Being A Classic Quotes & Sayings

Magne Furuholmen is a very dear friend of mine. A-ha are a classic pop band and they've got some brilliant songs. I'd say 'The Living Daylights' was one of my favourite Bond tunes: regardless of it being a Bond song, it stands alone as a great piece of music. — Guy Berryman

Ri, here's a question for you," Stella started. She opened it up to everyone else, as well. "When do your kids stop being pets and start being people?"
The room went silent, except for Gloria trying to stifle her giggles.
Stella looked around and felt pleased that she'd gotten the desired reaction.
"What are you talking about? How could you call children pets?" Shannon demanded before Bernadette had the chance to.
"No, this is an honest question." Stella insisted. "You have them, you name them. They're helpless, and you teach, or train, them. Feed them, water them, whatever. And as they grow up, you just hope that they grow up well and don't spend their time clawing your nice sofa or humping your leg."
Stella, "Sugar and Spies: Spy Sisters Book 1 — Rebekah Martin

There's a new television generation coming in every five or 10 years, and the classic stories stand up to being redone. — Rebecca Eaton

'Jurassic' is a legacy and a classic. Steven Spielberg created something pretty spectacular. It's actually really interesting, when I look at it, I ask, 'How has my life changed since being Lex?' And I can literally walk into just about any city in the world and people will know who I am. — Ariana Richards

My music is more than me writing a flashy soul song. They're heartfelt songs about my family and true stories. I have also songs that aren't personal, but just painting a picture. I don't like being put under labels, but my music is going to continue to stay classic and timeless forever. — Leon Bridges

We have just witnessed a classic example of what I like to call 'misdirected rage'. I believe the technical term is being an ass. — Natsuki Takaya

Japanese researchers blindfolded a group of students and told them their right arms were being rubbed with a poison ivy plant. Afterward, all 13 of the students' arms reacted with the classic symptoms of poison ivy: itching, boils, and redness. Not surprising until you find out that the plant used for the study wasn't poison ivy at all, just a harmless shrub. The students' beliefs were actually strong enough to create the biological effects of poison ivy, even though no such plant had touched them. Then, on the students' other arm, the researchers rubbed actual poison ivy, but told them it was a harmless plant. Even though all 13 students were highly allergic, only two of them broke out into the poison ivy rash! — Chris Estes

You can't get anymore classic than being a part of a Disney animated film. To me, that's something I can have in my back pocket for the rest of my life. I'll be able to show it to my kids. I'll be walking around Disneyland, and it'll be bizarre to shake hands with Rapunzel. — Mandy Moore

Who that has ever visited the borders of this classic sea, has not felt at the first sight of its waters a glow of reverent rapture akin to devotion, and an instinctive sensation of thanksgiving at being permitted to stand before these hallowed waves? All that concerns the Mediterranean is of the deepest interest to civilized man, for the history of its progress is the history of the development of the world; the memory of the great men who have lived and died around its banks; the recollection of the undying works that have come thence to delight us for ever; the story of patient research and brilliant discoveries connected with every physical phenomenon presented by its waves and currents, and with every order of creatures dwelling in and around its waters. The science of the Mediterranean is the epitome of the science of the world. — Edward Forbes

A Frenchman, as any Frenchman will tell you, is a difficult condition to abide, as much a privilege as a responsibility. To maintain the appropriate standards of excellence, this superlative of grace, was a burden not so light even in the homeland, and immeasurably more difficult in the colonies. Being both French and a stoat had resulted in a more or less constant crisis of self-identity - one which Bonsoir often worked to resolve, in classic Gallic fashion, via monologue. — Daniel Polansky

Being a fan of dance and a dancer, I love my classic dance movies. — Stephen Boss

Ceremony assists people to adjust to change (a marriage ceremony does this for families), to recognize achievement (a classic example is a graduation ceremony), to relate, to express love, and/or to establish a relationship. Ceremonies are the human way we have to signpost a deal such as a business merger, to trigger off a healthy grief process (such as in divorce or funeral ceremonies), to welcome another human being into the family. So Ceremonies have these excellent effects - they can be used further to announce intentions, to express loyalty and to reinforce a sense of identity. — Dally Messenger

I used to be a classic workaholic, and after seeing how little work and career really mean when you reach the end of your life, I put a new emphasis on things I believe count more. These things include: family, friends, being part of a community, and appreciating the little joys of the average day. — Mitch Albom

There is a fascination with violence and power in all modernism, and I sort of saw classic modernism as being more similar to Wyndham Lewis than to the Renaissance. It's not about flow and the presence of humanism and all those things. — John Currin

