Being Out Of Character Quotes & Sayings

It was Miss Murdstone who was arrived, and a gloomy-looking lady she was; dark, like her brother, whom she greatly resembled in face and voice; and with very heavy eyebrows, nearly meeting over her large nose, as if, being disabled by the wrongs of her sex from wearing whiskers, she had carried them to that account. She brought with her two uncompromising hard black boxes, with her initials on the lids in hard brass nails. When she paid the coachman she took her money out of a hard steel purse, and she kept the purse in a very jail of a bag which hung upon her arm by a heavy chain, and shut up like a bite. I had never, at that time, seen such a metallic lady altogether as Miss Murdstone was. — Charles Dickens

Bob Duvall is a great actor because each time out, he creates a whole, complete character. You have the feeling that you're not seeing an actor at all, but a fully realized human being. Think of how he was in The Godfather. If you didn't know Bobby, you'd think that he really was Tom, the consigliere. Then you see him in Santini, and he's completely different. He's not only a personality, he's a consummate actor. — Ellen Burstyn

I'm pulling out different aspects of my personality in writing each character and, if I'm doing my job well, I'm being true to the situation and true to the character. — Bill Watterson

Wanting to be liked means being a supporting character in your own life, using the cues of the actors around you to determine your next line rather than your own script. It means that your self-worth will always be tied to what someone else thinks about you, forever out of your control. — Jessica Valenti

The playbill, which is said to have announced the tragedy of Hamlet, the character of the Prince of Denmark being left out. — Walter Scott

The great and only possible dignity of man lies in his power deliberately to choose certain moral values by which to live as steadfastly as if he, too, like a character in a play, were immured against the corrupting rush of time. Snatching the eternal out of the desperately fleeting is the great magic trick of human existence. As far as we know, as far as there exists any kind of empiric evidence, there is no way to beat the beat the game of being against non-being, in which non-being is the predestined victor on realistic levels. — Tennessee Williams

Mick had once come across one of Wilson't books and was surprised to see his face on the back cover. Mick was even more surprised when he read the book. It was pretty good, although Mick was kind of tired of hearing about Indians. Still, Mick thought, Aristotle Little Hawk was a good Indian, even if he was just some character in a book. He wished more Indians like Little Hawk hung out in the bar. He knew Wilson claimed he had some Indian blood, said so inside the book. But Mick did not buy that shit. Mick's great-grandmother was a little bit Indian, but that did not make him Indian. Besides, who the hell would want to be Indian when you could just as easily be white? — Sherman Alexie

Sometimes when you do a part, the wall between you and the characters can be very porous. You can sort of move in and out of your character's persona and being. And that just couldn't happen on this one because of working with him. — Kyra Sedgwick

Characters take on life sometimes by luck, but I suspect it is when you can write more entirely out of yourself, inside the skin, heart, mind, and soul of a person who is not yourself, that a character becomes in his own right another human being on the page. — Eudora Welty

And it would be a bit out of character. President Recep Tayyip Erdogan may have started out as a reformer, but he really enjoys being seen as a larger-than-life tough-guy figure. He doesn't go on photographed hunting expeditions, for instance. But he does have hero moments, such as when his convoy stopped in the middle of the Bosphorus Bridge and he allegedly talked down a jumper, prevented him from committing suicide. — Peter Kenyon

Others are to us like the characters in fiction, eternal and incorrigible; the surprises they give us turn out in the end to have been predictable and unexpected variations on the theme of being themselves. — Mary McCarthy

The hard-drinking newspaperman is, or used to be, a stock character of fiction. Now he is being phased out of literature just as he is being phased out of life. — Waverley Root

There's this sense of being strange, which is at the heart of every creative person. Every writer, every actor, every director knows who Ripley is. We've made careers and lives out of pretending, making things up, inhabiting other people's stories and lives. That's what I do every day ... The story is so audacious and subversive: a central character who behaves badly and isn't apparently caught. That intrigued me no end. — Anthony Minghella

I get a kick out of not being ideal. I think it's awesome. That's entirely the point. And I think my creator is quite a character for letting that be. — CeeLo Green

