Beautiful Like Her Mother Quotes & Sayings

The butterfly wallpaper was now gone. It had been replaced by a moody, breathless wallpaper of silver, sprinkled with tiny white dots that looked like stars. It made her feel an odd sense of anticipation, like last night. Grandpa Vance couldn't have come in last night and done this.
Did it really change on its own?
It was beautiful, this wallpaper. It made the room look like living in a cloud. She put her hand against the wall by her dresser. It was soft, like velvet. How could her mother not have told her a room like this existed? She'd never mentioned it. Not even in a bedtime story. — Sarah Addison Allen

She'd noticed before how middle-aged women were obsessed with the topic of age, always laughing about it, moaning about it, going on and on about it, as if the process of aging were a tricky puzzle they were trying to solve. Why were they so mystified by it? Jane's mother's friends seemed to literally have no other topic of conversation, or they didn't when they spoke to Jane. "Oh, you're so young and beautiful, Jane." (When she clearly wasn't; it was like they thought one followed the other: If you were young, you were automatically beautiful!) "Oh, you're so young, Jane, you'll be able to fix my phone/computer/camera." (When in fact a lot of her mother's friends were more technologically savvy than Jane.) "Oh, you're so young, Jane, you have so much energy." (When she was so tired, so very, very tired.) "And — Liane Moriarty

She was crouched in the corner of the room, eating something off the floor. It was the old woman dressed in endless black. When she looked up this time there was no question she was there for me. She had the face of my mother but much older, her ancient decayed mouth coming closer for her good-night kiss. I steeled myself against her putrid smell, the mouthful of bitter dust, but as her lips touched mine it was like biting into a purple black plum whose fruit was brilliant red, like an explosion of intense joy. Its childhood smell wrinkled my nose with pleasure, its sweet juices ran down my chin, turning into a beautiful black ocean where I floated safely, not lost as I had imagined, but securely tucked away deep in space. — Mary Woronov

A fresh lightning tree sprouted in the distance as Mother Nature painted the sky in rapid strokes, strobed the results, and then erased her magnificent creation, leaving its after-image burned into Rolf's retinas. So beautiful. So fleeting. Like life itself. — Richard Phillips

A few years ago, long after it had been closed, Eli said he saw a girl swimming in it, coming out of the water in a bikini, laughing at her frigthtened boyfriend, seaweed snaking around her. He said she looked like a mermaid.
Deenie always pictured it like in one of those books of mythology she used to love, a girl rising from the foam gritted with pearls, mussels, the glitter of the sea.
"It looks beautiful", her mother had said once when they were driving by at night, its waters opaline. "It is beautiful. But it makes people sick."
To Deenie, it was one of many interesting things that adults said would kill you: Easter lilles, jellyfish, copperhead snakes with their diamond heads, tails bright as sulfur. Don't touch, don't taste, don't get too close.
And then, last week. — Megan Abbott

There she was, lying on a single bed in a room so small that there wasn't even space for a chair, and the first thing that struck him was that she was beautiful. She had lost too much weight - her long legs were too thin in greasy jeans and her upper body looked as frail as a bird's under a greasy workman's shirt - but her pale and famished face, with its great blue eyes and delicate, thin-lipped mouth, made her look like the heartbreaking debutante her mother might always have wanted her to be. — Richard Yates

She paused as she realized he was looking at her. 'Am I doing something wrong?' 'No. I was just thinking how incredibly beautiful you are.' That didn't seem to please her as her gaze danced around in obvious discomfort. 'You're still drunk, aren't you?' He laughed. 'No. The hangover is starting to kick in. Head hammering like a mother.' 'Ah, that explains it.' 'What does?' 'Your eyesight's screwed up. I could probably take you into a retirement home and you'd be trying to score with Grandma right now.'
- Shahara & Syn — Sherrilyn Kenyon

Presentation was the name of the Catholic church [my mother's family] attended, and this is what I love about the Irish: My mother became known as the second prettiest girl at Presentation parish. "Why was that okay?" I once asked her. "Oh, because everybody knew Mary Griffin was the most beautiful girl at Presentation," she replied. My mom was happy to be on the D-list! Just like I'm not trying to be Brooke Shields, she wasn't trying to be Mary Griffin. — Kathy Griffin

