Bad Fiction Quotes & Sayings

Remember William Blake who said: "Improvement makes straight, straight roads, but the crooked roads without improvement are roads of genius."
The truth is, life itself, is always startling, strange, unexpected. But when the truth is told about it everybody knows at once that it is life itself and not made up.
But in ordinary fiction, movies, etc, everything is smoothed out to seem plausible
villains made bad, heroes splendid, heroines glamorous, and so on, so that no one believes a word — Brenda Ueland

I think science fiction is very bad at prediction. — China Mieville

I love you when you're happy.
I love you when you're sad.
I love you if you're angry,
And I love you if you're bad.
No matter how you feel,
I love you all the time.
Oh my sweet, dear baby,
I love you all the time. — Carla J. Hanna

I think that pretty much every form of fiction (I'd include fantasy, obviously) can actually be a real escape from places where you feel bad, and from bad places. It can be a safe place you go, like going on holiday, and it can be somewhere that, while you've escaped, actually teaches you things you need to know when you go back, that gives you knowledge and armour and tools to change the bad place you were in.
So no, they're not escapist. They're escape. — Neil Gaiman

It remains a mystery to me why some of that [pulp] fiction should be judged inferior to the rafts and rafts of bad social [literary] fiction which continues to be treated by literary editors as if it were somehow superior, or at least worthier of our attention. The careerist literary imperialism of the Bloomsbury years did a lot to produce fiction's present unseemly polarities. — Michael Moorcock

I reckon it's true what they say that good begets good and bad begets bad. The evil men do lives on after them, but what good they done gets buried with their bones. — Lisa Kaye Presley

And if I'm guilty of having gratuitous sex, then I'm also guilty of having gratuitous violence, and gratuitous feasting, and gratuitous description of clothes, and gratuitous heraldry, because very little of this is necessary to advance the plot. But my philosophy is that plot advancement is not what the experience of reading fiction is about. If all we care about is advancing the plot, why read novels? We can just read Cliffs Notes.
A novel for me is an immersive experience where I feel as if I have lived it and that I've tasted the food and experienced the sex and experienced the terror of battle. So I want all of the detail, all of the sensory things - whether it's a good experience, or a bad experience, I want to put the reader through it. To that mind, detail is necessary, showing not telling is necessary, and nothing is gratuitous. — George R R Martin

Two avenues of approach to these rewards lie open to the ambitious fictioneer. On the one hand, he may throw all intelligible standards of merit to the winds, and devote himself to manufacturing new stories that are frankly bad, trusting to the fact that nine persons out of ten are utterly devoid of esthetic sense and hence unable to tell the bad from the good. And on the other hand, he may take stories, or parts of stories that have been told before, or that, in themselves, are scarcely worth the telling, and so encrust them with the ornaments of wit, of shrewd observation, of human sympathy and of style
in brief, so develop them
that readers of good taste will forget the unsoundness of the material in admiration of the ingenious and workmanlike way in which it is handled. — H.L. Mencken

It is perhaps not the Church and all that it stands for that some fear so, but instead the demons of humanity that lurk within, tainting its Holy walls with their evil and their lust and their malice.

And what if that window into our own souls wasn't just to show us our reflections, the good and bad of who we are, but instead the reflection of the whole world around us, and how we see that, in all its entirety of good and evil. — Ross Turner

Behind the door was where bad things happen. No matter how many blankets I used or extra pairs of panties I wore. None of it mattered. The monster always came. His face obscured in the shadows, partially hidden behind the cloak rack. Hot breath breathing over my face as soon as I closed my eyes. — Hannah Baston

He told himself she wasn't really such a bad person, she was just a pest, she was sticky, there was something misplaced in her make-up, something that kept her from fading clear of people when they wanted to be in the clear. — David Goodis

fiction, no matter the form, allows you to live a thousand meaningful experiences and relationships that you could never have in real life. Getting invested in a fictional world means you have a wonderful imagination, a big heart, and the capacity for endless creativity. No one can say anything bad about that. — Sam Maggs

