Bekerjalah Quotes & Sayings

Because I select my players from a feeling that comes to me when I am with them, a certain sympathy you might call it, or a vibration that exists between us that convinces me they are right. — Erich Von Stroheim

If I was a sex symbol, I would be getting laid a lot more than I am now. — Moby

People who say that vampires don't care about anyone except themselves are mostly right - but sometimes they are very and lethally wrong. — Patricia Briggs

It teaches that there is the soul, and inside this soul is all power. It is already there, and if we can master this body, all the power will be unfolded. All knowledge is in the soul. Why — Swami Vivekananda

Increased jobs are the consequence of increased trade. Increasing jobs more than output implies a fall in productivity and standards of living. That surely cannot be our goal. — Alan Greenspan

He took two steps at a time, but slowly, holding onto the banister, putting his whole body into it, as if the act of climbing a flight of stairs was for him, as it is for many children, a moderately pleasurable end in itself. — J.D. Salinger

People who are in distress end up questioning the existence and credibility of God. They ask "Why me?" or "If God loves me why is He not helping me out? — Tom Norman

I have kissed in almost all the films except in 'Once Upon A Time In Mumbaai.' I'm not sure if my kissing on screen has anything to do with the success of a film, but producers make sure to put a kissing scene or two. They feel my kissing scenes are my lucky streak. — Emraan Hashmi

I am not the girl I used to be. I am no longer desirable, I'm off-putting in some way. It's not just that I've put on weight, or that my face is puffy from the drinking and the lack of sleep; it's as if people can see the damage written all over me, can see it in my face, the way I hold myself, the way I move. — Paula Hawkins

I am always attracted to the moments when a person who is associated with a certain message, image or sensibility evolves. I am very interested in how audiences respond to that maturation and absorb the evolution. — Raf Simons

I have no sense of a model or predecessor when I write a memoir: For me, the form exists as a method of processing material that retains too many connections to life to be approached strictly and aesthetically. A memoir is a risk, a one-off, a bastard child. — Rachel Cusk