Staring at the floor, she didn't even look up as the final contestant entered.
Not until she heard a deep, rich baritone that filled the hall with the most beautiful sound she had ever heard.
Her heart pounding, she looked up to see Stryder holding his mother's lute.
Only it wasn't a love song he sang.
More like a limerick, it was a song about a woman who fancied herself a goose.
And a man who gobbled her up.
Laughter and applause rang out as soon as he strummed the last note.
Breathe, breathe.
It was the only thing Rowena could think. And even that couldn't get her to take a breath as Stryder approached her.
He smoothed her hair and straightened her feathered crown. "Methinks my goose has molted."
Rowena laughed as more tears streaked down her face. — Kinley MacGregor

She was indeed beautiful, as if someone had taken the scientific measurements of perfection and used them to mold a single ideal specimen. Her face was slightly heart-shaped, with high cheekbones barely flushed. Auburn hair fell in silken ringlets to her waist and her unblemished ivory skin shimmered like mother-of-pearl in the sunshine. Her lips were red red red, looking like she'd just drunk a pint of blood. — Marissa Meyer

Daniel observed her from afar, and tried in vain to conceal the hunger in his eyes. She showed none of the disdain against the Indians that he had encountered from whites back east. Aimee was genuinely warm and friendly with these people who were like family to him. She obviously loved children. She played games with the younger ones, and each time she held Elk Runner's infant in her arms, a new wave of desire spread through him. He tried not to think about what it would be like to see her holding a child, their child, in her arms. That could never happen. His white mother had died in this wilderness, giving birth to him. No matter how she dressed, or her abilities on the trail, Aimee was still a white woman. Like a beautiful spring flower, she would wither and die in these mountains. Neither lasted long in this harsh environment. — Peggy L. Henderson

You're beautiful, Delaney, and you could have anyone you want. Why me?"
She knew she wasn't beautiful, not like her mother. But the way he looked at her and touched her, and the tone of his voice when he said it made her almost believe him. He made her believe anything was possible. "Because you make me not want to say no. — Rachel Gibson

He asked her, 'Why do you feel sorry for me, Old Woman?'
The Old Woman stood beside him and looked out the window at the Garden, so beautiful, flowering and everywhere illuminated by the rays of the setting sun, and said, 'I feel sorry for you, dear Youth, because I know where you are gazing and what you are waiting for. I feel sorry for you and your mother.'
Perhaps because of these words, or perhaps because of something else, there was a change in the Youth's mood. The Garden, flowering behind the high fence below his window, and exuding a wonderful fragrance, suddenly seemed somehow strange to him; and an ominous sensation, a sudden fear, gripped his heart with a violent palpitation, like heady and languid fragrances rising from brilliant flowers.
'What is happening?' he wondered in confusion.
("The Poison Garden") — Valery Bryusov

Close up she saw that Molina's eyes were beautiful and dark thik eye lashed the way Lisette's mother tried to make hers with a mascara brush. The skin beneath Molina's eyes were soft and bruised looking and on her throat were tiny dark moles. It did not seem right that a woman like Molina, who you could tell was a mother-her body was a mother's body for sure, wide hips-could be a cop;it did not seem right that this person was carrying a gun, in a holster attached to leather belt, and that she could use it, if she wanted to. — Joyce Carol Oates

She'd been a beautiful woman in her day, delicate and trim, blue-eyed and fair-haired. There was a certain power beautiful mothers held over there less beautiful daughters. Even at seventy-four, with a limp from a hip replacement, Margaret could still enter a room and fill it like perfume. Josey could never do that. The closest she ever came was the attention she used to receive when she pitched legendary fits in public when she was young. But that was making people look at her for all the wrong reasons. — Sarah Addison Allen

My little sister Aliana's opinions are the most important to me. She says, 'I want to look like you, you're so pretty!' But she is very beautiful and so she is trouble in the making! She wants to do what I do. I'm like her second mother and I am very protective of her. — Lindsay Lohan

