Be Real Picture Quotes & Sayings

There in the mountains, close to the delights of Nature, everything you see and hear is a joy. It is a joy unspoiled by any real discomfort. Your legs may possibly ache, or you may feel the lack of something really good to eat, but that is all. I wonder why this should be? I suppose the reason is that, looking at the landscape, it is as though you were looking at a picture unrolled before you, or reading a poem on a scroll. The whole area is yours [...]. You are free from any care or worry because you accept the fact that this scenery will help neither to fill your belly, nor add a penny to your salary, and are content to enjoy it just as scenery. This is the great charm of Nature, that it can in an instant discipline men's hearts and minds, and removing all that is base, lead them into the pure unsullied world of poetry. — Soseki Natsume

I don't think it's necessary to worry too much about being authentic. I think a picture taken on an iPhone and then filtered through something to make it look like it was taken on a Super 8 camera can be just as authentic as something taken on a Super 8 camera, if it's capturing something real or beautiful. — Andrew VanWyngarden

...What is it that he was? Was the idea he had for himself of lesser validity or of greater validity than someone else's idea of what he was supposed to be? Can such things even be known? But the concept of life as something whose purpose is concealed, of custom as something that may not allow for thought, of society as dedicated to a picture of itself that may be badly flawed, of an individual as real apart and beyond the social determinants defining him, which may indeed be what to him seem most unreal--in short, every perplexity pumping the human imagination seemed to lie somewhat outside her own unswerving allegiance to a canon of time-honored rules. — Philip Roth

Your story is not a picture of life; it lacks the elements of truth. And why? Simply because you run straight on to the end; because you do not analyze. Your heroes do this thing or that from this or that motive, which you assign without ever a thought of dissecting their mental and moral natures. Our feelings, you must remember, are far more complex than all that. In real life every act is the
resultant of a hundred thoughts that come and go, and these
you must study, each by itself, if you would create a living
character. 'But,' you will say, 'in order to note these fleeting
thoughts one must know them, must be able to follow them in their capricious meanderings.You have simply to make use of hypnotism, electrical or human, which gives one a two-fold being, setting free the witness-personality so that it may see, understand, and remember the reasons which determine the personality that acts. — Jules Verne

They are more real than the books on the shelves, books that are sketched with the barest hint of a line here and there, fading in places to a ghostly nothingness. Why recall the picture now, you must be wondering. The reason I remember it so well is that it seems to be an image of the way I have lived my own life. I have closed my study door on the world and shut myself away with people of my imagination. — Diane Setterfield

One important thing was not to forget what he hoped to achieve in life. Another important thing was not to confuse a romantic picture of himself - as a doctor in Africa, for example - with a real possibility. And he tried not to lose sight of the fact that he was an adult in an adult world, with responsibilities. This was not easy: he would find himself sitting in the sun cutting out paper stars for a Christmas tree at the very moment other men were working to support large families or representing their countries in foreign places. When in moments of difficult truth-seeking he saw this incongruity, he felt sick that he should be saddled with himself, as though he were his own unwanted guest. — Lydia Davis

When I look at you, I still see the son I love more than my own life. But I also see a man who has become so far removed from what matters that his perception is skewed. Family is real, son. A home to settle into - that's real. People who love you and care about you. You've had a phenomenal career, and I'm proud of you. But it's time to stop basing your worth on championships and endorsement deals. You can't buy happiness. You can't earn it. God isn't counting all the deals you're racking up - and neither is your family." He lifted his brow. "And neither is Lucy. For the first time someone's looking at the person inside - and you have to decide if you're going to let her in and be the man she needs you to be." His father turned his head toward a family picture on the mantel. "It's a risk. But one I've never regretted. — Jenny B. Jones

A first impression works like a magic mirror; it reflects what intrigues us rather than echoing a truthful picture. A first impression is the creating of an imagined character born from personal desires, perceptions, and biases. Though sparked by an introduction to a real, living, breathing individual, the person remains a mystery long after parting. It is a fictitious ghost masked with similar features that remains. A first impression is rarely accurate; therefore, it should never be trusted. — Richelle E. Goodrich

I will never become a director or a movie producer. I was always looking at picture directing because I didn't know what to do! You can't be a movie director without real preparation. — Liam Neeson

I used to wonder about the fake pictures that came in frames you buy at the store - ladies with smooth brown hair and show-me smiles, grapefruit-headed babies on their sibling's knees - people who in real life probably were strangers brought together by a talent scout to be a phony family.

