Bad Language Quotes & Sayings

Bad people? What kind of bad people? Members of the Church of Satan? Insurance salesmen? People who don't speak English? — Wayne Gerard Trotman

When I meet a cat, I say, "Poor Pussy!" and stop down and tickle the side of its head; and the cat sticks up its tail in a rigid, cast-iron manner, arches its back, and wipes its nose up against my trousers; and all is gentleness and peace. When Montmorency meets a cat, the whole street knows about it; and there is enough bad language wasted in ten seconds to last an ordinarily respectable man all his life, with care. — Jerome K. Jerome

. And it especially cannot endure when powerful groups in that society seek at every turn to undermine and destroy its very being. The threats to democracy are not always from enemies abroad. They can come from those within who espouse the language of democracy and use the liberties afforded them by democratic institutions to undermine the substance of democracy. Weimar cautions us to be wary of those people as well. What comes next can be very bad, even worse than imaginable. — Eric D. Weitz

A poem is a form of refrigeration that stops language going bad. — Peter Porter

This language is from the head. It is a way of mentally classifying people into varying shades of good and bad, right and wrong. Ultimately, it provokes defensiveness, resistance, and counterattack. It is a language of demands. — Marshall B. Rosenberg

Grammar and ordinary language are bad guides to metaphysics. A great book might be written showing the influence of syntax on philosophy. — Bertrand Russell

One sacrifice has to be made: never use harsh or rude language. Foul language you can use; foul language doesn't hurt. Foul language is forgivable (though it is bad). But rude language cannot be forgiven. — Harbhajan Singh Yogi

A mature society is one that reserves its moral outrage for what really matters: poverty and preventable diseases in the third world, arms sales, oppression, injustice. Bad language and sex might offend some, who certainly have a right to complain; but they do not have a right to censor. They do not have to watch or listen if they are offended: they have an 'off' button on their television sets and radios. After all, it is morally outrageous that moral outrage should be used as an excuse to perpetrate the outrage of censorship on others. — A.C. Grayling

Guys get a bad rap for not wanting to talk about their feelings but maybe women are in part to blame for that. One thing that I learned from working with people where English was not their first language was this: just because they don't speak your language doesn't mean that they're dumb. Maybe we just need to talk more slowly, use simpler words and have lots more patience. — Dermot Davis

Any translation which intends to perform a transmitting function cannot transmit anything but information-hence, something inessential. This is the hallmark of bad translations. — Walter Benjamin

Certain things were deemed to be offensive. It was usually bad language. — Timothy West

One of the reasons they [the Japanese] have bad eyesight is probably these microscopic characters [furigana] which have many lines and strokes to them.& We wonder why they went mad and bombed Pearl Harbor when they knew they couldn't win. That [the Japanese language] would be a reason. — L. Ron Hubbard

My name is Nathan, just twenty-three and given to the curation of stories. I listen, retain, then polish and release them over the fire at night, when the others hush and lean forward in their desire to hear of the past. They crave romance, particularly when autumn sets in and cold nights await them, and so I speak of Alice, and Bethany, and Sarah, and Val, and other dead women who all once had lustrous hair and never a bad word on their plump lips. I can remember this is not how they were; I knew them, I knew them! Only six years have passed and yet I mythologize them as if it is six thousand. I am not culpable. Language is changing, like the earth, like the sea. We live in lonely, fateful flux, outnumbered and outgrown. — Aliya Whiteley

The whole problem with this idea of obscenity and indecency, and all of these things - bad language and whatever - it's all caused by one basic thing, and that is: religious superstition. — George Carlin

Bad language or abuse, I never, never use, Whatever the emergency; Though 'Bother it' I may Occasionally say, I never use a big, big D : What, never? : No, never! : What never? : Well, hardly ever! : Hardly ever swears a big, big D Then give three cheers, and one cheer more, For the well-bred Captain of the Pinafore! — Walter Raleigh

Guy was saying, "What the hell is it about you that attracts murder and mayhem?"
"Something in my body language?"
He groaned. "That was bad - even for you. — Josh Lanyon

Well, the movie isn't bad. For a while, I even told myself I liked it, even as it missed one mark after another. But in the end, it's shapeless and blandly apolitical, apart from its watered-down feminism. You see, Fey's Kim Baker - changed from Barker - transforms herself from a neophyte reporter, condescended to by male war correspondents, soldiers and Afghan officials, into a hard-charging political animal who speaks the language fluently and parties as hard as men. That's about as edgy as a sitcom. — David Edelstein

