Quotes & Sayings About Being So In Love With Her

What have you talked about then?" Alec didn't like how jealous he sounded, but it couldn't be helped. Ever since Charlie had come home he didn't know how to feel about her. It was impossible to just wipe out all the love he'd carried for her for so many years, every time he looked at his sons he saw her in them. He had tried to move on, he had moved on, but a part of him would always love her. Everything he had learnt about being a man, a lover, a true friend, a father; all these things he had learnt with her right by his side. She had made him her constant in a world where she had never known true stability, and he had loved her all the more for it.
But just as it was impossible to stop loving her, the same could be said when it came to hating her. He f*** ing hated her. He loved her with the same intensity of hating her. — K. Carr

I'd fallen in love with Amy because I was the ultimate Nick with her. Loving her made me superhuman, it made me feel alive. At her easiest, she was hard, because her brain was always working, working, working - I had to exert myself just to keep pace with her. I'd spend an hour crafting a casual e-mail to her, I became a student of arcana so I could keep her interested: the Lake poets, the code duello, the French Revolution. Her mind was both wide and deep, and I got smarter being with her. And more considerate, and more — Gillian Flynn

Community as belonging ...
Each person with his or her history of being accepted or rejected, with his or her past history of inner pain and difficulties in relationships with parents, is different. But in each one there is a yearning for communion and belonging, but at the same time a fear of it. Love is what we want, yet it is what we fear the most. Love makes us vulnerable and open, but then we can be hurt through rejection and separation. We may crave for love, but then be frightened of losing our liberty and creativity. We want to belong to a group, but we fear a certain death in the group because we may not be seen as unique. We want love, but fear the dependence and commitment it implies; we fear being used, manipulated, smothered and spoiled. We are all so ambivalent toward love, communion and belonging. — Jean Vanier

I am satisfied that happiness in marriage is not so much a matter of romance as it is an anxious concern for the comfort and well-being of one's companion. Any man who will make his wife's comfort his first concern will stay in love with her throughout their lives and through the eternity yet to come — Gordon B. Hinckley

Love is an afternoon of fishing when I'd sooner be at the ballet.
Love is eating burnt toast and lumpy graving with a big smile.
Love is hearing the words 'You're beautiful' as I fail to squeeze into my fat jeans.
Love is refusing to bring up the past, even if doing so would be a slam dunk to prove your point.
Love is your hand wiping away my tears, trying to erase streaks of mascara.
Love is the warm hug that extinguishes an argument.
Love is a humbly-uttered apology, even if not at fault.
Love is easy to recognize but so hard to define; however, I think it boils down to this ...
Love is caring so much about the feelings of someone else, you sacrifice whatever it takes to help him or her feel better.
In other words, love is my heart being sensitive to yours. — Richelle E. Goodrich

You have told yourself that you have found your knight in shining armor, my brother Rick. Isn't that the truth? You met him and he fit the bill, so you have told yourself a wonderful story and, stubborn brat that you are, you have been clinging to it ever since. After all, what could be more appropriate than for Francesca Cahill, reformer extraordinaire, to fall in love with my reform-minded Republican brother? But wait! Being as this is a love story, there has to be an unhappy middle and the perfect hero isn't quite so perfect after all. For he is married. Oh, wait! It isn't that bad, after all, for as it turns out he is a man of virtue, and he really loves you, while he despises his wife! And did I forget to mention that she is vile and evil? So the story can limp along, and true love might survive after all! Does this sound at all familiar, Francesca?"
"I almost hate you," she whispered. And she felt a tear sliding down her cheek. — Brenda Joyce

They tell the story of a man who's drowning in his love for a woman. Drowning, but he can still breathe fine. The woman's flawed, but to him, she's perfect. She makes his head spin. She's distracting and inspiring. And he's so enamored with her that every part of him loves for every part of her. It's a song about being open, about having no barriers. About loving with "all of me" and asking for "all of you" in return. — Laurelin Paige

We weren't in love. We were in lust, Liv. I thought I loved you, but someone has taught me what real love is. She has totally opened up her heart and soul to me, and she trusts me to take care of her, to love her with no conditions. I can't even stand the thought of being away from her for more than five minutes. My heart stops when she walks into a room or when she smiles at me. When I hear her laugh, I just want to make her laugh more because it makes me feel so happy. — Kelly Elliott

I want a life with you, Annie. I want to make love with you until you can't walk. And have kids with you. I'm sorry it took me so long to figure out, but I'm not exactly used to having love feel good. He poked his finger in the rough direction of her face. "You talked about being a romantic. Romance is nothing! It's a tiny word that doesn't come close to what I feel for you. — Susan Elizabeth Phillips

On, I don't think I'm a genius!' cried Josie, growing calm and sober as she listened to the melodious voice and looked into the expressive face that filled her with confidence, so strong, sincere and kindly was it. 'I only want to find out if I have talent enough to go on, and after years of study be able to act well in any of the good plays people never tire of seeing. I don't expected to be a Mrs. Siddons or a Miss Cameron, much as I long to be; but it does seem as if I had something in me which can't come out in any way but this. When I act I'm perfectly happy. I seem to live, to be in my own world, and each new part is a new friend. I love Shakespeare, and am never tired of his splendid people. Of course I don't understand it all; but it's like being alone at night with the mountains and the stars, solemn and grand, and I try to imagine how it will look when the sun comes up, and all is glorious and clear to me. I can't see, but I feel the beauty, and long to express it. — Louisa May Alcott

You do know, right,
that between the no-

longer & the still-
to-come

you are being continually
tattooed, inked

with the skulls of
everyone

you've ever loved - the you
& the you

& the you & the you - you don't
sit in a chair, thumb

through a binder, pick a
design, it simply

happens each time you
bring your fingers to your face

to inhale him back into you . . .
tiny skulls, some of us are

covered. You, love, could

simply tattoo an open
door, light

pouring in from somewhere
outside, you

could make your body a door
so it appears you

(let her fill you) are made
of light. — Nick Flynn

But then, she wonders,just what kind of man would ever give her the courage to marry at all- to overcome that dreadful fear of death that seemed always to accompany the very thought of love? It was illogical, idiotic and childish. And yet the child was with her always; and always she would be afraid unless someone could place a light down there inside that dark and chilly heart of hers and chase all the ghosts away - the ghosts of Katherine Howard, of Jane Seymour and, not least, that of her own poor mother. They accompanied her always, those spirits - especially at this kind of time, a time of being alone, of being feminine and reflective. They would all gather round to whisper in her ear and warn her - so that even as she looks up once more into her mirror she almost expects to see them there, ranged behind her shoulders, their faces full of concern and anxiety. Never trust them - never trust the men, for they will betray you always the moment you surrender to them! — Robert Stephen Parry