There seldom is a single wave. Another way to look at it is, 'when it rains, it pours.' Good luck or bad luck often followed by more of the same. Whatever path you begin, it's almost impossible to change your direction. You're sent hurtling through space, crashing through experiences decided by the first few decisions you ever made. Binary choices set against something as simple as a yes or no in your earliest stages of development. As a Future Child, that would be your primitive choices in Genus. Actions, friendships, whether to smile in one moment or frown in the next. Those are all paths that, once set upon, are entirely unchangeable. At least, that's what I was designed to think. — Brandon R. Chinn

After a moment, Wrath turned to John. "This is Lassiter, the fallen angel. One of the last times he was here on earth, there was a plague in central Europe-"
"Okay, that was so not my fault-"
"-which wiped out two-thirds of the human population."
"I'd like to remind you that you don't like humans."
"They smell bad when they're dead."
"All you mortal types do. — J.R. Ward

The test of any good fiction is that you should care something for the characters; the good to succeed, the bad to fail. The trouble with most fiction is that you want them all to land in hell together, as quickly as possible. — Mark Twain

Given that most movies are bad, and that there are whole categories and sub-categories of badness - the sequel, the Madonna Movie, the Friday 13th Series, or Movies Starring John Travolta Before Pulp Fiction - it is almost impossible to choose a single film for worst movie of all time. But strangely, I do have a nomination and I believe it is actually the worst movie ever made. It is Boxing Helena. The director is David Lynch's daughter, and the film comes with the almost insane-making faults that the family connection might imply. — Andrew O'Hagan

Be careful who you choose as your friends because their bad habits can become your bad habits. Choose wisely ... we all have a choice in life. — Mimi Jenkins

I think I was shown Pulp Fiction and Goodfellas at seven or eight. That's really bad. I think I've turned out all right; it didn't harm me too much. — Ed Speleers

I like fiction that deals with matters that are of burning importance to us in our private lives. And not all short stories are like that. In general, short stories - and maybe this is a little bit off-topic - but I think short stories have this bad association with, like, waiting rooms. — Lorin Stein

Diana Wynne Jones' excellent book 'The Tough Guide to Fantasyland' is a compendium of the sort of lazy writing that has given fantasy fiction - especially the sub-section that features elves and dwarves and other Tolkienesque elements - a bad name. — Jane Lindskold

Does bad luck come in 3's...or is it multiples of 3? — Tara Ford

Everyone knows, at some level, that the sharp line between "good weather" and "bad weather" is a fiction, that we need rain as surely as we need sun. — Bill McKibben

I believe that whenever you do something right it gives you a little bit of weight so that you come to feel rooted to this earth more solid, secure. Now what scares me is, well sometimes out of nowhere a bad wind blows up. It could be cancer, could be drink, could be some woman who don't belong to you. And despite the weight holding you to the ground, when that wind comes, it picks you up light as a leaf and takes you where it wants. Were in control until were not. Then were helpless. — Truman Capote

I circled among the narrow, San Franciscan streets of Mt. Adams until night fell, then dropped down St. Martin's to Paradrome and up to Ida, where I parked beneath an arching willow some three houses down from Tray Leach's home. I'd bought five styrofoam cups full of coffee at a little grocery on St. Regis, and, as I sat there watching the western sky go purple and then deep blue, I flipped the plastic lid off one of them. It was bad, bitter coffee. But I was feeling numb and disoriented after Cornell Street and I had to keep alert all night long. — Jonathan Valin

Goodness is funny because it draws you to it while curiously possessing you with the untrammelled desire to turn it into something bad. — Sophie Villalobos

We drove past a small church, and the congregation had abandoned the building to stand outside in a circle with their heads bowed, maybe hoping their prayers would get a better signal on the lawn.

Heaven has notoriously bad reception. — Atom Yang

It's literature. It's all books. There are good books and bad books. Literary fiction can be bad, and so can sci-fi. Sci-fi can be wonderful and so can literary fiction. As long as it's a good book, who cares? Hold my attention; that's all I ask. Make me believe. — Margaret Atwood

Grimes believed in what he did, with no doubts. Though he was older than me by over a decade, I suddenly felt old. Some things mark your soul, not in years but in blood and pain and selling off parts of yourself to get the bad guys, until you finally look in the mirror and aren't sure which side you're on anymore. There comes a point when having a badge doesn't make you the good guy, it just makes you one of the guys. I needed to be one of the good guys, or what the hell was I doing? — Laurell K. Hamilton

