Beauty Myth Quotes & Sayings

The mass depiction of the modern woman as a "beauty" is a contradiction: Where modern women are growing, moving, and expressing their individuality, as the myth has it, "beauty" is by definition inert, timeless, and generic. That this hallucination is necessary and deliberate is evident in the way "beauty" so directly contradicts women's real situation. — Naomi Wolf

Culture stereotypes women to fit the myth by flattening the feminine into beauty-without-intelligence or intelligence-without-beauty; women are allowed a mind or a body but not both. — Naomi Wolf

Vogue began to focus on the body as much as on the clothes, in part because there was little they could dictate with the anarchic styles ... In a stunning move, an entire replacement culture was developed by naming a 'problem' where it had scarcely existed before, centering it on the women's natural state, and elevating it to the existential female dilemma ... The number of diet-related articles rose 70 percent from 1968 to 1972 ... The lucrative 'transfer of guilt' was resurrected just in time. — Naomi Wolf

It was probably true that he objectified women. He thought about them all the time, didn't he? He looked at them a lot. And didn't all this thinking and looking involve their breasts and lips and legs? Female human beings were objects of the most intense interest and scrutiny on Mitchell's part. And yet he didn't think that a word like objectification covered the way these alluring - but intelligent! - creatures made him feel. What Mitchell felt when he saw a beautiful girl was more like something from a Greek myth, like being transformed, by the sight of beauty, into a tree, rooted on the spot, forever, out of pure desire. You couldn't feel about an object the way Mitchell felt about girls. — Jeffrey Eugenides

In the case of our fair maiden, we have overlooked two very crucial aspects to that myth. On the one hand, none of us ever really believed the sorcerer was real. We thought we could have the maiden without a fight. Honestly, most of us guys thought our biggest battle was asking her out. And second, we have not understood the tower and its relationship to her wound; the damsel is in distress. If masculinity has come under assault, femininity has been brutalized. Eve is the crown of creation, remember? She embodies the exquisite beauty and the exotic mystery of God in a way that nothing else in all creation even comes close to. And so she is the special target of the Evil One; he turns his most vicious malice against her. If he can destroy her or keep her captive, he can ruin the story. — John Eldredge

People only picked the pretty, sweet-smelling flowers. The ones with thorns were left alone. — Nenia Campbell

Since middle-class Western women can best be weakened psychologically now that we are stronger materially, the beauty myth, as it has resurfaced in the last generation, has had to draw on more technological sophistication and reactionary fervor than ever before. The modern arsenal of the myth is a dissemination of millions of images of the current ideal; although this barrage is generally seen as a collective sexual fantasy, there is in fact little that is sexual about it. It is summoned out of political fear on the part of male-dominated institutions threatened by women's freedom, and it exploits female guilt and apprehension about our own liberation
latent fears that we might be going too far. — Naomi Wolf

Putting it negatively, the myth of eternal return states that a life which disappears once and for all, which does not return, is like a shadow, without weight, dead in advance, and whether it was horrible, beautiful, or sublime, its horror, sublimity, and beauty mean nothing. — Milan Kundera

The story of evolution is more dramatic, more compelling, more intricate than any creation myth. Yet like any creation myth, it is a tale of transformations, of sudden and spectacular changes, eruptions of innovation that transfigured our planet, overwriting past revolutions with new layers of complexity. The tranquil beauty of our planet from space belies the real history of this place, full of strife and ingenuity and change. How ironic that our own petty squabbles reflect our planet's turbulent past, and that we alone, despoilers of the Earth, can rise above it to see the beautiful unity of the whole. — Nick Lane

The Bible became the book of books, but it is not one document. It is a mystical library of interwoven texts by unknown authors who wrote and edited at different times with widely divergent aims. This sacred work of so many epochs and so many hands contains some facts of provable history, some stories of unprovable myth, some poetry of soaring beauty, and many passages of unintelligible, perhaps coded, perhaps simply mistranslated, mystery. Most of it is written not to recount events but to promote a higher truth - the relationship of one people and their God. — Simon Sebag Montefiore

the central rule of the myth: For every feminist action there is an equal and opposite beauty myth reaction. — Naomi Wolf

As women demanded access to power, the power structure used the beauty myth materially to undermine women's advancement. — Naomi Wolf

But the failure of Christianity is a modern myth, and we shouldn't be ashamed of telling the proper story of church history, which of course has plenty of muddle and wickedness, but also far more than we normally imagine of love and creativity and beauty and justice and healing and education and hope. To — N. T. Wright

You think I'm cute?" He said thinkly, pulling on her hand.
She was glad he couldn't see her face. "I think you're ... "
Beautiful. Breathtaking. Like the person in a Greek myth who makes one of the gods stop caring about being a god. — Rainbow Rowell

Spokespeople sell women the Iron Maiden and name her "Health": if public discourse were really concerned with women's health, it would turn angrily upon this aspect of the beauty myth. — Naomi Wolf