It's also one thing to see a celebrity or some kind of character on a TV show being gay. It's a totally different thing when you know your husband ... not your husband, but your brother or your friend or the dude you hung out in high school was gay. I mean, that is what changes people's minds, what changes people's minds. — Andrew Sullivan

I've always thought of characters like advent calendars. You have Christmas and you have all the little doors over the windows and every day you're allowed to open one more as it gets towards Christmas and you see more and more about what's inside that house.I remember as a kid being fascinated by that and I've always thought of my character as a little bit like that. I like to have secrets and slowly let those secrets out to the audience, sometimes never let them out, but let them see as you open the shutters, open and see a little bit more of a character. — Jeremy Irons

What really sells a fight, and any kind of action, is the performance of it. If someone is uncomfortable or uncertain about doing action because they're too concerned about their safety or about being right, it pulls them out of being that character, in that situation. — Zoe Bell

The problem with being a writer is that some readers tend to think that anything that comes out of a character's mouth is you talking. — Mark Billingham

When I once said I would rather be married to an artist than be one, I was really being a coward. I was really dropping out. I was saying that I would help the artist but I was not going to try to be one. There was nothing wonderful or sacrificial about that. The muse is a very suspect character, because I simply was refusing to take the responsibility of being an artist myself. So I had decided I would be the helper, the assistant; it was really much easier. So when women complain about being forced into that role, I have my doubts. Because I played that role too. After a while I realized Miller wasn't going to write the book I wanted to write, and that Durrell wasn't going to write the book I wanted to write. It was up to me. — Anais Nin

Being a hero was much easier than being a coward. To be a hero, you only had to be brave for a moment - when you took out the gun, threw the bomb, pressed the detonator, did away with the tyrant, and away with yourself as well. But to be a coward was to embark on a career that lasted a lifetime. You couldn't ever relax. You had to anticipate the next occasion when you would have to make excuses for yourself, dither, cringe, reacquaint yourself with the taste of rubber boots and the state of your own fallen, abject character. Being a coward required pertinacity, persistence, a refusal to change - which made it, in a way, a kind of courage. — Julian Barnes

I hit the ground running, without a lot of training, so I had to do whatever I could do to survive as a professional, and if that meant being that character 24/7 and acting out, I was going to do that. I lived those characters, I brought them home with me. — Nicolas Cage

A man should conceive of a legitimate purpose in his heart, and set out to accomplish it. He should make this purpose the centralizing point of his thoughts. It may take the form of a spiritual ideal, or it may be a worldly object, according to his nature at the time being; but whichever it is, he should steadily focus his thought-forces upon the object, which he has set before him. He should make this purpose his supreme duty, and should devote himself to its attainment, not allowing his thoughts to wander away into ephemeral fancies, longings, and imaginings. This is the royal road to self-control and true concentration of thought. Even if he fails again and again to accomplish his purpose (as he necessarily must until weakness is overcome), the strength of character gained will be the measure of his true success, and this will form a new starting-point for future power and triumph. — James Allen

Characters begin as voices, then gain presence by being viewed in others' eyes. Characters define one another in dramatic contexts. It is often very exciting, when characters meet - out of their encounters, unanticipated stories can spring. — Joyce Carol Oates

The truth was Alberta only knew what she did not want. She had no idea what she did want. And not knowing brought unrest and a giddy sensation under her heart. She existed like a negative of herself, and this flaw was added to all the others.
To get away, out into the world! Beyond this all details were blurred. She imagined somewhere open, free, bathed in sunshine. And a throng of people, none of them her relatives, none of whom could criticize her appearance and character, and to whom she was not responsible for being other than herself. — Cora Sandel

Then I resolved that I would go back out there and somehow cope with the situation, despite the fact that I lacked a strategy and was frightened to the pit of my being. — William Styron

Well, it is to be confessed that the cold of warm climates always has a peculiarly aggravating effect on the mind. A warm region is just like some people who get such a character for good temper, that they never can indulge themselves even in an earnest disclaimer without everybody crying out upon them, "What puts you in such a passion?" &c. So Nature, if she generally sets up for amiability during the winter months, cannot be allowed a little tiff now and then, a white frost, a cold rain-storm, without being considered a monster. — Harriet Beecher Stowe

