Background Picture For Quotes & Sayings

It's nothing but a matter of seeing, thinking, and interest. That's what makes a good photograph. And then rejecting anything that would be bad for the picture. The wrong light, the wrong background, time and so on. Just don't do it, not matter how beautiful the subject is. — Andreas Feininger

My computer background is a black and white picture I took of the Niteroi Contemporary Art Museum in Brazil. — Emma Ishta

Do not allow your background to draw you to the ground. Imagine the bigger picture, for you will get there. — Osunsakin Adewale

I met them in Minneapolis when the Society hosted a brunch for this year's winners and gave us these oversized checks they had us pose with. The picture made the front page of the Le Sueur News Herald.
It was really embarrassing because I'm smiling with my eyes shut.
And if that wasn't bad enough, Russ made a huge copy of the photo, replacing the background with a highway scene and the check I was holding with a sign that said NEED RIDE TO STAR TREK CONVENTION. — Brian Malloy

The error is needed to set off the truth, much as a dark background is required for exhibiting the brightness of a picture. And — William James

I feel half faded away like some figure in the background of an old picture. — Iris Murdoch

Being on that pitcher's mound, it's the one thing I'm really good at. The one thing I haven't fucked up. And when I'm on the field, everything else fades away. You know?" He turned to look at me, his eyes craving understanding.
I smiled and he continued. "It's like my mind is clear when I'm out there. It's not about my mom or my dad or the stupid shit I've done. It's about me, the ball, and the batter. It's the one place in the world where I feel like I'm in control. Like I have a say in what happens around me."
I stopped my head from nodding in agreement once I realized that I was doing it. "I feel that way when I'm taking pictures. Anything that I'm not seeing through my lens fades away in the background. And I get to frame my picture any way I choose. I get to dictate how it looks. What's in it. What isn't. Behind that lens I have complete control in how things are seen."
He smiled, his dimples indenting his cheeks. "You get it. — J. Sterling

Here, I could see, was choice matter on which the expert and art critic could exercise their knowledge and judgment. As I had neither, I made an experiment or two, and was able to inform the readers of the paper that if you walked briskly past the picture, winking both eyes as fast as possible, you really got a sort of impression of movement and activity, of ships and boats coming into the harbour and sailing out of it, of sails lowered and hoisted, of an uncertain background, now obscured, now left visible as a ship in full sail passed before it. It struck me that, in my hands, art criticism was in a fair way to become a popular sport. — Arthur Machen

No matter what set she's been on over the last 12 years, my mother always finds a way to get in the way. Not in a bad way. Like, she once got caught on a law show I did called 'Philly' trying to take a picture - she was caught on-camera in the background. She does things like this. — Rick Hoffman

I always think, 'What does this picture mean? What's the best place to put my camera? Do I have anything extra in the picture, things in the background that will distract? Am I in the basic position that will give the essential things for this picture but not too much?' — Mary Ellen Mark

When they reached her she stood on the path holding a pair of moths. Her eyes were wide with excitement , her cheeks pink, her red lips parted, and on the hand she held out to them clung a pair of delicate blue-green moths, with white bodies, and touches of lavender and straw colour. All about her lay flower-brocaded grasses, behind a deep green background of the forest, while the sun slowly sifted gold from heaven to burnish her hair. Mrs. Comstock heard a sharp breath behind her.
Oh, what a picture!" Exulted Ammon over sher shoulder. "She is absolutely and altogether lovely! Id give a small fortune for that faithfully set on canvas! — Gene Stratton-Porter

I brought a picture with me that I had at home, of a girl in a swing with a castle and pretty blue bubbles in the background, to hang in my room, but that nurse here said the girl was naked from the waist up and not appropriate. You know, I've had that picture for fifty years and I never knew she was naked. If you ask me, I don't think the old men they've got here can see well enough to notice that she's bare-breasted. But, this is a Methodist home, so she's in the closet with my gallstones. — Fannie Flagg

I did not get my picture of the world by satisfying myself of its correctness; nor do I have it because I am satisfied of its correctness. No: it is the inherited background against which I distinguish between true and false. — Ludwig Wittgenstein

Now for St. Francis nothing was ever in the background. We might say that his mind had no background, except perhaps that divine darkness out of which the divine love had called up every colored creature one by one. He saw everything as dramatic, distinct from its setting, not all of a piece like a picture but in action like a play. A bird went by him like an arrow; something with a story and a purpose, though it was a purpose of life and not a purpose of death. A bush could stop him like a brigand; and indeed he was as ready to welcome the brigand as the bush. — G.K. Chesterton

It's not enough to picture their outward appearance. Give them a background and sphere of influence. — Jordan Dane

Everyone is aware of the fact that visual and auditive perspective are identical; the only difference being that they are created and perceived by two physically different organs, the eye and the ear. How often the playing of a great master makes us think of a picture with a deep background and varying planes; the figures in the foreground almost leap out of the frame whereas in the background the mountains and clouds are lost in a blue haze. — Heinrich Neuhaus

It was taken some time ago.
At first it seems to be
a smeared
print: blurred lines and grey flecks
blended with the paper;

then, as you scan
it, you see in the left-hand corner
a thing that is like a branch: part of a tree
(balsam or spruce) emerging
and, to the right, halfway up
what ought to be a gentle
slope, a small frame house.

In the background there is a lake,
and beyond that, some low hills.

(The photograph was taken
the day after I drowned.

I am in the lake, in the center
of the picture, just under the surface.

