Believe Pictures And Quotes & Sayings
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I believe destiny and hard work go hand in hand. I was studying to be an engineer when my mom and my brother sent my pictures for the Miss India contest. I didn't even know about it. If that isn't destiny, what is? — Priyanka Chopra

Won't the new 'Suggested for Mature Audience' protect our youngsters from such films? I don't believe so. I know many forty-five-year old men with the mentalities of six-year-olds, and my feeling is that they should not see such pictures, either. — Shirley Temple

My father looks at me the way he is looking at my mother in one of their wedding pictures: like he can't believe that she is with him now and will be with him forever, that she has chosen to be with him out of all the men in the known world. — Francisco X Stork

My photographs are proof of what happened. When I go to Russia, sometimes I meet ex-soldiers ... They say, 'We came to liberate you ... ' I say: 'Listen, I think it was quite different. I saw people being killed.' They say: 'No. We never ... no shooting. No. No.' So I can show them my Prague 1968 photographs and say, 'Listen, these are my pictures. I was there.' And they have to believe me. — Josef Koudelka

There are some people whose dread of human beings is so morbid that they reach a point where they yearn to see with their own eyes monsters of ever more horrible shapes. And the more nervous they are-the quicker to take fright-the more violent they pray that every storm will be ... Painters who have had this mentality, after repeated wounds and intimidations at the hands of the apparitions called human beings, have often come to believe in phantasms-they plainly saw monsters in broad daylight, in the midst of nature. And they did not fob people off with clowning; they did their best to depict these monsters just as they had appeared. Takeichi was right: they had dared to paint pictures of devils. — Osamu Dazai

Maybe I'll get you a painting for Christmas," I said.
"We don't buy Christmas presents for each other," Edward said.
We were both staring at the fireplace as if visualizing that make-believe fire. "Maybe I'll start. One of those big-eyed children or a clown on velvet."
"I won't hang it if I don't like it."
I glanced at him. "Unless it's from Donna."
He was very still suddenly. "Yes."
"Maybe I'll tell her how much you love those pictures of dogs playing poker and she can buy you some prints."
"She wouldn't believe it," he said.
"No, but I bet I could come up with something that she would believe that you'd hate just as much."
He stared at me. "You wouldn't."
"I might."
"This sounds like the opening to blackmail. What do you want? — Laurell K. Hamilton

But I can't help but long for a real return to the Western. Westerns are true Americana. They tell of the struggles of our ancestors who came West seeking new homes, new ways of living, freedom and the promise of a bright future. The story of the West is inspiring and terrible, idealistic and bloody, sublime and atrocious. It embodies this country's best and worst characteristics. The good parts of the story inspire us. The bad parts warn us of what we have to do to make things better. Even though many Western films have only a slight connection to the true history of the West, I believe exposure to these motion pictures can stimulate kids to learn more about what their forefathers endured to make the United States one nation, from sea to shining sea. — Clayton Moore

I had an argument with my students on why they want to present their work in an iBook, it's like your sister who has no design training, put on some outfits in the bedroom, took some pictures, sent them to Apple and after paying 40 quid, you have a portfolio! I can't believe it. — Louise Wilson

We are creators. When we begin, separately or together, there's a blank piece of paper. When we are done, we are giving people dreams and magic and journeys into minds and lives that they have never lived. And we must not forget that.
Don't worry about trying to develop a style. Style is what you can't help doing. If you write enough, you draw enough, you'll have a style, whether you want it or not.
Don't worry about whether you're "commercial". Tell your own stories, draw your own pictures. Let other people follow you.
If you believe in it, do it. If there's a comic or a project you've always wanted to do, go out there and give it a try. If you fail, you'll have given it a shot. If you succeed, then you succeeded with what you wanted to do. — Neil Gaiman