3. There is a good scared and a bad scared. Try to learn the difference. The wrong kind of fear will feel like driving into a storm, stepping onto a boat and feeling it begin to sink, knowing you don't have a life jacket. If that's what you feel, something needs to change. But the right kind of fear is more like meeting a friend of a friend you've been told you would love, or visiting a new country you don't know well- you might not understand the language, but you still want to learn. Good scared means you're growing. Know the difference. 4. — Elizabeth McNamara

It's not all bad. Heightened self-consciousness, apartness, an inability to join in, physical shame and self-loathing - they are not all bad. Those devils have been my angels. Without them I would never have disappeared into language, literature, the mind, laughter and all the mad intensities that made and unmade me. — Stephen Fry

A mind can be overthrown by words; that's the point. What is happening to the brain of a person who uses the passive, who writes, 'Delay should not be allowed to take place' instead of 'Hurry'? The user of the passive verb doesn't want a universe in which responsible agents do their acts. You see? Bad language ultimately is IMMORAL. — Richard Mitchell

Language! And yes, crap is a bad word! — Brian P. Gallagher

It's easy to look back and say if things had been perfect, I could have accommodated all of those things into my life. But as a therapist I do not allow that word to be uttered in my office after the first session, because I believe the only reason for the existence of that word is to make us feel bad. It's the only word in the language (that I know of) that is defined in common usage by what can't be. It sets a vague standard that can't be met because it is never truly characterized. I prefer to think that we're all out here doing our best under the circumstances, looking at our world through the only eyes through which we can look at it: our own. — Chris Crutcher

Because we're framily. You know, I love you, you love me? Like Barney only with bad language. — Dakota Cassidy

I learned a long time ago that you don't have to go around using bad language and trying to hurt people to show how macho you are. That stuff won't get you anywhere, it just shows lack of vocabulary and character. — Bobby Bowden

Charming. Charming language. Same as your father. Bad language and hating budgies go together. — Louis Nowra

Things had changed between them nevertheless. They were children of a time and culture which mistrusted love, 'in love', romantic love, romance in toto, and which nevertheless in revenge proliferated sexual language, linguistic sexuality, analysis, dissection, deconstruction, exposure. They were theoretically knowing: they knew about phallocracy and penisneid, punctuation, puncturing and penetration, about polymorphous and polysemous perversity, orality, good and bad breasts, clitoral tumescence, vesicle persecution, the fluids, the solids, the metaphors for these, the systems of desire and damage, infantile greed and oppression and transgression, the iconography of the cervix and the imagery of the expanding and contracting Body, desired, attacked, consumed, feared. — A.S. Byatt

When you're five years old, and you're running a business that people did not think there was room for, getting attention is not a bad thing. Letting it be known by whatever colorful language is necessary is not a bad thing. — Brit Hume

Language guardians have often blamed linguists as defenders of bad language: moral and cultural relativism is often tossed in at no extra charge. We as a profession are supposedly promoting the idea that anything goes in grammar... But no, we have never said anything goes in grammar. (...) When it comes to the proper use of language, universal grammar is the ultimate authority. It is not about what rules are deemed reasonable or popular; it is about what rules are true. And one sign for a true rule is that it appears in young children, long before they are polluted by dubious grammatical advice. — Charles Yang

Warning: This book contains graphic language, sex, lies, intrigue, clowns, kleptomania, anal sex, oral sex, mutual masturbation, bad driving, good cooking, and the missing head of a Justin Timberlake statue. Not for the sour of disposition. — L.B. Gregg

The bad guys are the fun guys. The only people I have trouble with are the so-called normal types. Their language isn't very colorful, and they don't talk with any certain sound. — Elmore Leonard

The problem with the word "vagina" is that vaginas seem to be just straight-out bad luck. Only a masochist would want one, because only awful things happen to them. Vaginas get torn. Vaginas get "examined.".. No. Let's clear this up right now - I don't actually have a vagina. I never have. I, personally, have a cunt. Cunt is a proper, old, historic, strong word, and it doubles up as the most potent swear word in the English language. Yeah. That's how powerful it is, guys. If I tell you what I've got down there, old ladies and clerics might faint. I like how shocked people are when you say "cunt." Compared to this, the most powerful swear word men have got out of their privates is "dick," which is frankly vanilla. In a culture where nearly everything female is still seen as squeam-inducing and/or weak - menstruation, menopause, just the sheer, simple act of calling someone "a girl" - I love that "cunt" stands on its own, as the supreme, unvanquishable word. — Caitlin Moran