Mr Bott sits down and gestures gracefully to the board. "As you are clearly both fascinated by this text, would you like to explain the significance of Laertes in Hamlet?" He looks at Alexa. "Please go first, Miss Roberts."
"Well ... " Alexa says hesitantly. "He's Ophelia's brother, right?"
"I didn't ask for his family tree, Alexa. I want to know his literary significance as a fictional character."
Alexa looks uncomfortable. "Well then, his literary significance is in being Ophelia's brother, isn't it? So she has someone to hang out with."
"How very kind of Shakespeare to give fictional Ophelia a fictional playmate so that she doesn't get fictionally bored. Your analytical skills astound me, Alexa. Perhaps I should send you to Set Seven with Mrs White and you can spend the rest of the lesson studying Thomas the Tank Engine. I believe he has lots of buddies too. — Holly Smale

Reg: Speaking of blunt, dinner is on my bill tonight, mes amis.
Alex: What's the occasion?
Augustus: Lady Caroline's agreed to venture out on a picnic with out intrepid hero.
Kit: I don't know why you keep insisting she's smitten with me. I've barely spoken five sentences to her.
Augustus: It's very simple. Reg has thrown his entire being into pleasing Caroline. She knows every nuance of his thought and character. You, however, are a mystery to be explored, solved, and resolved. — Suzanne Enoch

Playing Japanese characters and being in environments that are Japanese, like a character's apartment or whatever, if you have directors or art directors who just don't know what' s what with Japanese culture, then pretty soon something's just passed through. I've been through many times where I've pointed out the incorrectness of so much of what's been done to a set. — Cary-Hiroyuki Tagawa

I remember I once saw this old movie ... ; in it the main character was talking about how sad it is that the last time you have sex you don't know it's the last time. Since I've never even had a first time, I'm not exactly an expert, but I'm guessing it's like that for most things in life
the last kiss, the last laugh, the last cup of coffee, the last sunset, the last time you jump through a sprinkler or eat an ice-cream cone, or stick your tongue out to catch a snowflake. You just don't know.
But I think that's a good thing, really, because if you did know it would be almost impossible to let go. When you do know, it's like being asked to step off the edge of a cliff: all you want to do is get down on your hands and knees and kiss the solid ground, smell it, hold on to it. — Lauren Oliver

American movie audiences now just don't seem to be very interested in any kind of ambiguity or any kind of real complexity of character or narrative - I'm talking in large numbers, there are always some, but enough to make hits out of movies that have those qualities. I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television. — Steven Soderbergh

I did this movie right after it about the life of Chet Baker. It's called Born to Be Blue. In that situation, there's a real clear character you're drawing on. It's a real person. It's really exciting and interesting to do the research to figure out how to make that a nuanced, three-dimensional human being. — Ethan Hawke

You know, Qhuinn's an interesting character." Saxton reached out with an elegant hand and picked up his port. "He's one of my favorite cousins, actually. His nonconformity is admirable and he's survived things that would crush a lesser male. Don't know that being in love with him would be easy, however."
Blay didn't go near that one. "So do you come here often?"
Saxton laughed, his pale eyes glinting, "Not for discussion, huh. — J.R. Ward

When our Lord said to the disciples, "Follow me, and I will make you fishers of men" (Matthew 4:19), His reference was not to the skilled angler, but to those who use the drag-net
something which requires practically no skill; the point being that you do not have to watch your "fish," but you have to do the simple thing and God will do the rest. The pseudo-evangelical line is that you must be on the watch all the time and lose no oportunity of speaking to people, and this attitude is apt to produce the superior person. It may be a noble enough point of view, but it produces the wrong kind of character. It does not produce a disciple of Jesus, but too often it produces the kind of person who smells of gunpowder and people are afraid of meeting him. According to Jesus Christ, what we have to do is to watch the source and He will look after the outflow: "He that believeth on me, ... out of his belly shall flow rivers of living water" (John 7:38). — Oswald Chambers