Texts between Dr. Stayner & Livie(with a little help from Kacey)
Dr. Stayner: Tell me you did one out-of-character thing last night
Livie: I drank enough Jell-O shots to fill a small pool, and then proceeded to break out every terrible dance move known to mankind. I am now the proud owner of a tattoo and if I didn't have a video to prove otherwise, I'd believe I had it done in a back alley with hepatitis-laced needles. Satisfied?
Dr. Stayner: That's a good start. Did you talk to a guy?
Kacey(answering for Livie): Not only did I talk to a guy but I've now seen two penises, including the one attached to the naked man in my room this morning when I woke up. I have pictures. Would you like to see one?
Dr. Stayner: Glad you're making friends. Talk to you on Saturday — K.A. Tucker

For every bad man and woman I have ever known, I have met ... an overwhelming number of thoroughly clean and decent people who still believe in God and cherish high ideals, and it is upon the lives of these people that I base what I write. To contend that this does not produce a picture true to life is idiocy. It does. It produces a picture true to ideal life; to the best that good men and good women can do at level best.
I care very little for the ... critics who proclaim that there is no such thing as a moral man, and that my pictures of life are sentimental and idealized. They are! And I glory in them! They are straight, living pictures from the lives of men and women of morals, honor, and loving kindness ...
Such a big majority of book critics and authors have begun to teach, whether they really believe it or not, that no book is true to life unless it is true to the worst in life. — Gene Stratton-Porter

I don't believe in playing down to children, either in life or in motion pictures. I didn't treat my own youngsters like fragile flowers, and I think no parent should. — Walt Disney

I dont believe in learning from other peoples pictures. I think you should learn from your own interior vision of things and discover, as I say, Innocently, as though there had never been anybody. — Orson Welles

Words present us with little pictures, clear and familiar, like those that are hung on the walls of schools to give children an example of what a workbench is, a bird, an anthill, things conceived of as similar to all others of the same sort. But names present a confused image of people
and of towns, which they accustom us to believe are individual, unique like people
an image which derives from them, from the brightness or darkness of their tone, the color with which it is painted uniformly, like one of those posters, entirely blue or entirely red, in which, because of the limitations of the process used or by a whim of the designer, not only the sky and the sea are blue or red, but the boats, the church, the people in the streets. — Marcel Proust

Adam Trask to Cathy: "You know about the ugliness in people. You showed me the pictures. You use all the sad, weak parts of a man, and God knows he has them." ... "But you-yes, that's right- you don't know about the rest. You don't believe I brought you the letter because I don't want your money. You don't believe I love you. And the men who come to you here with their ugliness, the men in the pictures- you don't believe those men could have goodness and beauty in them. You see only one side, and you think-more than that, you're sure- that's all there is.'
" ... I seem to know that there's a part of you missing. Some men can't see the colour green, but they may never know they can't. I think you are only part of a human. I can't do anything about that. ut I wonder whether you ever feel that something invisible is all around you. It would be horrible if you knew it was there and couldn't see or feel it. That would be horrible. — John Steinbeck

Her learning to sew (from a book Yankel brought back from Lvov) coincided with her refusal to wear any clothes that she did not make for herself, and when he bought her a book about animal physiology, she held the pictures to his face and said, "Don't you think it's strange, Yankel, how we eat them?"
"I've never eaten a picture."
"The animals. Don't you find that strange? I can't believe I never found it strange before. It's like your name, how you don't notice it for so long, but when you finally do, you can't help but say it over and over, and wonder why you never thought it was strange that you should have that name, and that everyone has been calling you that name for your whole life."
"Yankel. Yankel. Yankel. Nothing so strange for me."
"I won't eat them, at least not until it doesn't seem strange to me. — Jonathan Safran Foer

I had no respect whatsoever for the creative works of either the painter or the novelist. I thought Karabekian with his meaningless pictures had entered into a conspiracy with millionaires to make poor people feel stupid. I thought Beatrice Keedsler had joined hands with other old-fashioned storytellers to make people believe that life had leading characters, minor characters, significant details, insignificant details, that it had lessons to be learned, tests to be passed, and a beginning, a middle, and an end. — Kurt Vonnegut

