Beauty In Death Quotes & Sayings

It has been said that the world of Proust was a world without a god. If that is true, it is not because God is
never spoken of, but because the ambition of this world is to be absolute perfection and to give to eternity
the aspect of man. Time Regained, at least in its aspirations, is eternity without God. Proust's work, in this
regard, appears to be one of the most ambitious and most significant of man's enterprises against his
mortal condition. He has demonstrated that the art of the novel can reconstruct creation itself, in the form
that it is imposed on us and in the form in which we reject it. In one of its aspects, at least, this art consists
in choosing the creature in preference to his creator. But still more profoundly, it is allied
to the beauty of the world or of its inhabitants against the powers of death and oblivion. It is in this way
that his rebellion is creative — Albert Camus

The north wind has both mended hearts and broken them. It has brought both beauty and misfortune, restlessness and sleep. It has carried in babies but it has also taken lives and so the islanders worry when they hear the north wind blowing. They fear death - actual, physical, permanent death, but also the non-literal, where the heart has kept beating but its wish to keep doing so is small, very small if there at all. — Susan Fletcher

Our failure to see and access the pure joy and radiance of life is owning to a lack of awareness. In any situation there is beauty. Even at the moment of one's death there is beauty. — Frederick Lenz

The photograph dragged Maneck's eyes back to it, to the event that was once unsettling, pitiful, and maddening in its crystalline stillness. The three sisters looked disappointed, he thought, as though they had expected something more than death, and discovered that was all there was. He found himself admiring their courage. What strength it must have taken, he thought , to unwind those sarees from their bodies, to tie the knots around their necks. Or perhaps it had been easy, once the act acquired the beauty of logic and the weight of sensibleness. — Rohinton Mistry

Who was this girl alone so late at night
in search of a faded cassette illusion to disembowel the clocks of time's intrusion? Those eyes belonged to the most beautiful maniac I've ever met. Our love is a vine of entrails that can follow any coffin anywhere, no matter how deep any gravedigger might travel. — Nicholaus Patnaude

Whether that lady's gentle mind,
No longer with the form combined
Which scattered love, as stars do light,
Found sadness where it left delight,

I dare not guess; but in this life
Of error, ignorance, and strife,
Where nothing is, but all things seem,
And we the shadows of the dream,

It is a modest creed, and yet
Pleasant if one considers it,
To own that death itself must be,
Like all the rest, a mockery.

That garden sweet, that lady fair,
And all sweet shapes and odors there,
In truth have never passed away:
'Tis we, 'tis ours, are changed; not they.

For love, and beauty, and delight,
There is no death or change: their might
Exceeds our organs, which endure
No light, being themselves obscure.

(--Conclusion, Autumn - A Dirge) — Percy Bysshe Shelley

Whatever can die is beautiful - more beautiful than a unicorn, who lives forever, and who is the most beautiful creature in the world. Do you understand me? — Peter S. Beagle

In so many senseless deaths, beauty is to blame. — Suzanne Finnamore

I thought of you and how you love this beauty,
And walking up the long beach all alone
I heard the waves breaking in measured thunder
As you and I once heard their monotone.
Around me were the echoing dunes, beyond me
The cold and sparkling silver of the sea
We two will pass through death and ages lengthen
Before you hear that sound again with me. — Sara Teasdale

It is the youngest in the family who tends to the elders to learn about the sacredness of life and the beauty of death. — Misty Upham

Everything I thought I knew about what it meant to be a man was stripped away. What remained was what it meant to be a man who loved a woman as much as I did. To be a human being experiencing this life in all its ugliness, its beauty, its pain and hate; good and evil; love and death. — Emma Scott

I respect everything in change and the solemn beauty of life and death ... and therefore, while man is amidst the immense beauty of objective bodies, he must possess the capacity of self-perfection and must observe and represent his world with full confidence. — Ansel Adams

If we only had eyes to see and ears to hear and wits to understand, we would know that the Kingdom of God in the sense of holiness, goodness, beauty is as close as breathing and is crying out to born both within ourselves and within the world; we would know that the Kingdom of God is what we all of us hunger for above all other things even when we don't know its name or realize that it's what we're starving to death for. The Kingdom of God is where our best dreams come from and our truest prayers. We glimpse it at those moments when we find ourselves being better than we are and wiser than we know. We catch sight of it when at some moment of crisis a strength seems to come to us that is greater than our own strength. The Kingdom of God is where we belong. It is home, and whether we realize it or not, I think we are all of us homesick for it. — Frederick Buechner

But undying memories stood like sentinels in her breast. When the notes of doves, calling to each other, fell on her ear, her eyes sought the sky, and she heard a voice saying, Majella! — Helen Hunt Jackson