Had Mary Shelley fretted so? Maybe yes, maybe no. She'd begun her classic work on a dare. Had culled a dream to bring it into being. But it was not lost on Laura that the story might be a prolonged exercise in Shelley's personal terrors. The subtitle of the work was 'Prometheus Unbound,' and Laura wondered if Shelley herself was not Prometheus in the form of the wandering monster, who desperately sought love and acceptance but was ultimately driven to face an icy landscape that seemed almost fantastical - the way our own subconscious could be, white and frozen-slippery. — L.L. Barkat

A controlling relationship can start with over-the-top romantic gestures and gifts, and great protestations of you 'being the only one' and their love being a special kind of 'you and me against the world', often disconcertingly early in a relationship. There may be a charm campaign aimed at you and even friends and family, your other potential allies and 'protectors'. Suddenly or gradually there are rules, or flashes of mystifying rage or sulking designed to modify your behaviour to what they want you to do. Then the 'nice' person reappears, and all is well, he's romantic and doting again, before the next flashpoints of anger or rage or sullen tension. This is not a 'return to the good times'. It's the classic cycle of abuse, recognised — Kaz Cooke

Then you have this other phenomena of the paranormal romance. It's all the benefits of being a vampire without the sacrifices. By the gods, Meyer's vampires walk around sparkling in the daylight and some are vegetarians. But this phenomenon is also tied to a lot of our communal fears. Fear of aging. Fear of fading youth. Fear of loneliness. But whereas the classic motifs are more concerned with confronting and overcoming our fears, the fears of the paranormal romance genre become twisted fantasies of denial. The idea of staying young, attractive and powerful for eternity feeds into the modern self-absorbed ethos. — Julie Ann Dawson

Many Christians in the evangelical tradition use words like "conversion," "regeneration," "justification," "born-again," etc. all as more or less synonyms to mean "becoming a Christian from cold." In the classic Reformed tradition, the word "justification" is much more fine-tuned than that and has to do with a verdict which is pronounced, rather than with something happening to you in terms of actually being born again. So that I'm actually much closer to some classic Reformed writing on this than some people perhaps realize. — N. T. Wright

What is literary tradition? What is a classic? What is a canonical view of tradition? How are canons of accepted classics formed,and how are they unformed? I think that all these quite traditional questions can take one simplistic but still dialectical question as their summing up: do we choose tradition or does it choose us, and why is it necessary that a choosing take place, or a being chosen? What happens if one tries to write, or to teach, or to think, or even to read without the sense of a tradition? Why, nothing at all happens, just nothing. — Harold Bloom

It's sad that women characters have lost so much ground in popular movies. Didn't 'Thelma and Louise' prove that women want to see women doing things on film? Thelma and Louise were in a classic car; they were being chased by cops; they shot up a truck - and women loved it. — Robin Quivers

Written in ink, in German, in a small, hopelessly sincere handwriting, were the words, "Dear God, life is hell." Nothing led up to or away from it. Alone on the page, and in the sickly stillness of the room, the words appeared to have the statue of an uncontestable, even classic indictment. X stared at the page for several minutes, trying, against heavy odds, not to be taken in. Then, with far more zeal than he had done anything in weeks, he picked up a pencil stub and wrote down under the inscription, in English, "Fathers and teachers, I ponder, 'What is hell?' I maintain that it is the suffering of being unable to love." He started to write Dostoevski's name under the inscription, but saw - with fright that ran through his whole body - that what he had written was almost entirely illegible. He shut the book. — J.D. Salinger

In his classic
account of the life of the Nuer of the Sudan, British anthropologist E. E. Evans-Pritchard
(1940:103) noted that
the Nuer have no expression equivalent to "time" in our language, and they cannot,
therefore, as we can, speak of time as though it were something actual, which passes,
can be wasted, can be saved, and so forth. I don't think they ever experience the
same feeling of fighting against time because their points of reference are mainly
the activities themselves, which are generally of a leisurely character. Events follow
a logical order, but they are not controlled by an abstract system, there being no
autonomous points of reference to which activities have to conform with precision.
Nuer are fortunate. — Richard H. Robbins

What I had was classic short-term PTSD. From an evolutionary perspective, it's exactly the response you want to have when your life is in danger: you want to be vigilant, you want to avoid situations where you are not in control, you want to react to strange noises, you want to sleep lightly and wake easily, you want to have flashbacks and nightmares that remind you of specific threats to your life, and you want to be, by turns, angry and depressed. Anger keeps you ready to fight, and depression keeps you from being too active and putting yourself in more danger. Flashbacks also serve to remind you of the danger that's out there - a "highly efficient single-event survival-learning mechanism," as one researcher termed it. All humans react to trauma in this way, and most mammals do as well. It may be unpleasant, but it's preferable to getting killed. Like — Sebastian Junger