She carried herself like a dishonored queen. Even the way she held her head at an angle as she considered the buildings around us seemed watched and pretentious, and I thought about my mother saying there was something toxic about being very beautiful. It must be terrible to be a woman. — Rufi Thorpe

My father was quiet ' she told him. 'My mother was not. They were polar opposites but you'd think they were a match made in heaven the way he loved her and she him. He'd sit and listen to her play for hours like it was their special language. I miss that the most their music. It made me feel ... part of something beautiful. — Amalie Howard

Would yell if a person didn't coo and aww and tell her what a beautiful mother she would make and how her daughter would surely grow up to be just like her, by all the lucky stars. — Marissa Meyer

The rainbow began to appear, and sometimes two rainbows, like a mother and her daughter, the one young and beautiful, and the other an old and faint shadow. The rainbow was called the python of the sky. — Chinua Achebe

But usually not. Usually she thinks of the path to his house, whether deer had eaten the tops of the fiddleheads, why they don't eat the peppermint saprophytes sprouting along the creek; or she visualizes the approach to the cabin, its large windows, the fuchsias in front of it where Anna's hummingbirds always hover with dirty green plumage and jeweled throats. Sometimes she thinks about her dream, the one in which her mother wakes up with no hands. The cabin smells of oil paint, but also of pine. The painter's touch is sexual and not sexual, as she herself is ... When the memory of that time came to her, it was touched by strangeness because it formed no pattern with the other events in her life. It lay in her memory like one piece of broken tile, salmon-coloured or the deep green of wet leaves, beautiful in itself but unusable in the design she was making — Robert Hass

Her mom looked like a queen, like the star of some fairy tale.
Not a princess - princesses are just pretty. Eleanor's mother was beautiful. — Rainbow Rowell

My mother was the best and most beautiful woman who ever lived. She was clean, and good, and always helped "the poor and needy who cluster round your door," like it says in the poetry piece, and there never could have been a reason why God would want a woman to suffer herself, when she went flying on horseback even dark nights through rain or snow, to doctor other people's pain, and when she gave away things like she did - why, I've seen her take a big piece of meat from the barrel, and a sack of meal, and heaps of apples and potatoes to carry to Mandy Thomas - when she gave away food by the wagonload at a time, God couldn't have wanted her to be hungry, and yet she was that very minute almost crying for food; — Gene Stratton-Porter

Have you ever seen a child sitting on its mother's knee listening to fairy stories? As long as the child is told of cruel giants and of the terrible suffering of beautiful princesses, it holds its head up and its eyes open; but if the mother begins to speak of happiness and sunshine, the little one closes its eyes and falls asleep with its head against her breast ... I am a child like that, too. Others may like stories of flowers and sunshine; but I choose the dark nights and sad destinies. — Selma Lagerlof

Around me the beautiful windows, connecting me to other lives and other times, to things done and also deliberately left undone, stood dark. Rose, I was sure, had acted out of love, yet for Iris her mother's absence had remained an unresolved sadness at the center of her life. I thought of what Rose had written about anger, about its power to corrupt, to make a space for evil. Maybe she was right. Maybe evil, that old-fashioned word, could be called other things, disharmony or dysfunction. Maybe Rose was right and evil wasn't attached top an individual as much as if was a force in the world, a seeing force, one that worked like a self-replicating virus, seeking to entangle, to ensnare, to undo beauty. [p.353] — Kim Edwards

The first gathering of salads, radishes and herbs made me feel like a mother about her baby - how could anything so beautiful be mine? — Alice B. Toklas

Before there was an American Story, before Paterson spread before Oscar and Lola like a dream, or the trumpets from the Island of our eviction had even sounded, there was their mother, Hypatia Belicia Cabral: a girl so tall your leg bones ached just looking at her, so dark it was as if the Creatrix had, in her making, blinked. — Junot Diaz