Well," he said slowly, "sometimes there's a passion that comes in its springtime to ill fate or death. And because it ends in its beauty, it's what the harpers sing of and the poets make stories of: the love that escapes the years ...
"All or nothing, the true lover says, and that's the truth of it. My love will never die, he says. He claims eternity. And rightly. How can it die when it's life itself? What do we know of eternity but the glimpse we get of it when we enter in that bond? — Ursula K. Le Guin

Death is not the consummation of oneself but just the end of oneself. Before the self vanishes nothing really is, and that is how it is most of the time. But as soon as the self vanishes everything is, and becomes automatically the object of love. Love holds the world together, and if we could forget ourselves everything in the world would fly into a perfect harmony, and when we see beautiful things that is what they remind us of. — Iris Murdoch

Sorcha took the elevator down to the basement of the fashion house. She glanced at her stunningly beautiful reflection in the mirror and smiled to herself. How fortunate she was to be a vampire - no gray hairs, no wrinkles, no broken nails, no weight problems, and no PMT. What bliss! And how fortunate it was that all the legends about vampires were not true. She could not imagine an existence where she could not see and admire her own likeness - such a life to her would be intolerable and tedious. How could any female, even a vampire, survive without being able to see their own reflection? How could they do their hair and makeup? The very idea was totally preposterous. — Alan Kinross

There is one way, then, in which a man can be free from all anxiety about the fate of his soul - if in life he has abandoned bodily pleasures and adornments, as foreign to his purpose and likely to do more harm than good, and has devoted himself to the pleasures of acquiring knowledge, and so by decking his soul not with a borrowed beauty but with its own - with self-control, and goodness, and courage, and liberality, and truth - has fitted himself to await his journey in the next world. — Socrates

In enjoyment is the fear of disease, In high birth, the fear of losing caste, In wealth, the fear of tyrants, In honour, the fear of losing it, In strength, the fear of enemies, In beauty, the fear of old age, In knowledge, the fear of defeat, In virtue, the fear of scandal, In the body, the fear of death. In this life all is fraught with fear: Renunciation alone is fearless. — Swami Vivekananda

You act as if I were your enemy.
"You are my enemy. You seek to end the things I love."
And is an ending always bad? it asked. Must not all things, even worlds, someday end?
"There is no need to hasten that end," Vin said. "No reason to force it."
All things are subject to their own nature, Vin, Ruin said, seeming to flow around her. She could feel its touch on her - wet and delicate, like mist. You cannot blame me for what I am. Without me, nothing would end. Nothing could end. And therefore, nothing could grow. I am life. Would you fight life itself?
Vin fell silent.
Do not mourn because the day of this world's end has arrived, Ruin said. That end was ordained the very day of the world's conception. There is a beauty in death - the beauty of finality, the beauty of completion.
For nothing is truly complete until the day it is finally destroyed. — Brandon Sanderson

We are all the walking wounded in a world that is a war zone. Everything we love will be taken from us, everything, last of all life itself. Yet everywhere I look, I find great beauty in this battlefield, and grace and the promise of joy. — Dean Koontz

It always seemed to me that the herbaceous peony is the very epitome of June. Larger than any rose,
it has something of the cabbage rose's voluminous quality; and when it finally drops from the vase, it
sheds its petticoats with a bump on the table, all in an intact heap, much as a rose will suddenly fall,
making us look up from our book or conversation, to notice for one moment the death of what had
still appeared to be a living beauty. — Vita Sackville-West

The transience of humanity frames the tragedy of all people. There are no happy conclusions to life, we all die, and until we die, we will experience both happiness and pain. Acceptance of the tragedy of humankind without remorse is a shattering experience; it enables us to relinquish mawkish misconceptions, destructive obsessions, and crippling attachments. Only by accepting the tragedy of life as an integral part of the incandescent beauty of life, will I understand what it means to rejoice in the indelible bloom of life. — Kilroy J. Oldster

Beauty consists of its own passing, just as we reach for it. It's the ephemeral configuration of things in the moment, when you see both their beauty and their death.
... Does this mean that this is how we must live our lives? Constantly poised between beauty and death, between movement and its disappearance?
Maybe that's what being alive is all about: so we can track down those moments that are dying. — Muriel Barbery

Emma was horrified and transfixed at the same time. She was watching Jonah Kinlock doing what he did best. There was a certain macabre beauty in watching form and function wedded together. In Jonah's case, a dance of beauty and death. — Cinda Williams Chima

There is something beautiful in every person that never dies, no matter their misfortunes. — Bryant McGill

Isn't death the boundary we need? Doesn't it give a precious texture to life, a sense of definition? You have to ask yourself whether anything you do in this life would have beauty and meaning without the knowledge you carry of a final line, a border or limit. — Don DeLillo

Everything seems beautiful because you don't understand. Those flying fish, they're not leaping for joy, they're jumping in terror. Bigger fish want to eat them. That luminous water, it takes its gleam from millions of tiny dead bodies, the glitter of putrescence. There's no beauty here, only death and decay. — Curt Siodmak