Good fiction doesn't come out of the basic conflict of good versus bad. Instead, it comes out of a conflict between good and good. — Leo Tolstoy

My ears become my conduit to the world. In the darkness I listen - to thrillers, to detective novels, to romances; to family sagas, potboilers and historical novels; to ghost stories and classic fiction and chick lit; to bonkbusters and history books. I listen to good books and bad books, great books and terrible books; I do not discriminate. Steadily, hour after hour, in the darkness I consume them all. — Anna Lyndsey

Fiction is a kind of compassion-generating machine that saves us from sloth. Is life kind or cruel? Yes, Literature answers. Are people good or bad? You bet, says Literature. But unlike other systems of knowing, Literature declines to eradicate one truth in favor of another; rather, it teaches us to abide with the fact that, in their own way, all things are true, and helps us, in the face of this terrifying knowledge, continually push ourselves in the direction of Open the Hell Up. — George Saunders

When I was a child, there was very little money, so I've always been concerned for my financial security, which has meant that finding myself as a writer was a bad move. The practical difference the money has made is that I can support myself by fiction. That is what I have been trying to do throughout my life. — Hilary Mantel

Such is life. And it does go on, in the young ones and the things we leave behind. Is the pain of losing them not worth the delight it was having them?" said Grandma Lilly when I was finished.
"I don't know," I said. "This feels pretty bad."
She wrapped her thin arm around my shoulder and held it firmly. "Of course it does, but that is because you are in the throes of it, like you were once in the throes of love. Would you take it back? — Clare Bohning

Outlines are the last resource of bad fiction writers who wish to God they were writing masters' theses. — Stephen King

To come to know that nothing is good, nothing is bad, is a turning point; it is a conversion. You start looking in; the outside reality loses meaning. The social reality is a fiction, a beautiful drama; you can participate in it, but then you don't take it seriously. It is just a role to be played; play it as beautifully, as efficiently, as possible. But don't take it seriously, it has nothing of the ultimate in it. — Osho

He wishes he could remember everything. Anything. He doesn't sense a bone in his body that can feel compassion or worthiness. Self-pity hides away as well, the lowest form of emotion not even capable of resting in his wrecked mind. — Christy A. Campbell

Everything I know, everything I put in my fiction, will hurt someone somewhere as surely as it will comfort and enlighten someone else. What then is my responsibility? What am I to restrain? What am I to fear and alter
my own nakedness or the grief of the reader? I want my stories to be so good they are unforgettable; to make my ideas live and my own terrors real for people I will never meet. It is a completely amoral writer's lust. If we begin to agree that some ideas are too dangerous, too bad to invite inside our heads, then we stop the storyteller completely. We silence everyone who would tell us something that might be painful in our vulnerable moments. — Dorothy Allison

The waitress came by with a pot of black coffee. She was a smallish woman, about forty, still had some of her looks left, but she had a hardness to her face. Money and bad men were the only things that left that much stone in a woman. I nudged my cup in her direction, and she served her purpose in life. — L. Joseph Shosty

I've been as bad an influence on American literature as anyone I can think of. — Dashiell Hammett

In my mind, there isn't as much of a distinction between documentary and fiction as there is between a good movie and a bad one. — Abbas Kiarostami

My heart started racing, not the bad kind of heart racing, like I'm going to die. But the good kind of heart racing, like, Hello, can I help you with something? If not, please step aside because I'm about to kick the shit out of life. — Maria Semple

I want you,
As soon as you realize how bad this is for you,
You'd better disappear from here.
But until that day, I'm taking you.
You're mine! — Britten Thorne

When we get there, don't go in huffing and puffing like the big bad wolf. — J.L. Sheppard

I started out in graduate school to be a fiction writer. I thought I wanted to write short stories. I started writing poems at that point only because a friend of mine dared me to write a poem. And I took the dare because I was convinced that I couldn't write a good poem ... And then it actually wasn't so bad. — Natasha Trethewey

I don't know if it's good or bad, but when I first started writing I imitated the narrative thrust of a movie. And as I worked, I learned what you can do in fiction that you can't do in movies, and vice-versa. — Kevin Wilson

This was about to go very bad, because Adam was going to cry. "I miss you," he said, and his voice broke. — Jennifer Echols

