Back Back Back It Up Song Quotes & Sayings

With the exceptional talent that is Guy Sigsworth as producer and collaborator, we have recorded a collection of original songs that sees me moving away from a generic line up and back into the world of a programmer. Born of reconstructed improvisation I like to think of it as Prog-Pop, but I also like to think of big dogs as small horses. So don't hang on to that thought long. Unless, of course, you think it astute of me in which case I am right — Alison Moyet

Mine would be Your Song, which is just one of his ones that I ... I was actually glad the whole song wasn't played in this film and it's just a few bars of it because it makes me cry. You know, there are some songs that just make the hairs on the back of your neck just stand up? That's one of those for me - I put it on if I want a good cry. — Ashley Jensen

Though her head was aching too much for her to reason with herself, she could think of nice things - the Cumberland hills, her lambs, her Nannie, who had taught her this trick of detachment. "When you're sick or sorry, child" she had said, "think of other things as much as you are able. It's just practice, Start young and you'll get the trick of it." And most astonishingly, after a little while of going back to childhood and remembering Nannie in her blue print dress, with her white apron on and her sleeves rolled up, turning on the bath-water and humming a little song as she did it, she fell asleep. — Elizabeth Goudge

I think it's hard to really write a song that will educate someone because songs are meant to be ... you don't want to be too didactic in a song because it doesn't make for good music. And I think the role of songs can be to inspire people but there needs to education and prose to back that up. — John Legend

Most of the producers I work with are decent mixers. We'll wind up in these spots where I'll get the mix back and I'll put a few more pieces of production together and send it back to the mixer. It's so easy to change the entire perspective of the song by changing the mix. — Yukimi Nagano

She reshelved the sixpack and wrenched herself away to less compelling parts of the store, but it was hard to plan dinner when you felt like throwing up. She returned to the beer shelves like a bird repeating its song. The various beer cans had different decorations but all contained the identical weak low-end brew. It occurred to her to drive to Grand Rapids and buy some actual wine. It occurred to her to drive back to the house without buying anything at all. But then where would she be? A weariness set in as she stood and vacillated: a premonition that none of the possible impending outcomes would bring enough relief or pleasure to justify her current heart-racing wretchedness. She saw, in other words, what it meant to have become a deeply unhappy person. — Jonathan Franzen

I can't believe the news today
Oh, I can't close my eyes
And make it go away
How long ...
How long must we sing this song
How long, how long ...
'cause tonight ... we can be as one
Tonight ...
Broken bottles under children's feet
Bodies strewn across the dead end street
But I won't heed the battle call
It puts my back up
Puts my back up against the wall
Sunday, Bloody Sunday — U2

There's hidden sweeteness in the stomach's emptiness.
We are lutes, no more no less. If the soundbox is stuffed full of anything, no music.
If the brain and the belly are burning clean
with fasting, every moment a new song comes out of the fire.
The fog clears, and new energy makes you
run up the steps in front of you.
Be emptier and cry like reed instruments cry.
Emptier, write secrets with the reed pen.
When you're full of food and drink, an ugly metal statue sits where your spirit should. When you fast,
good habits gather like friends who want to help.
Fasting is Solomon's ring. Don't give it to some illusion and lose your power,
but even if you have, if you've lost all will and control, they come back when you fast, like soldiers appearing out of the ground, pennants flying above them.
A table descends to your tents, Jesus' table.
Expect to see it, when you fast, this table spread with other food, better than the broth of cabbages. — Rumi

We fought an entire army with a bouquet of flowers back in the '70's
But now you're taught to remain without will until you run out of energy
Afraid that if you strive for an ideal you end up like a Kennedy
It's like being on a treadmill every day but never losing any weight
'Cause to see success the food before you digest has to change
We're stressed and high, get depressed and die
But still afraid to question why
One of the biggest criminals I ever met wore a suit and tie
When did we stop believing? When did we stop marching?
When did we stop chanting? — Kasabian

Seeing the woman as she was made them remember the envy they had stored up from other times. so they chewed up the back parts of their minds and swallowed with relish. They made burning statements with questions, and killing tools out of laughs. It was mass cruelty. A mood come alive. Words walking without masters; walking altogether like harmony in a song. (2) — Zora Neale Hurston