Where the heart is, there the muses, there the gods sojourn, and not in any geography of fame. Massachusetts, Connecticut River, and Boston Bay, you think paltry places, and the ear loves names of foreign and classic topography. But here we are; and, if we tarry a little, we may come to learn that here is best. See to it, only, that thyself is here;
and art and nature, hope and fate, friends, angels, and the Supreme Being, shall not absent from the chamber where thou sittest. — Ralph Waldo Emerson

I've only auditioned for one non-culturally specific role. I went through drama school and studied classic texts and played lead roles in 'Measure for Measure' and 'The Importance of Being Earnest' alongside a very culturally diverse group of acting students. But as soon as we graduate and enter the industry, all of those roles fall away. — Shari Sebbens

As a crew, G.O.O.D. Music is taking it to levels that really haven't been done collectively. Kanye is someone who knows how to make classic albums, a true thinker. He got me in the mindset of being a true thinker and always planning out every move you got going. — Big Sean

This notion that's peddled by the religious right - that they are oppressed is not true. Sometimes it's a cynical ploy to move their agenda ahead. The classic example being that somehow secularists are trying to eliminate Christmas, which strikes me as some kind of manufactured controversy. — Barack Obama

This I regard as a classic example of my not being properly prepared for a part I very much wanted. — Marie Windsor

They're classic themes, which is why I think it's such a great story to look at again. The concept of being loyal to your friends, to the point where you'd even die for them, is a great subject. — Adrian Hodges

If he loved with all the powers of his puny being, he couldn't love as much in eighty years as I could in a day. — Emily Bronte

To borrow from Budd Schulberg's description of a media manipulator in his classic novel The Harder They Fall, I was "indulging myself in the illusions that we can deal in filth without becoming the thing we touch." I no longer have those illusions. Winston Churchill wrote of the appeasers of his age that "each one hopes that if he feeds the crocodile enough, the crocodile will eat him last." I was even more delusional. I thought I could skip being devoured entirely. It would never turn on me. I was in control. I was the expert. But I was wrong. — Ryan Holiday

Sam Fuller and Shock Corridor can only be conjured as a mantra. Shock Corridor is a classic work of art - it's unique. It comes from the unique experience of being Sam Fuller and yes, there's always that element of Shock Corridor hovering around the picture, but never specifically. In fact, I didn't even screen it because it's in us. It's in me anyway. It's in me. It was a way of conjuring up support just by saying the name, Shock Corridor, as I was going to shoot. Poor Sam [Fuller] ... — Martin Scorsese

In the past, people generally believed they could acquire magic in two ways: through learning the craft, either from another practitioner or from books; or through obtaining magic from a powerful being-think Faust or the classic, demonized witch, both of whom get their mojo from Satan. — David Liss

American public opinion, as you can see in the polls, radically changed from being against airstrikes to being heavily in favor that [President Obama] decided to do airstrikes. This is a classic example of leading from behind where he waits for public opinion. And now it's the public who's demanding he do something. — Charles Krauthammer

During my last year of college I wrote the same ten pages over and over again. Those ten pages became the first few pages of my first novel. I can still recite the opening paragraph from memory - only now I cringe when I do it because they are - surprise! - a classic example of overwriting, in addition to being a more than a little pretentious. — Patricia Briggs

Most of these super-sovereigns feel that God can comment if he wants to, but God must avoid getting loud. While God is welcome to his opinions, he is only one voice, and he doesn't get extra points just for being God. The unstudied opinionated are prone to say, even to God, "Yes, but here's what I think." In such a world, classic apologetics has lost much of its force. — Calvin Miller

The guiding metaphor of classic style is seeing the world. The writer can see something that the reader has not yet noticed, and he orients the reader's gaze so that she can see it for herself. The purpose of writing is presentation, and its motive is disinterested truth. It succeeds when it aligns language with the truth, the proof of success being clarity and simplicity. The truth can be known, and is not the same as the language that reveals it; prose is a window onto the world. The writer knows the truth before putting it into words; he is not using the occasion of writing to sort out what he thinks. Nor does the writer of classic prose have to argue for the truth; he just needs to present it. That is because the reader is competent and can recognize the truth when she sees it, as long as she is given an unobstructed view. The writer and the reader are equals, and the process of directing the reader's gaze takes the form of a conversation. — Steven Pinker