Maybe it's not so different from real photos, after all. — Jodi Picoult

I want home educators to look beyond the lesson plans, curriculum, and grades to see the abundant blessings. My desire is for parents to enjoy the journey rather than focus on the destination.
When you begin to embrace the journey- TRULY embrace the journey- the joy of homeschooling will be absolutely A.MA.ZING. You will begin to see the much larger picture and God's work in your homeschool day more than you ever have before. — Tamara L. Chilver

Speaking of the sick, twisted freak, have you caught sight of the bastard?"
Jack gave a short, expressive snort. "Um, that would be a negative. I've never actually seen Sean."
"I sent you an image."
"Tails and horns aren't exactly the real deal, ken. You gave me a picture of the devil. — Christine Feehan

A photographer is a witness. He has a moral duty. Every picture must be true and honest. I believe a photographer's strength is his ability to accurately record reality. There are photographers who think they are lucky if they find unusual or special subject. But it is never the subject that is so marvelous. It is how alive and real the photographer can make it. — Edouard Boubat

The real trouble about women is that they must always go on trying to adapt themselves to men's theories of women, as they alwayshave done. When a woman is thoroughly herself, she is being what her type of man wants her to be. When a woman is hysterical it's because she doesn't quite know what to be, which pattern to follow, which man's picture of woman to live up to. — D.H. Lawrence

You said you'd come, but you n ever, so I,' she stuttered. I bowed my head. 'I have been in mourning,' I said, lamely, and she, 'But still you could have-my God, Saleem, you don't know, in our colony I can't tell anyone about my real magic, never, not even Picture Singh who is like a father, I must bottle it and bottle it, because they don't believe in such things, and I thought, Here is Saleem come, now at last I will have one friend, we can talk, we can be together, we have both been, and known, and arre how to say it, Saleem, you don't care, you got what you wanted and went off just like that, I am nothing to you, I know ... — Salman Rushdie

I felt tired, but I pitched the ball back at her. You want me to talk about myself, right? Let me tell you what 'self' means to me. The self, myself, the self as I see it, is composed mainly of selected memories from my history. I am not what I am doing now. I am what I have done, and the edited version of my past seems more real to me than what I am at this moment. I don't know who or what I really am. The present is fleeting and intangible. No one in China wants to talk about his past, because nobody wants to paint his face black. Our past is not a flattering picture, and no one wants to look at it for long. Yet what we were in fixed and final. It is the basis for predictions of what we will be in the future. To tell you truth, I identify with what no longer exists more than what actually is. We have lied about what we actually are, and that, unfortunately, will be your book. So would you still like me to talk about myself? — Anchee Min

Homesickness is not always a vague, nostalgic, almost beautiful emotion, although that is somehow the way we always seem to picture it in our mind. It can be a terribly keen blade, not just a sickness in metaphor but in fact as well. It can change the way one looks at the world; the faces one sees in street look not just indeferent but ugly ... perhaps even malignant. Homesickness is real sickness
the ache of the uprooted plant the breathing method — Stephen King

One goes into the forest to pick food and already the thought of one fruit rather than another has grown up in one's mind. Then, it may be, one finds a different fruit and not the fruit one thought of. One joy was expected and another is given. But this I had never noticed before that at the very moment of the finding there is in the mind a kind of thrusting back, or a setting aside. The picture of the fruit you have not found is still, for a moment, before you. And if you wished - if it were possible to wish - you could keep it there. You could send your soul after the good you had expected, instead of turning it to the good you had got. You could refuse the real good; you could make the real fruit taste insipid by thinking of the other." Ransom — C.S. Lewis

She was smart and terribly determined, this girl-her will was pure steel, through and through-but she was as human as anyone else. She was lonely, too. Lonely in a way that perhaps only single girls fresh from small Midwestern towns know. Homesickness is not always a vague, nostalgic, almost beautiful emotion, although that is somehow the way we always seem to picture it in our mind. It can be a terribly keen blade, not just a sickness in metaphor but in fact as well. It can change the way one looks at the world; the faces one sees in the street look not just indifferent but ugly ... perhaps even malignant. Homesickness is a real sickness- the ache of the uprooted plant. — Stephen King