So is language change progress or degeneration? It is neither, of course. To assert that language change is for the better or worse requires some measure of what "good" or "bad" language is, and the issue of language change needn't come into question here. But no coherent criterion has ever been given: upon examination, the pronouncements of the self-appointed pundits are always a mix of cultural biases, half-understandings of languages, and an obvious compulsion for telling people what to do. — Charles Yang

I'm not one of those "omg texting kids rite bad" alarmists. I just think there's an interesting nexus where the Internet itself hastened language change when it comes to Internet terms. — Bill Walsh

The Greeks distinguished between good and bad behavior, language that enhanced or diminished persons. Being intoxicated with scientism, we fail to recognize that the seemingly technical terms used to identify psychiatric illnesses and interventions are simply dyphemisms and euphemisms. — Thomas Szasz

He left Chainsaw behind, much to her irritation. Ronan didn't want her to learn any bad language. — Maggie Stiefvater

...grown up with very bad contemporary literature, and they find it much more fifficult to approach earlier writing than we do. The more we have known of the really good things, the more insipid the thin lemonade of later literature becomes, sometimes almost to the point of making us sick. Do you know a work of literature written in the last, say, fifteen years that you think has any lasting quality? I don't. It is partly idle chatter, partly propaganda, partly self-pitying sentimentality, but there is no insight, no ideas, no clarity, no substance and almost always the language is bad and constrained. — Dietrich Bonhoeffer

The policy or advantage of [immigration] taking place in a body (I mean the settling of them in a body) may be much questioned; for, by so doing, they retain the language, habits, and principles (good or bad) which they bring with them. Whereas by an intermixture with our people, they, or their descendants, get assimilated to our customs, measures, and laws: in a word, soon become one people. — George Washington

The problem may be a literary one: we are given a single story line about what makes a good life, even though not a few who follow that story line have bad lives. We speak as though there is one good plot with one happy outcome, while the myriad forms a life can take flower - and wither - all around us.
Even those who live out the best version of the familiar story line might not find happiness as their reward. This is not necessarily a bad thing. I know a woman who was lovingly married for seventy years. She has had a long, meaningful life that she has lived according to her principles. But I wouldn't call her happy; her compassion for the vulnerable and concern for the future have given her a despondent worldview. What she has had instead of happiness requires better language to describe. There are entirely different criteria for a good life that might matter more to a person - honor, meaning, depth, engagement, hope. — Rebecca Solnit

Seriously, I do not know what to say of this book [ Absalom, Absalom!] except that it seem to point to the final blowup of what was once a remarkable, if minor, talent ... this is a penny dreadful tricked up in fancy language and given a specious depth by the expert manipulation of a series of eccentric technical tricks. The characters have no magnitude and no meaning because they have no more reality than a mince-pie nightmare. — Clifton Fadiman

There are good books, indifferent books, and bad books. Amongst the good books some are honest, inspiring, moving, prophetic and improving. But in my language there is another category: there are Ah! Books. This is one of them. Ah! Books are those which induce a fundamental change in the reader's consciousness. They widen his sensibility in such a way that he is able to look upon familiar things as though he is seeing and understanding them for the first time. Ah! Books are galvanic. They touch the nerve centre of the whole being so that the reader receives an almost palpable physical shock. A tremor of excited perception ripples through the person. — Vernon Sproxton

most obvious application of functions is defining new vocabulary. Creating new words in regular, human-language prose is usually bad style. But in programming, it is indispensable. — Marijn Haverbeke

You stand with the least likely to succeed until success is succeeded by something more valuable: kinship. You stand with the belligerent, the surly and the badly behaved until bad behavior is recognized for the language it is: the vocabulary of the deeply wounded and of those whose burdens are more than they can bear. — Greg Boyle

We humans have known since time immemorial something that science is only now discovering: our gut feeling is responsible in no small measure for how we feel. We are "scared shitless" or we can be "shitting ourselves" with fear. If we don't manage to complete a job, we can't get our "ass in gear." We "swallow" our disappointment and need time to "digest" a defeat. A nasty comment leaves a "bad taste in our mouth." When we fall in love, we get "butterflies in our stomach." Our self is created in our head and our gut - no longer just in language, but increasingly also in the lab. — Giulia Enders

