Being A Reader Quotes & Sayings

There is an underlying rhythm to all text. Sentences crashing fall like the waves of the sea, and work unconsciously on the reader. Punctuation is the music of language. As a conductor can influence the experience of the song by manipulating its rhythm, so can punctuation influence the reading experience, bring out the best (or worst) in a text. By controlling the speed of a text, punctuation dictates how it should be read. A delicate world of punctuation lives just beneath the surface of your work, like a world of microorganisms living in a pond. They are missed by the naked eye, but if you use a microscope you will find a exist, and that the pond is, in fact, teeming with life. This book will teach you to become sensitive to this habitat. The more you do, the greater the likelihood of your crafting a finer work in every respect. Conversely the more you turn a blind eye, the greater the likelihood of your creating a cacophonous text and of your being misread. — Noah Lukeman

The truth is, everything ultimately comes down to the relationship between the reader and the writer and the characters. Does or does not a character address moral being in a universal and important way? If it does, then it's literature. — Whitley Strieber

I'm a reader of Chinese literature, I like their films, but also: I've had great difficulty getting my work published in China; very little of it has been published there. The first two attempts to have all of my work published, for instance, were refused without any reason ever being given. — Salman Rushdie

If I cannot narrate a life of adventurous and daring exploits, fortunately I have no heavy crimes to confess: and, if I do not rise in the estimation of the reader for acts of gallantry and devotion in my country's cause, at least I may claim the merit of zealous and persevering continuance in my vocation. We are all of us variously gifted from Above, and he who is content to walk, instead of to run, on his allotted path through life, although he may not so rapidly attain the goal, has the advantage of not being out of breath upon his arrival. — Frederick Marryat

As a reader myself, which precedes my being a writer, of course, I read in order to enter another world. — Lynne Tillman

This time once again it has been my chief aim to make no sacrifice to an appearance of being simple, complete or rounded off, not to disguise problems and not to deny the existence of gaps and uncertainties. In no other scientific field would it be necessary to boast of such modest intentions. They are universally regarded as self-evident; the public expects nothing else. No reader of an account of astronomy will feel disappointed and contemptuous of the science if he is shown the frontiers at which our knowledge of the universe melts into haziness. Only in psychology is it otherwise. There mankind's constitutional unfitness for scientific research comes fully into the open. What people seem to demand of psychology is not progress in knowledge, but satisfactions of some other sort; every unsolved problem, every admitted uncertainty is made into a reproach against it.
Whoever cares for the science of mental life must accept these injustices along with it. — Sigmund Freud

Shara was already an avid reader by then, but she had never realized until that moment what books meant, the possibility they presented: you could protect them forever, store them up like engineers store water, endless resources of time and knowledge snared in ink, tied down to paper, layered on shelves ... Moments made physical, untouchable, perfect, like preserving a dead hornet in crystal, one drop of venom forever hanging from its stinger.
She felt overwhelmed. It was
she briefly thinks of herself and Vo, reading together in the library
a lot like being in love for the first time. — Robert Jackson Bennett

A ghost story of which the scene is laid in the twelfth or thirteenth century may succeed in being romantic or poetical: it will never put the reader into the position of saying to himself: If I'm not careful, something of this kind may happen to me! — M.R. James

It's funny: I like being surprised as a reader, so it's difficult for me to spoil my own stuff. — Marc Guggenheim

When my head is in the typewriter the last thing on my mind is some imaginary reader. I don't have an audience; I have a set of standards. But when I think of my work out in the world, written and published, I like to imagine it's being read by some stranger somewhere who doesn't have anyone around him to talk to about books and writing - maybe a would-be writer, maybe a little lonely, who depends on a certain kind of writing to make him feel more comfortable in the world. — Don DeLillo

The most satisfying compliment a reader can pay is to tell me that he or she feels personally addressed. Think of your own favorite authors and see if that isn't precisely one of the things that engages you, often at first without your noticing it. A good conversation is the only human equivalent: the realizing that decent points are being made and understood, that irony is in play, and elaboration, and that a dull or obvious remark would be almost physically hurtful. This is how philosophy evolved in the symposium, before philosophy was written down. And poetry began with the voice as its only player and the ear as its only recorder. — Christopher Hitchens