Five minutes later, the girls stood at the open kitchen door, blinking in the brilliant overcast light. The smell of lilacs, roses, sweet peas, and honeysuckle mixed with the scent of crisp late summer leaves. None of them had been in the gradens for nine months, and the bright saturated greens, reds, and violets overwhelmed them. It reminded Azalea of Mother, beautiful and bright, thick with scents and excitement. And the King-he was like the palace behind them, all straights and grays, stiff and symmetrical and orderly.
"It's really allowed?" said Flora, her eyes alight at the colors.
"Allowed allowed?" said Goldenrod.
"For the last time," said the King, pushing them gently out the kitchen door and onto the path. "It is Royal Business! Go On. Get some color in your cheeks. — Heather Dixon

She's beautiful, but in a shameful way. One I'm not sure I'm supposed to appreciate. Everything about her is captivating, like the aftermath of a storm. People aren't supposed to get pleasure out of destruction Mother Nature is capable of, but we want to stare anyway. - Silas Nash — Tarryn Fisher

My mother ... she is beautiful, softened at the edges and tempered with a spine of steel. I want to grow old and be like her. — Jodi Picoult

A man can be beautiful, I see that now. It's not just a woman's term, not a word reserved for romantic, virtuous, elegant things. I don't think beauty is neat anymore. It's unordered. It's unbrushed hair and a torn back pocket. It's bright and strange and lovely, and if I were to paint him, I'd use all the warm colours - ochre, gold, plum, terracotta, scarlet, burnt orange. I want him to see me as I saw him then, I want him to find me alone at the end of the day with the sun in my hair. I want his heart to buckle, too. I want him to stop someone out in the square and say, who's that? Do you know her? Where is she from?"

- from Eve Green's mother's account.
"It is written on a piece of thin, yellow paper, and is folded in half. I like this account. I like it because it's true, she's right. We all want out lovers to see us that way - unaware, natural, serene. We want to change their world with one glance, to stop their breath at the sight of us. — Susan Fletcher

I think my mother is beautiful. But her negative feelings about her body can generate a force field that repels any appreciation of it. I've long known the drill: Boobs, too small. Butt, too big. Face, bird-like. Upper arms, old. But it's not just age - she even disparages the way she looks in baby pictures. I don't know why she has never seen herself as beautiful. I think I've been waiting all these years for her to do so, as if that kind of self-love would somehow offer her body to me. But now I realize - she already gave it to me. At times I imagine her in death, and I know that her body, in all its details, will flood me. I do not know how I will survive it. — Maggie Nelson

I am sixteen when my mother steps out of her skin one frozen January afternoon- pure self, atoms twinkling like microscopic diamond chips around her, perhaps the chiming of a clock, or a few bright flute notes in the distance- and disappears. No one sees her leave, but she is gone. — Laura Kasischke

So when do we get married?" Rio asked, nuzzling her cheek. "This Bond thing is telling me to hurry up."
"You truly want it?"
He caught her gaze, his own softening. "Yes."
Nella's heart swelled with warmth, happiness. "Right away. Tomorrow, if you want."
"Good. We'll do it fast, then break it to your mother and father that you Bonded with a Shareem."
"They will already know," Nella said, laughing. "Everything that happens in the Gallery of Light is broadcast throughout the palace. The news of our Bonding will probably be all over the feeds by morning."
"Shit," Rio said, then he grinned. "Good thing I've got a great ass."
"It's beautiful."
"Glad you like it. — Allyson James

Color fills her cheeks, and I think it again: that Johanna Reyes might still be beautiful. Except now I think that she isn't just beautiful in spite of the scar, she's somehow beautiful with it, like Lynn with her buzzed hair, like Tobias with the memories of his father's cruelty that he wears like armor, like my mother in her plain gray clothing. — Veronica Roth

