Authors And Their Quotes & Sayings

The authors, academics from Northeastern University, Harvard University, and the University of Houston, concluded that Google Flu Trends had wildly overestimated the number of flu cases in the United States for more than two years. The article, "The Parable of Google Flu: Traps in Big Data Analysis," concluded that the errors were, at least in part, due to the decisions made by GFT engineers about what to include in their models - mistakes the academics dubbed "algorithmic dynamics" and "big data hubris. — Clayton M Christensen

Well, let me try again,' he said. 'If it be true, and no doubt it is, that the proper study of mankind is man, it is also true that man is best studied in the books that he has written about himself; and all books, whatever their subject matter, are in essence autobiographical... Wherefore, it is clear - or is it? - that writers of books are what I have called them, the most fascinating people in the world. — Peter Ruber

I think many people are terribly afraid of being demoted by the Darwinian scheme from the role of authors and creators in their own right into being just places where things happen in the universe. — Daniel Dennett

I believe the best reviews are any of those wherein readers share their true opinion, no matter how many stars they rate my work. When I receive responses from appreciative people thanking for useful and amusing reading, it feels like my wings stretch up and blood carries the highest happiness circulating in my veins. I think many writers will understand what I mean by that. — Sahara Sanders

Authors have to write for their characters, for who they are, that's the strength of books. Don't worry about censors. Just write the story you need to tell and the rewards will come. — Ellen Hopkins

Several researchers demonstrate the ways people fail to label trauma as such or underreport traumatic experiences. In a sample of 1,526 university students, Rausch and Knutson (1991) found that although participants reported receiving punitive treatment similar to that of their siblings, they were more than twice as likely to identify their siblings' experiences as abusive as they were to label their own in this way. The authors reported that participants were likely to interpret parental treatment toward themselves but not parental treatment toward their siblings as deserved and therefore not abusive. Other studies similarly indicate that those reporting abuse experiences often do not demonstrate a metaconsciousness of having been abused (Goldsmith & Freyd, in press; Koss, 1998; Varia & Abidin, 1999; Weinbach & Curtiss, 1986).
KNOWING AND NOT KNOWING ABOUT TRAUMA: IMPLICATIONS FOR THERAPY (2004) — Jennifer J. Freyd

I've been told by a few people at conferences I have a rather academic approach to the subject matter that makes it easy for people to ask questions. I think some genre writers feel the need to "sell" or defend what they do, and so when a door opens to discuss their genre, regardless of what that genre is, they tend to get almost pushy. I'm comfortable with what I write. It is part of who I am. I don't really need to sell it. But if I'm asked, I'll explain it. — Julie Ann Dawson

all texts are at least potentially environmental (and therefore susceptible to ecocriticism or ecologically informed reading) in the sense that all text are literally or imaginatively situated in a place, and in the sense that their authors, consciously or not, inscribe within them a certain relation to their place. — Robert Kern

Mann and Joyce are very different, and yet their fiction often appeals to the same people: Harry Levin taught a famous course on Joyce, Proust, and Mann, and Joseph Campbell singled out Joyce and Mann as special favorites. To see them as offering "possibilities for living", as I do, isn't to identify any distinctive commonality. After all, many great authors would fall under that rubric. — Philip Kitcher

Parents naturally want their children to excel in every area of academics and extra-curricular activities, but the reality is- God made each child differently for His purpose. He never intended for our children to excel in everything. — Tamara L. Chilver

Book authors are in high demand for speaking engagements and appearances; they are the new 'celebrity' and celebrities gain access. Authors not only make money from royalties or book advances but from their keynotes, presentations and strategically branded product lines. This includes entrepreneurial ideas for you to extend yourself beyond just writing and prepares you to add speaking and consulting to your revenue stream. You have to begin to look outside book sales and towards the speaking market. There are radio, interviews, news, television, small channel television keynotes, lectures, seminars and workshops. These types of events have the possibility to be much more lucrative than just selling books. In essence, the book builds and brands you in the public eye. It gives you credibility and the opportunity to be more than you are. It enables you to now be a voice, a teacher, a leader, an expert - after all, you wrote the book on it! — Kytka Hilmar-Jezek

You realize you are not alone when you write, and you start to write for the person who will read your words. I think that's a bad thing, but I'm not sure, because I do think of being an author someday, and authors have to commune with their readers. — Laura Amy Schlitz