What can you say about pain?
Words can trace only the shadow of the thing itself. The reality of hard, sharp physical pain is like nothing else, and it is beyond language. The world is too much with us, day and night, but when we hurt, when we really hurt, the world melts and fades and becomes a ghost, a dim memory, a silly unimportant thing. Whatever ideals, dreams, loves, fears, and thoughts we might have had become ultimately unimportant. We are alone with our pain, it is the only force in the cosmos, the only thing of substance, the only thing that matters, and if the pain is bad enough and lasts long enough, if it is the sort of agony that goes on and on, then all the things that are our humanity melt before it and the proud sophisticated computer that is the human brain becomes capable of but a single thought:
Make it stop, make it STOP! (from The Glass Flower) — George R R Martin

I think there are so many ways to become interested in music. I believe signs of sustained interest gives a sense of the right time. Music, if thought of as a language, would perhaps indicate that as early as possible is not so bad. I do believe that a really nurturing first teacher that makes the child love something is crucial. — Yo-Yo Ma

We all have struggle in our lives. We're all searching for personal freedom, whether we're in a bad place or trying to be true to ourselves. — Barbara Becker Holstein

Vulgarism in language is the distinguishing characteristic of bad company, and a bad education. A man of fashion avoids nothing with more care than that. Proverbial expressions, and trite sayings, are the flowers of the rhetoric of vulgar man. — Lord Chesterfield

Conversation is a traffick; and if you enter into it, without some stock of knowledge, to ballance the account perpetually betwixtyou,
the trade drops at once: and this is the reasonwhy travellers have so little [good] conversation with natives,
owing to their [the natives'] suspicionthat there is nothing to be extracted from the conversationworth the trouble of their bad language. — Laurence Sterne

We say 'Thank you very much' and 'I so appreciate what you have done' to people who fill our grocery bags, to people who offer us a ride across town. What are the words to say to someone who gave you back your life, who believed that you still had a soul, who acknowledged how bad it was possible to feel? Shouldn't there be another language for this? Different words altogether? And if I use the same old words, did I change what I was trying to say? Did I make it a same old thing? — Laura McBride

They're both about the correct or proper way to do something. There is a correct and proper way to use words and there is a correct and proper way to behave with other people. And I behaved improperly with John and feel bad, so I compensate by obsessing with language, which is easier to control than behavior. — Peter Cameron

Parks is on his knees now, a few feet to Justineau's left. He's working the crank to open the door. But it's not opening, even though he's encouraging it with a continuous stream of bad language. Caldwell must have disabled the emergency access. Melanie — M.R. Carey

Abraham, a simple farmer, at a word from the Invisible God, marched, with family and stock, through the terrible desert to a distant land to live among a people whose language he could neither speak nor understand! Not bad, that! — Charles Studd

There's no bad writing; you did something. I was operating inside language, and I did something. I'm not ashamed of it. — Aleksandar Hemon

Bad and cruel as our people were treated by the whites, not one of them
was hurt or molested by our band. ( ... )
The whites were complaining at the same time that we were intruding upon
their rights. They made it appear that they were the injured party, and
we the intruders. They called loudly to the great war chief to protect
their property.
How smooth must be the language of the whites, when they can make right
look like wrong, and wrong like right. — Black Hawk

When this war is over, the Japanese language will be spoken only in hell! — William Halsey

Yes, but bad language is bound to make in addition bad government, whereas good language is not bound to make bad government. That again is clear Confucius: if the orders aren't clear they can't be carried out. Lloyd George's laws were such a mess, the lawyers never knew what they meant. And Talleyrand proclaimed that they changed the meaning of words between one conference and another. The means of communication breaks down, and that of course is what we are suffering now. We are enduring the drive to work on the subconscious without appealing to the reason. They repeat a trade name with the music a few times, and then repeat the music without it so that the music will give you the name. I think of the assault. We suffer from the use of language to conceal thought and to withhold all vital and direct answers. There is the definite use of propaganda, forensic language, merely to conceal and mislead. — Ezra Pound

Thou shalt not use the 140 characters limit as an excuse for bad grammar and/or incorrect spelling. — Mokokoma Mokhonoana