I was dead. That was really the only explanation I had for the sensation that I was lying in a comfy bed, cool, clean-smelling sheets pulled up to my chin, and a soft hand stroking my hair.
That was nice. Being dead seemed pretty sweet, all things considered. Especially if ti meant I got to nap for all eternity. I snuggled deeper into the covers. The hand on my hair moved to my back, and I realized someone was singing softly. The voice was familiar, and something about it made my chest ache. Well, that was to be expected. Angels' songs would be awfully poignant.
"'I was working as a waitress in a cocktail bar, when I met you ... '" the voice crooned.
I frowned. Was that really an appropriate song for the Heavenly Host to be-
Realization crashed into me. "Mom! — Rachel Hawkins

The sound of running feet indicated that Sergeant Detritus was bringing some of the latest trainees back from their morning run. He could hear the jody Detritus had taught them. Somehow, you could tell it was made up by a troll: "Now we sing dis stupid song! Sing it as we run along! Why we sing dis we don't know! We can't make der words rhyme prop'ly!" "Sound off!" "One! Two!" "Sound off!" "Many! Lots!" "Sound off!" "Er ... what? — Terry Pratchett

Since it was my car, and since I felt confident it would make Marcus miserable, I pushed the Pearl Jam cassette into the tape deck as I got back on the freeway and turned it up. After a couple of tracks, Bas got hung up on trying to figure out the lyrics to "Yellow Ledbetter" - an unattainable goal since they were basically undecipherable sounds with a few words sprinkled in. The song was all feeling, but he was determined. We listened to it over and over, and caught a little more each time. Metaphorically, the song felt perfect for the mission we were on. — Veronica Rossi

Owens, our minister, would get up from his seat and stop the song. He'd sit behind his pulpit in a spiritual trance, his eyes closed, clad in a long blue robe with a white scarf and billowed sleeves, as if he were prepared to float away to heaven himself, until one of Mommy's clunker notes roused him. One eye would pop open with a jolt, as if someone had just poured cold water down his back. He'd coolly run the eye in a circle, gazing around at the congregation of forty-odd parishioners to see where the whirring noise was coming from. When his eye landed on Mommy, he'd nod as if to say, "Oh, it's just Sister Jordan"; then he'd slip back into his spiritual trance. — James McBride

It occurred to her, sadly, and not for the first time, that as you grew older you became busier, and time went faster and faster, the months pushing each other rudely out of the way, and the years slipping off the calendar and into the past. Once, there had been time. Time to stand, or sit, and just look at daffodils. Or to abandon housekeeping, on the spur of the moment, walk out of the back door and up the hill, into the lark-song emptiness of a summer morning. — Rosamunde Pilcher

I'd like to go back to five years old again. Just sometimes. To be turning over rocks and looking for pill bugs and holding earthworms, playing dolls, erecting forts, digging through dirt for marbles, burrowing in leaf piles, failing at igloo building, when my biggest concern was going to sleep with the lights off. I wish I was five again, before things got hard, before I was forced to grow up way too early and been stuck in this "adult" thing way too long. I wish I could sit in my Grandpa's lap and let him sing me crazy Irish songs and go over the names of the planets. "Gwampa, tell me about Outer Space." ... "Gwampa, sing the Swimming Song."
I wish I could go back there, just for a little while, and pick raspberries by myself in the sun and find secret hideaways and not hurt, not worry, not carry the heavy things. If I could be five years old ... just for a few minutes. Remember what it felt like to be free. That would be something. — Jennifer DeLucy

The other song we did was my cover of "Addicted to Love." There used to be a sort of karaoke booth on Saint Mark's, where anyone could go in and record themselves. I chose "Addicted to Love" because I liked Robert Palmer's video, with its background cast of zombie models identically dressed and holding guitars. I took the tape with the canned version of the song back to the studio, and we sped up the vocal to make it sound higher in pitch. Later I brought the cassette mix to Macy's, where they had a video version of the karaoke sound booth. You could customize a background while two cameras filmed you. For my backdrop I picked jungle fighters, and I wore my Black Flag earrings. The entire bill came to $19.99, and in a slick, commercial MTV world, it felt gratifying and empowering to pay for the whole thing with a credit card. — Kim Gordon