'Star Wars,' 'Doctor Who,' 'Forgotten Realms,' even 'Firefly' and 'The X-Files' have shared world novels and other media. I can't help but notice these settings have large shelf space in bookstores, so their publishers and authors are getting something right. — David Conyers

Back in the "leather and lace" eighties, I was the fantasy editor for a publishing company in New York City. It was a great time to be young and footloose on the streets of Manhattan - punk rock and folk music were everywhere; Blondie, the Eurythmics, Cyndi Lauper, and Prince were all strutting their stuff on the newly created MTV; and the eighties' sense of style meant I could wear my scruffy black leather into the office without turning too many heads. The fantasy field was growing by leaps and bounds, and I was right in the middle of it, working with authors I'd worshiped as a teen, and finding new ones to encourage and publish. — Terri Windling

Isn't it funny that what the Japanese authors consider their first page is our happily-ever-after last one? When you think about it, it's not a bad way to approach life. What appears to be an ending--heartbreaking wounds that you can and cannot see--may just be a beginning, a start of a brand-new adventure. — Justina Chen

Many authors, as Hanck in particular had noted, were basically little people, spiritually shriveled, atrophied and care-worn personalities. Petty. Vulnerable and frightened. They needed help in their daily lives in order to seem bigger, or at least like everyone else. They sought compensation in poetry, resorted to words because words seemed harmless and free of prejudice; they didn't bite, they didn't provoke, they didn't infect. And besides, they didn't cost a thing. They were a suitable material for revenge-seeking cretins. — Klas Ostergren

All writers and their readers should stand up and voice their opposition to financial services companies censoring books. Authors should have the freedom to publish legal fiction, and readers should have the freedom to read what they want. — Mark Coker

Good writers are avid readers. They have absorbed a vast inventory of words, idioms, constructions, tropes, and rhetorical tricks, and with them a sensitivity to how they mesh and how they clash. This is the elusive "ear" of a skilled writer-the tacit sense of style which every honest stylebook, echoing Wilde, confesses cannot be explicitly taught. Biographers of great authors always try to track down the books their subjects read when they were young, because they know these sources hold the key to their development as writers. — Steven Pinker

This is a book about texts as well as their authors, it is not a textbook so much as a context book and a pretext book, concerned with settings and motives as well as the works themselves. Its success will be measured by the readers who pick up Plato's Republic, Hobbes's Leviathan, Hegel's Phenomenology of Spirit, and find themselves engrossed rather than baffled - and even when they are baffled, are happy to go on reading, interrogating, and arguing with their authors for themselves. — Alan Ryan

Elevation Book Publishing drives each book to their highest peak and afford authors the opportunity to rise to their full potential. We create thriving partnerships. — Rhonda Wilson

Many adult book authors supplement their income by teaching at the college level. Full-time professors fare well, but pay for adjunct professors is notoriously shabby. Children's book authors have a sweeter deal. We're invited by schools, libraries, law firms, and Fortune 500 companies to share our best writing tips and strategies. — Kate Klise

Many authors write like amateur blacksmiths making their first horseshoe; the clank of the anvil, the stench of the scorched leather apron, the sparks and the cursing are palpable, and this appeals to those who rank "sincerity" very high. Nabokov is more like a master swordsmith making a fine blade; nothing is amiss, nothing is too much, there is no fuss, and the finished product must be handled with great care, or it will cut you badly. — Robertson Davies

The true history of the world must always be the history of the few; and as we measure the Himalaya by the height of Mount Everest, we must take the true measure of India from the poets of the Veda, the sages of the Upanishads, the founders of the Vedanta and Sankhya philosophies, and the authors of the oldest law-books, and not from the millions who are born and die in their villages, and who have never for one moment been roused out of their drowsy dream of life. — Friedrich Max Muller

Readers have the right to say whatever the fuck they want about a book. Period. They have that right. If they hate the book because the MC says the word "delicious" and the reader believes it's the Devil's word and only evil people use it, they can shout from the rooftops "This book is shit and don't read it" if they want. If they want to write a review entirely about how much they hate the cover, they can if they want. If they want to make their review all about how their dog Foot Foot especially loved to pee on that particular book, they can."
[Blog entry, January 9, 2012] — Stacia Kane