She couldn't quite see herself in it. When they were done, I read the Shakespeare sonnet that begins "Fear no more the heat o' the Sun," partly because it was appropriate to the occasion and one of the most beautiful poems in the language, but also because I hoped it might hide from my loved ones the fact that I myself had nothing to say, that while part of me was here with them on this beloved shore, another part was wandering, as it had been for months, in a barren, uninhabited landscape not unlike the one in my dream. I realized I'd felt like this for a while. Though life had gone on since my mother's death - Kate had gotten married, I'd finally published another book and gone on tour with it - some sort of internal-pause button had been pushed, allowing another part of me, one I'd specifically kept sequestered to deal with my mother, to fall silent. Since her death, Barbara and I had gone through all her things and settled her affairs, but we'd barely spoken of her. — Richard Russo

Yes, indeed. San Francisco was the perfect place for a walker between worlds like Jamie Hastings to grow up in. Her soul had chosen wisely before coming in, born to a visionary mother like Amanda, and situated in one of sunny California's most beautiful landscapes. — Patricia Cori

Our mother, in several beautiful ways, may have been a little crazy. For example: who dries their clothing with a hurricane coming? Like Ossie, Mom got distracted easily. It was seventy-thirty odds whether she would remember a conversation with you. Her moods could do sudden plummets, and she'd have to "take a rest" in the house, but she'd always emerge from these spells with a smile for us. — Karen Russell

Nadya Zelenin and her mother had returned from a performance of Eugene Onegin at the theatre. Going into her room, the girl swiftly threw off her dress and let her hair down. Then she quickly sat at the table in her petticoat and white bodice to write a letter like Tatyana's.
'I love you,' she wrote, 'but you don't love me, you don't love me!'
Having written this, she laughed.
She was only sixteen and had never loved anyone yet. She knew that Gorny (an army officer) and Gruzdyov (a student) were both in love with her, but now, after the opera, she wanted to doubt their love. To be unloved and miserable: what an attractive idea! There was something beautiful, touching and romantic about A loving B when B wasn't interested in A. Onegin was attractive in not loving at all, while Tatyana was enchanting because she loved greatly. Had they loved equally and been happy they might have seemed boring.
("After The Theatre") — Anton Chekhov

Abra DeMadrigal didn't look young enough to be my sister anymore. Her sorrow weighed her down and aged her. She was still beautiful, but she looked very far away. No wonder our people had raven eyes, so distant, so sad. No matter how wise she was, my mother looked like a woman who hadn't truely believed how much evil there was in our world. Not until this moment. — Alice Hoffman

My mother looked back at me while my father drove. Her long auburn hair was shimmering in the flickers of light passing through the window from the oncoming highway traffic. Looking at her I admired her flawless, pearlescent skin. Her hazel eyes were flecked with bits of blue and teal like a true Mer. My mother was beautiful, and I looked nothing like her. — Zara Steen

The problem with being an alpha is that you can never make the first move.
Makes you feel like you're taking advantage of your position. You have to wait until
the other person decides they want in."
Jim set the basket on the coffee table and crouched by me.
"And sometimes it seems like that person likes you, and you try to test the waters,
so you try to tell her how you feel, that she matters and that you want to be with her
and you're concerned about her safety. And every time you do that, she waves her
arms around and accuses you of being a controlling alpha asshole. So you back off
and hope you didn't completely fuck it up."
He was close, too close. I just stared at him. What was happening ... "Why are
you telling me this?"
His voice was low and smooth. "That time when I told you it didn't matter what
your mother thought about your looks ... "
"Aha ... "
"I meant it," he said. "Because I think you're beautiful. — Ilona Andrews

being the key word there." Her grin took the sting out of her words. Juan chuckled, patting her on the head. "You're getting more and more like your mother every day." Tilting her head, she batted her eyelashes several times. "You mean intelligent and beautiful?" "Mouthy and obstinate." He pointed at the carvings on the wall. "Whether you like it or not, this curse could mean trouble. — Ann Charles

It could not have been easy for Mother, an only child, to grow up without a father and with a mother who was remote. Photos of her as a child show her extremely dressed up
Cornie's beautiful little doll. But a daughter, unlike a doll, grows up, and might fall in love with and marry someone her mother does not like; she becomes an individual with her own ideas. — Cornelia Maude Spelman