I think for my parents it was like "A Boy Named Sue," the Johnny Cash song. A guy named Sue tries to track down his father to take it out on his father for naming him Sue. And his father says, "Look, I knew I wasn't going to be around. So I gave you the name so that you would grow up strong enough to take the hits and fight back." So I like to believe that's why my parents gave me this stupid name. — Domhnall Gleeson

I have a creative mind, so if I listen to the song, I have an idea, I thought of five or six months ago, I'll bring it back into the playing field. I can tweak ideas or make them better. Just come up with something and then we go from there. — Chris Brown

I had to go back and reread the page a few times. As I read it, I kept drifting out of the book, out of the booth, and coasting on the green crest of the song, to the momentary idea that any point on Earth was mine for the visiting, that I'd lucked out living in the reality I was in. And I also got the feeling I was souring and damaging that luck by enjoying the contentment of pulling the shades on the sun, and shutting out my fellow employees and the world, and folding myself up in the construct of a brilliant novel like The Man in the High Castle, that all the reading I'd been doing up to this point hadn't enhanced my life, but rather had replaced and delayed it. — Patton Oswalt

The gateway to freedom ... was somewhere close to New Orleans where most Africans were sorted through and sold. I had driven through New Orleans on tour and I'd been told my great grandfather had lived way back up in the woods among the evergreens in a log cabin. I revived the era with a song about a coloured boy named Johnny B. Goode. My first thought was to make his life follow as my own had come along, but I thought it would seem biased to white fans to say 'coloured boy' and changed it to 'country boy'. — Chuck Berry

Since being back in London everything seemed greyer, but clearer. She couldn't explain it. The strangest thing was she couldn't recall her New York self. She wanted that part of herself back, but she couldn't remember what it was like to be that Elle. She would catch a whiff of it, like the snatch of a song that still won't lead you to the chorus, and then it would be gone. — Harriet Evans

I have a good friend in the East, who comes to my shows and says, you sing a lot about the past, you can't live in the past, you know. I say to him, I can go outside and pick up a rock that's older than the oldest song you know,
and bring it back in here and drop it on your foot. Now the past didn't go anywhere, did it? It's right here, right now.
I always thought that anybody who told me I couldn't live in the past was trying to get me to forget something that if I remembered it it would get them serious trouble. No, that 50s, 60s, 70s, 90s stuff, that whole idea of decade packaging, things don't happen that way. The Vietnam War heated up in 1965 and ended in 1975
what's that got to do with decades? No, that packaging of time is a journalist convenience that they use to trivialize and to dismiss important events and important ideas. I defy that. — Utah Phillips

There, peeping among the cloud-wrack above a dark tor high up in the mountains, Sam saw a white star twinkle for a while. The beauty of it smote his heart, as he looked up out of the forsaken land, and hope returned to him. For like a shaft, clear and cold, the thought pierced him that in the end the Shadow was only a small and passing thing: there was a light and high beauty for ever beyond its reach. His song in the Tower had been defiance rather than hope; for then he was thinking of himself. Now, for a moment, his own fate, and even his master's, ceased to trouble him. He crawled back into the brambles and laid himself by Frodo's side, and putting away all fear he cast himself into a deep untroubled sleep. — J.R.R. Tolkien

What was it up there in the song that seemed to be calling her back inside? What would happen now in the dim, incalculable hours? — F Scott Fitzgerald

It doesn't matter," she explains to Miss J. "I want to be where you are. And I don't know the way back to wherever I was before, anyway. I don't even remember it. All I remember is the block, and you. You're ... " Now it's Melanie's turn to hesitate. She doesn't know the words for this. "You're my bread," she says at last. "When I'm hungry. I don't mean that I want to eat you, Miss Justineau! I really don't! I'd rather die than do that. I just mean ... you fill me up the way the bread does to the man in the song. You make me feel like I don't need anything else. — M.R. Carey