[Kafka] transformed the profoundly antipoetic material of a highly bureaucratized society into the great poetry of the novel; he transformed a very ordinary story of a man who cannot obtain a promised job ... into myth, into epic, into a kind of beauty never before seen. — Milan Kundera

The beauty myth moves for men as a mirage; its power lies in its ever-receding nature. When the gap is closed, the lover embraces only his own disillusion. — Naomi Wolf

They shared much with Bloomsbury, including love of beauty, companionship, and conversation, but they differed from their older London counterpart in their religious ardor, their social conservatism, and their embrace of fantasy, myth, and (mostly) conventional literary techniques instead of those dazzling experiments with time, character, narrative, and language that mark the modernist aesthetic. — Philip Zaleski

There is no legitimate historical or biological justification for the beauty myth; what it is doing to women today is a result of nothing more exalted than the need of today's power structure, economy, and culture to mount a counteroffensive against women. — Naomi Wolf

As soon as a woman's primary social value could no longer be defined as the attainment of virtuous domesticity, the beauty myth redefined it as the attainment of virtuous beauty. It did so to substitute both a new consumer imperative and a new justification for economic unfairness in the workplace where the old ones had lost their hold over newly liberated women. — Naomi Wolf

We need to insist on making culture out of our desire: making paintings, novels, plays and films potent and seductive and authentic enough to undermine and overwhelm the Iron Maiden. — Naomi Wolf

The Rape of Europa. Both the myth and the picture only prove the power of beauty to turn anyone into a beast. — Lara Biyuts

Only then will women be able to talk about what "beauty" really involves: the attention of people we do not know, rewards for things we did not earn, sex from men who reach for us as for a brass ring on a carousel, hostility and scepticism from other women, adolescence extended longer than it ought to be, cruel aging, and a long hard struggle for identity. And we will learn that what is good about "beauty" - the promise of confidence, sexuality, and the self-regard of a healthy individuality - are actually qualities that have nothing to do with "beauty" specifically, but are deserved by and, as the myth is dismantled, available to all women. The best that "beauty" offers belongs to us all by right of femaleness. When we separate "beauty" from sexuality, when we celebrate the individuality of our features and characteristics, women will have access to a pleasure in our bodies that unites us rather than divides us. The beauty myth will be history. — Naomi Wolf

I made art a philosophy, and philosophy an art: I altered the minds of men, and the colour of things: I awoke the imagination of my century so that it created myth and legend around me: I summed up all things in a phrase, all existence in an epigram: whatever I touched I made beautiful — Oscar Wilde

The beauty myth is always actually prescribing behaviour and not appearance. — Naomi Wolf

There are truths, that are beyond us, transcendent truths, about beauty, truth, honor, etc. There are truths that man knows exist, but they cannot be seen - they are immaterial, but no less real, to us. It is only through the language of myth that we can speak of these truths. — J.R.R. Tolkien

Think of it. We know truth for the cruel instrument it is. Beauty is infinitely preferable to truth. We invent beauty. Faiths, political movements, high ideals, belief in love and fellowship. All of them are lies. We tell those lies, among others, endless others. We improve on history and myth and religion, make each more beautiful, better, easier to believe in. Our lies are not perfect, of course. The truths are too big. But perhaps someday we will find one great lie that all humanity can use. — George R R Martin

Is the beauty myth good to men? It hurts them by teaching them how to avoid loving women. It prevents men from actually seeing women. It does not, contrary to its own professed ideology, stimulate and gratify sexual longing. In suggesting a vision in place of a woman, it has a numbing effect, reducing all senses but the visual, and impairing even that. — Naomi Wolf

The beauty myth posited to women a false choice: Which will I be, sexual or serious? We must reject that false and forced dilemma. Men's sexuality is taken to be enhanced by their seriousness; to be at the same time a serious person and a sexual being is to be fully human. Let's turn on those who offer this devil's bargain and refuse to believe that in choosing one aspect of the self we must thereby forfeit the other. In a world in which women have real choices, the choices we make about our appearance will be taken at last for what they really are: no big deal. — Naomi Wolf

The beauty myth of the present is more insidious than any mystique of femininity yet: A century ago, Nora slammed the door of the doll's house; a generation ago, women turned their backs on the consumer heaven of the isolated multiapplianced home; but where women are trapped today, there is no door to slam. The contemporary ravages of the beauty backlash are destroying women physically and depleting us psychologically. If we are to free ourselves from the dead weight that has once again been made out of femaleness, it is not ballots or lobbyists or placards that women will need first; it is a new way to see. — Naomi Wolf

The idea that beauty is unimportant is the real beauty myth. — Nancy Etcoff

The truth about an animal is far more exciting and altogether more beautiful than all the myths woven about it. — Konrad Lorenz