Every morning brings us news of the globe, and yet we are poor in noteworthy stories. This is because no event comes to us without being already shot through with explanation. In other words, by now almost nothing that happens benefits storytelling; almost everything benefits information. Actually, it is half the art of storytelling to keep a story free from explanation as one reproduces it ... The most extraordinary things, marvelous things, are related with the greatest accuracy, but the psychological connection of the event is not forced on the reader. It is left up to him to interpret things the way he understands them, and thus the narrative achieves an amplitude that information lacks. — Walter Benjamin

She was the reason I was a reader, and being a reader was what had made me most myself; it had given me the gifts of curiosity and sympathy, an awareness of the world as an odd and vibrant contradictory place, and it had me unafraid of its oddness and vibrancy and contradictions. — Curtis Sittenfeld

In daily life we never understand each other, neither complete clairvoyance nor complete confessional exists. We know each other approximately, by external signs, and these serve well enough as a basis for society and even for intimacy. But people in a novel can be understood completely by the reader, if the novelist wishes; their inner as well as their outer life can be exposed. And this is why they often seem more definite than characters in history, or even our own friends; we have been told all about them that can be told; even if they are imperfect or unreal they do not contain any secrets, whereas our friends do and must, mutual secrecy being one of the conditions of life upon this globe. — E. M. Forster

You learn to write by writing, and by reading and thinking about how writers have created their characters and invented their stories. If you are not a reader, don't even think about being a writer. — Jean M. Auel

Why should Scotland be stopped from suggesting to the English people that we join a new union under new terms? Let's not try to dominate one another. Let's be a collection, like being in the pub with a kitty. When we vote in Scotland, we vote one way, but the other country votes another way and we always end up with what they vote for. — Eddi Reader

I've been a Marvel reader since I was just a kid, and I've dreamed of being a Marvel writer for almost as long, so being tapped to officially join the team is truly something. — Charles Soule

Evan Connell said once that he knew he was finished with a short story when he found himself going through it and taking out commas and then going through the story again and putting the commas back in the same places. I like that way of working on something. I respect that kind of care for what is being done. That's all we have, finally, the words, and they had better be the right ones, with the punctuation in the right places so that they an best say what they are meant to say. If the words are heavy with the writer's own unbridled emotions, or if they are imprecise and inaccurate for some other reason
if the worlds are in any way blurred
the reader's eyes will slide right over them and nothing will be achieved. Henry James called this sort of hapless writing 'weak specification'. — Raymond Carver

I think Dr. Willis McNelly at the California State University at Fullerton put it best when he said that the true protagonist of an sf story or novel is an idea and not a person. If it is *good* sf the idea is new, it is stimulating, and, probably most important of all, it sets off a chain-reaction of ramification-ideas in the mind of the reader; it so-to-speak unlocks the reader's mind so that the mind, like the author's, begins to create. Thus sf is creative and it
inspires creativity, which mainstream fiction by-and-large does not do. We who read sf (I am speaking as a reader now, not a writer) read it because we love to experience this chain-reaction of ideas being set off in our minds by something we read, something with a new idea in it; hence the very best since fiction ultimately winds up being a collaboration between author and reader, in which both create and enjoy doing it: joy is the essential and final ingredient of science fiction, the joy of discovery of newness. — Philip K. Dick

I'm never going to complain about receiving free early copies of books, because clearly there's nothing to complain about, but it does introduce a rogue element into one's otherwise carefully plotted reading schedule ...
Being a reader is sort of like being president, except reading involves fewer state dinners, usually. You have this agenda you want to get through, but you get distracted by life events, e.g., books arriving in the mail/World War III, and you are temporarly deflected from your chosen path. — Nick Hornby

I think the act of reading imbues the reader with a sensitivity toward the outside world that people who don't read can sometimes lack. I know it seems like a contradiction in terms; after all reading is such a solitary, internalizing act that it appears to represent a disengagement from day-to-day life. But reading, and particularly the reading of fiction, encourages us to view the world in new and challenging ways ... It allows us to inhabit the consciousness of another which is a precursor to empathy, and empathy is, for me, one of the marks of a decent human being. — John Connolly

Put your manuscript down, I'd recommend at least two months. Six would be ideal. You really need to get away from it long enough to change your mindset. Unless you have a photographic memory, this technique will work. You'll transform into the one thing you crave feedback from: a reader. — A.J. Flowers

If it has been revealed to man that the Almighty made him out of the dust of the earth, and breathed into his nostrils the breath of life, it is in vain to tell a Christian that man was originally a speck of albumen, and passed through the stages of monads and monkeys, before he attained his present intellectual preeminence. If it be a received truth that the Creator has repeatedly interposed in the government of the universe and displayed his immediate agency in miraculous interpositions, it is an insult to any reader to tell him that the being slumbers on his throne and rules under a "primal arrangement in his counsels," and "by a code of laws of unbending operation. — David Brewster