Viktor was swinging a leather duffle and wearing a black Adidas tracksuit and his favorite brown UGG slippers with a hole in the toe.
"Worn and old, just like Viv," he'd say when Frankie made fun of them, and then his wife would swat him on the arm. But Frankie knew he was just joking, because Viveka was the type of woman you wished was in a magazine just so you could stare at her violet-colored eyes and shiny black hair without being called a stalker or a freak. — Lisi Harrison

The articles were extremely eye-opening. Not just in Teen Vogue but in Seventeen and CosmoGirl as well. They were all about being yourself, staying natural, loving your body as is, and going green! The messages were the exact opposite of Vik and Viv's.
Hmmmmm.
Frankie turned to face the full-length mirror that was up against the yellow wardrobe. She opened her robe and examined her body. Fit, muscular, and exquisitely proportioned, she agreed with the magazines. So what if her skin was mint? Or her limbs were attached with seams? According to the magazines, which were - no offense! - way more in touch with the times than her parents were, she was suppose to love her body just the way it was. And she did! Therefor if the normies read magazines (which obviously they did, because they were in them), then they would love her, too. Natural was in.
Besides she was Daddy's perfect little girl. And who didn't love perfect? — Lisi Harrison

Of course I want you," she said right in his ear. "I love you." He let loose some kind of hoarse word, and his arms crushed her to him. As she found herself not being able to breathe because he was squeezing her so tight, she thought, Yup, this really was him. And he wasn't going to let her go this time. Thank. God. As he held Jane up off the ground, Vishous was wholly happy. Complete in a way that having all your fingers and toes couldn't hold a candle to. With a shout of triumph, he carried her into her condo, pausing only to put the garage door down. — J.R. Ward

Dena had always been a loner. She did not feel connected to anything. Or anybody. She felt as if everybody else had come into the world with a set of instructions about how to live and someone had forgotten to give them to her. She had no clue what she was supposed to feel, so she had spent her life faking at being a human being, with no idea how other people felt. What was it like to really love someone? To really fit in or belong somewhere? She was quick, and a good mimic, so she learned at an early age to give the impression of a normal, happy girl, but inside she had always been lonely. — Fannie Flagg

You say you love your wife. You depend on her; she has given you her body, her emotions, her encouragement, a certain feeling of security and well-being. Then she turns away from you; she gets bored or goes off with someone else, and your whole emotional balance is destroyed, and this disturbance, which you don't like, is called jealousy. There is pain in it, anxiety, hate and violence. So what you are really saying is, 'As long as you belong to me I love you but the moment you don't I begin to hate you. — Jiddu Krishnamurti

When I was eight, I found my best friend. Then, one day, I came home and she'd changed. During my absence, she'd become the most beautiful girl I'd ever seen in my life and I fell in love with her so completely that the very idea of ever being without her became an impossibility I couldn't stand. That same girl has always been the only one to ever hold my heart in her hands. She's the only one who can both build me and destroy me if she wishes and I wouldn't change that for anything. I can't live without her." ~ Isaiah — Airicka Phoenix

When you have kids, you just love them. It's similar to when you're in love with someone. You just think they are so cool and want to be around them all the time, but what if she starts being embarrassed and only giving me charity visits? I want her to actually want to see me, so that's what I'm going for! — Jeremy Sisto

I can't impose on my friends for too long. I'm not sure what to do." He tipped her face up and brushed a kiss across her lips. "You'll marry me, of course. As soon as it can be arranged." Her pulse skipped, and she pulled back. "Right away?" His eyes were smiling and full of love. "I'd marry you tomorrow if we could arrange it that quickly." The thought of being a family with him and Edward brought heat rushing to her cheeks. "I'd like that more than anything in the world," she said. "Tell me what to do and I'll arrange it." "There are so many things to do, I don't know where to start," she said, laughing. The smile left his face. "When, my love?" The possessiveness in his voice heated her cheeks even more. "I need at least two weeks. I have to make a dress." "I'll buy you one." "I want to make it. I'll only have one wedding day. — Colleen Coble

I asked Geertrui the other day what she thought love is-real love, true love. She said that for her real love is observing another person and being observed by another person with complete attention. If she's right, you only have to look at the pictures Rembrandt painted of Titus, and there are quite a lot, to see that they loved each other. Because that is what you're seeing. Complete attention, one of the other ... "but in that case," he said, speaking the words as the thought came to him, "all art is love, because all art is about looking closely, isn't it? Looking closely at what's being painted."
"The artist looking closely while he paints, the viewer looking closely at what has been painted. I agree. All true art, yes. Painting, Writing-literature-also. I think it is. And bad art is a failure to observe with complete attention. So, you see why I like the history of art. It's the study of how to observe life with complete attention. It's the history of love. — Aidan Chambers

She never indulged in reveries or tried to be clever in her conversation; she seemed to have drawn a line in her mind beyond which she never went. It was quite obvious that feelings, every kind of relationship, including love, entered into her life on equal terms with everything else, while in the case of other women love quite manifestly takes part, if not in deeds, then in words, in all the problems of life, and everything else is allowed in only in so far as love leaves room for it. The thing this woman esteemed most was the art of living, of being able to control oneself, of keeping a balance between thought and intention, intention and realization. You could never take her unawares, by surprise, but she was like a watchful enemy whose expectant gaze would always be fixed on you, however hard you tried to lie in wait for him. High society was her element, and therefore tact and caution prompted her every thought, word, and movement. — Ivan Goncharov

This you must believe," she said, holding my gaze with an intent and profound expression, her eyes searching mine, "this you must absolutely believe if you will ever believe anything I shall ever tell you. It is not the coming together or the parting of two people that counts, or where or when, but those two people themselves, and in what manner they are joined. And if it is not with hate but with love, not with impatience but with understanding, and never with boredome but with interest, then nothing can be wrong with their being together, no matter how wrong it may seem to others. But those others, they do not count, they must not be permitted to count, for it is only between the two persons themselves that it must have meaning. It is not so difficult for people to arrange their lives sensibly if they behave sensibly, but to arrange their lives happily, that is a far, far different thing. — Thomas Tryon