As a poet there is something about joy I find hard to express, whereas every other emotion is rather simple. For instance, you never feel so bad that you can't describe how bad you feel, but joy on the other hand is far too divine for human language. — Criss Jami

Life doesn't exist inside language: too bad for me. — Kathy Acker

All these years there had been a Tupperware container of bad language in her head, and now she opened it and all those crisp, crunchy words were fresh and lovely, ready to be used. — Liane Moriarty

We use so much bad language that it forms a barrier between ourselves and the truth. — Tom Robbins

So, to do right by a Gothic tale, let's be frank, requires that the author be a militant romantic who relates the action of his narratives in dreamy and more than usually emotive language. Hence, the well-known grandiose rhetoric of the Gothic tale, which may be understood by the sympathetic reader as not just an inflatable raft on which the imagination floats at its leisure upon waves of bombast, but also as the sails of the Gothic artist's soul filling up with the winds of ecstatic hysteria. So it's hard to tell someone how to write the Gothic tale, since one really has to be born to the task. Too bad. — Thomas Ligotti

More good code has been written in languages denounced as "bad' than in languages proclaimed "wonderful' - much more. — Bjarne Stroustrup

Each stage of development, remember, has a dialectic of progress
in plain language, every new development is good news, bad news. — Ken Wilber

With today's movies, if we took out all the bad language, we'd go back to silent films. — Bob Hope

I remember the astonishment I felt when I first read Shakespeare. I expected to receive a powerful esthetic pleasure, but having read, one after the other, works regarded as his best: "King Lear," "Romeo and Juliet," "Hamlet" and "Macbeth," not only did I feel no delight, but I felt an irresistible repulsion and tedium ... Shakespeare can not be recognized either as a great genius, or even as an average author ... far from being the height of perfection, [King Lear] is a very bad, carelessly composed production, ... can not evoke among us anything but aversion and weariness ... All his characters speak, not their own, but always one and the same Shakespearian, pretentious, and unnatural language ... — Leo Tolstoy

Now, part of the problem with the climate debate is that so much gas board language like that [the IPCC's language] has been used and there's been too little plain, scientific, and economic thinking. And so, the entire political class has been captured by an idea, which as always with the best bad ideas has a grain of truth in it, which is then exaggerated beyond all reason. This has happened before - one thinks of the Dreyfus case, for instance. — Christopher Monckton, 3rd Viscount Monckton Of Brenchley

The llama was wearing a bridle with a rope attached where you might expect to find reins. A greeting card was hanging from his neck:
'Hola Como se llama? Yo me llamo C. Llama.'
During his preschool years, Clay's favorite cartoon had featured a Spanish-speaking boy naturalist who was always saving animals with his girl cousin, and Clay still knew enough of the language to translate:
'Hello. How do you call yourself? I call myself Como C. Llama.'
The llama's name is What is your name? — Pseudonymous Bosch

I think the best writers use the language they use every day when they talk to friends. When we talk to each other, we tend to talk in short grabs rather than in long flowing sentences. I think that's not a bad way to write. — Morris Gleitzman

Leave No Trace (bad language)
Sometimes she will speak of him as present, sometimes as past, and sometimes as always. That is how it should be. No one needs rescuing from her own story of the truth and no one needs to side step her history. p270 — Hannah Nyala

Bad writing is bad not just because the language is humdrum, but the quality of the observation is so poor. — Christopher Isherwood

The bad preacher takes the ideas of our own age and tricks them out into the traditional language of Christianity. The core of his thought is merely contemporary; only the superficies is traditional. But your teaching must be timeless at its heart and wear modern dress. — C.S. Lewis

You stick a bunch of drunken murderers together, ain't long before some turn to thieving, then to lying, then to bad language, and pretty soon to sobriety, raising families and making an honest living. — Joe Abercrombie

Good writing arises out of obsession. With obsession there is emotional depth and a certain weight and gravity to the language and story. Without obsession I would be empty, and, literally, I wonder if I would even have any substance. The body is like a cathedral, and the cathedral needs music and prayer filling its grand spaces. Obsession turning over and over within the body creates music, prayer, substance that, although providing the depth, weight, and gravity I first evoked, also allows for lyricism, lightness, and flight up into the various arches and ellipses of the cathedral. Obsession is filled with slowness - and so obsession in my writing, for good or bad, doesn't come about because of an immediate intellectual idea or problem, nor a quick flash of inspiration. There's this slow energy at work, and I begin to become a part of that when I'm very close to silence. — Fred Arroyo