Your reader is interested in a guileless, fresh, first-time-we-talked-about-it way. What a great liberation that is. And teenagers, if you respect them, will follow you a lot further than adults will, without fear of being a genre that they may not like or have been told not to like. They just want a story. — Patrick Ness

No one ever became, or can become truly eloquent without being a reader of the Bible, and an admirer of the purity and sublimity of its language. — Fisher Ames

Dylan Landis knows how to unnerve a reader, even as she's appreciating being unnerved. Rainey Royal thrums with sex and power. A brave, exquisite book. — Mary Kay Zuravleff

An English comedian once explained the popularity of umlauts among native English speakers as follows: "It's almost as if they had two eyes. You look at the umlaut, and the umlaut looks right back at you! I believe that, because of the umlauts, a close friendship can arise between the reader and the text being read. — David Bergmann

They have trapped Blue into doing nothing, into being so inactive as to reduce his life to almost no life at all. Yes, says Blue to himself, that's what it feels like: like nothing at all. He feels like a man who has been condemned to sit in a room and go on reading a book for the rest of his life. This is strange enough - to be only half alive at best, seeing the world only through words, living only through the lives of others. — Paul Auster

If I can be more efficient, I'm actually being more respectful to the reader, which then implies a greater intimacy with the reader. — George Saunders

If a writer of prose knows enough about what he is writing about, he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an iceberg is due to only one-eighth of it being above water — Ernest Hemingway,

The Road is not a record of fatherly fidelity; it is a testament to the abyss of a parent's greatest fears. The fear of leaving your child alone, of dying before your child has reached adulthood and learned to work the mechanisms and face the dangers of the world, or found a new partner to face them with. The fear of one day being obliged for your child's own good, for his peace and comfort, to do violence to him or even end his life. And, above all, the fear of knowing - as every parent fears - that you have left your children a world more damaged, more poisoned, more base and violent and cheerless and toxic, more doomed, than the one you inherited. It is in the audacity and single-mindedness with which The Road extends the metaphor of a father's guilt and heartbreak over abandoning his son to shift for himself in a ruined, friendless world that The Road finds its great power to move and horrify the reader. — Michael Chabon

The purpose of a short story is ... that the reader shall come away with the satisfactory feeling that a particular insight into human character has been gained, or that his (or her) knowledge of life has been deepened, or that pity, love or sympathy for a human being is awakened. — Lin Yutang

I say to myself that the result of the unnatural effort to which I subject myself, writing, must be the respiration of this reader, the operation of reading turned into a natural process, the current that brings the sentences to graze the filter of her attention, to stop for a moment before being absorbed by the circuits of her mind and disappearing, transformed into her interior ghosts, into what in her is most personal and incommunicable. At — Italo Calvino

None of the things I have mentioned can make a foolish man wise or a bad book good. But when they are properly used they remind us that the act of reading is an act of confidence, and almost of conspiracy, between one human being and another. That conspiracy can get nowhere, and that confidence can be betrayed. But if all goes well the reader may put down the book at the end and say what the author - and this author is no exception - most wants to hear:'I learned a lot from your book, but what is more to the point is I had a very good time. — John Russell

I wanted to be a librarian from a very young age. Some of my earliest memories are being taken to the local library. I ended up working as a bookseller. Becoming a writer was the logical offshoot of being a reader. — Michael Scott

Proust is a hero of mine. I read 'A la recherche' in one go, and I'm a very slow reader. It had an astonishing impact, reading it on my own and being my main company. I think Proust is the most intelligent person to ever have written a novel. — Edward St. Aubyn

Most of what I read is for reviewing purposes or related to something I want to write about. It's slightly utilitarian. I definitely miss that sense of being a disinterested reader who's reading purely for the pleasure of imagining his way into emotional situations and vividly realized scenes in nineteenth-century France or late nineteenth-century Russia. — Pankaj Mishra

[Robert] Frost says in a piece of homely doggerel that he has hoped wisdom could be not only Attic but Laconic, Boeotian even "at least not systematic"; but how systematically Frostian the worst of his later poems are! His good poems are the best refutation of, the most damning comment on, his bad: his Complete Poems have the air of being able to educate any faithful reader into tearing out a third of the pages, reading a third, and practically wearing out the rest. — Randall Jarrell