The anima in projection is responsible for man's state of being in love or in hate. One has now met one's soul image, the ideal and only woman, or conversely an absolutely unbearable bitch. Both reactions are found to be fascinating and irresistable. In such situations there tends to be a compulsive involvement which we can neither deal with nor let alone. Were it simply the fact that the woman is so wonderful or so awful, we could either love her or leave her. But if we can do neither, then we are under the arresting spell of the archetype. — Edward C. Whitmont

We love WWII because the cause was so obviously just, because you can't be a good person and say you wouldn't fight against an evil like that. It was so black and white on our side, and on our side so few died. (Our side meaning the lantern-jawed John Wayne Greatest Generation constantly canonized soldiers who strode in late to the graveyard that was Europe. Compared to Jewish, Russian, Roma, and other casualties, our losses were minimal.) We felt so strong. In some ways I think we're always trying to recapture that feeling of being a country of superheroes. With every war we invoke that one, we hope it will be that good.
-from her blog — Catherynne M Valente

In the case of Michel Angelo we have an artist who with brush and chisel portrayed literally thousands of human forms; but with this peculiarity, that while scores and scores of his male figures are obviously suffused and inspired by a romantic sentiment, there is hardly one of his female figures that is so, - the latter being mostly representative of woman in her part as mother, or sufferer, or prophetess or poetess, or in old age, or in any aspect of strength or tenderness, except that which associates itself especially with romantic love. Yet the cleanliness and dignity of Michel Angelo's male figures are incontestable, and bear striking witness to that nobility of the sentiment in him, which we have already seen illustrated in his sonnets. — Edward Carpenter

She had to think seriously about Carver and Dannon. Dannon was well under control - he'd been her security man for four years, and for all four years had hungered for her. Not just for sex. He was in love with her. That was useful. Carver was cruder. He didn't want her total being, he just wanted to fuck her. If she wasn't available, somebody else would do. So her grip on him was more precarious. — John Sandford

I was very curious, that's why I think my reality TV seems normal. I watch a lot of reality TV because I am so interested in people and observing people. From a very young age I can remember watching a woman with a guy and she's rolling her eyes and he's pleading with her and I would think, she doesn't want to be with him, he's in love with her, she likes this other guy and I would make up these stories in my head about these people. That helps me sort of profile people and that is a key to being able to read people. — Daniel Negreanu

I'm glad you're gay," she said solemnly, "because that way, if I can't have you, no one can."
"Um, Rocher," I mentioned, "like, a dude could have him."
This had never occurred to Rocher because she'd thought that Jate being gay translated as, "I love Rocher Bargemueller so much but I don't deserve her so I'll never have sex again." The concept of Jate with a guy was fresh turf and Rocher regarded him with an especially deranged sparkle in her eyes.
"I could be a dude," she said. — Paul Rudnick

I found the world of the Little House books to be so much less confusing, not just because it was "simpler," as plenty of people love to insist, but because it reconciled all the little contradictions of my modern girlhood. On the Banks of Plum Creek clicked with me especially, with its perfect combination of pinafores and recklessness. (I will direct your attention to the illustration on page 31 of my Plum Creek paperback, where you will note how fabulous Laura looks as she pokes the badger with a stick; her style is casual yet feminine, perfect for precarious nature adventures!) At an age when I found myself wanting both a Webelos uniform and a head of beautiful Superstar Barbie hair, On the Banks of Plum Creek was a reassuring book. Being a girl sometimes made more sense in Laura World than it did in real life. — Wendy McClure

It has become necessary for me to have this woman, so as to save myself from the ridicule of being in love with her: for to what lengths will a man not be driven by thwarted desire? — Pierre-Ambroise Choderlos De Laclos

But I love you, Trixie said. There was no easy switch that she could flip to stem the flow of feelings, no way to drain the memories that pooled like acid in her stomach because her heart no longer knew what to do with them. She couldn't blame Jason; she didn't like herself like this, either. But she couldn't go back to being the girl she'd been before she met him; that girl was gone. So where did that leave her? — Jodi Picoult

I'm the drummer for Stage Dive." Mat set the crazily expensive camera on the seat beside him. "You can't order me around, child bride."
"It's so cute that you think that's still funny, calling me child bride." From her back jean pocket, Ev pulled out her cell. "Am I calling Anne to tattle on you for refusing to give Jimmy and Lena some privacy or not?"
"You wouldn't dare."
Her fingers moved across the screen. "Oh, I think I would."
David and Ben chuckled in ther manly way, but did as told and went back into the recording studio. They clearly weren't messing with the girl.
A second later, Mal followed. "I do not like you women all being friends. This is not okay."
"And you should tell your grilfriend all about it when you see her tonight. I'd love to know what she says." With a final wave, Ev followed him back inside the mixing room or whatever it was called. — Kylie Scott

I agree with the late William Cobbett about picking a wife. See that she chews her food well and sets her foot down firmly on the ground when she walks, and you're all right. Selina Goby was all right in both these respects, which was one reason for marrying her. I had another reason, likewise, entirely of my own discovering. Selina, being a single woman, made me pay so much a week for her board and services. Selina, being my wife, couldn't charge for her board, and would have to give me her services for nothing. That was the point of view I looked at it from. Economy - with a dash of love. — Wilkie Collins

Jealousy & Zeal were the split personalities of Zelos. Just as Eros & Himeros were uncoupled in the Big Bang, so were Jealousy & Zeal. Zelos[Jealousy] remained as part of Eros[Love] whilst Zelos[Zeal] found himself reborn through the descendants of Uranus & Gaea as a son of Styx & Pallas, & accordingly, as a brother of Nike[Victory], Cratos[Power & Strength] & Bia[Force & Violence], all four being in the entourage of Zeus. After Nike combined with Athena to form "Pallas Athena", Zelos[Zeal] merged with Zelos[Jealousy] as part of Eros[Love].Zelos[Jealousy], as part of Love was responsible for the relentless jealousy of Hera who zealously persecuted all her husband's paramours & their children![GLOS] — Nicholas Chong