THERE ARE FEW THINGS as beautiful as a glass bottle filled with deep amber whiskey. Liquor shines when the light hits it, reminiscent of precious things like jewels and gold. But whiskey is better than some lifeless bracelet or coronet. Whiskey is a living thing capable of any emotion that you are. It's love and deep laughter and brotherhood of the type that bonds nations together. Whiskey is your friend when nobody else comes around. And whiskey is solace that holds you tighter than most lovers can. I thought all that while looking at my sealed bottle. And I knew for a fact that it was all true. True the way a lover's pillow talk is true. True the way a mother's dreams for her napping infant are true. But the whiskey mind couldn't think its way out of the problems I had. So I took Mr. Seagram's, put him in his box, and placed him up on the shelf where he belonged. — Walter Mosley

For a long time, she sat and saw.
She had seen her brother die with one eye open, on still in a dream. She had said goodbye to her mother and imagined her lonely wait for a train back home to oblivion. A woman of wire had laid herself down, her scream traveling the street, till it fell sideways like a rolling coin starved of momentum. A young man was hung by a rope made of Stalingrad snow. She had watched a bomber pilot die in a metal case. She had seen a Jewish man who had twice given her the most beautiful pages of her life marched to a concentration camp. And at the center of all of it, she saw the Fuhrer shouting his words and passing them around.
Those images were the world, and it stewed in her as she sat with the lovely books and their manicured titles. It brewed in her as she eyed the pages full to the brims of their bellies with paragraphs and words. — Markus Zusak

It hadn't occurred to me that my mother would die. Until she was dying, the thought had never entered my mind. She was monolithic and insurmountable, the keeper of my life. She would grow old and still work in the garden. This image was fixed in my mind, like one of the memories from her childhood that I made her explain so intricately that I remembered it as if it were mine. She would be old and beautiful like the black-and-white photo of Georgia O'Keeffe I'd once sent her. I held fast to this image for the first couple of weeks after we left the Mayo Clinic, and then, once she was admitted to the hospice wing of the hospital in Duluth, that image unfurled, gave way to the others, more modest and true. I imagined my mother in October; I wrote the scene in my mind. And then the one of my mother in August and another in May. Each day that passed, another month peeled away. — Cheryl Strayed

It wasn't beautiful people like Celeste who were drawing Jane's eyes, but ordinary people and the beautiful ordinariness of their bodies. A tanned forearm with a tattoo of the sun reaching out across the counter at the service station. The back of an older's man neck in a queue at the supermarket. Calf muscles and collarbones. It was the strangest thing. She was reminder of her father, who years ago had an operation on his sinuses that returned the sense of smell he hadn't realized he'd lost. The simplest smells sent him into rhapsodies of delight. He kept sniffing Jane's mother's neck and saying dreamily, I'd forgotten your mother's smell! I didn't know I'd forgotten it! — Liane Moriarty

Would you like to know how Charlotte got those nine stitches?" I asked suddenly, in a tone of voice that sounded perfectly normal to me. "We were up at the Lake. Seymour had written to Charlotte, inviting her to come up and visit us, and her mother finally let her. What happened was, she sat down in the middle of our driveway one morning to pet Boo Boo's cat, and Seymour threw a stone at her. He was twelve. That's all there was to it.

He threw it at her because she looked so beautiful sitting there in the middle of the driveway with Boo Boo's cat. Everybody knew that for God's sake-me, Charlotte, Boo Boo, Waker, Walt, the whole family." I stared at the pewter ashtray on the coffee table. "Charlotte never said a word to him about it. Not a word." I looked up at my guest, rather expecting him to dispute me, to call me a liar. I am a liar, of course. Charlotte never did understand why Seymour threw that stone at her. My guest didn't dispute me though. — J.D. Salinger

You are so young, Lyra, too young to understand this, but I shall tell you anyway and you'll understand it later: men pass in front of our eyes like butterflies, creatures of a brief season. We love them; they are brave, proud, beautiful, clever; and they die almost at once. They die so soon that our hearts are continually racked with pain. We bear their children, who are witches if they are female, human if not; and then in the blink of an eye they are gone, felled, slain, lost. Our sons, too. When a little boy is growing, he thinks he is immortal. His mother knows he isn't. Each time becomes more painful, until finally your heart is broken. Perhaps that is when Yambe-Akka comes for you. She is older than the tundra. Perhaps, for her, witches' lives are as brief as men's are to us. — Philip Pullman

