjamin

The good tidings which the historian of the past brings with throbbing heart may be lost in a void the very moment he opens his mouth. — Walter Benjamin

Memory is not an instrument for surveying the past but its theater. It is the medium of past experience, just as the earth is the medium in which dead cities lie buried. He who seeks to approach his own buried past must conduct himself like a man digging. — Walter Benjamin

What has been forgotten ... is never something purely individual. — Walter Benjamin

The only historian capable of fanning the spark of hope in the past is the one who is firmly convinced that even the dead will not be safe from the enemy if he is victorious. — Walter Benjamin

Time does not give one much leeway: it thrusts us forward from behind, blows us through the narrow tunnel of the present into the future. But space is broad, teeming with possibilities, positions, intersections, passages, detours, U-turns, dead-ends, one-way streets. Too many possibilities, indeed. — Susan Sontag

And the non-reading of books, you will object, should be characteristic of all collectors? This is news to me, you may say. It is not news at all. experts will bear me out when I say that it is the oldest thing in the world. Suffice it to quote the answer which Anatole France gave to a philistine who admired his library and then finished with the standard question, "And you have read all these books, Monsieur France?" "Not one-tenth of them. I don't suppose you use your Sevres china every day? — Walter Benjamin

Writers are really people who write books not because they are poor, but because they are dissatisfied with the books which they could buy but do not like. — Walter Benjamin

Quotations in my work are like wayside robbers who leap out armed and relieve the stroller of his conviction. — Walter Benjamin

A blind determination to save the prestige of personal existence, rather than, through an impartial disdain for its impotence and entanglement, at least to detach it from the background of universal delusion, is triumphing almost everywhere. — Walter Benjamin

He who seeks to approach his own buried past must conduct himself like a man digging ... He must not be afraid to return again and again to the same matter; to scatter it as one scatters earth, to turn it over as one turns over soil. For the matter itself is only a deposit, a stratum, which yields only to the most meticulous examination what constitutes the real treasure hidden within the earth: the images, severed from all earlier associations, that stand -like precious fragments or torsos in a collector's gallery -in the prosaic rooms of our later understanding. — Walter Benjamin

Any translation which intends to perform a transmitting function cannot transmit anything but information-hence, something inessential. This is the hallmark of bad translations. — Walter Benjamin

Painting, by its nature, cannot provide an object of simultaneous collective reception ... as film is able to do today ... And while efforts have been made to present paintings to the masses in galleries and salons, this mode of reception gives the masses no means of organizing and regulating their response. Thus, the same public which reacts progressively to a slapstick comedy inevitably displays a backward attitude toward Surrealism. — Walter Benjamin

All disgust is originally disgust at touching. — Walter Benjamin

History is written by the victors. — Walter Benjamin

Man is the namer; by this we recognize that through him pure language speaks. All nature, insofar as it communicates itself, communicates itself in language, and so finally in man. Hence, he is the lord of nature and can give names to things. Only through the linguistic being of things can he get beyond himself and attain knowledge of them-in the name. God's creation is completed when things receive their names from man, from whom in name language alone speaks. — Walter Benjamin

To perceive the aura of an object we look at means to invest it with the ability to look at us in return. — Walter Benjamin

Uncleanness is so much the attribute of officials that one could almost regard them as enormous parasites ... In the same way the fathers in Kafka's strange families batten on their sons, lying on top of them like giant parasites. They not only prey upon their strength, but gnaw away at the sons' right to exist. The fathers punish, but they are at the same time the accusers. The sin of which they accuse their sons seems to be a kind of original sin. — Walter Benjamin

The work of memory collapses time. — Walter Benjamin

Death is the sanction of everything the story-teller can tell. He has borrowed his authority from death. — Walter Benjamin

Like a clock of life on which the seconds race, the page number hangs over the characters in a novel. Where is the reader who has not once lifted to it a fleeting, fearful glance? — Walter Benjamin

For every second of time was the strait gate through which the Messiah might enter. — Walter Benjamin