Then, lifting me up, his head fell back and he opened his mouth wide. "Once I let Lucy Larson into my heart! I was able to take my sad, shitty song and make it better!" he sung, off key and at full volume. Some of the students around us tipped their beers at him, some broke in during the "Nah, nah, nah," chorus, and a few looked at him like he was a crazy man.
But I just laughed - I already knew he was crazy. And I loved him for it. "I think that's called taking creative liberties with the lyrics. — Nicole Williams

Demon pox, oh demon pox
Just how is it acquired?
One must go down to the bad part of town
Until one is very tired.
Demon pox, oh demon pox, I had it all along
Not the pox, you foolish blocks,
I mean this very song
For I was right, and you were wrong!"
"Will!" Charlotte shouted over the noise, "Have you LOST YOUR MIND? CEASE THAT INFERNAL RACKET! Jem - "
Jem, rising to his feet, clapped his hands over Will's mouth. "Do you promise to be quiet?" he hissed into his friend's ear.
Will nodded, blue eyes blazing. Tessa was staring at him in amazement; they all were. She had seen Will many things - amused, bitter, condescending, angry, pitying - but never giddy before.
Jem let him go. "All right, then."
Will slid to the floor, his back against the armchair, and threw up his arms. "A demon pox on all your houses!" he announced, and yawned.
"Oh, God, weeks of pox jokes," said Jem. "We're in for it now. — Cassandra Clare

We do what we want to do. We write songs. We try not to repeat ourselves too much. We have our own sound and our own way of doing things. Up until now it has always been enjoyable. None of the members have ever got to the point where they don't want to be involved in it ... It's not entirely possible for me to stand back and look at the Rolling Stones because being a part of it you can't. I wish that I could just sit in the audience for one night and see the show. Everyone in the band has said that at some point. But then you wouldn't be seeing the whole band. And that's the problem with that. — Keith Richards

London is a friend whom I can leave knowing without doubt that she will be the same to me when I return, to-morrow or forty years hence, and that, if I do not return, she will sing the same song to inheritors of my happy lot in future generations. Always, whether sleeping or waking, I shall know that in Spring the sun rides over the silver streets of Kensington, and that in the Gardens the shorn sheep find very green pasture. Always the plaited threads of traffic will wind about the reel of London; always as you up Regent Street from Pall Mall and look back, Westminster will rise with you like a dim sun over the horizon of Whitehall. That dive down Fleet Street and up to the black and white cliffs of St. Paul's will for ever bring to mind some rumour of romance. There is always a romance that we leave behind in London, and always London enlocks that flower for us, and keeps it fresh, so that when we come back we have our romance again. — Stella Benson

But for the first time, I wanted to believe in the things that outlasted us: the stories that came to life in a child's head, the fear of the dark, the hunger to live. Those were the footsteps that not even Time could discover and erase, because they lived far out of reach, in the song of blood coursing through veins and in the quiet threads that made up dreams. I wanted to hold the hope of those tales within me and follow it like a lure all the way back to myself. — Roshani Chokshi

Squire Trelawney, Dr. Livesey, and the rest of these gentlemen having asked me to write down the whole particulars about Treasure Island, from the beginning to the end, keeping nothing back but the bearings of the island, and that only because there is still treasure not yet lifted, I take up my pen in the year of grace 17 - , and go back to the time when my father kept the Admiral Benbow inn and the brown old seaman with the sabre cut first took up his lodging under our roof. I remember him as if it were yesterday, as he came plodding to the inn door, his sea-chest following behind him in a hand-barrow - a tall, strong, heavy, nut-brown man, his tarry pigtail falling over the shoulder of his soiled blue coat, his hands ragged and scarred, with black, broken nails, and the sabre cut across one cheek, a dirty, livid white. I remember him looking round the cover and whistling to himself as he did so, and then breaking out in that old sea-song that he sang so often afterwards: — Robert Louis Stevenson

I had this idea when I was in the hospital, .. It seems like every year I always have different people come and ask for a Christmas song and it seemed strangely appropriate for me this year because Christmas is the time that I am supposed to be sort of back and up and running and whatnot. So I just wrote a song about returning from this very interesting journey and kind of getting back to normal and getting back to work and my regular life. — Andrew McMahon