If a man prefers nothing I can give him nothing. But nearly all people I have ever met in this western society in which I live would agree to the general proposition that we need this life of practical romance; the combination of something that is strange with something that is secure. We need so to view the world as to combine an idea of wonder and an idea of welcome. We need to be happy in this wonderland without once being merely comfortable. It is this achievement of my creed that I shall chiefly pursue in these pages. — G.K. Chesterton

In the mini-series area, we are going to have a regular year-round, weekly presence on Encore of classic mini-series and a new mini-series that we are bringing. For the time being, I think the home of mini-series will be on Encore. — Chris Albrecht

You don't want some tacky Vegas fly-by. You're serious. You're serious about friendships, about your work, your family. You're serious about Star Wars, and you active dislike of Jar Jar Binks
"
"Well, God. Come on, anyone who
"
"You're serious," she continued before he went on a Jar Jar rant, "about living your life on your terms, and being easygoing doesn't negate that one bit. You're serious about what kind of kryptonite is more lethal to Superman."
"You have to go with the classic green. I told you, the gold can strip Kryptonians' powers permanently, but
" ...
... "Mkae all the lists you want, Cilla. Love? It's green kryptonite. it powers out all the rest. — Nora Roberts

Another common practice, the reps told us, was to take fancy meals to the entire doctor's office (one of the perks of being a nurse or receptionist, I suppose). One doctor's office even required alternating days of steak and lobster for lunch if the reps wanted access to the doctors. Even more shocking, we found out that physicians sometimes called the reps into the examination room (as an "expert") to directly inform patients about the way certain drugs work. Hearing stories from the reps who sold medical devices was even more disturbing. We learned that it's common practice for device reps to peddle their medical devices in the operating room in real time and while a surgery is under way. Janet and I were surprised at how well the pharmaceutical reps understood classic psychological persuasion strategies and how they employed them in a sophisticated and intuitive manner. — Dan Ariely

This writer, he was going on about the lyrics to "Champagne Supernova", and he actually said to me: 'You know, the one thing that's stopping it being a classic is the ridiculous lyrics.' And I went: 'What do you mean by that?' And he said: 'Well, Slowly walking down the hall, faster than a cannonball - what's that mean?' And I went: 'I don't fucking know. But are you telling me, when you've got 60,000 people singing it, they don't know what it means? It means something different to every one of them. — Noel Gallagher

I cannot say your worships have delivered the matter well when I find the ass in compound with the major part of your syllables [ ... ] our very priests must become mockers if they shall encounter such ridiculous subjects as you are. When you speak best unto the purpose, it is not worth the wagging of your beards, and your beards deserve not so honorable a grave as to stuff a botcher's cushion or to be entombed in an ass's packsaddle [ ... ] more of your conversation would infect my brain, being the herdsmen of the beastly plebeians. I will be bold to take my leave with you. — William Shakespeare

It's all about being comfortable, being easy and having you be able to wear something and not having it wear you. It's classic. Every time I've tried to be bold and crazy, I feel like a Japanese animated cartoon character. — Jennifer Aniston

The fatalism of the Filipino is usually passive, expressed in the classic proverb about our fortune coming to us though we seek it not. But the more complex form of that fatalism sees a man as being steered in a certain direction by one circumstance after another until he finally reaches a point when, though he acts voluntarily - or he thinks he acts voluntarily - he is actually being pushed by the circumstances that brought him to the point of action. The fatalist, as he looks back before he acts, sees everything as having conspired to make him perform that particular act, and therefore sees it as inevitable, as "fate". This is the amok mentality. Afterwards, what others regard as an act of will, the fatalist regards quite sincerely as a product of circumstances. — Nick Joaquin

A philosophical thought is not supposed to be impervious to all criticism; this is the error Whitehead describes of turning philosophy into geometry, and it is useful primarily as a way of gaining short-term triumphs in personal arguments that no one else cares (or even knows) about anyway. A good philosophical thought will always be subject to criticisms (as Heidegger's or Whitehead's best insights all are) but they are of such elegance and depth that they change the terms of debate, and function as a sort of "obligatory passage point" (Latour's term) in the discussions that follow.
Or in other words, the reason Being and Time is still such a classic, with hundreds of thousands or millions of readers almost a century later, is not because Heidegger made "fewer mistakes" than others of his generation. Mistakes need to be cleaned up, but that is not the primary engine of personal or collective intellectual progress. — Graham Harman

What makes a book great, a so-called classic, it its quality of always being modern, of its author, though he be long dead, continuing to speak to each new generation. — Lawrence Clark Powell