Publishing companies and a great many authors have missed the opportunity to capitalize on the very real relationships they create with their readers. — Vantile Whitfield

Putting thoughts into words is vastly different from putting truth into words. For words are not truth. As ardently as writers sort and select and polish their words, at the end of the day they are still words. They are not, in themselves, truth. However carefully we choose our words, no matter how eloquently we compile and conjoin and convey them, they remain just words, merely signposts that point to the truth, as Eckhart Tolle put it. Just as preachers, politicians, PR spin masters and the media can't create truth by writing or speaking words they say are true, authors can't validate truth by putting it into print. And the rest of us can't know it by simply hearing or reading the words. We can only find our way to truth by following the signposts and ultimately believing. It all comes down to believing, to faith, for there is no proof this side of the big dirt nap. — Lionel Fisher

People always try to make self-published authors feel insignificant. I have more respect for self-published authors, because I know the adversity they faced. They didn't just write a manuscript, query letter, and blam book deal. These authors had to do it the difficult way. There is no publisher, or agents, investing time, and money into making their book. Just the indie author's manuscript, own currency, and persistence. — Mary Sage Nguyen

At pier four there is a 34-foot yawl-rigged yacht with two of the three hundred and twenty-four Esthonians who are sailing around in different parts of the world, in boats between 28 and 36 feet long and sending back articles to the Esthonian newspapers. These articles are very popular in Esthonia and bring their authors between a dollar and a dollar and thirty cents a column. They take the place occupied by the baseball or football news in American newspapers and are run under the heading of Sagas of Our Intrepid Voyagers. No well-run yacht basin in Southern waters is complete without at least two sunburned, salt bleached-headed Esthonians who are waiting for a check from their last article. When it comes they will sail to another yacht basin and write another saga. They are very happy too. Almost as happy as the people on the Alzira III. It's great to be an Intrepid Voyager. — Ernest Hemingway,

Srinagar is a medieval city dying in a modern war. It is empty streets, locked shops, angry soldiers and boys with stones. It is several thousand military bunkers, four golf courses, and three book-shops. It is wily politicians repeating their lies about war and peace to television cameras and small crowds gathered by the promise of an elusive job or a daily fee of a few hundred rupees. It is stopping at sidewalks and traffic lights when the convoys of rulers and their patrons in armored cars, secured by machine guns, rumble on broken roads. It is staring back or looking away, resigned. Srinagar is never winning and never being defeated. — Basharat Peer

The great British Library
an immense collection of volumes of all ages and languages, many of which are now forgotten, and most of which are seldom read: one of these sequestered pools of obsolete literature to which modern authors repair, and draw buckets full of classic lore, or pure English, undefiled wherewith to swell their own scanty rills of thought. — Washington Irving

All things considered, I've learned more from talking to painters than talking to writers. Not that painters are smarter than writers, such is seldom the case, but in conversation writers are inclined to waste an inordinate amount of time either bragging or bellyaching about reviews and royalties, complaining about their publishers, or dissing other authors. Painters, being equally insecure, can likewise come across as boring and bitchy
it's tough being creative in a materialistic society
but since they labor not in vineyards of verbiage but upon ice floes of visual images, they tend to function with fewer inhibitions than the wordsmiths when it comes to vocally exploring and expressing ideas. Since no one judges their speech, comparing it to their written work, they don't feel so acutely the weight of language. — Tom Robbins

Authors are really polite and down to earth, it's just people always have a sarcastic and bully approach towards them. There is nothing wrong in being expressive and intellectual, Writers only differ in perceptions.. Reserve and lost in their own created world, those who know them personally, they know.. what I mean ... ? — Himmilicious

Hopefully we are emerging from an era of fantasy explanations for real phenomena. The authors certainly have to face a community of therapists who are obsessionally committed to explanations for disease and for therapy unsupported by a scrap of evidence except for their claimed therapeutic success. — Patrick David Wall

Several recent authors have written of "the imposter phenomenon," describing the feeling of many apparently successful people that their success is undeserved and that one day people will unmask them for the frauds they are. — Harold S. Kushner

Sex and death, the magnetic poles of fiction, attract us children's writers no less than adult authors, but we have to be more leery of their pull. — Mal Peet

Originally, it was believed that witches possessed the power of glamour and according to the authors of the Malleus Maleficarum, witches by their glamour could cause the male 'member' to disappear. In modern usage, this meaning has almost disappeared into the background and the power of the term is masked and suffocated by such foreground images as those associated with glamour magazine. — Mary Daly