He was beautiful, that was always affirmed, but his beauty was hard to fix or to see, for he was always glimmering, flickering, melting, mixing, he was the shape of a shapeless flame, he was the eddying thread of needle-shapes in the shapeless mass of the waterfall. He was the invisible wind that hurried the clouds in billows and ribbons. You could see a bare tree on the skyline bent by the wind, holding up twisted branches and bent twigs, and suddenly its formless form would resolve itself into that of the trickster. — A.S. Byatt

To identify a person as a Southerner suggests not only that her history is inescapable and formative but that it is also impossibly present. Southerners live uneasily at the nexus between myth and reality, watching the mishmash amalgam of sorrow, humility, honor, graciousness, and renegade defiance play out against a backdrop of profligate physical beauty. — Sally Mann

After seeing the various fantastic sights, a visitor to Panorama Island would have had to gasp in amazement at this unsurpassable view. He would have had the impression that the entire island was a rose floating on the vast ocean and that the giant scarlet flower of an opium dream was conversing on an equal footing with the sun in the sky, just the two of them. What kind of strange beauty had that incomparable simplicity and grandeur created? Some travelers might have recalled the world of myth that their distant ancestors had seen. . . .

How can the author describe the madness and debauchery, the pleasures of revelry and drunkenness, the numberless games of life and death that were played day and night on that magnificent stage? You readers might find something that resembled it, in part, in your most fantastic, bloodiest, and most beautiful nightmares. — Rampo Edogawa

The beauty myth is not about women at all. It is about men's institutions and institutional power. — Naomi Wolf

He was puzzled by his mood. Despite the beauty of his surroundings, he found it curiously disconcerting. The art was almost too good to be true. What was it saying about humanity, and how much was the Renaissance culpable of creating the myth of individual rather than collective achievement? Was this the beginning of the desire for individual fame and recognition that contradicted Christian humility and shared responsibility; licensing the modern notion of ambition and selfish aspiration? On — James Runcie

Once, on a walk by a river- Eskdale in low reddish sunlight, with a dusting of snow- his daughter quoted to him an opening verse by her favourite poet. Apparently, not many young women loved Phillip Larkin the way she did. 'If I were to construct a religion/ I should make use of water.' She said she liked the laconic use of 'called in'- as if he would be, as if anyone ever is. They stopped to drink coffee from a flask, and Perowne, tracing a line of lichen with a finger, said that if he ever got the call, he'd make us of evolution. What better creation myth? An unimaginable sweep of time, numberless generations spawning by infinitesimal steps complex living beauty out of inert matter, driven on by the blind furies of random mutation, natural selection and environmental change, with the tragedy of forms continually dying, and lately the wonder of minds emerging and with them morality, love, art, cities- and the unprecedented bonus of this story happening to be demonstrably true. — Ian McEwan

The latest incarnation of Oedipus, the continued romance of Beauty and the Beast, stand this afternoon on the corner of 42nd Street and Fifth Avenue, waiting for the traffic light to change. — Joseph Campbell

It's the shape of the stories that matters, the way belief forms around it. The story has real weight', He pointed at himself. 'Patupaiarehe look like monsters in some stories, but they're beautiful in a lot. I guess people believed more in the beautiful version. And the ideal of beauty changes. If I'd been born two hundred years ago, I bet I wouldn't look like this. The stories shaped me. They shape everyone, inside and out, but me more than most, because I'm magic. — Karen Healey

A culture fixated on female thinness is not an obsession about female beauty, but an obsession about female obedience. Dieting is the most potent political sedative in women's history; a quietly mad population is a tractable one. — Naomi Wolf

The myth holds us, therefore, not through its romantic flavor, not the remembrance of beauty of some bygone age, not through the possibilities of fantasy, but because it expresses to us something real and existing in ourselves, as it was to those who first stumbled upon the symbols to give them life. — Mark Rothko

No matter what a woman's appearance may be, it will be used to undermine what she is saying and taken to individualize - as her personal problem - observations she makes about the beauty myth in society. — Naomi Wolf

If we want liberation, we must rewrite the Sleeping Beauty myth. No one is coming and no one else is to blame. — Elizabeth Lesser

And in front of it all are the pearly gates: the proverbial entrance to Heaven that she, in earthly life, thought might not exist. But they are real, not myth or fantasy.
As she passes through them, several people greet her. In foreign tongues even, but she understands. Language no longer matter. There are no barriers between herself and others, just love.
The gorgeous views seem to go on forever. Ornate structures, mansions, banquet halls, and natural beauty, orchards, gardens. People congregate around huge marble fountains. In the distance are snow-capped mountains of the purist white. She can hear the sounds of rushing rivers and the surf of the ocean at once.
Everyone around her is happy, loving, thankful. A choir sings songs of joy and peace while others play musical instruments of every kind in perfect harmony. Children laugh and play in the streets as well as in the clouds above her head. — Victoria Kahler