It is difficult to say where
precisely, or to say
how large or small I am:
the effect of water
on light is a distortion

but if you look long enough,
eventually
you will be able to see me.) — Margaret Atwood

Beowulf's picture was far more elaborate than those of his siblings, and it did need a bit more work coloring in the background, but the gist of it was on full, frightening view. In the sky: a full moon, its eerie glow partially obscured by dark, swirling clouds. In the foreground: the dense, ferny undergrowth of a forest, bordered by a few gnarled tree trunks rising upward. In the center of the page: an old woman, wrapped in a cloak. Her mouth hung open in a leering smile, and her teeth were large and razor sharp, with a prominent set of gleaming white incisors. From the back of her shroudlike garments poked a long, wolfish tail. Cassiopeia and Alexander clapped and barked with admiration, but Penelope's skin went cold. — Maryrose Wood

For the entire summer, Lane's cell phone background was a picture of Jared eating Lucky Charms out of the Kelly Cup.
Jared's was, of course, that shot of his that blocked Lane's would-be goal. According to Jared, it was going to stay that way until he had a picture of Lane drinking Dr Pepper out of Lord Stanley's Cup to replace it with. He liked to call it incentive. — Avon Gale

As you see something that yo want to shot and it's bearing down on you, it's important to start framing long before the subject gets close to you. The light will reveal itself possibly long before you want to take the image, but you have to wait until the picture comes to you, and if you've been anticipating carefully when the subject will be in position, the background will have been figured out in advance. — Jay Maisel

You don't need great actors to do a 3D picture. All of this condescending stuff that they put out? "Oh, we will always need actors." Bullshit! They are able to take anybody and put some markers on them, and have them walk through an empty room. Then they paint in the background. — William Friedkin

When a person has swum, traveled, run a lathe, planted flowers, ridden a motorcycle, made wine, painted a picture, parachuted, he has increased the fund from which he may draw for new figural developments. In other words, as the background of his experience becomes more diversified, it also becomes potentially more harmonious with a whole range of happenings. — Erving Polster

I look down at the picture in my hand. It's home, the image slightly dog-eared after two years in various grab bags and holdalls. There's the house, white walls covered in the blue flowers she loves, red poppies stretching away in the background. There's my mother, small and fair, hair falling out of its bun as usual, glasses - one of her many eccentricities - perched on her nose. — Amie Kaufman

Lady Esmeralda's background was no less interesting than herself; it was a colourful picture of luxury and squalor. Armies of servants thronged the great houses; coaches rumbled up to the doors. Huge meals were eaten at tables laden with silver and lit by candles; there was drinking and gambling and duelling. Highwaymen frequented lonely roads and footpads lurked in the streets. Thieves were hanged and crowds gathered to see the grisly entertainment. The picture of life in those far-off days became so real and clear that I felt as if I had lived in them myself. It was almost as if I remembered them. Sometimes I returned to them in my dreams (which was not always enjoyable) and occasionally I found myself — D.E. Stevenson

Until we realize that things might not be, we cannot realize that things are. Until we see the background of darkness, we cannot admire the light as a single and created thing. As soon as we have seen that darkness, all light is lightening, sudden, blinding, and divine. Until we picture nonentity we underrate the victory of God, and can realize none of the trophies of His ancient war. It is one of the million wild jests of truth that we know nothing until we know nothing. — G.K. Chesterton

But by providing the background picture - the universal situational awareness that we desire - by showing the anomalies, the Space-Based Radar will change the nature of how we do our analysis and our intelligence. — Stephen Cambone

I'm the girl who is lost in space, the girl who is disappearing always, forever fading away and receding farther and farther into the background. Just like the Cheshire cat, someday I will suddenly leave, but the artificial warmth of my smile, that phony, clownish curve, the kind you see on miserably sad people and villains in Disney movies, will remain behind as an ironic remnant. I am the girl you see in the photograph from some party someplace or some picnic in the park, the one who is in fact soon to be gone. When you look at the picture again, I want to assure you, I will no longer be there. I will be erased from history, like a traitor in the Soviet Union. Because with every day that goes by, I feel myself becoming more and more invisible ... — Elizabeth Wurtzel

It's best to keep America just like that, always in the background, a sort of picture post card which you look at in a weak moment. Like that, you imagine it's always there waiting for you, unchanged, unspoiled, a big patriotic open space with cows and sheep and tenderhearted men ready to bugger everything in sight, man, woman or beast. It doesn't exist, America. It's a name you give to an abstract idea ... — Henry Miller

As for you, you were dead in your transgressions and sins, in which you used to live when you followed the ways of this world and of the ruler of the kingdom of the air, the spirit who is now at work in those who are disobedient. All of us also lived among them at one time, gratifying the cravings of our sinful nature and following its desires and thoughts. Like the rest, we were by nature objects of wrath. But because of his great love for us, God, who is rich in mercy, made us alive with Christ even when we were dead in transgressions - it is by grace you have been saved. Again we see the contrast drawn so sharply between our ruin and God's remedy. In verses 1-3, Paul described us as dead in our sins, under the sway of Satan, captivated by the world, prisoners of our own sinful lusts, and objects of God's holy wrath. Could any picture be more dark, any background more contrasting? — Jerry Bridges

Georgie took out her phone. 'I want to take a picture of you two.' She held up her phone and motioned for us to get together.
Darcy and I lined up against the railing. 'No, I need you closer together to get you both in the photo,' she instructed.
I had taken countless pictures on the waterfront and I knew that if you were getting the skyline in the background, you didn't need to be that close.
Darcy put his arm around my shoulder and we leaned in. I slipped my arm around his waist and I noticed how easily I fit into the little nook on his side.
'Oh, hold on, I'm having problems.' Georgie played with her phone for a few moments while we just stood there in our posed embrace.
'Georgie ... '
She looked up at her brother and blushed. 'Um, I think it works now. — Elizabeth Eulberg