He fought back tears again, still unable to get himself under control. Life overwhelmed him, tugging him in opposite directions while he stood stagnant, trying to remain whole. He was surrounded by violence and death, the ugliness eating away at him, but then, on the other side, there was her. She was peace, and hope, and pure fucking beauty. She was the good that he hoped would overpower the bad. — J.M. Darhower

Can the beautiful be sad? Is beauty inseparable from the ephemeral and hence from mourning? Or else is the beautiful object the one that tirelessly returns following destructions and wars in order to bear witness that there is survival after death, that immortality is possible? — Julia Kristeva

Dru Anderson: You should wear some gloves.
Graves: Ruins the image.
Dru Anderson: You'll goddamn well freeze to death.
Graves: Hey, we've got to suffer for beauty. Chicks don't go for guys in gloves.
Dru Anderson: How would you know?
Graves: I know. You never said if you liked shooting pool.
Dru Anderson: I don't, but I'll beat your ass at it, okay?
Graves: Fine. If you can. Dru. — Lilith Saintcrow

To be the father of growing daughters is to understand something of what Yeats evokes with his imperishable phrase 'terrible beauty.' Nothing can make one so happily exhilarated or so frightened: it's a solid lesson in the limitations of self to realize that your heart is running around inside someone else's body. It also makes me quite astonishingly calm at the thought of death: I know whom I would die to protect and I also understand that nobody but a lugubrious serf can possibly wish for a father who never goes away. — Christopher Hitchens

Could beauty be caught and hurt
they had done her to death with their sneers
in ages and ages past,
could beauty be sacrificed
for a thrust of a sword,
for a piece of thin money
tossed up to fall half alloy
then beauty were dead
long, long before we saw her face. — H.D.

Let me live my final days whole.
Let my memory remain that I might know love's face.
Life don't unwrap me to be fed to scavengers.
I want to escape into light - not exist in darkness. — Susie Clevenger

Christ, as the ultimate Imago Dei is alluded to in scripture as being without external beauty in the Classical sense, and should better be thought of as one who passed through all the slime and mire of a fallen and sinful creation in order to redeem it. His own body is to be remembered for the marks it bears-even in resurrection-of the scars of his sacrificial death. For the Christian, a theory of beauty might better begin at this point. — John Walford

I love you because ... wait ... I take a drag from my pipe ... I really don't know. I think that's the beauty of love, wanting to be with someone, taste their sweetness and their fears, live their lives and be there in their death, share their ups and their downs, and most importantly, love them and grow old with them, even if they were some kind of monsters.
Have you ever been unable to shake your soul free, wrapped with your lover's velvet rope around your heart? Have you ever been enchanted with a nameless spell that made pain and pleasure synonymous? — Cameron Jace

Miss Fielding had no fears of ultimate survival, even in beauty. When she passed on, she would draw after her every trailing mist of herself, effacing herself so completely that even after her death, even after her bones, which she could not help, were gone, she would be a bother to no one, would intrude on no mind. — Shirley Jackson

Before he had come to the town he had known about nothing but death: here he had learnt to live, to decide things for himself; he had learnt what it felt like to wash in clean water in the sunshine until he was clean himself, and what it felt like to satisfy his hunger with food that tasted good; he had learnt the sound of laughter that was free from cruelty; he had learnt the meaning of beauty — Anne Holm

MEN WAGE WARS for profit and principle, but they fight them for land and women. Sooner or later, the other causes and compelling reasons drown in blood and lose their meaning. Sooner or later, death and survival clog the senses. Sooner or later, surviving is the only logic, and dying is the only voice and vision. Then, when best friends die screaming, and good men maddened with pain and fury lose their minds in the bloody pit, when all the fairness and justice and beauty in the world is blown away with arms and legs and heads of brothers and sons and fathers, then, what makes men fight on, and die, and keep on dying, year after year, is the will to protect the land and the women. — Gregory David Roberts

When I first thought about writing this book, I conceived of it as a book about moods, and an illness of moods, in the context of an individual life. As I have written it, however, it has somehow turned out to be very much a book about love as well: love as sustainer, as renewer, and as protector. After each seeming death within my mind or heart, love has returned to recreate hope and restore life. It has, at its best, made the inherent sadness of life bearable, and its beauty manifest. It has, inexplicably and savingly, provided not only cloak but lantern for the darker seasons and grimmer weather. — Kay Redfield Jamison

How many million Aprils came
before I ever knew
how white a cherry bough could be,
a bed of squills, how blue
And many a dancing April
when life is done with me,
will lift the blue flame of the flower
and the white flame of the tree
Oh burn me with your beauty then,
oh hurt me tree and flower,
lest in the end death try to take
even this glistening hour ... — Sara Teasdale