The world outside of me has no meaning independent of my thinking it. (pauses to look) I look out of the window. A garden. Trees. Grass. A young woman in a chair reading a book. I think: chair. So she is sitting. I think: book. So she is reading. Now the young woman touches her hair where it's come undone. But how can we be sure there is a world of phenomena, a woman reading in a garden? Perhaps the only thing that's real is my sensory experience, which has the form of a woman reading- in a universe which is in fact empty! But Immanuel Kant says- no! Because what I perceive as reality includes concepts which I cannot experience through the senses. Time and space. Cause and effect. Relations between things. Without me there is something wrong with this picture. The trees, the grass, the woman are merely- oh, she's coming! (nervously)- she's coming in here-! I say, don't leave!-where are you going? — Tom Stoppard

It is immediately apparent, however, that this sense-world, this seemingly real external universe - though it may be useful and valid in other respects - cannot be the external world, but only the Self's projected picture of it ... The evidence of the senses, then, cannot be accepted as evidence of the nature of ultimate reality; useful servants, they are dangerous guides. — Evelyn Underhill

With these new techniques, a new breed of evolutionist is emerging, able to capture the workings of evolution in real time. The picture so painted is breathtaking in its wealth of detail and its compass, ranging from the subatomic to the planetary scale. And that is why I said that, for the first time in history, we know. Much of our growing body of knowledge is provisional, to be sure, but it is vibrant and meaningful. It is a joy to be alive at this time, when we know so much, and yet can still look forward to so much more. — Nick Lane

When I do a film, the days before or the night before, I throw up. Sometimes it's just in my mouth and I swallow it back, but sometimes it's real. Whatever it is, it's hard. I don't do the first five or ten minutes of my character's appearance in a movie until the middle of the shooting schedule because I don't want him to be defined by my nervousness. So, we do the middle of the picture first. — Donald Sutherland

The more formidable the contradiction between inexhaustible life-joy and inevitable fate, the greater the longing which reveals itself in the kingdom of poetry and in the self-created world of dreams hopes to banish the dark power of reality. The gods enjoy eternal youth, and the search for the means of securing it was one of the occupations of the heroes of mythology and the sages, as it was of real adventurers in the middle ages and more recent times ... But the fountain of youth has not been found, and can not be found if it is sought in any particular spot on the earth. Yet it is no fable, no dream-picture; it requires no adept to find it: it streams forth inexhaustible in all living nature. — Ferdinand Cohn

Here again the Japanese method of interior decoration differs from that of the Occident, where we see objects arrayed symmetrically on mantelpieces and elsewhere. In Western houses we are often confronted with what appears to us useless reiteration. We find it trying to talk to a man while his full-length portrait stares at us from behind his back. We wonder which is real, he of the picture or he who talks, and feel a curious conviction that one of them must be fraud. — Okakura Kakuzo

A tall, fragile woman with pale blond hair and a face of such beauty that it seemed veiled by distance, as if the artist had been merely able to suggest it, not to make it quite real ... she was Kay Ludlow, the movie star who, once seen, could never be forgotten; the star who had retired and vanished five years ago, to be replaced by girls of indistinguishable names and interchangeable faces ... she felt that the glass cafeteria was a cleaner use for Kay Ludlow's beauty than a role in a picture glorifying the commonplace for possessing no glory. — Ayn Rand

I realized it was all a lie. This life I was living was a pretty picture on the outside, but it wasn't real. On the inside, it was hollow and meaningless and I realized that's not who I wanted to be for the rest of my life. — Sarra Cannon

He was as bold as a lion about it, and 'mightily convinced' not only himself, but everybody that heard him; - but then his idea of a fugitive was only an idea of the letters that spell the word, - or at the most, the image of a little newspaper picture of a man with a stick and bundle, with "Ran away from the subscriber" under it. The magic of the real presence of distress, - the imploring human eye, the frail, trembling human hand, the despairing appeal of helpless agony, - these he had never tried. He had never thought that a fugitive might be a hapless mother, a defenseless child, - like that one which was now wearing his lost boy's little well-known cap; and so, as our poor senator was not stone or steel, - as he was a man, and a downright noble-hearted one, too, - he was, as everybody must see, in a sad case for his patriotism. — Harriet Beecher Stowe

