Beatles Sgt Pepper Quotes & Sayings

The Beatles production is often so 'perfect' that it sounds computerized. 'Sgt. Pepper' really does sound like it took four months to make. — Jon Landau

As for Crowley, his reputation grew and grew. His gospel of "Do what thou wilt" - modified and transformed - appealed strongly to the socially liberated sixties generation. He resurfaced as a countercultural icon; his photograph appeared on the cover of the Beatles' album Sgt. Pepper's Lonely Hearts Club Band, and his ideas influenced everyone from Dr. Timothy Leary to the rock group Led Zeppelin. He was hailed as a prophet before his time for bringing together eastern and western esoteric traditions, and although he could never quite escape the "Satanist" tag that he had gained in the Edwardian newspapers, this ensured his present-day popularity. — George Pendle

I like What Goes Around Comes Around for old concert tees. Oh man, I got this 'Sgt. Pepper' cartoon Beatles shirt there; it was, like, $300. I didn't even know how much it cost - I thought it was gonna be, like, $80 at most - till I got to the register and was like, 'Oh mah gawd!' Good Lord. But it's classic vintage rock, you know? — Kid Cudi

My sister and I shared a bedroom our entire lives and I believe she discovered the Beatles when she was about 11 and I'm four years younger. So from the age of 7 until 17 we had nothing but Beatles paraphernalia in our room, even those little stuffed Beatles that went on stands that are dressed as the Sgt. Pepper band. — Christina Ricci

It is the sound of the crowd that can be heard in the second, crescendoing rush of the orchestra that follows the final verse, rising from a hum to a gasp to a shout... fusing at last to a shriek (its similarity to the sound of the crowds at Beatle concerts is surely no accident). The onrushing sound of the orchestra at the end of "A Day in the Life" has transcended more than the conventions of Sgt. Pepper's Band. It is the nightmare resolution of the Beatles' show within a show. It is the sound in the eras of the high-wire artist as the ground rushes up from below. There is a blinding flash of silence, then the stunning impact of a tremendous E major piano chord that hangs in the air for a small eternity, slowly fading away, a forty-second meditation on finality that leaves each member if the audience listening with a new kind of attention and awareness to the sound of nothing at all. — Jonathan Gould