Thing is, I'm a funny actor, but I'm not good at being funny. I'm going to ramble for a second: I'm an actor who can make things funny in the moment, like in stakes or in circumstances or out of character. — Matthew Lillard

Being on the run wasn't fun, but it was something I had to do. I was actually working in legitimate jobs. I wasn't living on people's credit cards. I was living like a character out of a movie. It was performance art. — Kevin Mitnick

Whether you're president or speaker, if you're wrong, we need to stand up and point it out. That's what Martin Luther King had talked about: being judged by the content of our character and not the color of our skin. So some of us pounded away on some of the ridiculous policies of Pelosi - and lo and behold, over time, the public began to see. — Louie Gohmert

I think being mean to people in high school is healthy. It's sort of like you're in this situation with all these other kids and sometimes you need to get your aggression out. And if you'd had people be mean to you before, it really does build character. — Lizzy Caplan

I like the idea of my art being a covetable object; I like preciousness. A lot of art seems to flaunt its throw-away character ... But you have to sail out into the dangerous sea of fine art with these crafted works. — Grayson Perry

I have learned never to judge any of the characters that I portay. Sometimes that is difficult to do because as a human being we tend to make judgements when we find out information about people and situations. In order to bring a character to life, though, I find that I cannot judge her or I won't be true to her. — Chloe Grace Moretz

Historiology, always understood in its claim to possess the character of modern science, is a constant avoidance of history. Yet even in this avoidance, it still maintains a relation to history, and that makes historiology and the historiologist bivalent. If history is not explained historiologically and calculated in terms of a particular image for the specific ends of supporting a position and imparting a conviction, if history is instead placed back into the uniqueness of its inexplicability, and if, through this inexplicability, all historiological bustle and all the opinions and beliefs that arise from it are placed into question and into decision with respect to themselves, then what is being carried out is what could be called historical thinking. — Martin Heidegger

Be spontaneous! When was the last time you did something completely out of character? You have to open yourself to trying new things, especially those that you may previously never have thought of doing, or had been too hesitant to attempt. This is how you open doors of opportunity for positive growth. When we try new experiences, we allow ourselves to feel again. Everything in life can't be planned. Sometimes you just need to let your hair down and live in the moment. Being spontaneous will keep your life interesting and exciting. So instead of saying no, start saying yes! — Anonymous

There is a general notion that playing a bubbly girl is undemanding and less challenging. But that's not the case. You need oodles of energy to bring out the spirit of a lively character. Besides, no two bubbly girls are the same. Every character I have played is different from the other. I love being chosen for such lively roles. — Genelia D'Souza

Communication between people of different nationalities enriches human society and makes it more colourful.. Imagine our Russian intellectuals, the kind, merry, perceptive old women in our villages, our elderly workers, our young lads, our little girls being free to enter the melting pot of ordinary human intercourse with the people of North and South America, of China, France, India, Britain and the Congo. What a rich variety of customs, fashion, cuisine and labour would then be revealed! what a wonderful human community would then come into being, emerging out of so many peculiarities of national characters and ways of life. And the beggarliness, blindness and inhumanity of narrow nationalism and hostility between states would be clearly demonstrated. — Vasily Grossman

Sorry, I didn't know that you had a vagina, I'll refrain from using vulgar words for now on. How about it smells like pee pee and poo poo, with a little bit of spew, is that better?"
"You're a real character, you know that?"
"Thanks, I try," she says. "Now, let's get the shi-stuff and get out of here."
"Fine," I say. "But for future reference, I like it better when you curse. It's pretty funny to see a pissed off Tinkerbell." I run from the baseball mitt being hurled at my head, laughing all the way . — Katelin LaMontagne

What's the best part of acting? It's the indescribable feeling of being someone you are and someone your not, all at the same time. Acting is finding a character that's in you, forgetting yourself, and then bringing out this whole other person. Character is all that matters when you're on a stage. — Chris Coppernoll

I love making stuff. There's a joy in having the first molecule of an idea, then testing it in front of audiences at secret shows that people only know about the day before. I videotape those, study them, enjoy being in the character and figuring out the movie. — Mike Myers

I've read all the 'Game of Thrones' books many times over, so I sometimes find it easier being on set, because it can be hard to get out of character. — Emilia Clarke