Franklin, I was absolutely terrified of having a child. Before I got pregnant, my visions of child rearing- reading stories about cabooses with smiley faces at bedtime, feeding glop into slack mouths- all seemed like pictures of someone else. I dreaded confrontation with what could prove a closed, stony nature, my own selfishness and lack of generosity, the thick tarry powers of my own resentment. However intrigued by a "turn of the page," I was mortified by the prospect of becoming hopelessly trapped in someone else's story. And I believe that this terror is precisely what must have snagged me, the way a ledge will tempt one to jump off. The very surmountability of the task, its very unattractiveness , was in the end what attracted me to it. (32) — Lionel Shriver

Peter Hinwood found all these old pictures - Polaroids - and when I saw them, I just didn't believe that the person in them was connected with me. I was in a hotel room with one of those front-and-back mirrors, and I thought, Who the hell is that? I used to be thin as a rake. I used to have the nice-shaped pecs. It's sad. No, it's not sad, it's the reality, and I've accepted this now. — Manolo Blahnik

'That Enough Is As Good As a Feast'
... The inventor of [this saying] did not believe it himself ... Goodly legs and shoulders of mutton, exhilarating cordials, books, pictures, the opportunities of seeing foreign countries, independence, heart's ease, a man's own time to himself, are not muck - however we may be pleased to scandalise with that appellation the faithful metal that provides them for us. — Charles Lamb

I believe you shouldn't force the audience's interpretation of a character or a story. The more you explain things, the less intriguing and imaginable they are for viewers ... Film to me, in its essence, in its ultimate nature, is silent. Music and dialogue are there to fill what is lacking in the image. But you should be able to tell the story with moving pictures alone. For my next project, though, I'd like to make the kind of film where the characters blabber all the time. — Takeshi Kitano

Mars is essentially in the same orbit ... somewhat the same distance from the Sun, which is very important. We have seen pictures where there are canals, we believe, and water. — Dan Quayle

This was an adequate enough performance, as improvisations go. The only problem was that my entire education, everything I had ever been told or had told myself, insisted that the production was never meant to be improvised: I was supposed to have a script, and had mislaid it. I was supposed to hear cues, and no longer did. I was mean to know the plot, but all I knew was what I saw: flash pictures in variable sequence, images with no "meaning" beyond their temporary arrangement, not a movie but a cutting-room experience. In what would probably be the middle of my life I wanted still to believe in the narrative and in the narrative's intelligibility, but to know that one could change the sense with every cut was to begin to perceive the experience as more electrical than ethical. — Joan Didion

Kiera blushes deeply as she continues tearfully, "Jeff, our life has been crazy since the moment we met. Yet, with each challenge we face, we grow stronger. You told me before we even had our first formal date that you'd like to prove to me that you'd love me until the stars fall from the sky. Although at first, I was scared to believe, you have demonstrated in big ways and small that you love me. So, for me this ring is a tangible sign of my love for you."
Gabriel walks over to Kiera and hands her a ring, which she slides on my finger as she asks, "Jeffery Charles Whitaker, will you take this ring as a symbol of my love and faithfulness until the stars fall from the sky?"
To my shock, it is the simple gold band that I've seen my dad wear in countless pictures before he died. My eyes tear up as I breathe, "Oh Pip, this is perfect. I wanted him to be here." In a much louder voice, I reply, "Of course I will. — Mary Crawford

Voluntary memory, the memory of the intellect and the eyes, [gives] us only imprecise facsimiles of the past which no more resemble it than pictures by bad painters resemble the spring. ... So we don't believe that life is beautiful because we don't recall it, but if we get a whiff of a long-forgotten smell we are suddenly intoxicated, and similarly we think we no longer love the dead, because we don't remember them, but if by chance we come across an old glove we burst into tears. A — Alain De Botton