[Lord Horror] was so unique and radical, I expected to go to prison for it. I always thought that if you wrote a truly dangerous book -- something dangerous would happen to you. Which is one reason there are so few really dangerous books around. Publishers play at promoting dangerous books, whether they're Serpent's Tail or Penguin. All you get is a book vetted by committee, never anything radically imaginative or offensive that will take your fucking head off. Ironically, I think it would do other authors a power of good if they had to account for their books by going to prison -- there are far too many bad books being published! — David Britton

We may observe in humorous authors that the faults they chiefly ridicule have often a likeness in themselves. Cervantes had much of the knight-errant in him; Sir George Etherege was unconsciously the Fopling Flutter of his own satire; Goldsmith was the same hero to chambermaids, and coward to ladies that he has immortalized in his charming comedy; and the antiquarian frivolities of Jonathan Oldbuck had their resemblance in Jonathan Oldbuck's creator. — Edward Bulwer-Lytton, 1st Baron Lytton

Buy other authors' books when you go to their events. Even if you aren't going to read it. Even if you are going to give it away. Even if you aren't interested. Not just for the author but for the bookstore. It's karma and just plain good manners. — M.J. Rose

It used to be fashionable for authors to have their pictures taken with dogs, but the dogs always looked like models hired from an advertising agency, and probably were. — Robertson Davies

Without the book business it would be difficult or impossible for true books to find their true readers and without that solitary (and potentially subversive) alone with a book the whole razzmatazz of prizes, banquets, television spectaculars, bestseller lists, even literature courses, editors and authors, are all worthless. Unless a book finds lovers among those solitary readers, it will not live ... or live for long. — John McGahern

My hours of leisure I spent in reading the best authors, ancient and modern, being always provided with a good number of books; and when I was ashore, in observing the manners and dispositions of the people, as well as learning their language; wherein I had a great facility, by the strength of my memory. — Jonathan Swift

Middle grade fiction shapes the lives of future adults. It is one of the most powerful forces in literature. Those who use their intellect to create works of fiction for the middle grade audience do so with an incredible privilege and responsibility as authors. For that reason, we are glad to post our reviews of their great efforts here on Goodreads. — Edward Gordon

Muslim women, and critics, male and female, of Western models of sex and sexuality, are silenced. The price of speech for a Muslim woman in the West is the disavowal of Islam. Books condemning Islam are picked by publishers and featured on talk shows. Their authors are commended for their courage. Speech in defense of Islam is read as the speech of subjection. Islam oppresses women. Any woman speaking in its favor must be deluded or forced to speak against her will. If she defends the hijab or speaks in defense of polygamy, she cannot be believed. No woman in her right mind could defend these. Any woman who does must be deluded or coerced. The more Muslim women object to Western efforts to "help" them, the more need there is to liberate them. — Anne Norton

My role is to promote the authors image and their new books. I'm also brought on board when the author is "between books" to keep the name in front of the reading public. That's a challenging time for an author. — Tom Robinson

Ancient philosophy was framed by prodigies,
Aristotle, Plato and Socrates.
And even though their thoughts were deemed the aristocratic voice,
they also had a thing for little boys.

Katherine the Great so it's been said,
needed large animals to be fulfilled in bed.
From historic rulers to the Ancient Greeks,
we're standing on the shoulders of freaks.

Isn't life pretty? Earnest Hemingway once said,
then he a bullet through his head.
Salvador Dali's surreal paintings were God sent,
you'd never know he ate his own excrement.

Then there's Da Vinci for whom it required,
dressing in women's underwear to be inspired.
From the great romantics to the Ancient Greeks,
we're standing on the shoulders of freaks.