I can't recall a story that played out exactly as I'd expected it to. That's one of the thrills of journalism - being surprised, and learning new stuff, but it also poses the biggest challenge to a writer's character. — Dave Barry

That is the beauty of having characters that don't make a big deal out of being gay, or lesbian, or whatever. They are just what they are, and that is acceptable - and that nobody should question that and that love is love. — Katrina Law

The inspiration of a noble cause involving human interests wide and far, enables men to do things they did not dream themselves capable of before, and which they were not capable of alone. The consciousness of belonging, vitally, to something beyond individuality; of being part of a personality that reaches we know not where, in space and time, greatens the heart to the limit of the souls ideal, and builds out the supreme character. — Joshua Chamberlain

Kierkegaard gives us some portrait sketches of the styles of denying possibility, or the lies of character-which is the same thing. He is intent on describing what we today call "inauthentic" men, men who avoid developing their own uniqueness; they follow out the styles of automatic and uncritical living in which they were conditioned as children. They are "inauthentic" in that they do not belong to themselves, are not "their own" person, do not act from their own center, do not see reality on its terms; they are the one-dimensional men totally immersed in the fictional games being played in their society, unable to transcend their social conditioning: the corporation men in the West, the bureaucrats in the East, the tribal men locked up in tradition-man everywhere who doesn't understand what it means to think for himself and who, if he did, would shrink back at the idea of such audacity and exposure. — Ernest Becker

It takes courage to have a conscience when you seem to see others getting something tangible out of not bothering to struggle with the morality of a situation. It gets frustrating and demoralizing. This is precisely where character comes in. All throughout history special people have felt compelled to do what they objectively saw as right and good - even in the face of humiliation or rejection or expulsion or torture or death. That is because they believed that certain ideas were more important than individual well-being. — Laura Schlessinger

Being a director is almost like being another sort of character, but you're out of view. — Paddy Considine

People reveal themselves completely only when they are thrown out of the customary conditions of their life. — Leonardo Da Vinci

In acting, you have a writer, a director, a character - you're working through being another person - and the irony I always tell people is when I acted early on as a teenager, it actually kept me out of trouble. — Juliette Lewis

Whatever capacities there may be for enjoyment or for suffering in this strange being of ours, and God only knows what they are, they will be drawn out wholly in accordance with character. — Mark Hopkins

I did more research into the police procedure. I worked out with SWAT guys and ex- and active military guys, and consulted with them and read books. As far as the character itself, I don't know how you can research being a focused guy, aside from just being a focused person and knowing what that's like. Outside of the character background and all that, there wasn't a whole lot of other stuff to really delve into. You just do what you do. — Tim Kang

I've got a funny old face. Someone described it once, and I think they were being kind, as character. But I know what they mean! I've never been that conventional. I suppose maybe it means that my face can look different in different lights, so I just try and sort of keep it simple when I'm going out, to still look like me. — Cate Blanchett

I'd had an early stint in acting school, and there was something satisfying about becoming a character, about being inside another mind that you had to create out of yourself. As I moved toward a life in writing, I found many of the things I'd learned in acting school still applied. — Michael Redhill

Neither parenting, Christian education, heritage, nor fine church involvement can alter anyone's essential sin nature. To lie, make self-centered choices, be destructive, or be deeply hurtful to oneself or others may be "out of character," but it is not outside of any human being's nature. — Rick Horne

A man who has cured himself of all ridiculous prepossessions, and is fully, sincerely, and steadily convinced, from experience as well as philosophy, that the difference of fortune makes less difference in happiness than is vulgarly imagined; such a one does not measure out degrees of esteem according to the rent-rolls of his acquaintance. He may, indeed, externally pay a superior deference to the great lord above the vassal; because riches are the most convenient, being the most fixed and determinate, source of distinction. But his internal sentiments are more regulated by the personal characters of men, than by the accidental and capricious favours of fortune. — David Hume

Being 'Johnny' was almost like an out of body experience. I thought he was just a character that I'd created and could quite easily step away from, but it was much more difficult than that. — Johnny Vegas