There are certain mystical belief systems that believe that taking pictures takes an aspect of the soul, but beyond that it's just the idea that once you're captured in a photograph, then a million presumptions are made of you, and you are forever frozen in that one moment, and you are perceived to be the embodiment of that moment, and that, of course, is an illusion. — Madonna Ciccone

A primary reason that people believe that life is getting worse is because our information about the problems of the world has steadily improved. If there is a battle today somewhere on the planet, we experience it almost as if we were there. During
World War II, tens of thousands of people might perish in a battle, and if the public could see it at all it was in a grainy newsreel in a movie theater weeks later. During World War I a small elite could read about the progress of the conflict in the newspaper
(without pictures). During the nineteenth century there was almost no access to news in a timely fashion for anyone. — Ray Kurzweil

On no account would I do a picture which I should be unwilling to show to all the world - or at least all the artistic world. If I did not believe I could take pictures of all children without any lower motive than a pure love of Art, I would not ask it: and if I thought there was any fear of its lessening their beautiful simplicity of character, I would not ask it. I print all such pictures myself, and of course would not let any one see them without your permission. I fear you will reply that the one insuperable objection is "Mrs. Grundy"
that people will be sure to hear that such pictures have been done, and that they will talk. As to their hearing of it, I say "of course. All the world are welcome to hear of it, and I would not an any account suggest to the children to mention it - which would at once introduce an objectionable element" - but as to people talking about it, I will only quote the grand old monkish legend: They say: Quhat do they say? Lat them say! — Lewis Carroll

But to the managing editor of Life, Joseph J. Thorndike, Jr., the problem centered on bias. "Of course, we did not intentionally mislead our readers," he wrote. But I do think that we ourselves were misled by our bias. Because of that bias we did not exert ourselves enough to report the side we didn't believe in. We were too ready to accept the evidence of pictures like the empty auditorium at Omaha and to ignore the later crowds. We were too eager to report the Truman "bobbles" and to pass over the things that were wrong about the Republican campaign: empty Dewey speeches, the bad Republican candidates, the dangers of Republican commitments to big business. — David McCullough

The colonial films of the golden age of Hollywood were a clear proclamation of the Consensus historians' interpretation of the facts. These motion pictures encouraged audiences to believe that our nation could overcome all obstacles to its growth and defend itself against any future foreign aggression. — John P. Harty Jr.

In the narrative of his third voyage Columbus wrote: "For I believe that the earthly Paradise lies here, which no one can enter except by God's leave." As for the people of this land, Peter Martyr would write as early as 1505: "They seem to live in that golden world of which old writers speak so much, wherein men lived simply and innocently without enforcement of laws, without quarreling, judges, or libels, content only to satisfy nature." Or as the ever present Montaigne would write: "In my opinion, what we actually see in these nations not only surpasses all the pictures which the poets have drawn of the Golden Age, and all their inventions representing the then happy state of mankind, but also the conception and desire of philosophy itself. — Paul Auster

We believe we're moving out of the Ice Age, the Iron Age, the Industrial Age, the Information Age, to the participation age. You get on the Net and you do stuff. You IM (instant message), you blog, you take pictures, you publish, you podcast, you transact, you distance learn, you telemedicine. You are participating on the Internet, not just viewing stuff. We build the infrastructure that goes in the data center that facilitates the participation age. We build that big friggin' Webtone switch. It has security, directory, identity, privacy, storage, compute, the whole Web services stack. — Scott McNealy

Science and religion both make claims about the fundamental workings of the universe. Although these claims are not a priori incompatible (we could imagine being brought to religious belief through scientific investigation), I will argue that in practice they diverge. If we believe that the methods of science can be used to discriminate between fundamental pictures of reality, we are led to a strictly materialist conception of the universe. While the details of modern cosmology are not a necessary part of this argument, they provide interesting clues as to how an ultimate picture may be constructed. — Sean Carroll