The face of the angel of history is turned toward the past. Where we perceived a chain of events, he sees a single catastrophe which keeps piling wreckage and hurls it in front of his feet. The angel would like to stay, awaken the dead, and make whole what has been smashed. But a storm is blowing from Paradise; it has got caught in his wings with such violence that the angel can no longer close them. This storm irresistably propels him into the future to which his back is turned, while the pile of debris before him grows skyward. The storm is what we call progress. — Walter Benjamin

Press to make the public incapable of judging, to insinuate into it the ... — Walter Benjamin

From this story it may be seen what the nature of true storytelling is. The value of information does not survive the moment in which it was new. It lives only at that moment; it has to surrender to it completely and explain itself to it without losing any time. A story is different. It does not expend itself. It preserves and concentrates its strength and is capable of releasing it even after a long time. — Walter Benjamin

What Pamuk is also engaging with at this point and throughout the book is the relationship of memory and photography and the argument put forward by Walter Benjamin and other commentators that photography creates a 'false' or 'counter' memory which results in what Sontag calls the replacement of memory by a photograph.24 — Patrizia Di Bello

The important thing for the remembering author is not what he experienced, but the weaving of his memory, the Penelope work of recollection. Or should one call it, rather, the Penelope work of forgetting? ... And is not his work of spontaneous recollection, in which remembrance is the woof and forgetting the warp, a counterpart to Penelope's work rather than its likeness? For here the day unravels what the night has woven. When we awake each morning, we hold in our hands, usually weakly and loosely, but a few fringes of the tapestry of a lived life, as loomed for us by forgetting. However, with our purposeful activity and, even more, our purposive remembering each day unravels the web and the ornaments of forgetting. — Walter Benjamin

Not to find one's way around a city does not mean much. But to lose one's way in a city, as one loses one's way in a forest, requires some schooling. Street names must speak to the urban wanderer like the snapping of dry twigs, and little streets in the heart of the city must reflect the times of day, for him, as clearly as a mountain valley. This art I acquired rather late in life; it fulfilled a dream, of which the first traces were labyrinths on the blotting papers in my school notebooks. — Walter Benjamin

Every passion borders on the chaotic, but the collector's passion borders on the chaos of memories. — Walter Benjamin

Freud's fundamental thought, on which these remarks are based, is formulated by the assumption that consciousness comes into being at the site of a memory trace. — Walter Benjamin

Genuine polemics approach a book as lovingly as a cannibal spices a baby. — Walter Benjamin

The killing of a criminal can be moral-but never its legitimation. — Walter Benjamin

Historical materialism has every reason to distinguish itself sharply from bourgeois habits of thought. Its founding concept is not progress but actualization. — Walter Benjamin

I came into the world under the sign of Saturn
the star of the slowest revolution, the planet of detours and delays. — Walter Benjamin

Art teaches us to see into things. Folk art and kitsch allow us to see outward from within things. — Walter Benjamin

Solitude appeared to me as the only fit state of man. — Walter Benjamin

It is only for the sake of those without hope that hope is given to us. — Walter Benjamin

For me, it was like this: pronounced antipathy to conversing about matters of practical life, the future, dates, politics. You are fixated on the intellectual sphere as a man possessed may be fixated on the sexual: under its spell, sucked into it. — Walter Benjamin

A man listening to a story is in the company of the storyteller; even a man reading one shares this companionship. The reader of a novel, however, is isolated, more so than any other reader(For even the reader of a poem is ready to utter the words, for the benefit of the listener.) In this solitude of his, the reader of
a novel seizes upon his material more jealously than anyone else. He is ready to make it completely his own, to devour it, as it were. Indeed, he destroys, he swallows up the material as the fire devours logs in the fireplace. The suspense which permeates the novel is
very much like the draft which stimulates the flame in the fireplace and enlivens its play. — Walter Benjamin

You could tell a lot about a man by the books he keeps - his tastes, his interest, his habits. — Walter Benjamin

He who asks fortune-tellers the future unwittingly forfeits an inner intimation of coming events that is a thousand times more exact than anything they may say. — Walter Benjamin