The literal sense of the author was "creation is the orderly act of a loving Creator God." What the modern reader often hears, however, is "The universe was made in six 24-hour days." This is as wrong-headed as taking me to mean I actually stood in line a million years or that my cardiac tissue has been torn in half or that Christ had delusions of being a grape plant.
-- Making Senses of Scripture — Mark Shea

What I do know, is that I refused to compromise with the system and I was obsessed with preventing my work from being manipulated for their propaganda. Even stories about the Holocaust could have been promoted as anti-fascist stories, which they were in a way, but I didn't want them to be taken only as such. I remember I had a reading in Berlin in the '80s and a man in the audience, asked me: 'Sir, I read your book, I read the stories, you didn't say who the oppressors were nor who are the people who are suffering.' And I said, 'No, I didn't.' It was important to me that a Vietnamese reader reading a story about a young boy who is in a camp, can recognize himself, without me saying: the boy is a Jew, the oppressor is a Romanian, or a Nazi, and so on. I wanted to have a more universal approach. — Norman Manea

Long long ago down the browning decades, in the light of the old century in Carolina, walked a toddling child, a wary boy, a strong young male of muscle, blood, and brain who saw, who laughed and listened, smelled and touched, ate, drank, and bred, occupying time and space with his getting and spending in the world. What his biographer will strive to recover is a true sense of this human being, with all his particularity and hope and promise, in the hope that the reader might understand who the grown man might have become had he not known too much of privation, rage, and loss. — Peter Matthiessen

It was like being trapped forever in the present tense of the first line of a first reader. — Craig Raine

In Radical Optimism, Beatrice Bruteau sets forth a deep and shining vision of spirituality, one that guides the reader into the contemplative life and the very root of our being. Dr. Bruteau is a philosopher of great measure whose work should be required reading for all who seek the deepest truth about themselves. — Sue Monk Kidd

The question as to which of these two theories applies to the actual world is, like all questions concerning the actual world, in itself irrelevant to pure mathematics.* But the argument against absolute position usually takes the form of maintaining that a space composed of points is logically inadmissible, and hence issues are raised which a philosophy of mathematics must discuss. In what follows, I am concerned only with the question: Is a space composed of points self-contradictory? It is true that, if this question be answered in the negative, the sole ground for denying that such a space exists in the actual world is removed; but this is a further point, which, being irrelevant to our subject, will be left entirely to the sagacity of the reader. — Bertrand Russell

I am beginning to be sorry that I ever undertook to write this book. Not that it bores me; I have nothing else to do; indeed, it is a welcome distraction from eternity. But the book is tedious, it smells of the tomb, it has a rigor mortis about it; a serious fault, and yet a relatively small one, for the great defect of this book is you, reader. You want to live fast, to get to the end, and the book ambles along slowly; you like straight, solid narrative and a smooth style, but this book and my style are like a pair of drunks; they stagger to the right and to the left, they start and they stop, they mutter, they roar, they guffaw, they threaten the sky, they slip and fall ...
And fall! Unhappy leaves of my cypress tree, you had to fall, like everything else that is lovely and beautiful; if I had eyes, I would shed a tear of remembrance for you. And this is the great advantage in being dead, that if you have no mouth with which to laugh, neither have you eyes with which to cry. — Machado De Assis

It is strange, a judicious reader is apt to say, upon the perusal of these wonderful historians, that such prodigious events never happen in our days. But it is nothing strange, I hope, that men should lie in all ages. You must surely have seen instances enough of that frailty. You have yourself heard many such marvellous relations started, which, being treated with scorn by all the wise and judicious, have at last been abandoned even by the vulgar. Be assured, that those renowned lies, which have spread and flourished to such a monstrous height, arose from like beginnings; but being sown in a more proper soil, shot up at last into prodigies almost equal to those which they relate. — Christopher Hitchens

Who will teach me to write? a reader wanted to know.
The page, the page, that eternal blankness, the blankness of eternity which you cover slowly, affirming time's scrawl as a right and your daring as necessity; the page, which you cover woodenly, ruining it, but asserting your freedom and power to act, acknowledging that you ruin everything you touch but touching it nevertheless, because acting is better than being here in mere opacity; the page, which you cover slowly with the crabbed thread of your gut; the page in the purity of its possibilities; the page of your death, against which you pit such flawed excellences as you can muster with all your life's strength: that page will teach you to write. — Annie Dillard