At LeakyCon, a young lady asked me how I dealt with bullying. I wasn't able to give her a very good answer, which troubles me. Well, there were lots of shouts of "It gets better" and "Stay strong" and "We love you". But when I put myself back in time to when I was being bullied, none of those things would've helped me. Yes, absolutely it does get better. But when you are being physically and psychologically tortured, it is difficult to remove yourself from the pressingness of the moment at hand. Here's how I dealt with bullying: I cried, I hated myself, I hated my life. I didn't deal with it, I survived it, but I never dealt with it. So here are two tips from someone with lots of experience. 1: It's not about you, it has nothing to do with you, it's about the assholes doing it to you. 2: Your job is not to deal with it, your job is to survive it, which you CAN do because it WILL end. And then yes, it will get better. — Hank Green

I love America for an idea. The reality is important but ambiguous. In Senegal, there stands a building where slaves were stored before they were sent on to the New World. It was built in the same year as the American Declaration of Independence. I love America for the clear idea behind the cloudy reality. Without the idea, the joys of America would be mere accident, the ephemera tossed up by the hand of fate, to disappear in the wind. And what is that idea? It is the idea of hope, that grand, audacious idea that makes the Britisher blush with embarrassment. It may be an idea not everyone cares for, but it is one I need, I want. I love her for her thought, first, of where you're going, not where you're from; for her majestic optimism against the gray resistances of Europe, most pure in Britain, so that in America I feel like - I am - a sexual being. — Zia Haider Rahman

Somewhere in the world there was a young woman with such splendid understanding that she'd see him entire, like a poem or story, and find his words so valuable after all that when he confessed his apprehensions she would explain why they were in fact the very things that made him precious to her ... and to Western Civilization! There was no such girl, the simple truth being. — John Barth

She could just distinguish his features, as he slept the perfect sleep. In this darkness, she seemed to see him so distinctly. But he was far off, in another world. Ah, she could shriek with torment, he was so far off, and perfected, in another world. She seemed to look at him as at a pebble far away under clear dark water. And here was she, left with all the anguish of consciousness, whilst he was sunk deep into the other element of mindless, remote, living shadow-gleam. He was beautiful, far-off, and perfected. They would never be together. Ah, this awful, inhuman distance which would always be interposed between her and the other being! There was nothing to do but to lie still and endure. She felt an overwhelming tenderness for him, and a dark, under-stirring of jealous hatred, that he should lie so perfect and immune, in an other-world, whilst she was tormented with violent wakefulness, cast out in the outer darkness. — D.H. Lawrence

My friend Wicker once said to be careful what and how you say what you're really thinking to a woman. After much screwing up in that department with Emma, I've learned it's not what you should hide, but what you say that makes her react the way she does. If I am unable to make myself clear, as I so often do, it's more likely going to go to pot if I try to explain how I really feel. Instead, I rework in my brain what she needs to hear. I don't always nail it, but I'm getting better at it. And it's always the truth even if it isn't how I see it.
Is it deceiving? No. It's being considerate and aware that she is an emotional creature, and that for some crazy reason, craves my attention. I love to make her happy. My jumbled up mess of a mind isn't important in the long run if it just confuses her. So I chose words carefully. When something goes right, I use it over and over again. -Ames — Cyndi Goodgame

I tell her every detail. How he came over every morning with croissants, how we played music together, how he made Gram and Big so happy just by being in the house, how we drank wine last night and kissed until I was sure I had walked right into the sky. I told her how I think I can hear his heart beating even when he's not there, how I feel like flowers - Gargantuan ones - are blooming in my chest. — Jandy Nelson

Jen shakes her head sadly and I can see her lower lip trembling, the tear that's starting to form in the corner of her eye. I can't touch her, kiss her, love her, or even, as it turns out, have a conversation that doesn't degenerate into angry reincriminations in the first three minutes. But I can still make her sad, and for now, I'll have to be satisfied with that. And it would be easier, so much easier, if she didn't insist on being so goddamned beautiful, so gym-toned and honey-haired and wide-eyed and vulnerable. Because even now, even after all that she's done to me, there's still something in her eyes that makes me want to shelter her at any cost, even though I know it's really me who needs the protection. It would be so much easier if she wasn't Jen. But she is, and where there was once the purest kind of love, there is now a snake pit of fury and resentment and a new dark and twisted love that hurts more than all the rest put together. — Jonathan Tropper

He stayed with her for so long because he liked the idea of being in love. He has an empty well in his heart that needs to be filled by someone. Anyone. But that's not enough for me, and it won't be enough for him either once he finally realizes the truth. — Stephanie Perkins

Fynn, I love you.' When Anna said that, every word was shattered with the fullness of meaning she packed into it. Her 'I' was a totality. Whatever this 'I' was for Anna it was packed tight with being. Like the light that didn't fray, Anna's 'I' didn't fray either; it was pure and all of one piece. Her use of the word 'love' was not sentimental or mushy, it was impelling and full of courage and encouragement. For Anna, 'love' meant the recognition of perfectibility in another. Anna 'saw' a person in every part. Anna 'saw' a 'you'. Now that is something to experience, to be seen as a 'you', clearly and definitely, with no parts hidden. Wonderful and frightening. I'd always understood that it was Mister God who saw you clearly and in your entirety but then all Anna's efforts were directed to being like Mister God, so perhaps the trick is catching if only you try hard enough. — Fynn

Aren't you afraid, though?" Ayumi asked Aomame.
"Afraid of what?"
"Don't you see? You and he might never cross paths again. Of course, a chance meeting could occur, and I hope it happens. I really do, for your sake. But realistically speaking, you have to see there's a huge possibility you'll never be able to meet him again. And even if you do meet, he might already be married to somebody else. He might have two kids. Isn't that so? And in that case, you may have to live the rest of your life alone, never being joined with the one person you love in all the world. Don't you find that scary?
Aomame stared at the red wine in her glass. "Maybe I do," she said. "But at least I have someone I love. — Haruki Murakami

But even then, even all those years when she was never physically by herself, she was beginning to feel the chasm growing between her and the rest of the world. It was like a small tear in the seam of a dress, a certain pulling away. A ripping. And once it started, there was no stopping it. Of course, she tried so hard to keep it together, to tether herself to this world. She filled her life with people. With friends and family. But even then she knew that mere presence of people in one's life cannot eliminate the terrifying sense of one's aloneness in the world. Being surrounded by people is not the same as connection. As friendship. As love. When Robert came along, she believed for a little while she had found the answer, the bridge that crossed the deep canyon. And children too became links between herself and normalcy. The accident didn't start it, it just proved the faultiness, the tenuousness of these connections. — T. Greenwood