As the carriage bumped her bones along the dark country lanes, Martha decided that if she ever got back to her own time she would write a book called 'Travel in the Edwardian Era. It would be a short book - OUCH in capital letters followed by fifty pages of bad language. — Stephen Cole

This is what happens when the discourse of publishing, defined and driven by spoken and written language, is talked about in exactly the same vocabulary and syntax as any widgetmaking industry. Books are reformulated as 'product' - like screwdrivers or flea-bombs or soap - and the majority of writers are perceived as typists with bad attitudes. — Suzette Haden Elgin

To use strong language, she thought, was a sign of bad temper and lack of concern for others. Such people were not clever or bold simply because they used such language; each time they opened their mouths they proclaimed I am a person who is poor in words. — Alexander McCall Smith

It is a bad sign when the people of a country stop identifying themselves with the country and start identifying with a group. A racial group. Or a religion. Or a language. Anything, as long as it isn't the whole population. — Robert A. Heinlein

Swiftboating enters the English language as a verb that means attacking strength instead of weakness. In feminist and other social justice contexts, this has long been called trashing, attacking leaders for daring to write, speak, or lead at all. Taking away the good is even more lethal than pointing out the bad. p.189 — Gloria Steinem

People who cannot distinguish between good and bad language, or who regard the distinction as unimportant, are unlikely to think carefully about anything else. — B.R. Myers

Bad writers are those who try to express their own feeble ideas in the language of good ones. — Georg C. Lichtenberg

There is absolutely nothing feminine about the colour pink, or, anything bad-luck'ish about the colour black - in itself. — Mokokoma Mokhonoana

He's bad at words, but he's still talking to us. We just have to learn his language. — Kit Rocha

Despite my wretched command of the Spanish language, I understand sexo. But even if I were in the mood to, y'know, cheat on my wife and illegally solicit cheap sex from a New Wave midget in a pitch-black alleyway in the murder capitol of the goddamn world, this winsome lass wouldn't be my first choice. She looks like eight miles of bad road, stuffed into four and a half feet of permanent intravenous antibiotic regimen. — Joshua Ellis

She cleared her throat but still her voice came out much too huskily. "Are you all right? I didn't see you there. I didn't mean to kick you."
He was looking at her, examining her, and he smiled crookedly. "You look good in the morning, Al."
Her hair was stringy, her eyes were tired and puffy, and she had on absolutely no makeup. "I look like hell."
"Whoa, that's pretty harsh language for you."
"You look like hell, too."
"Hell is an improvement for me," he told her. "In fact, I consider it a compliment. See, shit's my usual look. On really bad days, I look like total shit. So, yeah, hell is a big step up for me." His smile made his eyes crinkle. "So, thank you very much."
Alessandra couldn't keep from smiling back. — Suzanne Brockmann

One of the surest tests of the superiority or inferiority of a poet is the way in which a poet borrows. Immature poets imitate mature poets steal bad poets deface what they take and good poets make it into something better or at least something different. The good poet welds his theft into a whole of feeling which is unique utterly different than that from which it is torn the bad poet throws it into something which has no cohesion. A good poet will usually borrow from authors remote in time or alien in language or diverse in interest. — T. S. Eliot

Who needed the relief of occasional bad language more than a mother of small children? Maybe — Diana Gabaldon

My dear friend, clear your mind of cant [excessive thought]. You may talk as other people do: you may say to a man, "Sir, I am your most humble servant." You are not his most humble servant. You may say, "These are bad times; it is a melancholy thing to be reserved to such times." You don't mind the times ... You may talk in this manner; it is a mode of talking in Society; but don't think foolishly. — Samuel Johnson

To be "bad" is good not simply because it subverts the language of the dominant white culture but also because it imposes a unique kind of order for young black men on their own distinctive chaos and solicits an attention that makes others pull back with some trepidation. This young black male style is a form of self-identification and resistance in a hostile culture; it also is an instance of machismo identity ready for violent encounters. — Cornel West

Learning grammar can be viewed as a game that a little boy plays with his father. Daddy talks, the boy listens - perhaps disobeys - and Daddy talks some more. All the while the boy is trying to figure out the grammar that can generate the sentences in Daddy's speech. The boy might occasionally talk back, but there is no guarantee that Daddy will pay any attention. Not that he is a bad father: recall from Chapter 5 that in some cultures, adults do not interact with children until they are socially and linguistically adept. To fully understand the game of language learning, then, Daddy can be assumed only as a rather passive participant. The goal of the game is to learn Daddy's grammar within some finite amount of time: nobody learns forever. — Charles Yang