Risk is important to me as a writer, reader, and editor. I love stories that take a premise or style that seems unlikely to succeed, whose first paragraphs risk a raised eyebrow or groan, and whose last paragraphs are then all that much sweeter a triumph. Basically, I love being proved wrong. — Caitlin Horrocks

[L]et my reader who is puzzled by my awkward explanations close his eyes for no more than two minutes, and see if he does not find himself suddenly not a compact human being at all, but only a consciousness on a sea of sound and touch ... — Shirley Jackson

I bet you could catch bullets," she said, and threw the stick away. "How do you do that?"
"By not being human," he said. "That's why you could never trick a bear. We see tricks and deceit as plain as arms and legs. We can see in a way humans have forgotten. But you know about this; you can understand the symbol reader. — Philip Pullman

As I see it, a successful story of any kind should be almost like hypnosis: You fascinate the reader with your first sentence, draw them in further with your second sentence and have them in a mild trance by the third. Then, being careful not to wake them, you carry them away up the back alley of your narrative and when they are hopelessly lost within the story, having surrendered themselves to it, you do them terrible violence with a softball bag and then lead them whimpering to the exit on the last page. Believe me, they'll thank you for it. — Alan Moore

Consciously or unconsciously, the reader is dissatisfied with being told only what is not; the reader wishes to be told what is ... If your every sentence admits a doubt, your writing will lack authority. — William Strunk Jr.

Once in my childhood I had been eager to learn Irish; I thought to get leave to take lessons from an old Scripture-reader who spent a part of his time in the parish of Killinane, teaching such scholars as he could find to read their own language in the hope that they might turn to the only book then being printed in Irish, the Bible. — Lady Gregory

The reader will probably think it very strange that Clare Arden should not have been utterly revolted by the thought that it was possible her kinsman could mean to make a speculation of her, and a mere stepping-stone to fortune. But she was not revolted. She had that personal objection to being married for her money which every woman has; but had not she herself been the heroine of the story, she would rather have felt approval than otherwise for Arthur Arden. What else could he do? she would have said to herself. He could not dig, and begging, even when one is little troubled with shame, is an unsatisfactory maintenance. And if everything could be put right by a suitable marriage, why should not he marry? It was the most natural, the most legitimate way of arranging everything. For the idea itself she had no horror. All she felt was a natural prejudice against being herself the subject of the transaction.{250} — Margaret Oliphant

Upon being asked by a Reader whether the verses contained in this book were true. And is it True? It is not True. And if it were it wouldn't do, For people such as me and you Who pretty nearly all day long Are doing something rather wrong. Because if things were really so, You would have perished long ago, And I would not have lived to write The noble lines that meet your sight, Nor B. T. B. survived to draw The nicest things you ever saw. H. B. — Hilaire Belloc

In telling a story one of the most successful devices for easily creating uncanny effects is to leave the reader in uncertainty whether a particular figure in the story is a human being or an automaton and to do it in such a way that his attention is not focused directly upon his uncertainty, so that he may not be led to go into the matter and clear it up immediately. — Ernst Jentsch

The term "bend sinister" means a heraldic bar or band drawn from the left side (and popularly, but incorrectly, supposed to denote bastardy). This choice of title was an attempt to suggest an outline broken by refraction, a distortion in the mirror of being, a wrong turn taken by life, a sinistral and sinister world. The title's drawback is that a solemn reader looking for "general ideas" or "human interest" (which is much the same thing) in a novel may be led to look for them in this one. — Vladimir Nabokov

Before, being a model, it was just a job, and I was making fun of it. But today, I take my career more seriously. The fact that a reader may buy an Armani item because she'd seen it on me in a magazine is very important to me. So much so that I intend to launch my own label. — Milla Jovovich

It is a fact that, being a quick reader, apart from enabling a person to study good books such as Macaulay and Gibbon, enables a person to read a lot of bad books as well. — Antonia Fraser

Being a reader is sort of like being president, except reading involves fewer state dinners, usually. You have this agenda you want to get through, but you get distracted by life events, e.g., books arriving in the mail/World War III, and you are temporarily deflected from your chosen path. — Nick Hornby

Many of the best fantastic stories begin in a leisurely way, set in commonplace surroundings, with exact, meticulous descriptions of an ordinary background, much as in a 'realistic' tale. Then a gradual - or it may be sometimes a shockingly abrupt - change becomes apparent, and the reader begins to realize that what is being described is alien to the world he is accustomed to, that something strange has crept or leapt into it. This strangeness changes the world permanently and fundamentally. — Franz Rottensteiner