The difference between a person who appreciates books, even loves them, and a collector is not only degrees of affection, I realized. For the former, the bookshelf is a kind of memoir; there are my childhood books, my college books, my favorite novels, my inexplicable choices. Many matchmaking and social networking websites offer a place for members to list what they're reading for just this reason: books can reveal a lot about a person. This is particularly true of the collector, for whom the bookshelf is a reflection not just of what he has read but profoundly of who he is: 'Ownership is the most intimate relationship that one can have to objects. Not that they can come alive in him; it is he who comes alive in them,' wrote cultural critic Walter Benjamin. — Allison Hoover Bartlett

Melancholy betrays the world for the sake of knowledge. But in its tenacious self-absorption it embraces dead objects in its contemplation, in order to redeem them — Walter Benjamin

No poem is intended for the reader, no picture for the beholder, no symphony for the listener. — Walter Benjamin

As the philosopher Walter Benjamin put it: "There is no document of civilization that is not at the same time a document of barbarism."24 — Karen Armstrong

Civically engaged, business oriented, technology obsessed, and socially skilled, Franklin was "our founding Yuppie," declares the New York Times columnist David Brooks. Franklin "would have felt right at home in the information revolution," Walter Isaacson writes in his biography of the statesman. "We can easily imagine having a beer with him after work, showing him how to use the latest digital device, sharing the business plan of a new venture, and discussing the most recent political scandals or policy ideas." The essence of Franklin's appeal is that he was brilliant but practical, interested in everything, but especially in how things work. — Fareed Zakaria

Kitsch offers instantaneous emotional gratification without intellectual effort, without the requirement of distance, wihtout sublimation. — Walter Benjamin

Less and less frequently do we encounter people with the ability to tell a tale properly. More and more often there is embarrassment all around when the wish to hear a story is expressed. It is as if something that seemed inalienable to us, the securest among our possessions, were taken from us: the ability to exchange our experiences ... Experience has fallen in value. And it looks as if it is continuing to fall into bottomlessness. — Walter Benjamin

Only he who can view his own past as an abortion sprung from compulsion and need can use it to full advantage in the present. For what one has lived is at best comparable to a beautiful statue which has had all its limbs knocked off in transit, and now yields nothing but the precious block out of which the image of one's future must be hewn. — Walter Benjamin

Indeed, is not the homecoming amateur with his vast number of artistic snaps more contented than the hunter, returning laden with the game which is only of value to the trader. — Walter Benjamin

Fragments of a vessel which are to be glued together must match one another in the smallest details, although they need not be like one another. In the same way a translation, instead of resembling the meaning of the original, must lovingly and in detail incorporate the original's mode of signification, thus making both the original and the translation recognizable as fragments of a greater language, just as fragments are part of a vessel. — Walter Benjamin

It is in a small village in the Pyrenees where no one knows me 7that my life will come to a close ... There is not enough time remaining for me to write all the letters I would like to write ... — Walter Benjamin

History is made up of fragments and absences. What is left out is as significant as what is included. — Walter Benjamin

O bliss of the collector, bliss of the man of leisure! Of no one has less been expected and no one has had a greater sense of well-being than ... a collector. Ownership is the most intimate relationship one can have to objects. No t that they come alive in him; it is he who comes alive in them. — Walter Benjamin

The art of storytelling is reaching its end because the epic side of truth, wisdom, is dying out. — Walter Benjamin

Even the most perfect reproduction of a work of art is lacking in one element: its presence in time and space, its unique existence at the place where it happens to be. — Walter Benjamin

The destructive character lives from the feeling, not that life is worth living, but that suicide is not worth the trouble. — Walter Benjamin

Literature tells very little to those who understand it. — Walter Benjamin

The destructive character knows only one watchword: make room; only one activity: clearing away ...
The destructive character is young and cheerful. For destroying rejuvenates in clearing away traces of our own age ... — Walter Benjamin