I can take my wife out for a lovely evening this Friday, which is a to do. But being a good husband is not an event; it needs to be part of my nature - my character, or who I am. — Lynn G. Robbins

I think you have to be schizoid three different ways to be an actor ... You have to be a human being. Then you have to be the character you're playing. And on top of that you've got to be the guy sitting out there in Row 10, watching yourself and judging yourself. That's why most of us are crazy to start with, or go nuts once we get into it. — George C. Scott

With 'Moreau,' it's been particularly confusing because I started out being the writer of the screenplay and then trying to be the director, then being moved from being the director and having to become the dog extra, it makes some kind of sense to suddenly become a character in the story. — Richard Stanley

But this first clumsy attempt showed her that the imagination itself was a source of secrets: once she had begun a story, no one could be told. Pretending in words was too tentative, too vulnerable, too embarrassing to let anyone know. Even writing out the she saids, the and thens, made her wince, and she felt foolish, appearing to know about the emotions of an imaginary being. Self-exposure was inevitable the moment she described a character's weakness; the reader was bound to speculate that she was describing herself. What other authority could she have? — Ian McEwan

Music is a language by whose means messages are elaborated, that such messages can be understood by the many but sent out only by few, and that it alone among all the languages unites the contradictory character of being at once intelligible and untranslatable - these facts make the creator of music a being like the gods. — Claude Levi-Strauss

Progress is the exploration of our own error. Evolution is a consolidation of what have always begun as errors. And errors are of two kinds: errors that turn out to be true and errors that turn out to be false (which are most of them). But they both have the same character of being an imaginative speculation. I say all this because I want very much to talk about the human side of discovery and progress, and it seems to me terribly important to say this in an age in which most non-scientists are feeling a kind of loss of nerve. — Jacob Bronowski

Umar, despite his strong character and impressive personality, had lost control of himself for a short while, his emotions seizing him so strongly that it brought out a heretofore unsuspected fragility, causing him to react like a child refusing the ruling of God, of reality, of life. By contrast, Abu Bakr, who was normally so sensitive, who wept so abundantly and so intensely when he read the Quran, had received the news of the Prophet's death with deep sorrow but also with extraordinary calm and unsuspected inner strength. At that particular moment, the two men's roles were inverted, thus showing that through his departure the Prophet offered us a final teaching: in the bright depths of spirituality, sensitivity can produce a degree of strength of being that nothing can disturb. Conversely, the strongest personality, if it forgets itself for a moment, can become vulnerable and fragile. The — Tariq Ramadan

It is crucial for us to form the habit of holy leisure, of quiet places and times alone with the Lord, so that we will restore our passion and intimacy with Christ. In this way, service will flow out of our life with him, and our activities and abilities will be animated by dependence upon his indwelling power. Restoration and renewal are especially important after periods of intense activity. When we seek and treasure God's intentions and calling, our personal knowledge of him (knowing) shapes our character (being) and conduct (doing). Although we are more inclined to follow Jesus into service than into solitude, the time we spend in "secluded places" with him (Mark 1:35; 6:31) will energize our service. — Kenneth D. Boa

I've always been a fan of [Mary Elizabeth Winstead's]. She gets to do some fun action-y stuff she brings this gritty swashbuckle to. I think there's a lot of movies that have women in peril running away from the scarier things and then end up being saved by a man, so it's great to see this character MacGyver her way out of situations, whether physically MacGyvering away, or mentally MacGyvering a way out of something. I relate to her more than I relate to most leading men in movies. — Dan Trachtenberg

When you first get out of doing a show for a long time where you played a teenager, casting directors and producers all still look at you as being the character that you played for so long. — Danielle Fishel

It was a bright day for me when I realised there wasn't any one way to live as myself. You're not a character. You have as many sides and reflections as the ripples that pass through a river in the spring. Don't trick yourself into thinking you must be one person. Because you will never be only one person. Not even in the span of a day are you only one person. We are worlds stitched inside skin. There's nothing small or simple about a world. There's nothing small or simple about any living being. Remember this the next time someone tells you who to be and how to live. They haven't figured it out yet. But don't let yourself forget. — F.K. Preston