I suppose anyone who has ever written a travel book has had the experience of being accosted by a reader with blood in his eye and a lawsuit in his voice. — Ilka Chase

There are gentle souls who would pronounce Lolita meaningless because it does not teach them anything. I am neither a reader nor a writer of didactic fiction ... For me a work of fiction exists only insofar as it affords me what I shall bluntly call aesthetic bliss, that is a sense of being somehow, somewhere, connected with other states of being where art (curiosity, tenderness, kindness, ecstasy) is the norm. — Vladimir Nabokov

Libraries made me - as a reader, as a writer, and as a human being. — Laurie R. King

There are three big things going for The Scorpio Races: first, it is set on a beautiful but wild island in the middle of the cold Atlantic Ocean. That would've seduced me as a teen reader. Second, It is full of beautiful but killer horses being trained for a dangerous race. Actually, that would've seduced me as a teen reader as well. At third it involves a very repressed love story with a very Mr. Darcy-like love interest. — Maggie Stiefvater

The trouble with this kind of Hegelian prose is that the reader is at first amused by what seem to be harmless metaphors, and soon the metaphors are being used as if they were observable historical tendencies and aesthetic phenomenon, and next the metaphor becomes a stick to castigate those who have other tastes, and other metaphors. — Pauline Kael

When writing is great, Mitchell told me of the books he loved as a reader, your mind is nowhere else but in this world that started off in the mind of another human being. There are two miracles at work here. One, that someone thought of that world and people in the first place. And the second, that there's this means of transmitting it. Just little ink marks on squashed wood fiber. Bloody amazing. — David Mitchell

I write for somebody who has my own limitations. My reader has a certain difficulty with concentrating, which in my case comes from being a film viewer. — Manuel Puig

Occasionally, I hear grumbles about everything being a series or a trilogy, but apart from the question of them maybe selling more books, I think that there's a real problem in trying to introduce a new world or a new concept while also getting your reader to pay close attention to your characters and themes. — Ann Leckie

There are good books, indifferent books, and bad books. Amongst the good books some are honest, inspiring, moving, prophetic and improving. But in my language there is another category: there are Ah! Books. This is one of them. Ah! Books are those which induce a fundamental change in the reader's consciousness. They widen his sensibility in such a way that he is able to look upon familiar things as though he is seeing and understanding them for the first time. Ah! Books are galvanic. They touch the nerve centre of the whole being so that the reader receives an almost palpable physical shock. A tremor of excited perception ripples through the person. — Vernon Sproxton

No method nor discipline can supersede the necessity of being forever on the alert. What is a course of history, or philosophy, or poetry, or the most admirable routine of life, compared with the discipline of looking always at what is to be seen? Will you be a reader, a student merely, or a seer? — Henry David Thoreau

There is something magical to me about literature and fiction and I think it can do things not only that pop culture cannot do but that are urgent now: one is that by creating a character in a work of fiction you can allow a reader to leap over the wall of self and to allow him to imagine himself not only somewhere else but someone else in a way that television and movies, in a way that no other form can do. I think people are essentially lonely and alone and frightened of being alone. — David Foster Wallace

I'm not a writer. I like being a reader. — Brian Reynolds Myers

When I say that someone is being treated like a criminal, I mean that person is being treated like he broke the law or otherwise did something wrong. (When I want to say someone is being treated as less than human, I say that person is being treated like an animal, not a criminal.) Her chattel slavery and Jim Crow analogies are similarly tortured and yet another effort to explain away stark racial differences in criminality. But unlike prisons, those institutions punished people for being black, not for misbehaving. (A slave who never broke the law remained a slave.) Yet Alexander insists that we blame police and prosecutors and drug laws and societal failures - anything except individual behavior - and even urges the reader to reject the notion of black free will. — Jason L. Riley

A book is more than a verbal structure or series of verbal structures; it is the dialogue it establishes with its reader and the intonation it imposes upon his voice and the changing and durable images it leaves in his memory. A book is not an isolated being: it is a relationship, an axis of innumerable relationships. — Jorge Luis Borges