The act of seeing any film generally is you knowing more than the characters, even if it's the classic Hitchcock shot of two people talking and a bomb being under the table. Part of the pleasure of it is seeing where people go wrong, and the irony of situations. — Richard Ayoade

The Weezer 'Blue' Album is a classic. I think My Morning Jacket's 'Circuital' is a great album to have. Any Led Zeppelin album. Pink Floyd 'The Dark Side Of The Moon' or 'Animals.' I always catch myself at concerts being like, 'Oh, I just stared at the drummer for 15 straight minutes.' I study them. — Christopher Mintz-Plasse

I love classic looks and I love glamour. I love being able to switch to a classic day to a really really nice glamorous look at night. — Erin Brady

You can be good for the mere sake of goodness; you cannot be bad for the mere sake of badness. You can do a kind action when you are not feeling kind and when it gives you no pleasure, simply because kindness is right; but no one ever did a cruel action simply because cruelty is wrong - only because cruelty is pleasant or useful to him, In other words, badness cannot succeed even in being bad in the same way in which goodness is good. Goodness is, so to speak, itself: badness is only spoiled goodness. And there must be something good first before it can be spoiled. — C.S. Lewis

I am a fan of movies and there is something about watching film that is burned into celluloid for all time that is now a piece of history. You go watch, being a fan of classic films and my children and their children are going to be watching these movies. — Edward Zwick

In this classic reversal of reality, we do not stand before him, but the King stands before us. We question him; he doesn't question us. The irony of it all! While the name of the Lord was constantly blasphemed by men, Jesus is now accused of being a blasphemer (Matthew 26:65). Talk about a primitive form of defense - projecting your guilt onto another. Could it be any clearer that Jesus had come to the anti-kingdom, where everything was the opposite of the way it was intended? The mocking was nonstop. Accusers took turns kneeling before him, feigning homage. — Edward T. Welch

Complaints of feeling cut off, shut off, out of touch, feeling apart or strange, of things being out of focus or unreal, of not feeling one with people, or of the point having gone out of life, interest flagging, things seeming futile and meaningless, all describe in various ways this state of mind. Patients usually call it 'depression', but it lacks the heavy, black, inner sense of brooding, of anger and of guilt, which are not difficult to discover in classic depression. Depression is really a more extraverted state of mind, which, while the patient is turning his aggression inwards against himself, is part of a struggle not to break out into overt angry and aggressive behaviour. The states described above are rather the 'schizoid states'. They are definitely introverted. Depression is object-relational. The schizoid person has renounced objects, even though he still needs them. — Harry Guntrip

[The poll tax] was a classic case of a good idea being entrusted to Chris Patten and becoming a terrible failure. — Norman Tebbit

The story being told in 'Star Wars' is a classic one. Every few hundred years, the story is retold because we have a tendency to do the same things over and over again. Power corrupts, and when you're in charge, you start doing things that you think are right, but they're actually not. — George Lucas

I love seeing somebody act real earnest and serious, like Jackie Gleason. He makes me laugh because he reflects back to me my own serious-mindedness and how ridiculous it all is. It's always easier to see somebody else in that position than yourself, and you laugh. It's like the classic slipping on the banana peel, or someone getting hit by a pie in the face. Why do those things make us laugh? Is it from relief, like: Thank God it wasn't me? Or is it something else: I'm being very serious now. I'm pontificating earnestly and solemnly about - POW! PIE IN THE FACE! The bust-up of certainty. — Jeff Bridges

Gwen Stefani has amazing style. I used to really love Courtney Love, and anything she wore I loved. Or Chloe Sevigny, because I really love that sort of classic look, and I like being girly and flowery, and wearing little D&G dresses. I wear hats a lot, too. I think it goes back to when I was a bit grungy and was a skater girl for a bit. — Ellie Goulding

I went from being a kid-kid, listen to everything from The Beatles through Kiss, Peter Frampton, Jethro Tull classic rock, classic stuff into immediately, it seemed like, Iron Maiden and stuff like that. The first Iron Maiden record and then, obviously, the first Metallica record. — Phil Anselmo

It is a strange thing, looking at the sea. When it is calm, or with only gentle ripples, it gives an impression of being soft and kind. But often, on such a calm, the wind suddenly blows, thrusting the water back into angry waves. At such times, in a certain sense, one feels sorry for the sea. Never of itself offensive to others, it is all too often attacked by wind and rain, the rain falling densely upon it, shaming the beauty of its calm face with a million bouncing bubbles. Were the wind to stop blowing, the ocean, surely, would never afflict the land with any calamity, nor would any human beings suffer. — Tan Kok Seng