The great enemy of creativity is fear. When we're fearful, we freeze up - like a nine-year-old who won't draw pictures, for fear everybody will laugh. Creativity has a lot to do with a willingness to take risks. Think about how children play. They run around the playground, they trip, they fall, they get up and run some more. They believe everything will be all right. They feel capable; they let go. Good businesspeople behave in a similar way: they lose $15 million, gain $20 million, lose $30 million and earn it back. If that isn't playing, I don't know what is! — Faith Ringgold

Barely a teenager, Elizabeth Taylor was already more beautiful and voluptuous than Miss America. When she arrived at the Beverly Wilshire Hotel for our magazine shoot, I was bowled over. I couldn't believe she was only fourteen. She filled out a swimsuit better than I did. We did the pictures, including one shot of me teaching her to float. With that superstructure of hers, she floated just fine. What she couldn't do was sink. — Esther Williams

I believe that ... my first successes in my out-of-focus pictures were a fluke. That is to say, that when focusing and coming to something which, to my eye, was very beautiful, I stopped there instead of screwing on the lens to the more definite focus which all other photographers insist upon ... — Julia Margaret Cameron

I saw [Chennai]. It had the usual Indian elements like autos, packed public buses, hassled traffic cops and tiny shops that sold groceries, fruits, utensils, clothes or novelty items. However, it did feel different. First, the sign in every shop was in Tamil. The Tamil font resembles those optical illusion puzzles that give you a headache if you stare at them long enough. Tamil women, all of them, wear flkowers in their hair. Tamil men don't believe in pants and wear lungis even in shopping districts. The city is filled with film posters. The heroes' pictures make you feel even your uncles can be movie stars. The heroes are fat, balding, have thick moustaches and the heroine next to them is a ravishing beauty. — Chetan Bhagat

Andy: Andrew Makepeace Ladd, the Third, accepts with pleasure the kind invitation of Mr. and Mrs. Gilbert Channing Gardner for a birthday party in honor of their daughter Melissa on April 19th, 1937 at half past three o'clock.
Melissa: Dear Andy: Thank you for the birthday present. I have a lot of Oz books, but not 'The Lost Princess of Oz.' What made you give me that one? Sincerely yours, Melissa.
Andy: I'm answering your letter about the book. When you came into second grade with that stuck-up nurse, you looked like a lost princess.
Melissa: I don't believe what you wrote. I think my mother told your mother to get that book. I like the pictures more than the words. Now let's stop writing letters. — A.R. Gurney

We have seen pictures [of mars] where there there are canals, we believe, and water. If there is water, that means there is oxygen. If oxygen, that means we can breathe. — Dan Quayle

They're very sociable occasions and there's no barriers between us and the audience. It's customary that after our performances, we go out into the foyer and spend an hour or so signing autographs for the fans and having our pictures taken with them.We strongly believe that going out front to meet the fans is just as important as playing the gigs - and we all love a good natter! — Ric Sanders

As a rule I do not like to explain my photographs, I want my pictures to be read and explored. I believe a good picture is open to many individual (subjective) associations. I am usually pleased when a viewer finds interpretations that I myself had not been aware of. — John Gutmann

To believe in God is to "let God be God." This is the chief business of faith. As we believe we are allowing God to be in our lives what He already is in Himself. In trusting God, we are living out our assumptions, putting into practice all that we say He is in theory so that who God is and what He has done can make the difference in every part of our lives.
This means that the accuracy of our pictures of God is not tested by our orthodoxy or our testimonies but by the truths we count on in real life. It is demonstrated when the heat is on, the chips are down, and reality seems to be breathing down our necks. What we presuppose at such moments is our real picture of God, and this may be very different from what we profess to believe about God. (God in the Dark, ch. 4) — Os Guinness