She could not remember ever being truly happy in her adult life; her years with her mother had been built up devotedly around small guilts and small reproaches, constant weariness, and unending despair. Without ever wanting to become reserved and shy, she had spent so long alone, with no one to love, that it was difficult for her to talk, even casually, to another person without self-consciousness and an awkward inability to find words. — Shirley Jackson

The problem about cutting out the best of your heart and giving it to people, is that 1. It hurts to do that; and 2. You never know if they are going to throw it away or not. But then you should still do it. Because any other way is cowardice. At the end of the day, it's about being brave and we are only haunted by the ghosts that we trap within ourselves; we are not haunted by the ghosts that we let out. We are haunted by the ghosts that we cover and hide. So you let those ghosts out in that best piece of your heart that you give to someone. And if the other person throws it away? Or doesn't want it to begin with? Someone else will come along one day, cut out from his/her heart that exact same jagged shape that you cut out of your own heart, and make their piece of heart fit into the rest of yours. Wait for that person. And you can fill their missing piece with your soul. — C. JoyBell C.

Years ago, Re had raged against humans for violating Ma'at, so he had sent Hathor to destroy mankind. She transformed into the lion goddess Sekhmet and Egypt's fields ran red with the blood of her rampage. Seeing this, Re realized his mistake and ordered Sekhmet to stop, but she was too gone with bloodlust to listen. Knowing he had to halt her some other way, Re stained seven thousand jugs of beer with pomegranate juice and poured the red liquid into her path. Believing the beer to be blood, Sekhmet gorged herself and passed out in a drunken stupor. When she awoke, her bloodlust had passed and she returned to being Hathor. Thus the goddesses of love and violence shared a common history. — Stephanie Thornton

One day, you're in a physical landscape you share with this bizarre and fundamentally alien creature, not alien because she's female but alien because you're a fool in love and there's nothing not alien about that. And then when she's gone, you're alone and all the strangeness and wonder have gone out of the landscape and you're still a fool but now nobody notices how many days in a row you wear the same socks and cleaning the shower doesn't make the girl smile anymore so everything smells a little worse and doesn't get fixed when it breaks. I missed the feminine touch - not just hers, but mine. I missed being half-boy, half-girl, part of a whole. Now that I was male in a male environment, it was harder to manifest her physical chick presence, no matter how many of her MAC lipsticks I set out on the coffee table in a basket like so many M&Ms. — Rob Sheffield

This was the way we loved, until the night became a silent day. And as I lay there with her I could see how important physical love was, how necessary it was for us to be in each other's arms, giving and taking. The universe was exploding, each particle away from the next, hurtling us into dark and lonely space, eternally tearing us away from each other - child out of the womb, friend away from friend, moving from each other, each through his own pathway toward the goal-box of solitary death.
But this was the counterweight, the act of binding and holding. As when men to keep from being swept overboard in the storm clutch at each other's hands to resist being torn apart, so our bodies fused a link in the human chain that kept us from being swept into nothing. — Daniel Keyes

I never fell in love with her so I guess the part of the brain that controls love doesn't respond to being called a dick.'
'For your sake, I'm hoping no part of your brain responds to being called a dick.'
'Fair point. — Cath Crowley

The lesson of a love that should display itself easily in spoken word and open look was one Marilla could never learn. But she had learned to love this slim, gray-eyed girl with an affection all the deeper and stronger from its very undemonstrativeness. Her love made her afraid of being unduly indulgent, indeed. She had an uneasy feeling that it was rather sinful to set one's heart so intensely on any human creature as she had set hers on Anne, and perhaps she performed a sort of unconscious penance for this by being stricter and more critical than if the girl had been less dear to her. — L.M. Montgomery

Part of me aches to touch her now that she's so close. But the other part, the logical part, wants to coast myself in Teflon, because I know that her being here, no matter what her reasons, is going to seriously fuck with my world. — Steph Campbell

I can't just take it.'
'You can. I'm giving it to you.' She affirms, glimpsing quickly up at me and then down to the floor, moving her foot once and then back again. Still her hand is offered to me, still flinching with the ring in her palm.
'What do you want for it?'
'Nothing.'
'You must want something.'
'I... got what I wanted.' She smiles, such a light, smooth movement of her lips, but it dies out so quickly, like a candle light being blown in the wind.
'What's that?'
'I got to see you again, to give it to you. — Charlotte Munro

Boo-Boo Pennyroyal did not like her male and female slaves to mingle. In the operas that she adored, young people brought together in tragic circumstances were forever falling in love with each other and then throwing themselves off things (cliffs, mostly, but sometimes battlements, or rooftops, or the brinks of volcanoes). Boo-Boo was fond of her slaves, and it pained her to think of them plummeting in pairs off the edges of Cloud 9, so she nipped all tragic love affairs firmly in the bud by forbidding the girls and boys to speak to one another. Of course, young people being what they were, girls sometimes fell in love with other girls, or boys with boys, but that never happened in the operas, so Boo-Boo didn't notice. — Philip Reeve

Sometimes, a scene goes on too long and, with this being a suspense story and murder mystery that you're trying to discover through her heightened paranoia, you don't want scenes that take you on a tangent. Sometimes, you love those scenes, but you know that it's better not to be in the overall film. So, I'm not sad that they're not in the main movie, but I do think it's fun for people to get to watch them, if they want to. — Catherine Hardwicke

You didn't answer my question. I asked you about being in love. You said what it was like when your wife went away."
Martin sat down again. How young she is. When we were that young we invented the world, no one could tell us a thing. Julia stood with her hands clenched, as though she wanted to pound an answer out of him. "Being in love is ... anxious," he said. "Wanting to please, worrying that she will see me as I really am. But wanting to be known. That is ... you're naked, moaning in the dark, no dignity at all ... I wanted her to see me and to love me even though she knew everything I am, and I knew her. Now she's gone, and my knowledge is incomplete. So all day I imagine what she is doing, what she says and who she talks to, how she looks. I try to supply the missing hours, and it gets harder as they pile up, all the time she's been gone. I have to imagine. I don't know, really. I don't know any more. — Audrey Niffenegger

