Beautiful Moments With Her Quotes & Sayings

Livia held her spatula as Blake whispered in her ear. "I see us just like this a hundred years from now, old and deaf. I'll be the luckiest man."
Emotion caught her - this was all she wanted. Simple, beautiful frittata moments with this man.
"Someday, Livia, I'll be man enough to buy the food," he continued. "I'll give you an oven. I'll try so hard. — Debra Anastasia

It's a gift," she said, her voice funny, deep with emotion. "Watching you all get close, witnessing all that happened making you closer, feeling that love. But it was another gift, maybe even a bigger one, precious, knowing that sharing it makes people I don't know laugh. It makes them happy. Some of them write to me. They tell me bad things are happening in their lives. But they read my book and it takes them away. It makes them smile. Laugh. Even if for moments, or better yet hours, they can forget the bad, be with us here at Fortnum's, and laugh." She tipped her head to the side. "That's beautiful. So how can it be wrong? — Kristen Ashley

I experience a period of frightening clarity in those moments when nature is so beautiful. I am no longer sure of myself, and the paintings appear as in a dream. — Vincent Van Gogh

Eleanore," he whispered again, tilting his head to mine, his lips skimming past my cheek, his breath in my ear. "I'd wait forever for you, you know. If it mattered. If you'd care."
"I do care," I whispered back, miserable.
His fingers tightened, warm and firm. "No, you don't. Not the way I mean. Not yet. — Shana Abe

She sat up, cheeks flushed and golden hair tousled. She was so beautiful that it made my soul ache. I always wished desperately that I could paint her in these moments and immortalize that look in her eyes. There was a softness in them that I rarely saw at other times, a total and complete vulnerability in someone who was normally so guarded and analytical in the rest of her life. But although I was a decent painter, capturing her on canvas was beyond my skill.
She collected her brown blouse and buttoned it up, hiding the brightness of turquoise lace with the conservative attire she liked to armor herself in. She'd done an overhaul of her bras in the last month, and though I was always sad to see them disappear, it made me happy to know they were there, those secret spots of color in her life. — Richelle Mead

The very concept of trying to 'teach' a lover things feels patronising, incongruous and plain sinister. If we truly loved someone, there could be no talk of wanting him or her to change. Romanticism is clear on this score: true love should involve an acceptance of a partner's whole being. It is this fundamental commitment to benevolence that makes the early months of love so moving. Within the new relationship, our vulnerabilities are treated with generosity. Our shyness, awkwardness and confusion endear (as they did when we were children) rather than generate sarcasm or complain; the trickier sides of us are interpreted solely through the filter of compassion.
From these moments, a beautiful yet challenging, and even reckless, conviction develops: that to be properly loved must always mean being endorsed for all that one is. — Alain De Botton

It was the gift that every girl dreams of, to be dead long enough for your parents to realize how meaningless their lives were without you, how they were suddenly and at once deeply sorrowed at all of the horrible injustices they caused you, how they had truly never appreciated your natural gifts of beauty and grace, being that their beautiful angel would have such a short time on earth and should have spent that time driving the restored 1965 convertible Mustang she had openly AND PUBLICLY desired. But nope, she spent her last, short, fleeting moments driving a 1980 Chevy Citation, every so clearly a GRANDMA car, with fake red-velvet upholstery, a hatchback, and an interior that smelled like spoiled milk and sometimes meat. Being temporarily run over by a car was the best present I had ever received, and I didn't even have to do anything dramatic to get it, like write a note or buy some rope. — Laurie Notaro

Her eyes, always sad, now looked into the mirror with particular hopelessness. "She's flattering me," thought the princess, and she turned away and went on reading. Julie, however, was not flattering her friend: indeed, the princess's eyes, large, deep, and luminous (sometimes it was as if rays of light came from them in sheaves), were so beautiful that very often, despite the unattractiveness of the whole face, those eyes were more attractive than beauty. But the princess had never seen the good expression of thise eyes, the expression they had in moments when she was not thinking of herself. As with all people, the moment she looked in the mirror, her face assumed a strained, unnatural, bad expression. — Leo Tolstoy

You ruin your life by desensitizing yourself. We are all afraid to say too much, to feel too deeply, to let people know what they mean to us. Caring is not synonymous with crazy. Expressing to someone how special they are to you will make you vulnerable. There is no denying that. However, that is nothing to be ashamed of. There is something breathtakingly beautiful in the moments of smaller magic that occur when you strip down and are honest with those who are important to you. Let that girl know that she inspires you. Tell your mother you love her in front of your friends. Express, express, express. Open yourself up, do not harden yourself to the world, and be bold in who, and how you love. There is courage in that. — Bianca Sparacino

Don't squander beautiful moments by always trying to snap the perfect picture or record the event on film. Sometimes it's better to watch things as they happen with your own eyes, knowing that the memory of the experience will always be with you. — Rachel Nichols