You've got to understand one of the tricks of the modern mind, a tendency that most people obey without noticing it. In the village or suburb outside there's an inn with the sign of St. George and the Dragon. Now suppose I went about telling everybody that this was only a corruption of King George and the Dragoon. Scores of people would believe it, without any inquiry, from a vague feeling that it's probable because it's prosaic. It turns something romantic and legendary into something recent and ordinary. And that somehow makes it sound rational, though it is unsupported by reason. Of course some people would have the sense to remember having seen St. George in old Italian pictures and French romances, but a good many wouldn't think about it at all. They would just swallow the skepticism because it was skepticism. Modern intelligence won't accept anything on authority. But it will accept anything without authority. That's exactly what has happened here. — G.K. Chesterton

You really believe that there are subjects that shouldn't be photographed?' George said. He spoke evenly and softly.
'Maybe I do,' I said, thinking aloud.
'You believe in censorship then,' said Stephen.
I looked up at Stephen. His face was tight, combative. 'Not censorship,' I said slowly. 'That's external. I mean control from the inside. After all, pictures can lie, too, can convey falseness rather than truth. — Siri Hustvedt

The photographer from the magazine, Masao Kageyama, would ride along in the van that accompanied me. He'd take pictures as they drove along. It wasn't a real race, and there weren't any water stations, so I'd occasionally stop to get water from the van. The Greek summer is truly brutal, and I knew I'd have to be careful not to get dehydrated.
"Mr. Murakami," Mr. Kageyama said, surprised as he saw me getting ready to run, "you're not really thinking of running the whole route, are you?"
"Of course I am. That's why I came here."
"Really? But when we do these kinds of projects most people don't go all the way. We just take some photos, and most of them don't finish the whole route. So you really are going to run the
entire thing?"
Sometimes the world baffles me. I can't believe that people would really do things like that. — Haruki Murakami

Mac [Barnett] and I prank each other during our presentation. We show baby pictures of each other looking completely ridiculous. I can't believe the frilly shirt that I'm in, and Mac's wearing a sailor suit and playing a toy piano. That's a perfect example of a good prank, where we have three hundred people literally laughing in our faces, three hundred kids at every assembly. And it feels really good. It's really fun. — Jory John

I believe in intuition and approaching things as instant gratification. Just do the things you want to do, make the kind of pictures you want to make. — Edward Ruscha

Posting dramatic charts or funny pictures is good and giving people smart reasons to believe what they already think is great. — Derek Thompson

In Matthew's gospel, Jesus's sayings in the other gospels about the "kingdom of God" are rendered as "kingdom of heaven"; since many read Matthew first, when they find Jesus talking about "entering the kingdom of heaven," they have their assumptions confirmed and suppose that he is indeed talking about how to go to heaven when you die, which is certainly not what either Jesus or Matthew had in mind. Many mental pictures have grown up around this and are now assumed to be what the Bible teaches or what Christians believe.9 — N. T. Wright

An illustrator in my own mind - and this is not a truth of any kind - is someone who so falls in love with writing that he wishes he had written it, and the closest he can get to is illustrating it. And the next thing you learn, you have to find something unique in this book, which perhaps even the author was not entirely aware of. And that's what you hold on to, and that's what you add to the pictures: a whole Other Story that you believe in, that you think is there. — Maurice Sendak

On the paparazzi: If I have my daughter in the car and they are making me nervous, I'll do whatever I have to do. I keep a whole log. I take pictures of their cars, write down license plate numbers, everything. If they do it again, I can go to the police. I know my rights and, believe me, I will have them arrested. I will stop at nothing. — Gwyneth Paltrow

I'm here, Sorcha.
I would not believe it at first; it had been so long since he had touched my mind in this way.
I'm here. Try to let go, dear one. I know how it hurts. Lean on me; let me take your burden for a while.
I could scarcely see him; he was on the far side of the fire, behind the others and half turned away, with his head still in his hands. It seemed as if he had scarcely moved at all.
How can you? How can you know?
I know. Let me help you.
I felt the strength of his mind flow into mine, and somehow he managed to close off the terrible, the dark and secret things that he had dreaded sharing with me, and fill my head with pictures of all that was good and brave. — Juliet Marillier