Death is a name for beauty not in use. — Irving Layton

In Christ we see the strength of achievement, and the strength of endurance. He moved with a calm majesty, like the sun. The bloody sweat, and the crown of thorns, and the cross, were full in His eyes; but He was obedient unto death. In His perfect self-sacrifice we see the perfection of strength; in the love that prompted it we see the perfection of beauty. This combination of self-sacrifice and love must be commenced in every Christian; and when it shall be in its spirit complete in him, then will he also be perfect in strength and beauty. — Mark Hopkins

Why did I laugh tonight? No voice will tell
No God, no demon of severe response
Deigns to reply from heaven or from hell
Then to my human heart I turn at once:
Heart, thou and I are here, sad and alone,
Say, why did I laugh? O mortal pain!
O darkness! darkness! Forever must I moan
To question heaven and hell and heart in vain?
Why did I laugh? I know this being's lease
My fancy to it's utmost blisses spreads
Yet would I on this very midnight cease
And all the world's gaudy ensigns see in shreds
Verse, fame and beauty are intense indeed
But death intenser, death is life's high meed. — John Keats

What interest hath this empty world in me? and what is there in it that may seem so lovely, as to entice my desires and delight from thee, or make me loth to come away? When I look about me with a deliberate, undeceived eye, methinks this world is a howling wilderness, and most of the inhabitants are untamed, hideous monsters. All its beauty I can wink into blackness, and all its mirth I can think into sadness ; I can drown all its pleasures in a few penitent tears, and the wind of a sigh will scatter them away (650). — Richard Baxter

She felt a little better about Leonard out here in the country. It was just being close to nature, she supposed. In the country you felt as you never could in town the return of spring after winter. You felt a sort of pulse in the earth which proved that nothing dies, that everything comes back in beauty. Leonard was coming back ... in some place beautiful enough to pay him for leaving the world. God knew all about his music, too. He would use that music someplace. — Maud Hart Lovelace

You mean that because I have no name I cannot die and that you cannot be held answerable for death even if you kill me?"
"That is about the size of it," said the Sergeant.
I felt so sad and so entirely disappointed that tears came into my eyes and a lump of incommunicable poignancy swelled tragically in my throat. I began to feel intensely every fragment of my equal humanity. The life that was bubbling at the end of my fingers was real and nearly painful in intensity and so was the beauty of my warm face and the loose humanity of my limbs and the racy health of my red rich blood. To leave it all without good reason and to smash the little empire into small fragments was a thing too pitiful even to refuse to think about. — Flann O'Brien

In her beauty rests (both) my death and my life. — Maurice Sceve

They no longer shouted, because the thread of their lives had been cut off. They had no more needs or desires. Even in death, mothers held their children tightly in their arms. There were no more friends or foes. There was no more jealousy. All were equal. There was no longer any beauty or ugliness, for they all were yellow from the gas. There were no longer any rich or poor, for they all were equal before God's throne. And why all this? I keep asking myself that question. My life is hard, very hard. But I must live on to tell the world about all this barbarism. — Jankiel Wiernik

And I saw it didn't matter
who had loved me or who I loved. I was alone.
The black oily asphalt, the slick beauty
of the Iranian attendant, the thickening
clouds
nothing was mine. And I understood
finally, after a semester of philosophy,
a thousand books of poetry, after death
and childbirth and the startled cries of men
who called out my name as they entered me,
I finally believed I was alone, felt it
in my actual, visceral heart, heard it echo
like a thin bell. — Dorianne Laux

I don't know why I pause to watch Raffaele. Perhaps I have always done so, so captivated am I by his beauty. Even now, in the midst of death and destruction, he moves with the grace of someone not of this world. His attention is focused entirely on Enzo. The sight breaks my heart, and a small, lost part of me sparks with light. — Marie Lu

She called herself an angel, and wandered the world from girlhood till death. She lived every kind of life and dreamt every kind of dream. She was wild in her wandering, a drop of free water. She believed only in her life and in her dreams. She called herself an angel, and her god was Beauty. — Roman Payne

And in front of it all are the pearly gates: the proverbial entrance to Heaven that she, in earthly life, thought might not exist. But they are real, not myth or fantasy.
As she passes through them, several people greet her. In foreign tongues even, but she understands. Language no longer matter. There are no barriers between herself and others, just love.
The gorgeous views seem to go on forever. Ornate structures, mansions, banquet halls, and natural beauty, orchards, gardens. People congregate around huge marble fountains. In the distance are snow-capped mountains of the purist white. She can hear the sounds of rushing rivers and the surf of the ocean at once.
Everyone around her is happy, loving, thankful. A choir sings songs of joy and peace while others play musical instruments of every kind in perfect harmony. Children laugh and play in the streets as well as in the clouds above her head. — Victoria Kahler

Nature doth thus kindly heal every wound. By the mediation of a thousand little mosses and fungi, the most unsightly objects become radiant of beauty. There seem to be two sides of this world, presented us at different times, as we see things in growth or dissolution, in life or death. And seen with the eye of the poet, as God sees them, all things are alive and beautiful. — Henry David Thoreau