The band and I were leading at a Youth Specialties convention. We were asked to back up Matt Maher for one of the sessions. Matt handed us the chord charts and, with less than 5 minutes of practice, we were playing it live. I fell in love with this song immediately. You can't hear the message of God's sufficient grace too many times. Matt is a great lead worshiper and is a part of Life Teen, a growing worship movement in the Catholic Church. — Chris Tomlin

Well, Peter Rowan and I had plans to form a band when he left Bill Monroe. I always thought it was going to be a bluegrass band, but I guess when Peter left Bill Monroe he had had enough of bluegrass. He had written some songs and of course the Beatles were a big influence back then. So, we decided to something different and it ended up being that. — David Grisman

The DJ opens his eyes and sees what he's done. By all rights, he should switch the song. But it's a long-distance dedication to the boy he loves down in Texas. He dials up the boy right now and holds his phone into the air.
Not all songs need to be for dancing. There will always be the next song, to draw the dancers back. — David Levithan

I promise I'll never tell."
"Don't promise that," he said in an ultraserious voice. "If they try to hurt you and the only way to protect yourself is to tell them what you know about me, then you tell them. Straight off, okay?"
"No."
"Promise me."
"No!"
"I will possess your heart."
Heat flared along the back of my neck. "What did you say?"
"My favorite song. 'I Will Possess Your Heart.'"
"By Death Cab for Cutie?"
He snorted. "No, the little known T.I. Hip-hop remix. Yes, Death Cab for Cutie."
... "Why? What's wrong with it?"
"Nothing, but it doesn't seem to fit you. It's kind of a sad song."
"No it's pure confident. It's not 'I want' or 'I need', none of that crap." He slipped his hand over mine. "It's 'I will.'"
A nervous laugh bubbled up. "You will, huh?"
His fingers brushed my cheek, then slid into my hair. "I will. — Jeri Smith-Ready

I have definitely written a happy song about someone and then we ended up splitting up, but you have to put those kind of things to the back of your mind and tell yourself that it's a good song and it works on the album. — Joe Jonas

Nik stands and walks over to us. He kisses my cheek before taking Ash in a full-blown man hug. A long one. They both seem to be a little emotional. Nik whispers something to Ash and Ash nods before he slaps Nik's back a few times and they part. Nik moves to stand between us and says, "It's my honor to present the new Mr. and Mrs. Asher Collins."
Everyone stands up, whooping and cheering. And that's about the time I burst into tears.
I'm suddenly being group hugged and Tina wails, "I'm so happy for you, you crazy lady!"
I wail right back, "I'm so happy I could shit rainbows!"
Lola cheers. "I'm so f**king happy right now!"
Mimi kisses my head and rocks me slightly. She says in a sing-song voice, "I knew all along! — Belle Aurora

It's hard to think back. I didn't even know I was going to do it, make actual records. But I was always making up songs, once I figured out that you could do it. I think it's pretty much the same, but there's less urge to get it moving out there. There was a time when it seemed like it was really super important to the audience and now it's just medium-important for people to like us. But that's okay. — Stephen Malkmus

One of the coolest moments for me is still when Kenny G came back to a venue to find me and personally tell me that he loved my song "Void of a Legend" and had watched the video several times. It's the ultimate feeling to get feedback like that from an artist you look up to — Antoniette Costa

The song that was playing above us was You And Me by Lifehouse and he pressed his face into my hair and softly sang the words to me.
What day is it? And in what month?
This clock never seemed so alive
I can't keep up I can't back down
I'm losing so much time
'Cause it's you and me, and all of the people
with nothing to do, nothing to lose
And it's you and me, and all of the people
And I don't know why I can't keep my eyes off of you
I could have died ... or cried ... or sighed. I wasn't sure what I wanted to do more. — Shelly Crane

If you're writing a song, you have to write something that can be understood serially. When you're reading a poem that's written for the page, your eye can skip up and down. You can see the thing whole. But you're not going to see the thing whole in the song. You're going to hear it in series, and you can't skip back. — James Fenton

I didn't mean to take up all your sweet time ... I'll give it right back to you, one of these days — Jimi Hendrix

'9 to 5,' that little song, that little story, just won't ever end. Just like 'I Will Always Love You,' it just keeps comin' back, popping up its head in one way or another. — Dolly Parton

When we hang up, I sigh long and look out the window to the darkness over the ocean, no delineation between water and sky. It's always disorienting when I speak to my mother, that pull of her voice back into our old life even though both of us have tried to move beyond it.