I don't think that VR is going to lead to humanity being enslaved in the matrix or letting the world crumble around us. I think it's going to end up being a great technology that brings closer people together, that allows for better communication, that reduces a lot of environmental waste that we're currently doing in the real world. It's probably not going to be nearly as interesting as depicted in science fiction as far as the bad things go. — Palmer Luckey

Riley Blackthorne - kicking hell's ass one demon at a time. — Jana Oliver

Ivanov's fear was of a literary nature. That is, it was the fear that afflicts most citizens who, one fine (or dark) day, choose to make the practice of writing, and especially the practice of fiction writing, an integral part of their lives. Fear of being no good. Also fear of being overlooked. But above all, fear of being no good. Fear that one's efforts and striving will come to nothing. Fear of the step that leaves no trace. Fear of the forces of chance and nature that wipe away shallow prints. Fear of dining alone and unnoticed. Fear of going unrecognized. Fear of failure and making a spectacle of oneself. But above all, fear of being no good. Fear of forever dwelling in the hell of bad writers. — Roberto Bolano

There are two qualities that make fiction. One is the sense of mystery and the other is the sense of manners. You get the manners from the texture of existence that surrounds you. The great advantage of being a Southern writer is that we don't have to go anywhere to look for manners; bad or good, we've got them in abundance. We in the South live in a society that is rich in contradiction, rich in irony, rich in contrast, and particularly rich in its speech — Flannery O'Connor

Sometimes, when I read, it's not just fiction while I'm between the pages. It's real. My heart races when they kiss, and I get shocked when they do dumb stuff. I yell at their bad choices and the bad guys, and sometimes, I even cry. If a book can elicit such real emotion from somebody, if a story can be so powerful you feel everything the characters are feeling, then reading can't ever be boring. — Emma Hart

Aunt Rosa, a fussy, angular, wild-eyed old lady, who had lived in a tremulous world of bad news, bankruptcies, train accidents, cancerous growths - until the Germans put her to death, together with all the people she had worried about. — Vladimir Nabokov

I feel like science fiction can get a bad rap sometimes because people make something just to throw an alien in it or just to make it weird, and it doesn't really have a story. — Drew Roy

Why should I want to make anything up? Life's bad enough as it is without wanting to invent any more of it. — Douglas Adams

Inspiration comes from so many sources. Music, other fiction, the non-fiction I read, TV shows, films, news reports, people I know, stories I hear, misheard words or lyrics, dreams ... Motivation? The memory of the rush I get from a really good writing session - even on a bad day, I know I'll find that again if I keep going. — Trudi Canavan

A man walks into a coffee shop. As the man talks across the counter, the coffee guy makes his coffee and sets the cup and saucer between them. But the man doesn't drink it; he keeps talking, so the coffee gets cold, useless. The coffee guy pours it out and pulls another, sets it up. The man still can't stop talking and the next one goes bad too. So the coffee guy throws that one out, makes another. And this goes on, see? You may think you're the coffee guy in the parable, but you're not - you're the espresso. (It's like that in parables.) You're not for you. You're someone else's beverage. And God, the coffee guy, he's going to keep remaking you again and again, as many times as it takes until you're drinkable. God's pulling the shots and he's got standards. — Geoffrey Wood

I'm with Milton and the Rolling Stones: I don't find the Devil an unsympathetic character. But in any case, my fiction is populated as much by people who do good as it is by those who do bad. I'm interested in imaginatively accommodating as much of the human as possible, for which you need both moral extremes and everything in between. — Glen Duncan

The thing about real life is, when you do something stupid, it normally costs you. In books the heroes can make as many mistakes as they like. It doesn't matter what they do, because everything works out in the end. They'll beat the bad guys and put things right and everything ends up cool.
In real life, vacuum cleaners kill spiders. If you cross a busy road without looking, you get whacked by a car. If you fall from a tree, you break some bones.
Real life's nasty. It's cruel. It doesn't care about heroes and happy endings and the way things should be. In real life, bad things happen. People die. Fights are lost. Evil often wins.
I just wanted to make that clear before I begun. — Darren Shan

The legacy of the fairy story in my brain is that everything will work out. In fiction it would be very hard for me, as a writer, to give a bad ending to a good character, or give a good ending to a bad character. That's probably not a very postmodern thing to say. — Kate Atkinson

I felt a little bad about killing the man, but what choice did I have?" ... Louie Morelli, "The Prince of Mafia Princes. — Patricia Bellomo

Eyuran," I addressed his Node. "What was in this one?"