Life is tragic simply because the earth turns and the sun inexorably rises and sets, and one day, for each of us, the sun will go down for the last, last time. Perhaps the whole root of our trouble, the human trouble, is that we will sacrifice all the beauty of our lives, will imprison ourselves in totems, taboos, crosses, blood sacrifices, steeples, mosques, races, armies, flags, nations, in order to deny the fact of death, the only fact we have. It seems to me that one ought to rejoice in the fact of death
ought to decide, indeed, to earn one's death by confronting with passion the conundrum of life. One is responsible for life: It is the small beacon in that terrifying darkness from which we come and to which we shall return. — James Baldwin

Yet, he thought, if I can die saying, "Life is so beautiful," then nothing else is important. If i can believe in myself that much, nothing else matters. — Mario Puzo

Your hair," repeated Dimitri. His eyes were wide, almost awestruck. "Your hair is beautiful."
I didn't think so, not in its current state. of course, considering we were in a dark alley filled with bodies, the choices were kind of limited. "You see? You're not one of them. Strigoi don't see beauty. Only death. You found something beautiful. One thing that's beautiful."
Hesitantly, nervously, he ran his fingers along the strands I'd touched earlier. "But is it enough?"
"It is for now." I pressed a kiss to his forehead and helped him stand. "It is for now. — Richelle Mead

The most rapturous delights you have ever had - in the beauty of a landscape, or in the pleasure of food, or in the fulfillment of a loving embrace - are like dewdrops compared to the bottomless ocean of joy that it will be to see God face-to-face (1 John 3:1-3). That is what we are in for, nothing less. And according to the Bible, that glorious beauty, and our enjoyment of it, has been immeasurably enhanced by Christ's redemption of us from evil and death. — Timothy Keller

Why are we reading, if not in hope of beauty laid bare, life heightened and its deepest mystery probed? Can the writer isolate and vivify all in experience that most deeply engages our intellects and our hearts? Can the writer renew our hope for literary forms? Why are we reading if not in hope that the writer will magnify and dramatize our days, will illuminate and inspire us with wisdom, courage, and the possibility of meaningfulness, and will press upon our minds the deepest mysteries, so that we may feel again their majesty and power? What do we ever know that is higher than that power which, from time to time, seizes our lives, and reveals us startlingly to ourselves as creatures set down here bewildered? Why does death so catch us by surprise, and why love? We still and always want waking. — Annie Dillard

I would never speak about faith, but speak about the Lord himself - not theologically, as to the why and wherefore of his death - but as he showed himself in his life on earth, full of grace, love, beauty, tenderness and truth. Then the needy heart cannot help hoping and trusting in him, and having faith, without ever thinking about faith. How a human heart with human feelings and necessities is ever to put confidence in the theological phantom which is commonly called Christ in our pulpits, I do not know. It is commonly a miserable representation of him who spent thirty-three years on our Earth, living himself into the hearts and souls of men, and thus manifesting God to them. — George MacDonald

All writing is by the grace of God. People do not deserve to have good writing, they are so pleased with bad. In these sentences that you show me, I can find no beauty, for I see death in every clause and every word. There is a fossil or a mummy character which pervades this book. The best sepulchers, the vastest catacombs, Thebes and Cairo, Pyramids, are sepulchers to me. I like gardens and nurseries. Give me initiative, spermatic, prophesying, man-making words. — Ralph Waldo Emerson

How may paintings have preserved the image of a divine beauty which in its natural manifestation has been rapidly overtaken by time or death. Thus, the work of the painter is nobler than that of nature, its mistress. — Leonardo Da Vinci

Muriel seeks happiness and beauty. Dan informs her that life is a balance between the two, between suffering and laughter, beauty and ugliness. 'There is no such thing as happiness. Life bends joy and pain, beauty and ugliness, in such a way that no one may isolate them. No one should want to. Perfect joy, or perfect pain, with no contrasting element to define them, would mean a monotony of consciousness, would mean death. Not happy, Muriel. Say that you have tried to make them CREATE. — Jean Toomer

Marseilles isn't a city for tourists. There's nothing to see. Its beauty can't be photographed. It can only be shared. It's a place where you have to take sides, be passionately for or against. Only then can you see what there is to see. And you realize, too late, that you're in the middle of a tragedy. An ancient tragedy in which the hero is death. In Marseilles, even to lose you have to know how to fight. — Jean-Claude Izzo

Books loved anyone who opened them, they gave you security and friendship and didn't ask for anything in return; they never went away, never, not even when you treated them badly. Love, truth, beauty, wisdom and consolation against death. Who had said that? someone else who loved books. — Cornelia Funke