Above us all rose my mother's hand, dangling from the column shifter
like some battle-tattered flag for independence, surrounded
by the glass shards and quietude of a parking lot gone empty.
My beautiful mother, safer than ever before,
even in defection. ¼ tank of gas, fully empowered,
her car pointed in every direction. — B.J. Ward

Marcie looked like her father but she acted like her mother. Sweet. Shy. Smart. Quiet. Loyal. Unconsciously funny. And clueless to just how beautiful she was and how much love she provoked. — Kristen Ashley

She was ... is beautiful. Like her mother. Like you." He touched me then, pressing one finger directly over my heart. "You have it in here." He coughed violently, his hand dropping away from me. "It's a beauty that nothing can take away. Not this world or its monsters. — Sophie Jordan

Did you get rid of that sweater like I asked?"
"Yes, Mother," Josey said.
"I wasn't trying to be mean the other day. It just doesn't look good on you."
"Yes, Mother," Josey said.
The truth was, that sweater, that color, looked good on her daughter. And every time she wore it, it hinted at something that scared Margaret.
Josey was growing into her beauty.
Margaret watched Josey leave.
She used to be a beautiful woman, the most beautiful woman around.
She brought out the photo again.
But that was forever ago. — Sarah Addison Allen

But there she was, standing next to his mother, so beautiful, so radiant that he could not see anyone else.
Suddenly the rest of the world seemed like such a chore. He didn't want to be here at this dance, with people he didn't want to talk to and messages he didn't particularly wish to deliver. He didn't want to dance with young ladies he didn't know, and he didn't want to make polite conversation with people he did. He just wanted Billie, and he wanted her all to himself.
He forgot about Tallywhite. He forgot about pease, porridge, and pudding, and he stalked across the room with such single-minded purpose that the crowds seemed to melt from his path.
And somehow, amazingly, the rest of the world had not yet noticed her. She was so beautiful, so uncommonly alive and real in this room full of waxen dolls. She would not go undiscovered for long.
But not yet. Soon he would have to fight the throngs of eager young gentlemen, but for now, she was still his alone. — Julia Quinn

She could not explain or quite understand that it wasn't altogether jealousy she felt, it was rage. And not because she couldn't shop like that or dress like that. It was because that was what girls were supposed to be like. That was what men - people, everybody - thought they should be like. Beautiful, treasured, spoiled, selfish, pea-brained. That was what a girl should be, to be fallen in love with. Then she would become a mother and she'd be all mushily devoted to her babies. Not selfish anymore, but just as pea-brained. Forever. — Alice Munro

But Mrs. Meany, see, the women went on, leaning forward, despite how her heart was broken, pulled herself together, anyway, to put on a good face for the rest of the family at home. And she went back, Sunday after Sunday, right up until the Sunday before she died. Mrs. Meany put her beautiful love - a mother's love - against the terrible scenes that brewed like sewage in that poor girl's troubled mind. She persevered, she baked her cakes, she hauled herself (the goiter swinging) on and off the ferry, and she sat, brokenhearted, holding her daughter's hand, even as Lucy shouted her terrible words, proving to anyone with eyes to see that a mother's love was a beautiful, light, relentless thing that the devil could not diminish. — Alice McDermott

Sara reached over and rubbed Holly's arm for a moment. Then she pulled back and asked, "Have you ever heard the Christmas song, Mary, Did You Know?" Holly looked up, into her friend's clear blue eyes. She shook her head and Sara continued. "It's a beautiful song about the Savior's mother, Mary. The singers ask if when she held baby Jesus, if she knew what His life would be like or that He would be her Savior and the Savior of the world. I think every mother is like Mary. Not in the fact that we gave birth to the Savior, but that when we have a child, we never know what his future holds, how he'll change our lives or someone else's life. — Danyelle Ferguson