It's about personal development. It's about creating your own character and pushing it to the limit. It's about pushing yourself so far out of your own and everybody else's idea of who you are and what you're capable of, that you no longer believe in limits. It's about reaching beyond your so-called potential, because your potential is never where you or anyone else expects it to be, not even close. It's about being able to say with the last breath of your life I used all my potential and all my talents and pushed myself to the limit. I could not have fought any harder. — Charlotte Eriksson

As my object was not myself, I set out with the determination, and happily with the disposition, of not being moved by praise or censure, friendship or calumny, nor of being drawn from my purpose by any personal altercation; and the man who cannot do this, is not fit for a public character. — Thomas Paine

I think what's really the most ideal thing is for the player themselves, within their own imagination, to carve out what they view as being the essence of the character. — Shigeru Miyamoto

I just felt like, you know, I read a lot of scripts out in L.A., out here in the industry and I just felt like this film was just being genuine. I just felt like it had really great characters. And all the three different characters have completely different stories and they're all kind of intertwined together thematically. So I just thought it had great characters, great themes — George Tillman Jr.

Walking about streets, going to church of Sundays, and hearing sermons, never yet made a man of a human being. Send the boy out upon the broad ocean, if you wish to open his eyes, and let him look upon foreign nations, or what I call the face of nature, if you wish him to understand his own character. — James Fenimore Cooper

I love, first of all, reading and discovering what the common perception is and then trying to figure out ... well, how does your life cross over into that character, or what's an angle on this that might challenge the status quo? It's just a great journey as well as an education. You're constantly being educated - it's like I'm back at school and making up for lost time. — Andy Serkis

Winslow says I don't understand plotting and probably I don't - I have been congratulated many times on the skill shown in my plotting when I knew damn well that the story in question had not been plotted in advance at all. My notion of a story is an interesting situation in which a human being has to cope with a problem, does so, and thereby changes his personality, character, or evaluations in some measure because the coping has forced him to revise his thinking. How h copes with it I can't plot because that depends on his character, and I don't know his what his character is until i get acquainted with him. When I can "hear the character talk" then I'm all right - he works out his own salvation. — Robert A. Heinlein

With mockumentaries, the conceit is that the characters are being interviewed, so you can start a scene and cut to a character looking at the camera and saying, "I'm working on this project," instead of having to figure out ways for people to talk naturally about what they're doing. You see this problem in pilots - people end up explaining things to each other that they'd never explain in real life. — Michael Schur

Be fearless. Have the courage to take risks. Go where there are no guarantees. Get out of your comfort zone even if it means being uncomfortable. The road less traveled is sometimes fraught with barricades bumps and uncharted terrain. But it is on that road where your character is truly tested And have the courage to accept that you're not perfect nothing is and no one is - and that's OK. — Katie Couric

Nothing (at least that can be done by humans) immortalizes anyone. The Fault in Our Stars will hopefully have a long and wonderful life, but it will eventually go out of print, and eventually the last person ever to read it will die, and then the characters will no longer live in any consciousness.Also, that is okay. That is good, actually. That is how it should be. One of the things the characters in this novel have to grapple with is the reality of temporaryness. What Gus in particular must reconcile himself to is that being temporary does not mean being unimportant or meaningless. — John Green

Tom Stafford was an odd character, you know - a brilliant guy. He looked weird and I think he took a really defensive attitude about being a hunchback. You know how people can be, giving him a hard time. So he turned that into a defensive mechanism. He would strike first, a lot of times. But he was a great guy, and really those talks we had when I was about 15, out of all of that came the studio over the drugstore and everything else. I'm not saying - I'm no big deal, but I was a part of the birth of the music there. — Donnie Fritts

I sort of have the belief that you work being your character out while you're working on it, or that's been my experience so far. I throw myself into it 100% and try to live in that world, and then when it's over, just sort of be able to leave it behind. — Jonathan Groff

When I write, I speak with ghosts for years, and I see images that are a little bit out of focus. I see faces, but the faces change. At the moment that it's a real human being that's flesh and bone, it changes a character. It's much more precise and complex. — Jaco Van Dormael