Education is neither writing on a blank slate nor allowing the child's nobility to come into flower. Rather, education is a technology that tries to make up for what the human mind is innately bad at. Children don't have to go to school to learn to walk, talk, recognize objects, or remember the personalities of their friends, even though these tasks are much harder than reading, adding, or remembering dates in history. They do have to go to school to learn written language, arithmetic, and science, because those bodies of knowledge and skill were invented too recently for any species-wide knack for them to have evolved. — Steven Pinker

Flippancy. A laughing matter. It's like with funerals. They are, first and foremost, expected to be fun. There is laughter and drinking and bad language. To keep the whole thing from being too bourgeois. A bourgeois funeral is an artist's worst nightmare. — Herman Koch

Most programming languages contain good parts and bad parts. I discovered that I could be better programmer by using only the good parts and avoiding the bad parts. — Douglas Crockford

To the American, English writers are like prim spinsters fidgeting with the china, punctilious about good taste, and inwardly full of thwarted, tepid and perverse passions.
We see the Americans as gushing adolescents, repetitive and slangy, rather nasty sometimes in their zest for violence and bad language. — Evelyn Waugh

[Referring to passage by Alice Munro] Finally, the passage contradicts a form of bad advice often given young writers
namely, that the job of the author is to show, not tell. Needless to say, many great novelists combine "dramatic" showing with long sections of the flat-out authorial narration that is, I guess, what is meant by telling. And the warning against telling leads to a confusion that causes novice writers to think that everything should be acted out
don't tell us a character is happy, show us how she screams "yay" and jumps up and down for joy
when in fact the responsibility of showing should be assumed by the energetic and specific use of language. — Francine Prose

By the way, leafing through my dictionary I am struck by the poverty of language when it comes to naming or describing badness. Evil, wickedness, mischief, these words imply an agency, the conscious or at least active doing of wrong. They do not signify the bad in its inert, neutral, self-sustaining state. Then there are the adjectives: dreadful, heinous, execrable, vile, and so on. They are not so much as descriptive as judgmental. They carry a weight of censure mingled with fear. Is this not a queer state of affairs? It makes me wonder. I ask myself if perhaps the thing itself - badness - does not exist at all, if these strangely vague and imprecise words are only a kind of ruse, a kind of elaborate cover for the fact that nothing is there. Or perhaps words are an attempt to make it be there? Or, again, perhaps there is something, but the words invented it. Such considerations make me feel dizzy, as if a hole had opened briefly in the world. — John Banville

If thought corrupts language, language can also corrupt thought. A bad usage can spread by tradition and imitation even among people who should and do know better. — George Orwell

On the one hand, there is no question that English - frequently bad English - has become the universal language of scholarship. It is clearly a tremendous handicap for people outside of the United States, Britain, and Australia and a few other countries because few of them are native speakers, but we demand that they present and publish in English. — Henry Rosovsky

Older boys often asked me to teach them "some bad words in your language". At first I politely refused. My refusal merely increased their determination, so I solved the problem by teaching them phrases like 'man kharam' which means "I'm an idiot". I told them that what I was teaching them was so nasty that they would have to promise never to repeat it to anyone. They would then spend all of recess running around yelling "I'm an idiot! I'm an idiot!". I never told them the truth. I figured someday, somebody would — Firoozeh Dumas

Bloody North," said Shev as she picked her way towards it and had a tentative drag at the ropes. "Even their bridges are shit."
"Their men are good," said Javre, clattering out with no fear whatsoever. "Far from subtle, but enthusiastic."
"Great," said Shev as she edged after, exchanging a mutually suspicious glance with a crow perched atop one of the posts. "Men. The one thing that interests me not at all."
"You should try them."
"I did. Once. Bloody useless. Like trying to have a conversation with someone who doesn't even speak your language, let alone understand the topic."
"Some are certainly more horizontally fluent than others."
"No. Just no. The hairiness, and the lumpiness, and the great big fumbling fingers and ... balls. I mean, balls. What's that about? That is one singularly unattractive piece of anatomy. That is just ... that is bad design, is what that is. — Joe Abercrombie