Truman Capote needless to say,
would be intoxicated 20 hours a day.
From the modern authors to the Ancient Greeks,
we're standing on the shoulders of freaks. — Henry Phillips

It is not enough for the Negroes to declare that color-prejudice is the sole cause of their social condition, nor for the white South to reply that their social condition is the main cause of prejudice. They both act as reciprocal cause and effect, and a change in neither alone will bring the desired effect. Both must change, or neither can improve to any great extent."(p.88) ... "Only by a union of intelligence and sympathy across the color-line in this critical period of the Republic shall justice and right triumph, — W.E.B. Du Bois

The worst reviews, by my mind, are those from individuals who enjoy entertaining themselves by writing something bad about books they actually never read, which is as clear as day from what they're saying. It's even more puzzling for an author to check some of these "honest" reviewers' pages and see that they created their profile with one goal in mind; to post you a bad review, as there's nothing else they wanted to rate. — Sahara Sanders

Did no one, any more, no one in all this wide world, change their record now and then? Was everyone nowadays thirled to a formula? Authors wrote so much to a pattern that their public expected it. The public talked about "a new Silas Weekly" or "a new Lavinia Fitch" exactly as they talked about "a new brick" or "a new hairbrush." They never said "a new book by" whoever it might be. Their interest was not in the book but in its newness. They knew quite well what the book would be like. — Josephine Tey

Authors were shy, unsociable creatures, atoning for their lack of social aptitude by inventing their own companions and conversations. — Agatha Christie

The laws keep up their credit, not by being just, but because they are laws; 'tis the mystic foundation of their authority; they have no other, and it well answers their purpose. They are often made by fools; still oftener by men who, out of hatred to equality, fail in equity; but always by men, vain and irresolute authors. — Michel De Montaigne

The ordinary writer has an unmistakable preference for this style, because it causes the reader to spend time and trouble in understanding that which he would have understood in a moment without it; and this makes it look as though the writer had more depth and intelligence than the reader. This is, indeed, one of those artifices referred to above, by means of which mediocre authors unconsciously, and as it were by instinct, strive to conceal their poverty of thought and give an appearance of the opposite. their ingenuity in this respect is really astounding. — Arthur Schopenhauer

I suspect that authors who start their careers writing for an adult audience - and who eventually produce a young adult novel or two - are more common than authors who begin by writing for young adults and who then gravitate toward composing something for an adult audience. — Paul Di Filippo

If all, or almost all, the plays that are popular now, imaginative works as well as historical ones, are known to be nonsense and without rhyme or reason, and despite this the mob hears them with pleasure and thinks of them and approves of them as good, when they are very far from being so, and the authors who compose them and the actors who perform them say they must be like this because that is just how the mob wants them, and no other way; the plays that have a design and follow the story as art demands appeal to a handful of discerning persons who understand them, while everyone else is incapable of comprehending their artistry; and since, as far as the authors and actors are concerned, it is better to earn a living with the crowd than a reputation with the elite, this is what would happen to my book after I had singed my eyebrows trying to keep the precepts I have mentioned and had become the tailor who wasn't paid. — Miguel De Cervantes Saavedra

[The critic] serves up his erudition in strong doses; he pours out all the knowledge he got up the day before in some library or other, and treats in heathenish fashion people at whose feet he ought to sit, and the most ignorant of whom could give points to much wiser men than he.
Authors bear this sort of thing with a magnanimity and a patience that are really incomprehensible. For, after all, who are those critics, who with their trenchant tone, their dicta, might be supposed sons of the gods? They are simply fellows who were at college with us, and who have turned their studies to less account, since they have not produced anything, and can do no more than soil and spoil the works of others, like true stymphalid vampires. — Theophile Gautier

In a lending library you see people's real tastes, not their pretended ones, and one thing that strikes you is how completely the 'classical' English novelists have dropped out of favour. It is simply useless to put Dickens, Thackeray, Jane Austen, Trollope, etc. into the ordinary lending library; nobody takes them out. At the mere sight of a nineteenth-century novel people say, 'Oh, but that's OLD!' and shy away immediately. Yet it is always fairly easy to SELL Dickens, just as it is always easy to sell Shakespeare. Dickens is one of those authors whom people are 'always meaning to' read, — George Orwell

In my world," said Posy, "authors write stories, and the characters do whatever the author tells them. It's not like this--the characters don't have minds and lives of their own."
"How do you know this?" was Caris' surprising reply. The corner of her mouth turned up in a playful smile. "You do not see the characters when the pages of the book are shut. Is there never a time when you read a book for the second time and you notice something that you didn't remember from the first time? Or hear a story told, and every time it is told it grows and changes in the telling? Change is the nature of everything. — Ashlee Willis