So perhaps the reason I shuddered at the idea of writing something about 'Christian art' is that to paint a picture or to write a story or to compose a song is an incarnational activity. The artist is a servant who is willing to be a birth-giver. In a very real sense the artist (male or female) should be like Mary, who, when the angel told her that she was to bear the Messiah, was obedient to the command. Obedience is an unpopular word nowadays, but the artist must be obedient to the work, whether it be a symphony, a painting, or a story for a small child. I believe that each work of art, whether it is a work of great genius or something very small, comes to the artist and says 'Here I am. Enflesh me. Give birth to me.' And the artist either says 'My soul doth magnify the Lord' and willingly becomes the bearer of the work, or refuses; but the obedient response is not necessicarily a conscious one, and not everyone has the humble, courageous obedience of Mary. — Madeleine L'Engle

Most of us tend to view childhood as a time of carefree pleasure. Those of us who have looked at the real condition of children in America, however, see a very different picture-one in which children are victims of terrible discrimination, prejudice, and abuse. They need protection. But the protection they need most is to have the protection of civil rights, so that they can be regarded as full persons under the law. — Richard Farson

Those who are in the orbit, but nonetheless on the edges, can often be the real discoverers. It was why at times, the journalist, the historian and even the novelist paints the fullest picture of an era — Bob Woodward

in the middle of this God-forsaken desert, the government built an oasis. The designers included rolling hills, a small river, walking trails, two small lakes, and dozens of large one and two story buildings that seemed to be part of the environment. And there was grass, lots of bright green grass right there in the middle of the desert. It was synthetic but it looked real and made the place look like a picture on a travel brochure. — Clint Morey

Once you realize that the world is your own projection, you are free of it. You need not free yourself of a world that does not exist, except in your own imagination! However is the picture, beautiful or ugly, you are painting it and you are not bound by it. Realize that there is nobody to force it on you, that it is due to the habit of taking the imaginary to be real. See the imaginary as imaginary and be free of fear. — Sri Nisargadatta Maharaj

It is immature and lazy to imagine we know everything there is to know about someone before we know that someone. We don't know their stories, their histories, their real live human feelings. We don't know their favorite movies and best memories and what makes them afraid. It is unfair to take one fact, one thing they've said or we heard they said, or one thing they wrote, or someone else's experience, or a group they identify with and make a character sketch. If people did that to us, the picture would be so woefully incomplete, we wouldn't even recognize our own description. — Jen Hatmaker

I think you have a pact with an audience in every picture, and I think the pact is to try and be truthful and to be real. — James L. Brooks

In the language of the day it is customary to describe a certain sort of book as "escapist" literature. As I understand it, the adjective implies, a little condescendingly, that the life therein depicted cannot be identified with the real life which the critic knows so well in W.C.1: and may even have the disastrous effect on the reader of taking him happily for a few hours out of his own real life in N.W.8. Why this should be a matter for regret I do not know; nor why realism in a novel is so much admired when realism in a picture is condemned as mere photography; nor, I might add, why drink and fornication should seem to bring the realist closer to real life than, say, golf and gardening. — A.A. Milne

Wouldn't it be nice if we could get rid of hurtful feelings and memories the same way we so easily send a bad picture sailing into our computer's trash can? — Liz Fenton

No matter what. Wherever your mind wanders, it seems to turn up at the same Field of Dreams. It's the vision you wake up with in the morning, and it's the last thing you picture before you fall asleep. Everytime you think of it, the idea in your head seems to get more vivid, filled in with more detail: You not only want to win a gold medal at the Olympics, you not only can see yourself standing there on the podium, but you can also feel the goose bumps as your national anthem is played; the tears are in your eyes. (That's how real a dream can be and should be) — James C. Collins

Whenever Ingrid and I got out of the suburbs, into Berkeley or San Francisco, and saw how other people lived, Ingrid would cry at the smallest of things- a little boy walking home by himself, a discarded cardboard sign saying HUNGRY PLEASE HELP. She would snap a picture, and by the time she lowered her camera, tears would already be falling. I always felt kind of guilty that I didn't feel as sad as she did, but now, watching Dylan, I think that's probably a good thing. I mean, you see a million terrible things every day, on the news and in the paper, and in real life. I'm not saying that it's stupid to feel sad, just that it would be impossible to let everything get to you and still get some sleep at night. — Nina LaCour