In her soft Caribbean accent I hear my brother's laughter, see us both as children playing together in the backyard when it was still covered in crunch green grass and our toys were new.

Mami's voice was the song of our home, even with no father, even as we lived with that black mass of the unspoken, even with the marks on our bones we didn't know we carried.

Through all life's uncertainty, we felt anchored by the love in her voice. — Patricia Engel

Could we dig up this long-buried treasure, Were it worth the pleasure, We never could learn love's song, We are parted too long. Could the passionate past that is fled Call back its dead, Could we live it all over again, Were it worth the pain! — Oscar Wilde

This next song is about when you get your heart broken and you try your best to glue it back together and you wake up one morning and you're so happy because you realize, Oh my God, the tape's holding! — Sara Quin

My reaction to Radiohead isn't as simple as jealousy. Jealousy just burns; Radiohead infuriate me. But if it were only that, I wouldn't go back and listen to those records again and again. Listening to Radiohead makes me fell like I'm a Salieri to their Mozart. Yorke's lyrics make me want to give up. I could never in my wildest dreams find something as beautiful as they find for a single song - let alone album after album. — Dave Matthews

The radio was on and that was the first time I heard that song, the one I hate. Whenever I hear it all I can think of is that very day riding in the front seat with Lucy leaning against me and the smell of Juicy Fruit making me want to throw up. How can a song do that? Be like a net that catches a whole entire day, even a day whose guts you hate? You hear it and all of a sudden everything comes hanging back in front of you, all tangled up in that music. — Lynda Barry

These days, I find I'm applying a little more patience to my process. If I look back on my work, I can see those songs I bailed on could have been better, that had those great two verses and then I kind of coasted from there. These days, if a song is giving me trouble, I put it aside and pick it up later, and keep doing that, for a year if I have to, until it takes shape. — Ani DiFranco

That's the great thing about being in a band: it's a gang for people who are too wimpy to fight. You can create a gang and have an identity and fight for something and stand up for something just by making pop songs. They're my gang members and gang members are for life, and if you try and leave, we execute you. That's the way it goes. A simple bang, back of the head, into the river, and we keep moving on. — Torquil Campbell

She had not understood what it had been like for him to live his entire life underground, chained and beaten and crippled - until then. Until she heard that noise of undiluted, unyielding joy.
Until she echoed it, tipping her head back to the clouds around them.
They sailed over a sea of clouds, and Abraxos dipped his claws in them before tilting to race up a wind-carved column of cloud. Higher and higher, until they reached its peak and he flung out his wings in the freezing, thin sky, stopping the world entirely for a heartbeat.
And Manon, because no one was watching, because she did not care, flung out her arms as well and savored the freefall, the wind now a song in her ears, in her shriveled heart. — Sarah J. Maas

One day I was standing with my stage manager, Sandy Prudden, and Buddy Sheffield watching as Kermit the Frog (with the help of the late Jim Henson) sweetly sang a song. Sandy was always a big joker. He sidled up to me and said, "Isn't it amazing the way Kermit can sing like that with somebody's hand up his ass." Without missing a beat, I came back with, "Shoot, that ain't nothin'. I did that for seven years on the 'The Porter Wagoner Show. — Dolly Parton

What I get out of karaoke is a little weirder than mere musical competence. It's a love ritual that keeps me coming back, craving more, because this is where the songs are. And the songs are full of stories. Every one we sing is charged up with memories of the past or dreams of the future. Every song reminds me of good times or bad times. Yet they all hold surprises. — Rob Sheffield