How do you get the happy ending? John Irving ought to know. One of my favorite authors, Irving writes these multigenerational epics of fiction that somehow work out in the end. How does he do it? He says, 'I always begin with the last sentence ; then I work my way backwards, through the plot, to where the story should begin.' Thst sounds like a lot of work, especially compared to the fantasy that great writers sit down and just go where the story takes them. Irving lets us know that good stories and happy endings are more intentional than that.
Most 20 something's can't write the last sentence of their lives. But when pressed, they usually can identify things they want in their 30s or 40s or 60s -or things they don't want- and work backward from there. This is how you have your own multigenerational epic with a happy ending. This is how you live your life in real time. — Meg Jay

Books, like men their authors, have no more than one way of coming into the world, but there are ten thousand to go out of it, and return no more. — Jonathan Swift

Looking back over my own life I here declare without apology that it is the study of God's Word, year after year, close communion with Christ, and great books that have nourished my soul in wondrous ways. Such authors as Fenelon, Henry Drummond, F. B. Meyer, G. Campbell Morgan, Martyn Lloyd Jones, A. W. Tozer, Hannah Whitehall Smith Oswald Chambers, Andrew Murray and John Stott have each, with their own special insights, enriched my life beyond measure. — W. Phillip Keller

To refer even in passing to unpublished or struggling authors and their problems is to put oneself at some risk, so I will say here and now that any unsolicited manuscripts or typescripts sent to me will be destroyed unread. You must make your way yourself. Why you should be so set on the nearly always disappointing profession is a puzzling question. — Kingsley Amis

The spiritual-but-nonreligious movement is largely driven by charismatic authors and speakers who attract like-minded people to their workshops and intensives. — Gudjon Bergmann

Some build their castles 'mid thunderbolts and fireworks. My worlds take shape in silence. — Richelle E. Goodrich

Even in their reading, More charged, too many women were prone to superficiality. In search of a passing knowledge of books and authors, many read anthologies of excerpted works, that selected the brightest passages but left out deeper contexts - eighteenth-century Reader's Digest were quite popular. More cautioned against a habit she viewed as cultivating a taste only for "delicious morsels," one that spits out "every thing which is plain." Good books, in contrast, require good readers: "In all well-written books, there is much that is good which is not dazzling; and these shallow critics should be taught, that it is for the embellishment of the more tame and uninteresting parts of his work, that the judicious poet commonly reserves those flowers, whose beauty is defaced when they are plucked from the garland into which he had so skillfully woven them. — Karen Swallow Prior

The catch is that for most people the New Testament is taken as proof for the conventional picture of Christian origins, and the conventional picture is taken as proof for the way in which the New Testament was written. . . . For this reason the New Testament is commonly viewed and treated as a charter document that came into being much like the Constitution of the United States. According to this view, the authors of the New Testament were all present at the historic beginnings of the new religion and collectively wrote their gospels and letters for the purpose of founding the Christian church that Jesus came to inaugurate. Unfortunately for this view, that is not the way it happened. — Burton L. Mack

I know very well you can't help me," he said. "But I tell you, because unsuccessful and superfluous people like me find their salvation in talking. I have to generalise about everything I do. I'm bound to look for an explanation and justification of my absurd existence in somebody else's theories, in literary types - in the idea that we, upper-class Russians, are degenerating, for instance, and so on. Last night, for example, I comforted myself by thinking all the time: 'Ah, how true Tolstoy is, how mercilessly true!' And that did me good. Yes, really, brother, he is a great writer, say what you like!" Samoylenko, who had never read Tolstoy and was intending to do so every day of his life, was a little embarrassed, and said: "Yes, all other authors write from imagination, but he writes straight from nature. — Anton Chekhov

The gospels were, in fact, written anywhere from forty to a hundred years after Jesus, and their authors attempted to demonstrate that Jesus could be seen to fulfill various Old Testament pronouncements. — Jay Parini

I've heard that some authors do dream their books and I would love that if it happened to me, but so far it hasn't. Sometimes I'll get a good idea during the night and if I don't write it down, I won't remember it the next morning. — Judy Blume

For almost a quarter of a century, Teen Ink has been encouraging young people to write - and then has published those pieces. These heartfelt essays and poems explore the issues faced by teenagers today. I applaud their efforts because they not only help young people deal with their own lives but also encourage the budding authors of the next generation. — Anita Silvey

A lot of young-adult authors, great ones, have tried their hands at literary fiction, and not a lot of them have succeeded. Not even Roald Dahl could switch-hit, and not for lack of trying. — Lev Grossman