In the first place, good people are rarely suspicious; they cannot imagine others doing the things they themselves are incapable of doing; usually they accept the undramatic conclusion as the correct one, and let matters rest there. Then, too, the normal are inclined to view the multiple killer as the as the one who's as monstrous in appearance as he is in mind, which is about as far from the truth as one could well get. He paused and then said that these monsters of real life usually looked and behaved in a more normal manner than their actually normal brothers and sisters: they presented a more convincing picture of virtue than virtue presented of itself - just as the wax rosebud or the plastic peach seemed more perfect to the eye, more what the mind thought a rosebud or a peach should be than the imperfect original from which it had been modeled. — William March

Over the years I have developed a picture of what a human being living humanely is like. She is a person who understand, values and develops her body, finding it beautiful and useful; a person who is real and is willing to take risks, to be creative, to manifest competence, to change when the situation calls for it, and to find ways to accommodate to what is new and different, keeping that part of the old that is still useful and discarding what is not. — Virginia Satir

I am expecting that consumers are going to continue and exert power and influence. The idea of radical transparency is something that few brands are taking advantage of now, and most brands fight it. I'd say that in 10 years the best brands won't be those with the best stories, sort of made up fictional stories, but those that will give an accurate and real time picture of what they are doing in the interest of the consumer, in any given time. — Alex Bogusky

If I'm reading a script, and I'm not buying it, I need to be able to relate to the character on some level, and they need to have more than one dimension. I need to have an idea of what this guy's thinking about when he's taking a shower not on camera. And if I can't picture him taking a shower and getting dressed, then he's not a real person. — Rory Culkin

A man's work reveals him. In social intercourse he gives you the surface that he wishes the world to accept, and you can only gain a true knowledge of him by inferences from little actions, of which he is unconscious, and from fleeting expressions, which cross his face unknown to him. Sometimes people carry to such perfection the mask they have assumed that in due course they actually become the person they seem. But in his book or his picture the real man delivers himself defenceless. His pretentiousness will only expose his vacuity. The lathe painted to look like iron is seen to be but a lathe. No affectation of peculiarity can conceal a commonplace mind. To the acute observer no one can produce the most casual work without disclosing the innermost secrets of the soul. — W. Somerset Maugham

Visualize the conversations your friends have about how they all knew you'd never be able to make it. Imagine having to explain quitting to every single person who knew you were going to BUD/S. You have to face them. You have to live with many of them. Imagine trying to find a way to overcome the shame of failing. How long is it going to take for them to stop thinking of you as a failure, a quitter, a pussy? How long until anyone takes anything you say seriously again? Visualize being sent to a crappy ship, an undesignated Seaman. Imagine, if you will, a life below deck where you spend 18 hours chipping paint and repainting the spot you chipped. Imagine not seeing the sun for days or weeks at a time. This picture is worse than anything in BUD/S. Experience the shame and humiliation of quitting once in your head. Feel how much you hate yourself for giving up on your dream. Then never, ever, ever experience it in real life. — Mark Owens

I've made a picture of the world. It may be right. It may be wrong. But for me it is very real ... — Henry B. Eyring

That was when Angel Wells became a fiction writer, whether he knew it or not. That's when he learned how to make the make-believe matter to him more than real life mattered to him; that's when he learned how to paint a picture that was not real and never would be real, but in order to be believed at all- even on a sunny Indian summer day- it had to be better made and seem more real than real; it had to sound at least possible. — John Irving

In essence, then, the common picture of economic thought after Smith needs to be reversed. In the conventional view, Adam Smith, the towering founder, by his theoretical genius and by the sheer weight of his knowledge of institutional facts, single-handedly created the discipline of political economy as well as the public policy of the free market, and did so out of a jumble of mercantilist fallacies and earlier absurd scholastic notions of a 'just price'. The real story is almost the opposite. Before Smith, centuries of scholastic analysis had developed an excellent value theory and monetary theory, along with corresponding free market and hard-money conclusions. Originally embedded among the scholastics in a systematic framework of property rights and contract law based on natural law theory, economic theory — Anonymous

I remember the special quiet of rainy days
when I felt that I could enter the pages
of my beautiful picture books.
Now I try to recreate that feeling of believing
that the imaginary place I'm drawing really exists.
The detail in my work helps to convince me, and I hope
others as well, that such places might be real. — Jan Brett