A person desires to leave a mark of goodness on earth before death arrives. All artists are creators in the face of death. All of life a person seeks to salvage something worthwhile and enduring from living a tragic life. We must eventually dance with death. A person begins on a road leading to personal enlightenment by giving up false beliefs, quelling destructive desires, overcoming fearfulness, and by seeking truth. In order to lead an evocative life full of truth, I must stop living a false life, conquer my fearfulness, and begin expressing love, wonder, and gratitude for all the beauty and splendor of the world. — Kilroy J. Oldster

Everything in the world has its two faces, however. Weeds sometimes blossom into artful flowers. Beauty walks hand in hand with ugliness, sickness with health, and life tiptoes around in the horned shadow of death. The trick is to recognize which is which and to recognize what you're dealing with at the time. — Tiffany Baker

Constantly risking absurdity
and death
whenever he performs
above the heads
of his audience
the poet like an acrobat
climbs on rime
to a high wire of his own making
and balancing on eyebeams
above a sea of faces
paces his way
to the other side of day
performing entrechats
and sleight-of-foot tricks
and other high theatrics
and all without mistaking
any thing
for what it may not be
For he's the super realist
who must perforce perceive
taut truth
before the taking of each stance or step
in his supposed advance
toward that still higher perch
where Beauty stands and waits
with gravity
to start her death-defying leap
And he
a little charleychaplin man
who may or may not catch
her fair eternal form
spreadeagled in the empty air
of existence — Lawrence Ferlinghetti

There is beauty and darkness in everything. Sorrow in joy, life in death, thorns on the rose. — Cate Tiernan

One last mystery: on one of the little ponds, this morning, I saw wind riffling the first of the waterlily leaves. They haven't all emerged yet, but new circles tattoo the water, here and there, a coppery red. When the wind lifted their edges, each would reveal a little shadowy spot, a dot of black which seemed to flash on the water, and so across the whole surface of the pond there was what could only be described as the inverse of sparkling; a scintillant blackness. Shining blackly, black but rippling, lyrical: the sheen and radiance of death-in-life.
Is that my work, to point to the world and say, See how darkly it sparkles? — Mark Doty

The cities, which had been the bearers of culture, were especially hard hit; substantial citizens, in large numbers, fled to escape the tax-collector. It was not till after the death of Plotinus that order was re-established and the Empire temporarily saved by the vigorous measures of Diocletian and Constantine. Of all this there is no mention in the works of Plotinus. He turned aside from the spectacle of ruin and misery in the actual world, to contemplate an eternal world of goodness and beauty. In this he was in harmony with all the most serious men of his age. To all of them, Christians and pagans alike, the world of practical affairs seemed to offer no hope, and only the Other World seemed worthy of allegiance. To the Christian, the Other World was the Kingdom of — Bertrand Russell

Worst fears: That God was not good. That the earth you stood upon shifted, and chasms yawned; that people, falling, clutched one another for help and none was forthcoming. That the basis of all things was evil. That the beauty of the evening, now settling in a yellow glow on the stone of The Cottage barns, the swallows dipping and soaring, a sudden host of butterflies in the long grasses in the foreground, was a lie; a deceitful sheen on which hopeful visions flitted momentarily, and that long, long ago evil had won against good, death over life... in the glow of the sun against the stone walls, as well as in the dancing of butterflies- that in this she had been mocked. — Fay Weldon

Small things such as this have saved me: how much I love my mother - even after all these years. How powerfully I carry her within me. My grief is tremendous but my love is bigger. So is yours. You are not grieving your son's death because his death was ugly and unfair. You're grieving it because you loved him truly. The beauty in that is greater than the bitterness of his death. — Cheryl Strayed

And as the ax bites into the wood, be comforted in the fact that the ache in your heart and the confusion in your soul means that you are still alive, still human, and still open to the beauty of the world, even though you have done nothing to deserve it. — Paul Harding

The night was waiting for me as always. And my thirst could wait no longer. I stood for a moment, head thrown back, eyes closed, and mouth open, feeling that thirst, and wanting to roar like a hungry beast. Yes, blood again when there is nothing else. When the world seems in all its beauty to be empty and heartless and I myself am utterly lost. Give me my old friend, death, and the blood that rushes with it. The Vampire Lestat is here, and he thirsts, and tonight of all nights, he will not be denied. — Anne Rice

It's natural. Nature is dark and light, birth and death. Everything and its opposite. And in nature there are predators and prey. The hunters and the hunted. The heartbreakers and the heartbroken. The beautiful thing is that Nature lets us choose which we want to be, most people never make the choice though because they don't even know they have it. — Lynn Weingarten

Time is the warp and matter the weft of the woven texture of beauty in space, and death is the hurling shuttle. — Annie Dillard

Why should I stay? Nor seed nor fruit have I,But, sprung at once to beauty's perfect round,Nor loss nor gain nor change in me is found,-A life-complete in death-complete to die. — John B. Tabb

If I should die," said I to myself, "I have left no immortal work behind me - nothing to make my friends proud of my memory - but I have lov'd the principle of beauty in all things, and if I had had time I would have made myself remember'd. — Dan Simmons