He could never reconcile the strange fact of Kimiko's attraction with what he saw in the mirror. At best, it was related to her natural stoicism, as if Jashua were a kind of bonsai tree she trimmed and watered lovingly. "I enjoy being with you" was her preferred mode of expressing her affection. At worst, she kept him around so he could make her feel better when she needed it, a winner combination of a pet and a dildo. Somewhere along the range between the best and the worst, there was the possibility of her deep love. — Aleksandar Hemon

Why do charming girls all have fathers? She can be hidden away all by herself in one's heart to cuddle, but when her father, uncle, and brother are dragged along with her, the girl stops being so cute and carefree and it's not so easy to conceal her away in your heart anymore. Her charm has been mixed in with the dregs. Some people talk about marriage as though it were homosexual love. It's not the girl they fancy, but her old man or her elder brother they admire. — Qian Zhongshu

And what is love, Angel? What is love! he yelled. Is it a pressure inside that makes me want to scream when you do this? he palmed his chest roughly, Is it my body in constant chaos when you're around me? Is it murder in cold blood when I even think of you being with anybody but me! he roared. Or maybe it's not being able to think or speak when your life is in danger, or wanting to spend every second - of every - fucking day with you, wanting to never leave your side. Is that love? Is it, Isadore? He drew closer and hit his fist repeatedly against his chest. Is it pain so hard and heavy that I can't fucking breathe unless I smell you, touch you, taste you? His body heaved as his bright green gaze seared her heart. Because if it is, Angel...he held his lips together and shook his head slowly, then I am....slain with an eternal and violent love for you. — Lucian Bane

Ah, but it wasn't just her lovely face that haunted him. Nor the soft, lush body he was increasingly desperate to see liberated from that woolen cocoon. It was the way she'd so willingly owned up to the truth. The way her spirit had sparked when he'd told her to put aside her art. The way she'd practically made sweet, innocent love to him with her eyes when he'd said he cared if she lived or died.
Good Lord. The laughable irony of it. He'd wasted weeks of his adolescence memorizing sonnets, spent years perfecting little murmured innuendos. Only to learn the most seductive phrase in the English language was something akin to: All things being equal, I'd rather not see you mauled by a shark. — Tessa Dare

I observed an eighteen-year-old friend of one of our daughters talking to his mother on the telephone. As he hung up the phone in frustration he said, "She makes me so angry, she's always telling me what to think and where to go and how to do things." He was obviously upset and filled with anger. I told him he had one of two choices. He could either continue to practice being right, or practice being kind. If you insist on being right you will argue, get frustrated, angry, and your problem will persist with your mom, I explained. If you simply practice being kind, you can remind yourself that this is your mom, she's always been that way, she will very likely stay that way, but you are going to send her love instead of anger when she starts in with her routine. A simple statement of kindness such as, "That's a good point, Mom, I'll think about it," and you have a spiritual solution to your problem. — Wayne W. Dyer

In terms of days and moments lived, you'll never again be as young as you are right now, so spend this day, the youth of your future, in a way that deflects regret. Invest in yourself. Have some fun. Do something important. Love somebody extra. In one sense, you're just a kid, but a kid with enough years on her to know that every day is priceless. (418) — Victoria Moran

Her heart
is given him, with all its love and truth. She would joyfully die with him, or better than that, die for him. She knows he has failings, but she thinks they have grown up through his being like one cast away, for the want of something to trust in, and care for, and think well of. And she says, that lady rich and beautiful that I can never come near, 'Only put me in that empty place, only try how little I mind myself, only prove what a world of things I will do and bear for you, and I hope that you might even come to be so much better than you are, through me who am so much worse, and hardly worth the thinking of beside you. — Charles Dickens

Standing over his bed, watching him sleep, Luce could see it. The way their love would have bloomed here.She could see Lucia coming in to bring Daniel his meals,him opening up to her slowly. The pair being inseparable by the time Daniel recovered. And it made her feel jealous and guilty and confused because she couldn't tell right now whether their love was a beautiful thing, or whether this was yet another instance of how very wrong it was.
If she was so young when they met, they must have had a long relationship in this life.She would have gotten to spend years with him before it happened. Before she died and was reincarnated into another life completely. She must have thought they'd spend forever together-and must not even have known how long forever meant.
But Daniel knew.He always knew. — Lauren Kate

They'd had fun, for sure. They laughed and enjoyed being together. But if she was painfully honest with herself, something was missing. Something in the way Tim looked at her. She remembered her mom's word. "I saw the way he looked at you ... he adores you." Maybe that was it. Tim looked at her on a surface level. He smiled and seemed happy to see her. But When Cody looked at her, there were no layers left, nothing her didn't reveal, nothing he couldn't see. He didn't really look at her so much as he looked into her. To the deepest, most real places in her heart and soul. — Karen Kingsbury

What you can't do is leave me!"
He was thrown back. There were still six crewmen standing against him. That wasn't deterring him in the least, however, which only infuriated her the more. The fool man was going to get tossed in the river yet.
She might do it herself. She was, after all, fed up with being told what she could or couldn't do. "And why can't I leave you?"
"Because I love you!"
He hadn't even paused in throwing another punch to shout that. Georgina, however, went very still, and breathless, and nearly sat down on the deck, her knees had gone so weak with the incredible emotion that welled up inside her. — Johanna Lindsey

On bad days I talk to Death constantly, not about suicide because honestly that's not dramatic enough. Most of us love the stage and suicide is definitely your last performance and being addicted to the stage, suicide was never an option - plus people get to look you over and stare at your fatty bits and you can't cross your legs to give that flattering thigh angle and that's depressing. So we talk. She says things no one else seems to come up with, like let's have a hotdog and then it's like nothing's impossible.
She told me once there is a part of her in everyone, though Neil believes I'm more Delirium than Tori, and Death taught me to accept that, you know, wear your butterflies with pride. And when I do accept that, I know Death is somewhere inside of me. She was the kind of girl all the girls wanted to be, I believe, because of her acceptance of "what is." She keeps reminding me there is change in the "what is" but change cannot be made till you accept the "what is. — Tori Amos