You have no choice but to look at your decisions and accomplishments - or lack of them - and decide for yourself if you did all that you could do. And you panic just a little, wishing for one more chance at all the beautiful moments you didn't appreciate, or for one more day with the person you didn't love quite enough. You also wonder in those frantic, fleeting seconds, as your spirit shoots through a dark tunnel, if heaven exists on the other side, and if so, what you will find there. What will it look like? What color will it be? Then you see a light - a brilliant, dazzling light - more calming and loving than any words can possibly describe, and everything finally — Julianne MacLean

The account in the gospel of John says three times that Jesus was angry. One of the words used is the Greek term for "furious indignation" - the word used by Aeschylus to describe war horses rearing up on their hind legs, snorting through their nostrils, and charging into battle. This was the reaction of Jesus of Nazareth when face to face with a loved one's death. The world that God created good and beautiful and whole was now broken and in ruins. In moments Jesus was going to do something, but his first response was outrage - instinctive, blazing outrage. Clearly, death was even worse in his eyes than in ours. — Os Guinness

Wagner thought Rossini unserious; Rossini thought Wagner 'lacked sun'. Wagner also became the butt of a phrase Rossini had used down the years to describe musicians about whom he had certain reservations - "He has some beautiful moments but some bad quarters of an hour! — Richard Osborne

Tattoos are like stories - they're symbolic of the important moments in your life. Sitting down, talking about where you got each tattoo and what it symbolizes, is really beautiful. — Pamela Anderson

Love was more than just a fleeting desire, or a brief glimpse into a fairy tale, or a flash of playful flirtation in her beautiful hazel eyes. It was more than infatuation with a person's best qualities, or reluctant acceptance of their less appealing traits. Real love meant loving the whole person, in every form, in every state, in every way. It was what transformed the ordinary monotony of everyday life into extraordinary moments of warmth and compassion and joy. — Jacqueline E. Smith

He'd been about to turn away when she lifted her face to the moon and sang.
It was not in any language that he knew. Not in the common tongue, or in Eyllwe, or in the languages of Fenharrow or Melisande, or anywhere else on the continent
This language was ancient, each word full of power and rage and agony.
She did not have a beautiful voice. And many of the words sounded like half sobs, the vowels stretched by the pangs of sorrow, the consonants hardened by anger. She beat her breast in time, so full of savage grace, so at odds with the black gown and veil she wore. The hair on the back of his neck stood as the lament poured from her mouth, unearthly and foreign, a song of grief so old that it predated the stone castle itself.
And the the song finished, its end as butal and sudden as Nehemia's death had been.
She stood there a few moments, silent and unmoving. — Sarah J. Maas

Those moments when you feel you want to read something truly beautiful. The eyes make a tour of the library, and there is nothing. Then you decide to take no matter what, and it is full of beautiful things. — Jules Renard

Once his hair was smooth and free of mats, Martise ran the comb through it for sheer pleasure. He had beautiful hair, straight and black and falling to his waist. It spread across a strong back and wide shoulders, dampening his shirt to a transparent thinness. She slid her hand under its weight and caressed his nape with light strokes of the comb. His shoulders slumped, and he lowered his head in mute invitation for her to continue. He breathed deep, relaxing under her touch. Martise was anything but relaxed. She was on fire, recalling those moments in the library when he'd given her a taste of the passion burning within him. He was her dreams manifested, a bright and volatile star in a winter sky. — Grace Draven

Who are we in moments of crisis or despair? Do we become deeper, truer selves, or lift up and away from a self, untethered from regular meanings like moths suddenly drawn toward heat or light? Are we better people when someone might be dying, and if so, why? Are we weaker, or stronger? Are we beautiful, or abject? Serious, or cartoon? Do we secretly long for death to remind us we are alive? — Lidia Yuknavitch

I gaze at her beautiful face and realize all the beautiful moments in my life have been with her by my side. — Jillian Dodd

It had been a beautiful day for an outdoor ceremony, with the kind of lucid weather she hoped to have at her own funeral. She thought often of her own death, but without fear, loss having been her only belonging in this life. For years, acceptance had been her only means of survival. She knew that no matter how miserable or wretched life became, all she could do with her meek piece of time was sustain it. Decades of guilt, lost faith, the betrayal by those few people she'd let herself love - it was worth enduring these things, if only for the gift of a single, exalted moment. And such moments happened, even frequently, in the lives of people wise enough to see them. — Esi Edugyan

People in books were always so charming, and all their thoughts and actions so comprehensible. They all invariably had a clear, well-defined object in life, and strove through a few hundred engrossing pages to attain this object. They were all noble and generous, and their lives were bright and beautiful. What interesting and delightful moments Irene had passed in their society! They had made her laugh and cry and suffer and rejoice, and had entertained her with the brilliancy of their wit. How dull and colourless real people had appeared beside these heroes and heroines of fiction. — Aimee Dostoyevsky