Beauty is sweet to us, because she dances to the same fleeting tune with our lives. Knowledge is precious to us, because we shall never have time to complete it. All is done and finished in the eternal Heaven. But earth's flowers of illusion are kept eternally fresh by death. — Rabindranath Tagore

As they rolled over the marshes before Venice, he fell back in his seat, windburnt and exhausted, and noticed that the bottle of water, but for its slight and elegant blue tint, was the smoothest, clearest, and most transparent thing he had ever seen. All that was reflected in it was sharp, subdued, and calm. The fields outside, beyond the reeds; the reeds themselves, waving green and yellow; the water, shockingly blue in north light, were clarified, compressed, and preserved within the lens. And if bottles of mineral water could pacify the light of mountains, fields, and the sea, to what painful mysteries would the lens of beauty be opaque? Even death, Alessandro thought, would yield to beauty - if not in fact then in explanation - for the likeness of every great question could be found in forms as simple as songs, and there, if not explicable, they were at least perfectly apprehensible. — Mark Helprin

She gazed toward the marsh that grew thicker, deeper, greener with approaching summer. Mosquitoes whined in there, breeding in the dark water. Alligators slid through it, silent death. It was a place where snakes could slither and bogs could suck the shoe right off your foot.
And it was a place, she thought, that went bright and beautiful with the twinkling of fireflies, where wildflowers thrived in the shade and the stingy light. Where an eagle could soar like a king.
There was no beauty without risk. No life without it. — Nora Roberts

Mrs. Allan's face was not the face of the girlbride whom the minister had brought to Avonlea five years before. It had lost some of its bloom and youthful curves, and there were fine, patient lines about eyes and mouth. A tiny grave in that very cemetery accounted for some of them; and some new ones had come during the recent illness, now happily over, of her little son. But Mrs. Allan's dimples were as sweet and sudden as ever, her eyes as clear and bright and true; and what her face lacked of girlish beauty was now more than atoned for in added tenderness and strength. — L.M. Montgomery

As a thinker I keep discovering that beauty itself is as much a fact, and a mystery ... I consider nature's facts
its beautiful and grotesque forms and events
in terms of the import to thought and their impetus to the spirit. In nature I find grace tangled in a rapture with violence; I find an intricate landscape whose forms are fringed in death; I find mystery, newness, and a kind of exuberant, spendthrift energy. — Annie Dillard

Lacking strength beauty hates the understanding for asking of her what it cannot do but the life of spirit is not the life that shrinks from death and keeps itself untouched by devastation, but rather the life that endures it and maintains itself in it. It wins its truth only when, in utter dismemberment, it finds itself. It is this power, not as something positive, which closes its eyes to the negative as when we say of something that it is nothing or is false, and then having done with it, turn away and pass on to something else; on the contrary, spirit is this power only by looking the negative in the face, and tarrying with it. This tarrying with the negative is the magical power that converts it into being. — Georg Wilhelm Friedrich Hegel

On no subject are our ideas more warped and pitiable than on death ... Let children walk with nature, let them see the beautiful blendings and communions of death and life, their joyous inseparable unity, as taught in woods and meadows, plains and mountains and streams of our blessed star, and they will learn that death is stingless indeed, and as beautiful as life, and that the grave has no victory, for it never fights. — John Muir

Things external to her may have their own weight and dimension: but within inside us she gives them such measures as she wills: death is terrifying to Cicero, desirable to Cato, indifferent to Socrates. Health, consciousness, authority, knowledge, beauty and their opposites doff their garments as they enter the soul and receive new vestments, coloured with qualities of her own choosing: brown or green; light or dark; bitter or sweet, deep or shallow, as it pleases each of the individual souls, who have not agreed together on the truth of their practices, rules or ideas. Each soul is Queen in her own state. So let us no longer seek excuses from the external qualities of anything, the responsibility lies within ourselves. Our good or our bad depends on us alone. So let us make our offertories and our vows to ourselves not to Fortune: she has no power over our behaviour, on the contrary our souls drag Fortune in their train and mould her to their own idea. — Michel De Montaigne

There is just as much beauty in birth as there is in death, and it changes our lives just the same. They both add things to us and take things away. Pg. 155 Undone — Brooke Taylor

The histories and tragedies of Shakespeare that Lincoln loved most dealt with themes that would resonate to a president in the midst of civil war: political intrigue, the burdens of power, the nature of ambition, the relationship of leaders to those they governed. The plays illuminated with stark beauty the dire consequences of civil strife, the evils wrought by jealousy and disloyalty, the emotions evoked by the death of a child, the sundering of family ties or love of country. — Doris Kearns Goodwin