The ability to master certain tasks in a state of distraction proves that their solution has become a matter of habit. Distraction as provided by art presents a covert control of the extent to which new tasks have become soluble by apperception. Since, moreover, individuals are tempted to avoid such tasks, art will tackle the most difficult and most important ones where it is able to mobilize the masses. Today it does so in the film. Reception in a state of distraction, which is increasing noticeably in all fields of art and is symptomatic of profound changes in apperception, finds in the film its true means of exercise. The film with its shock effect meets this mode of reception halfway. The film makes the cult value recede into the background not only by putting the public in the position of the critic, but also by the fact that at the movies this position requires no attention. The public is an examiner, but an absent-minded one. — Walter Benjamin

The fairy tale, which to this day is the first tutor of children because it was once the first tutor of mankind, secretly lives on in the story. The first true storyteller is, and will continue to be, the teller of fairy tales. Whenever good counsel was at a premium, the fairy tale had it, and where the need was greatest, its aid was nearest. This need was created by myth. The fairy tale tells us of the earliest arrangements that mankind made to shake off the nightmare which myth had placed upon its chest. — Walter Benjamin

Rather than ask, What is the attitude of a work to the relations of production of its time? I should like to ask, What is its position in them. — Walter Benjamin

Sketches Einstein: His Life and Universe A Benjamin Franklin Reader Benjamin Franklin: An American Life Kissinger: A Biography The Wise Men: Six Friends and the World They Made (with Evan Thomas) — Walter Isaacson

Of all the ways of acquiring books, writing them oneself is regarded as the most praiseworthy method.
- Walter Benjamin, Unpacking My Library — Phillip Lopate

Our image of happiness is indissolubly bound up with the image of redemption. — Walter Benjamin

There is no muse of philosophy, nor is there one of translation. — Walter Benjamin

What draws the reader to the novel is the hope of warming his shivering life with a death he reads about — Walter Benjamin

Ideas are to objects as constellations are to stars [translated from Trauerspiel, 1928]. — Walter Benjamin

To be happy is to be able to become aware of oneself without fright. — Walter Benjamin

A historical materialist approaches a historical subject only where he encounters it as a monad. In this structure he recognizes the sign of a Messianic cessation of happening, or, put differently, a revolutionary chance in the fight for the oppressed past. — Walter Benjamin

True translation is transparent: it does not obscure the original, does not stand in its light, but rather allows pure language, as if strengthened by its own medium, to shine even more fully on the original. — Walter Benjamin

It" is the idea of him or her that resides in us--inspired by the "Something" in them, as Pope has it, "That gives us back the Image of our Mind." Although the perception of It must be excited by some extraordinary perturbation in the looks and personality of the adored, the aura that It broadcasts arises not merely from the singularity of an original, as Walter Benjamin supposed, but also from the fabulous success of its reproducibility in the imaginations of many others, charmed exponentially by the number of its copies. The one-of-kind item must become a type, a replicable role-icon of itself--from "a Charles Hart" or "a Nell Gwyn" to "a Mary Pickford" or "a Douglas Fairbanks"--in order to unleash the Pygmalion effect in the hearts and minds of the fans, making the idea of him or her theirs--as much or more than anything else they might call their own. — Joseph Roach

Reading Proust nearly silenced Virginia Woolf. She loved his novel, but loved it rather too much. There wasn't enough wrong with it - a crushing recognition when one considers Walter Benjamin's assessment of why people become writers: because they are unable to find a book already written that they are completely happy with. And — Alain De Botton

As long as there is still one beggar around, there will still be myth. — Walter Benjamin

Not to find one's way in a city may well be uninteresting and banal. It requires ignorance - nothing more," says the twentieth-century philosopher-essayist Walter Benjamin. "But to lose oneself in a city - as one loses oneself in a forest - that calls for quite a different schooling." To lose yourself: a voluptuous surrender, lost in your arms, lost to the world, utterly immersed in what is present so that its surroundings fade away. In Benjamin's terms, to be lost is to be fully present, and to be fully present is to be capable of being in uncertainty and mystery. And one does not get lost but loses oneself, with the implication that it is a conscious choice, a chosen surrender, a psychic state achievable through geography. — Rebecca Solnit

Mechanical reproduction emancipates the work of art from its parasitical dependence on ritual. — Walter Benjamin

