Quotes & Sayings About Being Mary Jane
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Top Being Mary Jane Quotes

were spilt on his bib, Jane and Michael could tell that the substance in the spoon this time was milk. Then Barbara had her share, and she gurgled and licked the spoon twice. Mary Poppins then poured out another dose and solemnly took it herself. "Rum punch," she said, smacking her lips and corking the bottle. Jane's eyes and Michael's popped with astonishment, but they were not given much time to wonder, for Mary Poppins, having put the miraculous bottle on the mantelpiece, turned to them. "Now," she said, "spit-spot into bed." And she began to undress them. They noticed that whereas buttons and hooks had needed all sorts of coaxing from Katie Nanna, for Mary Poppins they flew apart almost at a look. In less than a minute they found themselves in bed and watching, by the dim light from the night-light, the rest of Mary Poppins's unpacking being performed. From the carpet bag she took out seven flannel nightgowns, four cotton ones, a pair of boots, a — P.L. Travers

Pride," observed Mary, who piqued herself upon the solidity of her reflections, "is a very common failing, I believe. By all that I have ever read, I am convinced that it it very common indeed; that human nature is particularly prone to it, and that there are very few of us who do not cherish a feeling of self-complacency on the score of some quality or the other, real or imaginary. Vanity and pride are different things, though the words are often used synonymously. A person may be proud without being vain. pride relates more to our opinion of ourselves, vanity to what we would have other think of us. — Jane Austen

Lucy gripped her chilled glass of orange and raspberry juice. When Rebecca talked about Austen, she'd mostly mentioned Mr. Darcy or Mr. Knightley. She hadn't really thought of the doe-eyed, pale-skinned heroines.
On the screen, Anne Elliot walked down a long hallway, glancing just once at covered paintings, her mouth a grim line. Lucy thought Jane Austen would start the story with the romance, or the loss of it, but instead the tale seemed to begin with Anne's home, and having to make difficult decisions. Maybe this writer from over two hundred years ago knew how everything important met at the intersection of family, home, love, and loss. This was something Lucy understood with every fiber of her being. — Mary Jane Hathaway

Mary, who having, in consequence of being the only plain one in the family, worked hard for knowledge and accomplishments, was always impatient for display. — Jane Austen

'Being Mary Jane,' I really want everybody to see what we've done. I've never watched a project that I've worked and thought, 'Damn that's really good. It's so juicy, and it's hit after hit.' — Raven Goodwin

Being a maverick traveller, one would like to place oneself in the place of a local; just listen without judgement. — Mary Jane Walker

But, for me, being attractive is about more than just what a man's been blessed with. I like that Gideon doesn't know he's the handsomest man in town. Once, when we were on our way to the Finnemore house, a girl almost walked into a post because she wasn't paying attention. But Gideon had no idea. — Mary Jane Hathaway

Mary was the only daughter who remained at home; and she was necessarily drawn from the pursuit of accomplishments by Mrs. Bennet's being quite unable to sit alone. Mary was obliged to mix more with the world, but she could still moralize over every morning visit; and as she was no longer mortified by comparisons between her sisters' beauty and her own, it was suspected by her father that she submitted to the change without much reluctance. — Jane Austen

At that moment a solitary violin struck up. But the music was not dance music; it was more like a song - a solemn, sweet song. (I know now that it was Beethoven's Romance in F.) I listened, and suddenly it was as if the fog that surrounded me had been penetrated, as if I were being spoken to. — Jennifer Paynter

A few of the guests, who had the misfortune of being too near the windows, were seized and feasted on at once. When Elizabeth stood, she saw Mrs. Long struggle to free herself as two female dreadfuls bit into her head, cracking her skull like a walnut, and sending a shower of dark blood spouting as high as the chandeliers.
As guests fled in every direction, Mr. Bennet's voice cut through the commotion. "Girls! Pentagram of Death!"
Elizabeth immediately joined her four sisters, Jane, Mary, Catherine, and Lydia in the center of the dance floor. Each girl produced a dagger from her ankle and stood at the tip of an imaginary five-pointed star. From the center of the room, they began stepping outward in unison - each thrusting a razor-sharp dagger with one hand, the other hand modestly tucked into the small of her back. — Seth Grahame-Smith