DEAR MISS MANNERS:
I a tired of being treated like a child. My father says it's because I am a child
I am twelve-and-a-half years old
but it still isn't fair. If I go into a store to buy something, nobody pays any attention to me, or if they do, it's to say, "Leave that alone," "Don't touch that," although I haven't done anything. My money is as good as anybody's, but because I am younger, they feel they can be mean to me. It happens to me at home, too. My mother's friend who comes over after dinner sometimes, who doesn't have any children of her own and doesn't know what's what, likes to say to me, "Shouldn't you be in bed by now,dear?" when she doesn't even know what my bedtime is supposed to be. Is there any way I can make these people stop?
GENTLE READER:
Growing up is the best revenge. — Judith Martin

The detective story itself is in a dilemma. It is a vein which is in danger of being worked out, the demand is constant, the powers of supply variable, and the reader, with each one he absorbs, grows a little more sophisticated and harder to please, while the novelist, after each one he writes, becomes a little more exhausted. — Cyril Connolly

What is the purpose of my writing about the various experiences of my life? It is not for publicity, but with the hope that the reader, especially my descendants, may plan a career to which they are naturally best adapted. Most children are born with a gift or talent which can be noticed in early childhood and should be encouraged and directed in the right way. Solomon said, 'Train up a child in the way he should go; and when he is old, he will not depart from it.' Train does not mean compel, or to compare him with other children, but to encourage him in that for which he has a natural tendency. The boy who will become proficient in a lawful trade or profession, other things being favorable, will be a value to society and remunerative to himself and others. — Ernest Albert Law

The Reader may here observe the Force of Numbers, which can be successfully applied, even to those things, which one would imagine are subject to no Rules. There are very few things which we know, which are not capable of being reduc'd to a Mathematical Reasoning, and when they cannot, it's a sign our Knowledge of them is very small and confus'd; and where a mathematical reasoning can be had, it's as great folly to make use of any other, as to grope for a thing in the dark when you have a Candle standing by you. — John Arbuthnot

If there really was one true god, it should be a singular composite of every religion's gods, an uber-galactic super-genius, and the ultimate entity of the entire cosmos. If a being of that magnitude ever wrote a book, then there would only be one such document; one book of God. It would be dominant everywhere in the world with no predecessors or parallels or alternatives in any language, because mere human authors couldn't possibly compete with it. And you wouldn't need faith to believe it, because it would be consistent with all evidence and demonstrably true, revealing profound morality and wisdom far beyond contemporary human capacity. It would invariably inspire a unity of common belief for every reader. If God wrote it, we could expect no less. But what we see instead is the very opposite of that. — Aron Ra

Originally, Sula opened with 'Except for World War II, nothing interfered with National Suicide Day.' With some encouragement I recognized that sentence as a false beginning." Falseness, in this case, meant abrupt. There was no lobby, as it were, where the reader could be situated before being introduced to the goings-on of the characters. — Toni Morrison

You can have all the right notions in your head without ever tasting in your heart the realities to which they refer; and a simple Bible reader and sermon hearer who is full of the Holy Spirit will develop a far deeper acquaintance with his God and Saviour than a more learned scholar who is content with being theologically correct. The reason is that the former will deal with God regarding the practical application of truth to his life, whereas the latter will not. — J.I. Packer

Working as an editor was like being a professional reader, and the better I became at reading the better I became at writing. — Karen Thompson Walker

In film, a lot of the time you're not as engaged, it is all being given to you, and you're accepting it as it comes in, but in comics, as a reader, you are going to have to work, your imagination needs to do an awful lot. — Neil Gaiman

The guiding metaphor of classic style is seeing the world. The writer can see something that the reader has not yet noticed, and he orients the reader's gaze so that she can see it for herself. The purpose of writing is presentation, and its motive is disinterested truth. It succeeds when it aligns language with the truth, the proof of success being clarity and simplicity. The truth can be known, and is not the same as the language that reveals it; prose is a window onto the world. The writer knows the truth before putting it into words; he is not using the occasion of writing to sort out what he thinks. Nor does the writer of classic prose have to argue for the truth; he just needs to present it. That is because the reader is competent and can recognize the truth when she sees it, as long as she is given an unobstructed view. The writer and the reader are equals, and the process of directing the reader's gaze takes the form of a conversation. — Steven Pinker

I was first a reader and without readers what would be the point in writing. For those of you who love a good story, thank you for being willing to read what we writerly folk create. — Michelle Dennis Evans