You ever watch a football game and get totally into it? Why? It's not a real battle. It's just a game somebody made up. So how can you take it seriously? Or, you ever see a movie that made your heart about jump out of your chest? Or one that made you cry? Why? It wasn't real. You ever look at a photo of food that made your mouth water? Why? You can't eat the picture.
...
Same thing with water towers and God. I don't have to be a believer to be serious about my religion. — Pete Hautman

If so, it is inaccurate to say that the majority 'enjoy bad pictures'. They enjoy the ideas suggested to them by bad pictures. They do not really see the pictures as they are. If they did, they could not live with them. There is a sense in which bad work never is nor can be enjoyed by anyone. The people do not like the bad picture because the faces in them are like those of puppets and there is no real mobility in the lines that are meant to be moving and no energy or grace in the whole design. These faults are simply invisible to them; as the actual face of the Teddy-bear is invisible to an imaginative and warm-hearted child when it is absorbed in its play. It no longer notices that the eyes are only beads. — C.S. Lewis

Be pleased with your real garden, don't persue the perfection of a picture. What you see in a photo lasted only as long as the shutter snap. — Janet Macunovich

I will say without reservations that from my point of view there can be no abstractions. Any shape or area that has not the pulsating concreteness of real flesh and bones, its vulnerability to pleasure or pain is nothing at all. Any picture that does not provide the environment in which the breath of life can be drawn does not interest me. — Mark Rothko

Her gratitude warms my shivering insides. I forget the picture I could have posted and realize that it's a gift. Real life doesn't always need to be posted online. I can remember this moment without a photo. — Janet Gurtler

Real knowing comes up when we stand in the appropriate place. But usually we don't. First we want to understand something according to individual knowledge, prejudice, customs and habits. This means we are standing up in our individual place, not the universal perspective. This egoistic behavior makes it very difficult to see the overall picture. But buddhas and ancestors recommend that we first stand up in the appropriate place. Just stand up, be present in the Universe itself. — Dainin Katagiri

For 'Picture This,' I wanted it to be a drawing book that didn't have any instructions about drawing, beyond the real simple stuff you'd find like in a Bazooka bubblegum wrapper, or in 'Highlights' magazine. I just wanted it to be feelings about looking and seeing and pictures. — Lynda Barry

All religions are branches of one big tree. It doesn't matter what you call Him just as long as you call. Just as cinematic images appear to be real but are only combinations of light and shade, so is the universal variety a delusion. The planetary spheres, with their countless forms of life, are naught but figures in a cosmic motion picture. One's values are profoundly changed when he is finally convinced that creation is only a vast motion picture and that not in, but beyond, lies his own ultimate reality. — George Harrison

I'd see him do things that didn't fit with his face or hands, things like painting a picture at OT with real paints on a blank paper with no lines or numbers anywhere on it to tell him where to paint, or like writing letters to somebody in a beautiful flowing hand. How could a man who looked like him paint pictures or write letters to people, or be upset and worried like I saw him once when he got a letter back? — Ken Kesey

You will always be a puppet on someone else's line if you don't care enough about the big picture to let your tiny voice be heard. When it is combined with the tiny voices of millions of others that is the real power. — Kenneth Eade

To believe in God is to "let God be God." This is the chief business of faith. As we believe we are allowing God to be in our lives what He already is in Himself. In trusting God, we are living out our assumptions, putting into practice all that we say He is in theory so that who God is and what He has done can make the difference in every part of our lives.
This means that the accuracy of our pictures of God is not tested by our orthodoxy or our testimonies but by the truths we count on in real life. It is demonstrated when the heat is on, the chips are down, and reality seems to be breathing down our necks. What we presuppose at such moments is our real picture of God, and this may be very different from what we profess to believe about God. (God in the Dark, ch. 4) — Os Guinness

She has a fine genius for poetry, combined with real business earnestness, and "goes in"
to use an expression of Alfred's
for Woman's mission, Woman's rights, Woman's wrongs, and everything that is woman's with a capital W, or is not and ought to be, or is and ought not to be. "Most praiseworthy, my dear, and Heaven prosper you!" I whispered to her on the first night of my taking leave of her at the Picture-Room door, "but don't overdo it. And in respect of the great necessity there is, my darling, for more employments being within the reach of Woman than our civilisation has as yet assigned to her, don't fly at the unfortunate men, even those men who are at first sight in your way, as if they were the natural oppressors of your sex; for, trust me, Belinda, they do sometimes spend their wages among wives and daughters, sisters, mothers, aunts, and grandmothers; and the play is, really, not ALL Wolf and Red Riding-Hood, but has other parts in it." However, I digress. — Charles Dickens