I pressed forward, pushing my body along hers, and wrapped my arms around her waist. Some of the intensity of my anger dissipated and drained away. After a very long, steamy kiss, I broke away, breathing hard.
Rimmel's head collapsed against the wall and she stared up at me with unfocused hazel eyes. The flecks of color in the center were green today. "Romeo," she gasped.
I pulled back enough so I could lift her arm and grasp her fingers. She made a sound of protest when I pushed back the material of the shirt once more and stared down at the dark blotches marring her skin.
"How were you going to explain this to me?" I rumbled.
"I wasn't going to lie, it that's what you're implying," she snapped.
"Ah, baby." I groaned and lifted her wrist to press my lips to the marks. "I'm being a jerk."
"You said it ... " She agreed, letting the rest of her sentence fall away.
I smiled against her skin and then kissed her inner wrist once more. — Cambria Hebert

I don't know when I fell in love with you, but I have fallen deeper and harder than anyone else in my life. You've become my world. I can't imagine a day without you by my side, an hour without your smile, a minute without hearing you laugh, and a second without you in my life. She opened her mouth, and I shook my head. I will spend my life protecting you and being worthy of being yours, I've never wanted anything as badly as I want you to be mine, walking through life together hand and hand, and waking up with you next to me each morning makes my life so much sweeter than I ever thought possible — Chelle Bliss

I really liked it." She covers her mouth in horror.
"If I like sex, do you think it means I can't be a feminist?"
"No." I shake my head. "Because being a feminist
I think it means being in charge of your sexuality. You decide who you want to have sex with. It means not trading your sexuality for ... other things."
"Like marrying some gross guy who you're not in love with just so you can have a nice house with a picket fence."
"Or marrying a rich old geezer. Or a guy who expects you to cook him dinner every night and take care of the children," I say, thinking of Samantha.
"Or a guy who makes you have sex with him whenever he wants, even if you don't," Miranda concludes.
We look at each other in triumph, as if we've finally solved one of the world's great problems. — Candace Bushnell

She'd seen them on the news, compassionate Americans talking about how the United States should be more welcoming to people who came in peace. She believed these kindhearted people, like Natasha, would never betray them, and she wanted to tell Jende this, that the people of Judson Memorial Church loved immigrants, that their secret was safe with Natasha. But she also knew it would be futile reasoning with a raging man, so she decided to sit quietly with her head bowed as he unleashed a verbal lashing, as he called her a stupid idiot and a bloody fool. The man who had promised to always take care of her was standing above her vomiting a parade of insults, spewing out venom she never thought he had inside him. For the first time in a long love affair, she was afraid he would beat her. She was almost certain he would beat her. And if he had, she would have known that it was not her Jende who was beating her but a grotesque being created by the sufferings of an American immigrant life. — Imbolo Mbue

He smiled all the way to physics class. He almost laughed out loud when he passed through the door and saw her shadowy, hunched-over form casting around for a seat in the back.
She was in his class; this was excellent. Maybe she'd call him a name if he struck up another conversation. Even curse him out. That might fun. God, he'd probably earn himself a restraining order if he tried to sit next to her.
He was so tired of saccharine smiles and cloying tones of voice. People always plastered their eyes to his face for fear of looking anywhere else. He was fed up with everybody being so goddamned nice.
That's why he'd already fallen in love with this weird, maladjusted, beautiful girl who carried a chip the size of Ohio on her shoulder. Because nobody was ever mean to the guy in the wheelchair. — Francine Pascal

I felt sorry for Mary-Emma and all she was going through, every day waking up to something new. Though maybe that was what childhood was. But I couldn't quite recall that being the case for me. And perhaps she would grow up with a sense that incompetence was all around here, and it was entirely possible I would be instrumental in that. She would grow up with love, but no sense that the people who loved her knew what they were doing - the opposite of my childhood - and so she would become suspicious of people, suspicious of love and the worth of it. Which in the end, well, would be a lot like me. So perhaps it didn't matter what happened to you as a girl: you ended up the same. — Lorrie Moore

But i do love her more. She's amazing. Innocent, yes, but so damn passionate. It's like we're one person and we instinctively know what the other needs. The love she has for me seeps right into my skin whenever she touches me, Aaron. It's that intense. Being with her was like nothing i've ever experienced in my life. — Kahlen Aymes

He was aware, suddenly, of the chill condensing clammily on his skin, the smell of damp cobblestones, of the very air flowing in and out of his lings.
But most of all he was aware of the woman, this woman, his woman, standing so proudly, waiting patiently for him, only him.
He walked toward her and knew with every fiber of his being that he walked to life itself. — Elizabeth Hoyt

By Blake's model, as I understand it, it's as though the Fifth Symphony existed already in that higher sphere, before Beethoven sat down and played dah-dah-dah-DUM. The catch was this: The work existed only as potential - without a body, so to speak. It wasn't music yet. You couldn't play it. You couldn't hear it. It needed someone. It needed a corporeal being, a human, an artist (or more precisely a genius, in the Latin sense of "soul" or "animating spirit") to bring it into being on this material plane. So the Muse whispered in Beethoven's ear. Maybe she hummed a few bars into a million other ears. But no one else heard her. Only Beethoven got it. He brought it forth. He made the Fifth Symphony a "creation of time," which "eternity" could be "in love with. — Steven Pressfield

When I was this kid's age, you'd be burned alive for such talk. Being a homosexual was unthinkable, and so you denied it, and found a girlfriend who was willing to settle for the sensitive type. On dates, you'd remind her that sex before marriage was just that, sex: what dogs did in the front yard. This as opposed to making love, which was more what you were about. A true union of souls could take anywhere from eight to ten years to properly establish, but you were willing to wait, and for this the mothers loved you. You sometimes discussed it with them over an iced tea, preferably on the back porch when you girlfriend's brother was mowing the lawn with his shirt off. — David Sedaris

I had often said that I would write, the wives of geniuses I have sat with. I have sat with so many. I have sat with wives who were not wives, of geniuses who were real geniuses. I have sat with real wives of geniuses who were not real geniuses. In short, I have sat very often and very long with many wives and wives of many geniuses.' Gertrude Stein wrote this in the voice of her partner, Alice B. Toklas, Stein being apparently the genius, Alice apparently the wife.
'I am nothing,' Alice said after Gertrude dies, 'but a memory of her.'
... the flashing blues and red made him look ill, then well, then ill again ... — Lauren Groff

