Before Turning Left Quotes & Sayings

Here's the conundrum: We want to tell our stories! But if condensation is the language of wishes - especially the most verboten and destructive ones - the more you spell the story out, the less aesthetically charged it becomes. The question is whether untransformed experience can ever be aesthetically powerful, or whether it's simply interesting. Literary language is one solution, with its habits of duality - metaphor, irony - and other techniques for saying opposing things at once. For haunting the reader with ghosts of buried meanings.
Your story may be interesting, but what if, paradoxically, it's what you can't say that makes it lasting? — Laura Kipnis

Darkness attracted him as much as light. He knew that these days turning out the light before making love was considered laughable, and so he always left a small lamp burning over the bed. At the momemnt he penetrated sabina, however, he closed his eyes. The pleasure suffusing his body called for darkness. The darkness was pure, perfect, thoughtless, vision less; that darkness was without end, without borders; that darkness was the infinite we each carry within us. — Milan Kundera

They live by symbols. They read meaning into the barrage of spam on the unused computer, the delete key that stops working, the imagined abandonment in the decision to replace it. The voice on my answering machine is still John's. The fact that it was his in the first place was arbitrary, having to do with who was around on the day the answering machine last needed programming, but if I needed to retape it now I would do so with a sense of betrayal. One day when I was talking on the telephone in his office I mindlessly turned the pages of the dictionary that he had always left open on the table by the desk. When I realized what I had done I was stricken: what word had he last looked up, what had he been thinking? By turning the pages had I lost the message? Or had the message been lost before I touched the dictionary? Had I refused to hear the message? I — Joan Didion

When I stepped outside, the Wiccans stopped, turning as one body and bestowing beatific smiles on me ...
"Sister Winterbourne" the first one said. She threw open her arms, embrace me, planted a kiss on my lips, then another on my left breast. I yelped ...
I grabbed the nearest discarded robe. "Could you please put this
Could you all put these
Could you get dressed, please?" The woman only bestowed a serene smile on me. "We are as the Goddess requires." "The Goddess requires you to be naked on my lawn?" "We aren't naked child, we're skyclad." ...
"That's
uh
very
I mean
" I stammered. Be polite, I reminded myself. Witches should respect Wiccans, even if we didn't quite get the whole Goddesss-Worship thing. I knew some Wiccans, and they were very nice people, though I must admit they'd never arrived in my backyard naked and kissed my tits before. — Kelley Armstrong

And do you know who wrote much of the software that allows you to access the Internet? Bill Joy. — Malcolm Gladwell

Branching paths. The turning of days and seasons and years. Life offered you love sometimes, sorrow often. If you were very fortunate, true friendship. Sometimes war came.
You did what you could to shape your own peace, before you crossed over to the night and left the world behind, as all men did, to be forgotten or remembered, as time or love allowed. — Guy Gavriel Kay

I was in the Midwest, and the rain was all I had left of Camilla's goodbye kiss. Raindrops on the windshield, radio stations fading in and out. Cornfields bleak in all those gray, wide-open reaches. I had said goodbye to her once before, but it took everything I had to say goodbye to her then, again, for the last time, like poor Orpheus turning for a last backward glance at the ghost of his only love and in the same heartbeat losing her forever: hinc illae lacrimae, hence those tears. I suppose nothing remains — Donna Tartt

Perfectionism is the satin-lined casket of creativity and originality. If — Augusten Burroughs

In the past, proactive fiscal polices almost always meant just more investment and an increase in the fiscal deficit. — Li Keqiang

Besides, I thought it was kind of cool that you noticed I have good dexterity." he waved his fingers in front of my face. "I like the idea of you thinking about what my hands can do." He winked before turning to leave.
I flushed even redder. "I wasn't thinking about your hands," I called after him.
"Sure you weren't."
"I wasn't. I was trying to be nice."
Drew turned around to face me, leaning against the doorjamb. "Admit it. you're thinking about it now." He saluted and left.
I kicked the cart Darn it. Now I was thinking about it. — Eileen Cook

Years are not important, my dear. — Faye Dunaway

I need to think about this."

"I know."

Then I closed my eyes and realized that I had to say no. It didn't matter how I felt about the trip or the chance to get back into space. The launch date he was talking about meant I'd have to go into training now. "I can't." I opened my eyes and stared at the wall where the publicity still of me and Nathaniel hung. "I have to turn it down."

"Talk to Nathaniel."