Flowers, cold from the dew,
And autumn's approaching breath,
I pluck for the warm, luxuriant braids,
Which haven't faded yet.
In their nights, fragrantly resinous,
Entwined with delightful mystery,
They will breathe in her springlike
Extraordinary beauty.
But in a whirlwind of sound and fire,
From her shing head they will flutter
And fall-and before her
They will die, faintly fragrant still.
And, impelled by faithful longing,
My obedient gaze will feast upon them-
With a reverent hand,
Love will gather their rotting remains. — Anna Akhmatova

After seeing the various fantastic sights, a visitor to Panorama Island would have had to gasp in amazement at this unsurpassable view. He would have had the impression that the entire island was a rose floating on the vast ocean and that the giant scarlet flower of an opium dream was conversing on an equal footing with the sun in the sky, just the two of them. What kind of strange beauty had that incomparable simplicity and grandeur created? Some travelers might have recalled the world of myth that their distant ancestors had seen. . . .

How can the author describe the madness and debauchery, the pleasures of revelry and drunkenness, the numberless games of life and death that were played day and night on that magnificent stage? You readers might find something that resembled it, in part, in your most fantastic, bloodiest, and most beautiful nightmares. — Rampo Edogawa

Here she tossed her foot impatiently, and showed an inch or two of calf. A sailor on the mast, who happened to look down at the moment, started so violently that he missed his footing and only saved himself by the skin of his teeth. 'If the sight of my ankles means death to an honest fellow who, no doubt, has a wife and family to support, I must, in all humanity, keep them covered,' Orlando thought. Yet her legs were among her chieftest beauties. And she fell to thinking what an odd pass we have come to when all a woman's beauty has to be kept covered lest a sailor fall from a mast-head. 'A pox on them!' she said, realizing for the first time what, in other circumstances, she would have been taught as a child, that is to say, the sacred responsibilities of womanhood ... — Virginia Woolf

When Death hath poured oblivion through my veins,
And brought me home, as all are brought, to lie
In that vast house, common to serfs and Thanes,
I shall not die, I shall not utterly die,
For beauty born of beauty
that remains. — Madison Cawein

Every work cancels the dark. Every work is a hymn from the other side of memory to a memory that is spellbound. Beauty is death's gift to vulgar life so that it can live in beauty. — Edmond Jabes

I mean, it's hard to talk about death without realizing that's our end too, right? I am constantly aware of death. It's not that I want to be, but it's a fascination of the mind and it plays a role in why I want to live my life a certain way. The more I am aware of my mortality the better person I am and the better I am at choosing a life that is aware of its beauty. — Ada Limon

Men who have died in battle are rarely good to look upon. No matter how splendid their appearance at the apex of heroism, when the soul has fled it takes all grace and beauty with it. Bowels empty, mouths gape, bellies swell, dead eyes gleam fish-belly white. Nothing visible remains of glory. In the tents of death all men belong to the same tribe. — Morgan Llywelyn

We call this a state of childishness, but it is the same poor hollow mockery of it, that death is of sleep. Where, in the dull eyes of doating men, are the laughing light and life of childhood, the gaiety that has known no check, the frankness that has felt no chill, the hope that has never withered, the joys that fade in blossoming? Where, in the sharp lineaments of rigid and unsightly death, is the calm beauty of slumber, telling of rest for the waking hours that are past, and gentle hopes and loves for those which are to come? Lay death and sleep down, side by side, and say who shall find the two akin. Send forth the child and childish man together, and blush for the pride that libels our own old happy state, and gives its title to an ugly and distorted image. — Charles Dickens

It was growing dark on this long southern evening, and suddenly, at the exact point her finger had indicated, the moon lifted a forehead of stunning gold above the horizon, lifted straight out of filigreed, light-intoxicated clouds that lay on the skyline in attendant veils.
Behind us, the sun was setting in a simultaneous congruent withdrawal and the river turned to flame in a quiet duel of gold ... The new gold of moon astonishing and ascendant, he depleted gold of sunset extinguishing itself in the long westward slide, it was the old dance of days in the Carolina marshes, the breathtaking death of days before the eyes of children, until the sun vanished, its final signature a ribbon of bullion strung across the tops of water oaks. — Pat Conroy

I think it's a mistake to lose one's sense of death, even one's fear of death. Isn't death the boundary we need? Doesn't it give a precious texture to life, a sense of definition? You have to ask yourself whether anything you do in this life would have beauty and meaning without the knowledge you carry of a final line, a border or limit." I — Don DeLillo

Beautiful is thy wristlet, decked with stars and cunningly wrought in myriad-coloured jewels. But more beautiful to me thy sword with its curve of lightning like the outspread wings of the divine bird of Vishnu, perfectly poised in the angry red light of the sunset.
It quivers like the one last response of life in ecstasy of pain at the final stroke of death; it shines like the pure flame of being burning up earthly sense with one fierce flash.
Beautiful is thy wristlet, decked with starry gems; but thy sword, O lord of thunder, is wrought with uttermost beauty, terrible to behold or think of. — Rabindranath Tagore