He came closer and studied the huge case, which was easily twice the height of an adult Danna and had body slots for some kind of gear.

"I don't know for sure. I haven't seen this before. It resembles a gearbot sarx, but those are usually larger. Must be a new, compact model." Observing the empty sarx, a wave of bad feelings came over me.

"I also saw some of the weapon crates with broken locks."

"If someone is operating a gearbot, a bunch of guns will be the least of our worries. A hull repairer can't even begin to compete with the power of an assault exomachine." He looked around and frowned. "By the way, the whole hull repairer rack is empty. Counting the one you took out, we should have seven more roaming somewhere on the ship. — Jeno Marz

The vibrations he felt in his sleep had nothing to do with his soul easing out of his body as he dreamily thought; they came solely from the weight and motion of the freight train rolling north to deliver fuel, furniture and other items having no relevance to Elijah's life or his dreaming. On the metal rail his arm itched like a nose with a feeling that something bad was about to happen. In another life the sound of the train would have been reminiscent of certain songs by Muddy Waters or even Bruce Springsteen but not in this one. In this life the sound stabbed viciously against the night exactly like a human being demonstrating flawless disrespect for the life of another human being.
from short story ELIJAH'S SKIN — Aberjhani

Avery slides on his glasses and opens his eyes again. "Dammit!" he says again with more feeling. "Why does stuff like this keep happening?"
"You say that as if it's a bad thing," Rob says, smirking. — Laura Kreitzer

It is dark and there are bad creatures in these woods."
"Yes, there are ... — Katlyn Charlesworth

Nelson's first thought is that Father Hennessey looks as bad as he does. The priest is still an intimidating presence, with his rugby player's shoulders and boxer's nose, but his eyes are shadowed and he looks as if he hasn't slept. He puts his hat on the floor and accepts a cup of coffee. 'I'm giving up coffee for Lent,' he says. 'Better make the most of it.'

'This stuff's enough to make you give up coffee for life,' says Nelson. 'I should know. I've drunk about a gallon of it.'

Father Hennessey smiles and drinks his coffee in silence for a few minutes. — Elly Griffiths

Everything made sense in a book...Too bad her life wasn't fiction. — L.A. Kuehlke

I look at the human sciences as poetic sciences in which there is no objectivity, and I see film as not being objective, and cinema verite as a cinema of lies that depends on the art of telling yourself lies. If you're a good storyteller then the lie is more true than reality, and if you're a bad one, the truth is worse than a half lie. — Jean Rouch

Two pages of the passive voice - just about any business document ever written, in other words, not to mention reams of bad fiction - make me want to scream. It's weak, it's circuitous, and it's frequently tortuous, as well. How about this: My first kiss will always be recalled by me as how my romance with Shayna was begun. Oh, man - who farted, right? A simpler way to express this idea - sweeter and more forceful, as well - might be this: My romance with Shayna began with our first kiss. I'll never forget it. I'm not in love with this because it uses with twice in four words, but at least we're out of that awful passive voice. — Stephen King

If you start looking at movies on a moral level - "I don't like that, that hurts, that's mean, that's bad" - then I don't even want to talk to you. Or like, someone that says "I don't like science-fiction movies," or "I don't want to sit through a Western," or "I don't like violence in movies," then I completely tune out. — Bret Easton Ellis

Read good books. Read bad books - and figure out why you don't like them. Then don't do it when you write. If you are a science fiction or fantasy writer, going to conventions and attending panels is very useful. — Patricia Briggs

Nowadays people talk about the things he did as though they made sense. As though even his most disastrous mistakes were only the result of bad luck or hubris. — Jeanette Winterson

Losing maturity in one's fiction for the sake of marvels and monsters can also mean losing propriety, and that's not always a bad thing. — Hal Duncan