Any order is a balancing act of extreme precariousness. — Walter Benjamin

During long periods of history, the mode of human sense perception changes with humanity's entire mode of existence. The manner in which human sense perception is organized, the medium in which it is accomplished, is determined not only by nature but by historical circumstances as well — Walter Benjamin

The greater the decrease in the social significance of an art form, the sharper the distinction between criticism and enjoyment by the public. The conventional is uncritically enjoyed, and the truly new is criticized with aversion. — Walter Benjamin

In the end, we get older, we kill everyone who loves us through the worries we give them, through the troubled tenderness we inspire in them, and the fears we ceaselessly cause. — Walter Benjamin

For what is the program of the bourgeois parties? A bad poem on springtime, filled to bursting with metaphors. — Walter Benjamin

At any rate, nothing was more characteristic of him [Walter Benjamin] in the thirties than the little notebooks with black covers which he always carried with him and in which he tirelessly entered in the form of quotations what daily living and reading netted him in the way of "pearls" and "coral." On occasion he read from them aloud, showed them around like items from a choice and precious collection. — Hannah Arendt

Visited the library often to read or reread books he had ignored or misunderstood while at university. The Name of the Rose, for one, and Remembering Slavery, a collection that so moved him he composed some mediocre, sentimental music to commemorate the narratives. He read Twain, enjoying the cruelty of his humor. He read Walter Benjamin, impressed by the beauty of the translation, he read Frederick Douglass's autobiography again, relishing for the first time the eloquence that both hid and displayed his hatred. He read Herman Melville, and let Pip break his heart, reminding him of Adam alone, abandoned, swallowed by waves of casual evil. Six — Toni Morrison

All efforts to make politics aesthetic culminate in one thing, war. — Walter Benjamin

Our taverns and our metropolitan streets, our offices and furnished rooms, our railroad stations and our factories appeared to have us locked up hopelessly. Then came the film and burst this prison-world asunder by the dynamite of the tenth of a second, so that now, in the midst of its far-clung ruins and debris, we calmly and adventurously go traveling. — Walter Benjamin

A real translation is transparent. — Walter Benjamin

The camera ... on the one hand extends our comprehension of the necessities that rule our lives; on the other, it manages to assure us of an immense and unexpected field of action. — Walter Benjamin

This process of assimilation, which takes place in depth, requires a state of relaxation that is becoming rarer and rarer. If sleep is the apogee of physical relaxation, boredom is the apogee of mental relaxation. Boredom is the dream bird that hatches the egg of experience. A rustling in the leaves drives him away. His nesting places - the activities that are intimately associated with boredom - are already extinct in the cities and are declining in the country as well. With this the gift for listening is lost and the community of listeners disappears. For storytelling is always the art of repeated stories, and this art is lost when the stories are no longer retained. — Walter Benjamin

In the fields with which we are concerned,
knowledge comes only in flashes. The text
is the thunder rolling long afterward. — Walter Benjamin

What figure does the man of letters cut in a country where his employer is the proletariat ? — Walter Benjamin

Counsel woven into the fabric of real life is wisdom. — Walter Benjamin

Gifts must affect the receiver to the point of shock. — Walter Benjamin

The only way of knowing a person is to love them without hope. — Walter Benjamin

[L]ess than at any time does a simple reproduction of reality tell us anything about reality. A photograph of the Krupp works or GEC yields almost nothing about those institutions. Reality proper has slipped into the functional. The reification of human relationships, the factory, let's say, no longer reveals these relationships. Therefore something has to be constructed, something artificial, something set up. — Walter Benjamin

As Hegel put it, only when it is dark does the owl of Minerva begin its flight. Only in extinction is the collector comprehend. — Walter Benjamin

In other words, the unique value of the 'authentic' work of art has its basis in ritual, the location of its original use value. This ritualistic basis, however remote, is still recognizable as secularized ritual even in the most profane forms of the cult of beauty. — Walter Benjamin

The idea that happiness could have a share in beauty would be too much of a good thing. — Walter Benjamin