Jai, she pleaded quietly, if you hadn't noticed, I'm a guts and glory kind of girl. I think I'd die trying to protect anyone I care about. It's just the way I'm wired, I guess. I would die trying to protect Charlie because I love him. He's my family, and I don't want to lose any more family." She took another step so her body pressed flushed to him, her fingers falling to his lips. The sound of his shallow breathing emboldened her. "But Jai ... I would die a hundred deaths to save you ... because the thought of being here without you now, the thought of losing you ... is unimaginable." Their eyes locked and heat bloomed in her cheeks as Jai pressed closer to her, his hand sliding across her lower back and gently guiding her even more tightly against him. "Jai, you have no idea how much I've fallen in love with you. I don't think a person could fall any harder. — Samantha Young

Now, I did know a certain young lady of the 'romantic' generation of not so long ago who, after being mysteriously in love for several years with a certain gentleman whom she could have married at any time without the least difficulty, suddenly broke off their relationship, inventing for herself all manner of insurmountable obstacles, and one stormy night plunged from a high, precipitous cliff into a fairly deep and fast-flowing river, where she perished from her own caprice solely through her attempt to imitate Shakespeare's Ophelia, for, had the precipice, which she had long before singled out and been compulsively drawn to, been less picturesque, and had there been only a prosaically flat bank in its stead, perhaps there would have been no suicide at all. — Fyodor Dostoyevsky

When I introduced you to Mary Ann, I wanted to call you my girlfriend, Elli," he looked up at her to see her eyes were wide, "I've never had a girlfriend, so I'm not sure if I'll do the boyfriend/girlfriend thing right, but the thought of you being with someone else, or me with someone else, actually hurts my gut, so I guess what I'm trying to say is," he took a deep breath, this was huge, and he thought he sounded stupid but with the way her eyes were glazing over, maybe he was doing this right. "I was wondering if you wanted to be my girlfriend." She smiled at him lovingly, cupping his face in her hands.
"Are you sure? I'm kinda crazy." He laughed, kissing her palm.
"I'm sure."
"Then, yes, Shea, I would love to be your girlfriend. — Toni Aleo

What we love is too much in the past, consists too much in the time that we have spent together for us to require the whole woman; we wish only to be sure that it is she, not to be mistaken as to her identity, a thing far more important than beauty to those who are in love; her cheeks may grow hollow, her body thin, even to those who were originally most proud, in the eyes of the world, of their domination over beauty, that little tip of a nose, that sign in which is summed up the permanent personality of a woman, that algebraical formula, that constant, is sufficient to prevent a man who is courted in the highest society and is in love with her from being free upon a single evening because he is spending his evenings in brushing and entangling, until it is time to go to bed, the hair of the woman whom he loves, or simply in staying by her side, so that he may be with her or she with him, or merely that she may not be with other people. — Marcel Proust

I thought I was getting better at this. I thought I was starting to make peace with being in love with a girl who despises me, but I don't think I'm so okay with it after all. Somewhere along the line I made a dark bargain with the universe without ever really being aware of it
a bargain that if I was allowed to see her, even if we never spoke, then I could live with that. And now a week without her has swallowed up all of my rational thinking. I feel like a junkie, sick for my next fix and not sure when it will come. — Holly Black

THE PROJECTIONIST
The projectionist can make you believe whatever she believes. If she believes interest rates are going to fall, and you have a short conversation with the Projectionist, you will too. If she believes that, no, in fact, you didn't signal when you turned left, causing the Projectionist to ram her car into the back of yours, so will you.
Her downfall began when she fell in love with the Inverse. She absolutely, 100% fell in love with the Inverse. She projected all this emotion onto him but the Inverse, being the Inverse, simply reflected the opposite of everything she was sending.
Strangely, neither the Inverse nor the Projectionist can let go of the relationship. — Andrew Kaufman

You know, the character of Isabelle in 'Love Crime' is the only character I feel the furthest from. I have nothing to share with her, so it was really difficult. Being an actor of composition is something, but you always base yourself on something you know about. — Ludivine Sagnier

She's not happy in her marriage. Not unhappy exactly, but not happy. He doesn't want kids, so that's nothing to look forward to. Her life is chock-full of quiet tedium. Suddenly, she falls in love. And sure, there's the excitement of being with her lover, but there's also the excitement of not being with him. Of waiting and going on with her ordinary life. And all that dullness now becomes part of the drama. Because that's her cover story. All the dreary anguish and monotony that fills ninety-eight percent of her life is electrified with meaning, since it now serves as the perfect camouflage to hide the two percent of passion. And, yes, she felt guilt and, yes, she felt shame. But those are powerful emotions too, and were all part of the glorious transformation of a featureless bland life into an adventure. — Phoef Sutton

She's tall - maybe a mite too tall for some folks' notions - and mid-Victorian mamas would never have approved of her, because she's no more coy, or shy, or artful than the blue sky overhead. She has violet eyes, riotous hair of a shade between brown and gold, a straight, shapely little nose, a mouth that is all laughter, and a way of carrying herself that puts you in mind of all out-doors. I've seen her in evening dress with diamonds on; and much more frequently in riding-breeches and a soft felt hat; but there's always the same effect of natural-born honesty, and laughter, and love of trees and things and people. She's not a woman who wants to ape men, but a woman who can mix with men without being soiled or spoiled. For the rest, she's not married yet, so there's a chance for all of us except me. She turned me down long ago. — Talbot Mundy

She was very fond of thinking and getting at the truth of things, but was so far from being pedantic, so full of youthful ways that from the first moment one began to love all these originalities in her, and to accept them. [ ... ] This naive combination in her of the child and the thinking woman, this childlike and absolutely genuine thirst for truth and justice, and absolute faith in her impulses
all this lighted up her face with a fine glow of sincerity, giving it a lofty, spiritual beauty, and one began to understand that it was not so easy to gauge the full significance of that beauty which was not all at once apparent to every ordinary unsympathetic eye. — Fyodor Dostoyevsky

Well, first I tried just telling her the truth. That if you kiss her, you'll die. She started crying hysterically."
"Oh, good thinking," I say, lifting the cup of hot chocolate to my mouth. Why hadn't I thought of that right off?
"Yeeeah, turns out not so much. I thought that might have worked since, you know, she's supposedly in love with you, but then being a total psychopath and all, she started blubbering, 'I'd rather have one perfect passionate kiss with Haden and lose him forever, than to have never kissed him at all.'"
I almost choke on a sip of hot chocolate. It burns my throat. — Bree Despain