It's a dreadfully long monster of a book, and I certainly won't have time to read it, but I'm giving it a thorough skimming. The authors are utterly incompetent - no sense of style or structure at all. It starts out as a detective story, switches to science-fiction, then goes off into the supernatural, and is full of the most detailed information of dozens of ghastly boring subjects. And the time sequence is all out of order in a very pretentious imitation of Faulkner and Joyce. Worst yet, it has the most raunchy sex scenes, thrown in just to make it sell, I'm sure, and the authors - whom I've never heard of - have the supreme bad taste to introduce real political figures into this mishmash and pretend to be exposing a real conspiracy. You can be sure I won't waste time reading such rubbish. — Robert Shea

Man leave the past in the past. That's where it belongs. The trouble with addicts is that they carry bad memories around with them - like old luggage. And in that luggage that's where they carry their blueprint for living. You got to decide what's worth keeping, and then set the rest of it on the curb for the garbage.
-Joseph — Valjeanne Jeffers

I was reading Raymond Chandler very much with the feminist eye. In six of his seven novels, it's the woman who presents herself in a sexual way, who is the main bad person. And then you start reading more fiction, whether crime fiction or straight fiction, it's just bad girls trying to make good boys do bad things, going all the way back to Adam and Eve. The woman that thou gavest me made me do it, Adam says to God. — Sara Paretsky

Are we talking hell hounds and flames here?" Des asked, pacing at the end of our beds.
I repeated the question and gave a heaving sigh of relief when Jameson said I had the wrong idea.
"He's going to 'lead us into temptation.'"
"That doesn't sound so bad," Des said with a cheeky grin. — Terri Clark

Like all his attempts at fiction it would be as personal as a letter - painful to those who knew him, of no interest to those who didn't; precious or self-pitying in spots, in others too clever for its own good; so packed with Shakespeare that it looked as if he worked with a concordance in his lap; so narcissistic that its final effect would be that of the mirrored room which gives back the same image times without count, or the old Post Toastie box of his boyhood with the fascinating picture of a woman and child holding a Post Toastie box with a picture of a woman and child holding a Post Toastie box with a picture of a woman and child holding - - — Charles Jackson

Why do humans never do as they're told? Someone should replace you all with robots. No, on second though, they shouldn't, bad idea. — Jonathan Morris

GET IN he says, getting in on the driver side. I get in with no questions. Okay. This is a bad movie waiting to happen-I'm getting in a car with a guy I just met today who is keeping secrets from me. What the hell is wrong with me? I'm too scared to speak or ask or run away, though. So I just get in and put on my seat belt. I am so stupid. — Sara Daniell

Thomas jabbed a thumb over his shoulder and raised his eyebrows.
"You met our new friend?" Miho responded, a smirk flashing across his face. "Real piece of work, this guy. I gotta get me one of those shuck suits. Fancy stuff."
"Am I awake?" Thomas asked.
"You're awake. Now eat - you look horrible. Almost as bad as Rat Man over there, reading his book. — James Dashner

Stupid dire warnings of imminent doom.
They always put me in a bad mood. — Clinton Boomer

When feeling came back, in a storm of color and force and sensation, the most you could do was hold on to the person beside you and hope you could weather it. Alex closed her eyes and expected the worst-but it wasn't a bad thing; it was just a different thing. A messier one, more complicated one. She hesitated, and then she kissed Patrick back, willing to concede that you might have to lose control before you could find what you'd been missing. — Jodi Picoult

Bad as political fiction can be, there is always a politician prepared to make it look artistic by comparison. — Christopher Hitchens

[Referring to passage by Alice Munro] Finally, the passage contradicts a form of bad advice often given young writers
namely, that the job of the author is to show, not tell. Needless to say, many great novelists combine "dramatic" showing with long sections of the flat-out authorial narration that is, I guess, what is meant by telling. And the warning against telling leads to a confusion that causes novice writers to think that everything should be acted out
don't tell us a character is happy, show us how she screams "yay" and jumps up and down for joy
when in fact the responsibility of showing should be assumed by the energetic and specific use of language. — Francine Prose

One of the professors told me last week that he feels bad teaching with the way the economy is now. 'What's the point?' he said. 'Kids aren't getting jobs.' You never hear faculty talk that way. He did. — Daniel Amory

Sometimes there's just no justice. The bad guys do live, if not happily ever after, then certainly conspicuously. — Ken Bruen