I grimaced. He would tell me to take it. "I can't. — Mary Robinette Kowal

The trouble with most forms of transport, he thought, is basically one of them not being worth all the bother. On Earth - when there had been an Earth, before it was demolished to make way for a new hyperspace bypass - the problem had been with cars. The disadvantages involved in pulling lots of black sticky slime from out of the ground where it had been safely hidden out of harm's way, turning it into tar to cover the land with, smoke to fill the air with and pouring the rest into the sea, all seemed to outweigh the advantages of being able to get more quickly from one place to another - particularly when the place you arrived at had probably become, as a result of this, very similar to the place you had left, i.e. covered with tar, full of smoke and short of fish. — Douglas Adams

Bree stared down at Bernardo's still form. The monitor was the only sound in the room apart from his deep breathing. Alessandro had gone down to the cafeteria with Will and Gianni to grab something to eat before they left for home. Bree lied and told him that she wanted to check in with Tina and her mother Roxanna for a few minutes before they left. Even unconscious, the son of a bitch was formidable and Bree felt nervous around him. "Why don't you do everyone a favour and just die already?" Bree said. No response. Bree sneered and shook her head, turning to leave. "You could always smother me with a pillow," a groggy voice said behind her, making her heart nearly stop. Bree whirled around wide-eyed and met Bernardo's dark gaze. She forced herself to shrug and crossed her arms. "Do you think Alessandro would forgive you for murdering his father?" Bernardo asked. They both knew the answer to that. — E. Jamie

Folds of scarlet drapery shut in my view to the right hand; to the left were the clear panes of glass, protecting, but not separating me from the drear November day. At intervals, while turning over the leaves of my book, I studied the aspect of that winter afternoon. Afar, it offered a pale blank of mist and cloud; near a scene of wet lawn and storm-beat shrub, with ceaseless rain sweeping away wildly before a long and lamentable blast. — Charlotte Bronte

In my own work I am invested in art as a way to break through impasses, whether those impasses are personal, social, or political. — Jill Soloway

At the curb, Velia turned, remembering the first day she stood here debating with herself about turning back, running home. But, her inner victim convinced her, this was the right thing to do. Now, she'd be leaving this home that gave her refuge for a time. Where she began to heal. She stood here as the person she used to be before falling victim to abuse - lost for a while. She smiled when she turned back to her car, loaded it, and left to be with the man she loved. — Mary J. McCoy-Dressel

In the end, there wasn't a right thing to say, only a right thing to do. So I sat further up on the bed and put my hand on Manuelle's cheek and our mouths did the rest, finding each other even though our eyes were closed. I ceased to care about anything that wasn't her body or mine as we wrapped ourselves around each other on the flower patterned quilt and I was closer to her than I'd ever been before. It wasn't that we left the
rest of the world behind; it was the opposite. I could feel the world turning underneath us, I could hear birds outside and people laughing, and I felt that I was
part of it at last. With no part of my skin not touching Manuelle's, I was part of the world at last. Or maybe I'm romanticizing, and we were just two kids doing everything two kids can do in a cramped room at the back of a caravan. — Chloe Rattray

Frodo raised his head, and then stood up. Despair had not left him, but the weakness had passed. He even smiled grimly, feeling now as clearly as a moment before he had felt the opposite, that what he had to do, he had to do, if he could, and that whether Faramir or Aragorn or Elrond or Galadriel or Gandalf or anyone else knew about it was beside the purpose. He took his staff in one hand and the phial in his other. When he saw that the clear light was already welling through his fingers, he thrust it into his bosom and held it against his heart. Then turning from the city of Morgul, now no more than a grey glimmer across a dark gulf, he prepared to take the upward road. — J.R.R. Tolkien

Before turning pro, I would never have just left my skates sitting in the locker room unattended. — Kristi Yamaguchi

A breakfast-room adjoined the drawing-room, I slipped in there. It contained a bookcase: I soon possessed myself of a volume, taking care that it should be one stored with pictures. I mounted into the window-seat: gathering up my feet, I sat cross-legged, like a Turk; and, having drawn the red moreen curtain nearly close, I was shrined in double retirement. Folds of scarlet drapery shut in my view to the right hand; to the left were the clear panes of glass, protecting, but not separating me from the drear November day. At intervals, while turning over the leaves of my book, I studied the aspect of that winter afternoon. Afar, it offered a pale blank of mist and cloud; near a scene of wet lawn and storm-beat shrub, with ceaseless rain sweeping away wildly before a long and lamentable blast. I — Charlotte Bronte