I wish either my father or my mother, or indeed both of them, as they were in duty both equally bound to it, had minded what they were about when they begot me; had they duly considered how much depended upon what they were then doing; that not only the production of a rational Being was concerned in it, but that possibly the happy formation and temperature of his body, perhaps his genius and the very cast of his mind;-and, for aught they knew to the contrary, even the fortunes of his whole house might take their turn from the humours and dispositions which were then uppermost: Had they duly weighed and considered all this, and proceeded accordingly, I am verily persuaded I should have made a quite different figure in the world, from that, in which the reader is likely to see me. — Laurence Sterne

F. Scott Fitzgerald believed inserting exclamation points was the literary equivalent of an author laughing at his own jokes, but that's not the case in the modern age; now, the exclamation point signifies creative confusion. All it illustrates is that even the writer can't tell if what they're creating is supposed to be meaningful, frivolous, or cruel. It's an attempt to insert humor where none exists, on the off chance that a potential reader will only be pleased if they suspect they're being entertained. Of course, the reader isn't really sure, either. They just want to know when they're supposed to pretend to be amused. — Chuck Klosterman

If you are a reader, you are already halfway to being a writer," she says. "For you have a love of words and pleasure from seeing them on a page. And if you are a writer, then you will find that you are driven to write. It is a gift that demands to be shared. You cannot be a silent singer. — Philippa Gregory

People who read literary fiction (as opposed to popular fiction or nonfiction) were better able to detect another person's emotions, and the theory proposed was that literary fiction engages the reader in a process of decoding the characters' thoughts and motives in a way that popular fiction and nonfiction, being less complex, do not. — Daniel J. Levitin

Here's what I mean by the miracle of language. When you're falling into a good book, exactly as you might fall into a dream, a little conduit opens, a passageway between a reader's heart and a writer's, a connection that transcends the barriers of continents and generations and even death ... And here's the magic. You're different. You can never go back to being exactly the same person you were before you disappeared into that book. — Anthony Doerr

As a reader you recognise that feeling when you're lost in a book? You know the one - when whatever's going on around you seems less real than what you're reading and all you want to do is keep going deeper into the story whether it's about being halfway up a mountain in Brazil in 1823 of in love with a man you aren't sure you can trust or fighting a war in the last human outpost, somewhere beyond the moon. Well, if you're writing that book it's real for you too. — Sara Sheridan

If your reader has been given a rousing opening, he will usually then sit still for at least some exposition. But be sure to follow that chunk of telling with one or more dramatized scenes. That's much more effective than being given section after section of telling. — Nancy Kress

I grew up in a very British family who had been transplanted to Canada, and my grandmother's house was filled with English books. I was a very early reader, so I was really brought up being surrounded with piles of British books and British newspapers, British magazines. I developed a really great love of England. — Alan Bradley

If you are not the free person you want to be you must find a place to tell the truth about that. To tell how things go for you. Candor is like a skein being produced inside the belly day after day, it has to get itself woven out somewhere. You could whisper down a well. You could write a letter and keep it in a drawer. You could inscribe a curse on a ribbon of lead and bury it in the ground to lie unread for thousands of years. The point is not to find a reader, the point is the telling itself. Consider a person standing alone in a room. The house is silent. She is looking down at a piece of paper. Nothing else exists. All her veins go down into this paper. She takes her pen and writes on it some marks no one else will ever see, she bestows on it a kind of surplus, she tops it off with a gesture as private and accurate as her own name — Anne Carson

But this first clumsy attempt showed her that the imagination itself was a source of secrets: once she had begun a story, no one could be told. Pretending in words was too tentative, too vulnerable, too embarrassing to let anyone know. Even writing out the she saids, the and thens, made her wince, and she felt foolish, appearing to know about the emotions of an imaginary being. Self-exposure was inevitable the moment she described a character's weakness; the reader was bound to speculate that she was describing herself. What other authority could she have? — Ian McEwan

A simple Bible reader and sermon hearer who is full of the Holy Spirit will develop a far deeper acquaintance with his God and Savior than a more learned scholar who is content with being theologically correct. — J.I. Packer

I think the trick of being a writer is to basically put your cards out there all the time and be willing to be as in the dark about what happens next as your reader would be at that time. — George Saunders

I am becoming increasingly difficult to please as a reader, but I adore being surprised by a really wonderful book, written by someone I've never heard of before. — Alexandra Fuller

Make sure your characters are worth spending ten hours with. That's how long it takes to read a book. Reading a book is like being trapped in a room for ten hours with those characters. Think of your main characters as dinner guests. Would your friends want to spend ten hours with the characters you've created? Your characters can be loveable, or they can be evil, but they'd better be compelling. If not, your reader will be bored and leave. — Po Bronson