As sneakily addictive as a game of Pong (which was named, we're told, after the narrator's dad), this zany zip-line of a novel takes the piss out of the Asian-American 'good immigrant' story. Full of charming antiheroes making comically bad choices, the story dazzles us with its absurdity, which makes its eventual wisdom--about lineage, ethnicity, and the meaning of family--all the more wonderfully surprising. — Michael Lowenthal

A metric fuckton of dumb so epically mind-destroyingly beyond a bad idea that there's not a chance they would go there. — Andrea K. Host

I never take out clients. It's bad policy. He looked me straight in the eyes as he said it. Reaching across for the glove compartment, his arm accidentally brushed my leg. — Gabrielle Black

Richard Papen: As it happened, I knew Gartrell. He was a bad painter and a vicious gossip, with a vocabulary composed almost entirely of obscenities, gutteral verbs, and the world postmodernist. — Donna Tartt

I think politics is deadly to write about, frankly. If you have a political agenda and you set out to write a novel to prove that, say, capitalism should crumble, then it's going to be a really bad novel. Very few people have been able to deal with political fiction - Dickens, Dostoyevsky. But even Tolstoy got really tiresome when he was talking about the serfs. You have to let characters be characters, not [gruff voice] Mr Capitalism or [girlie voice] Miss Anti-Fur. — Donna Tartt

Men grow up expecting to be the hero of their own story. Women grow up expecting to be the supporting actress in somebody else's. As a kid growing up with books and films and stories instead of friends, that was always the narrative injustice that upset me more than anything else. I felt it sometimes like a sharp pain under the ribcage, the kind of chest pain that lasts for minutes and hours and might be nothing at all or might mean you're slowly dying of something mundane and awful. It's a feeling that hit when I understood how few girls got to go on adventures. I started reading science fiction and fantasy long before Harry Potter and The Hunger Games, before mainstream female leads very occasionally got more at the end of the story than together with the protagonist. Sure, there were tomboys and bad girls, but they were freaks and were usually killed off or married off quickly. Lady hobbits didn't bring the ring to Mordor. They stayed at home in the shire. — Laurie Penny

How does evil arise? Where does it come from? We think of malevolent men- - murderers, rapists, tyrants - and somehow believe they are different creatures from us. They are not. All evil men were once innocent babes, once lovable children. Men make choices, some consistently bad. But those who choose the worst kinds of evil were typically guided into it. — Daniel Ionson

I remember still how full of bad magic all those spearpoints to be put on the ends of rifles seemed to be. One was like a sharpened curtain rod. Another was triangular in cross-section, so that the wound it made wouldn't close up again and keep the blood and guts from falling out. Another one had sawteeth - so it could work its way through bone, I guess. I can remember thinking that war was so horrible that, at last, thank goodness, nobody could ever be fooled by romantic pictures and fiction and history into marching to war again.
Nowadays, of course, you can buy a machine gun with a plastic bayonet for your little kid at the nearest toy boutique. — Kurt Vonnegut

I'd read so much right-wing crime fiction where they find the evidence and shoot the bad guy - I thought there must be another approach. — Denise Mina

Truth is always wilder than fiction. Hold on to your hats and enjoy this page turning
look inside the world of sports betting from a good girl gone bad for love.
Laura Atchison, Author of What Would A Wise Woman Do? — Laura Atchison

To represent a bad thing in its least offensive light is, doubtless, the most agreeable course for a writer of fiction to pursue; but is it the most honest, or the safest? Is it better to reveal the snares and pitfalls of like to the young and thoughtless traveller, or to cover them with branches and flowers? Oh, reader! if there were less of this delicate concealment of facts
this whispering "Peace, peace," when there is no peace, there would be less of sin and misery to the young of both sexes who are left to wring their bitter knowledge from experience. — Anne Bronte

It's just the garbage in/garbage out trick. If you're not taking any fiction in, good or bad, then how can you be spitting any back out (good or bad)? I can't even imagine trying to write without reading. Really, I can hardly write a novel at all if I'm not reading just book after book. — Stephen Graham Jones

The future of English fiction may rest with this Unknown Public - a reading public of three millions which lies right out of the pale of true literary civilization - which is now waiting to be taught the difference between a good book and a bad. — Wilkie Collins

I'm starting to think that you have a really bad habit of trying to save me."
She turns shy and looks down. "You are worth saving. — Daniele Lanzarotta