What if you had never seen the sea before? What if the only thing you'd ever seen was a child's picture - blue crayon, choppy waves? Would you know the real sea if you only knew the picture? Would you be able to recognize the real thing even if you saw it? You don't know what Dionysus looks like. We're talking about God here. God is serious business. — Donna Tartt

I wish I could take back some of the things I said and some of the things I did. But in the bigger picture, I don't feel that it was violent and terrible. I feel like it was primarily
obviously not completely
moral, based on a vision that the government should be better, and that people could be better, and that democracy should be real. — Bernardine Dohrn

[The internet has] already had a huge impact in the sports world, and the play-by-play guys that are not paying attention to it are losing out. They're losing out on getting the real pulse of a game that they're covering. My point with blogs and with podcasts is that it can't be the basis of your prep work, there has to be much more. We understand that. But, it has to be at least a part of what you're doing. If you're not paying attention to it, then you're not seeing the full picture. — Ian Eagle

I will be so glad to take the picture and pose and look good for the picture. But when you catch me while I'm looking real sideways and the picture's ugly as hell, I don't want you to have the picture like that! — Busta Rhymes

Actually, she went off on a tangent, I told her about your mother at one point and she went all (H starts doing a lightly French accent) it is not fair for your friend, she is not going to get the important boredoms and mournings and melancholies that are her due and are owing to her just from being the age that she is, for now it will be interrupted by real mournings and real melancholies, anyway then i thought I'd bring the picture round to get away from her going on about it, then I thought I could ask you if you want to come out to the car park with me. — Ali Smith

The audience looked at him. They felt he had no chance. They could drop the nameless resentment, the sense of insecurity which he aroused in most people. And so, for the first time, they could see him as he was: a man totally innocent of fear. The fear of which they thought was not the normal kind, not a response to a tangible danger, but the chronic, unconfessed fear in which they all lived. They remembered the misery of the moments when, in loneliness, a man thinks of the bright words he could have said, but had not found, and hates those who robbed him of his courage. The misery of knowing how strong and able one is in one's own mind, the radiant picture never to be made real. Dreams? Self-delusion? Or a murdered reality, unborn, killed by that corroding emotion without name - fear - need - dependence - hatred? — Ayn Rand

The Cosmic Director has written His own plays, and assembled the tremendous casts for the pageant of the centuries. From the dark booth of eternity, He pours His creative beam through the films of successive ages, and the pictures are thrown on the screen of space. Just as the motion-picture images appear to be real, but are only combinations of light and shade, so is the universal variety a delusive seeming. The planetary spheres, with their countless forms of life, are naught but figures in a cosmic motion picture, temporarily true to five sense perceptions as the scenes are cast on the screen of man's consciousness by the infinite creative beam. — Paramahansa Yogananda

The Louvre is a good book to consult, but it must only be an intermediary. The real and immense study that must be taken up is the manifold picture of nature. — Paul Cezanne

The main condition for the achievement of love is the overcoming of one's narcissism. The narcissistic orientation is one in which one experiences as real only that which exists within oneself, while the phenomena in the outside world have no reality in themselves, but are experienced only from the viewpoint of their being useful or dangerous to one. The opposite pole to narcissism is objectivity; it is the faculty to see other people and things as they are, objectively, and to be able to separate this objective picture from a picture which is formed by one's desires and fears. — Erich Fromm

When Earth's last picture is painted And the tubes are twisted and dried When the oldest colors have faded
And the youngest critic has died
We shall rest, and faith, we shall need it
Lie down for an aeon or two
'Till the Master of all good workmen Shall put us to work anew
And those that were good shall be happy They'll sit in a golden chair
They'll splash at a ten league canvas With brushes of comet's hair
They'll find real saints to draw from Magdalene, Peter, and Paul
They'll work for an age at a sitting And never be tired at all.
And only the Master shall praise us. And only the Master shall blame.
And no one will work for the money.
No one will work for the fame.
But each for the joy of the working, And each, in his separate star,
Will draw the thing as he sees it.
For the God of things as they are! — Rudyard Kipling