One story sums up their magical quality. On June 30th 1968, at the height of Apple optimism, Paul McCartney and Derek Taylor were driving back to London from Saltaire, Yorkshire, where they had been recording the Black Dyke Mills Band on a song of Paul's called 'Thingummybob'. They were in Bedfordshire. Let's pick a village on the map and pay it a visit, said Beatle Paul. He found a village called Harrold, which they found quite hilarious, and turned off the A5. Harrold turned out to be a picture-perfect village, with a picture-perfect pub at its heart. The pub was closed, but when the villagers saw there was a Beatle at the door they opened it up. Soon the whole village was in the pub, listening to Paul McCartney on the pub piano playing the as-yet-unreleased 'Hey Jude'. Every Harrold resident danced and sang along, and the revelry went on until 3 a.m. It was beautiful, perfect, spontaneous and full of love. Harrold. You couldn't make it up. — Bob Stanley

Sara reached over and rubbed Holly's arm for a moment. Then she pulled back and asked, "Have you ever heard the Christmas song, Mary, Did You Know?" Holly looked up, into her friend's clear blue eyes. She shook her head and Sara continued. "It's a beautiful song about the Savior's mother, Mary. The singers ask if when she held baby Jesus, if she knew what His life would be like or that He would be her Savior and the Savior of the world. I think every mother is like Mary. Not in the fact that we gave birth to the Savior, but that when we have a child, we never know what his future holds, how he'll change our lives or someone else's life. — Danyelle Ferguson

It always has been and always will be the same. The old folk of our grandfathers' young days sang a song bearing exactly the same burden; and the young folk of to-day will drone out precisely similar nonsense for the aggravation of the next generation. "Oh, give me back the good old days of fifty years ago," has been the cry ever since Adam's fifty-first birthday. Take up the literature of 1835, and you will find the poets and novelists asking for the same impossible gift as did the German Minnesingers long before them and the old Norse Saga writers long before that. And for the same thing sighed the early prophets and the philosophers of ancient Greece. From all accounts, the world has been getting worse and worse ever since it was created. All I can say is that it must have been a remarkably delightful place when it was first opened to the public, for it is very pleasant even now if you only keep as much as possible in the sunshine and take the rain good-temperedly. — Jerome K. Jerome

I used to think I couldn't go a day without your smile. Without telling you things and hearing your voice back.
Then, that day arrived and it was so damn hard but the next was harder. I knew with a sinking feeling it was going to get worse, and I wasn't going to be okay for a very long time.
Because losing someone isn't an occasion or an event. It doesn't just happen once. It happens over and over again. I lose you every time I pick up your favorite coffee mug; whenever that one song plays on the radio, or when I discover your old t-shirt at the bottom of my laundry pile.
I lose you every time I think of kissing you, holding you, or wanting you. I go to bed at night and lose you, when I wish could tell you about my day. And in the morning, when I wake and reach for the empty space across the sheets, begin to lose you all over again. — Lang Leav

So tired of this straight line, and everywhere you turn
There's vultures and thieves at your back
The storm keeps on twisting, you keep on building the lies
That you make up for all that you lack.
It don't make no difference, escaping one last time
It's easier to believe
In this sweet madness, oh this glorious sadness
That brings me to my knees. — Sarah McLachlan

As we drove back to Enugu, I laughed loudly,above Fela's stringent singing. I laughed because Nsukka's untarred roads coat cars with dust in the harmattan and with sticky mud in the rainy season. Because the tarred roads spring potholes like surprise presents and the air smells of hills and history and the sunlight scatters the sand and turns it into gold dust. Because Nsukka could free something deep inside your belly that would rise up to your throat and come out as freedom song. As laughter.(299) — Chimamanda Ngozi Adichie

When I was growing up, Nashville was the place to go if you had songs to sell and thought you had talent and wanted to tour and be on Grand Ole Opry [radio show]. It was the big deal back in those days to play the Grand Ole Opry. And you could travel around the world saying, "Hi, I'm Willie from the Grand Ole Opry". — Willie Nelson

I'd got married and wanted to have kids, so had kids, brought them up, did other things, and slowly got back into music. And it feels great, having one foot in the present, writing and covering interesting songs, and having one foot in the past. — Kim Wilde