Authors are the vanguard in the march of mind, the intellectual backwoodsmen, reclaiming from the idle wilderness new territories for the thought and activity of their happier brethren. — Thomas Carlyle

So long as the mental and moral instruction of man is left solely in the hands of hired servants of the public
let them be teachers of religion, professors of colleges, authors of books, or editors of journals or periodical publications, dependent upon their literary incomes for their daily bread, so long shall we hear but half the truth; and well if we hear so much. Our teachers, political, scientific, moral, or religious; our writers, grave or gay, are compelled to administer to our prejudices and to perpetuate our ignorance. — Frances Wright

A Path Appears is an insightful book focused on how individuals can contribute to positive change and the remarkable people behind the organizations that make it happen. The authors' desire to motivate people to support good causes, learn about the situation in other countries, and find the best way to help their fellow men and women is inspiring. — Angelina Jolie

Gregory is a good boy, though all the Latin he has learned, all the sonorous periods of the great authors, have rolled through his head and out again, like stones. Still, you think of Thomas More's boy: offspring of a scholar all Europe admired, and poor young John can barely stumble through his Pater Noster. Gregory is a fine archer, a fine horseman, a shining star in the tilt yard, and his manners cannot be faulted. He speaks reverently to his superiors, not scuffling his feet or standing on one leg, and he is mild and polite with those below him. He knows how to bow to foreign diplomats in the manner of their own countries, sits at table without fidgeting or feeding spaniels, can neatly carve and joint any fowl if requested to serve his elders. He doesn't slouch around with his jacket off one shoulder, or look in windows to admire himself, or stare around in church, or interrupt old men, or finish their stories for them. If anyone sneezes, he says, 'Christ help you! — Hilary Mantel

Publishing should be a collaboration between authors and their smartest readers - and at some point the distinction should become meaningless, — Nick Denton

Book writing is not a get-rich-quick scheme. Anyone who decides to write a book must expect to invest a lot of time and effort without any guarantee of success. Books do not write themselves and they do not sell themselves. Authors write and promote their books. — Dan Poynter

As the moon, though darkened with spots, gives us a much greater light than the stars that sewn all-luminous, so do the Scriptures afford more light than the brightest human authors. In them the ignorant may learn all requisite knowledge, and the most knowing may learn to discern their ignorance. — Robert Boyle

If any writer in this country has collected as fine and passionate a group of readers as I have, they're fortunate and lucky beyond anyone's imagination. It remains a shock to me that I've had a successful writing career. Not someone like me; Lord, there were too many forces working against me, too many dark currents pushing against me, but it somehow worked. Though I wish I'd written a lot more, been bolder with my talent, more forgiving of my weaknesses, I've managed to draw a magic audience into my circle. They come to my signings to tell me stories, their stories. The ones that have hurt them and made their nights long and their lives harder. — Pat Conroy

The human authors and editors of the Old Testament brought their own experiences and presuppositions to the task of writing. We don't often think about this when we read the Bible. — Adam Hamilton

OBLIVION, n. Cold storage for high hopes. A place where ambitious authors meet their works without pride and their betters without envy. A dormitory without an alarm clock. — Ambrose Bierce

I think that China has many outstanding authors, and their great works should also be recognised by the world. — Mo Yan

When many story-tellers occupy themselves with a social world which offers no great variety of lively action, their stories will probably resemble one another as to many of the major incidents, and if they draw on these limited resources like spend thrifts such resemblances will be inevitable
and therefore not significant. — Mary Lascelles

With a few sentences, the authors attempt to counteract the unscrupulous messages endemic to the title, content, and imagery of their book. This attempt fails, but speaks strongly to the character of our culture that even a book that earnestly wants to be about saving animals must resort to destroying women. — Kim Socha

The way Smith sees it, this kind of approach denotes a certain category of writer: the Micro Manager. Authors fall into one of two primary camps, she explained in her 2009 book of essays, Changing My Mind.691 Macro Planners work out the structure of their novels and then write within that structure. Micro Managers, on the other hand, don't rely on an overarching configuration (don't even conceive of one), but rather home in on each sentence, one by one, and each sentence, as they come to it, becomes the only thing that exists. If there is a spectrum starting with Macro Planners on one end and Micro Managers on the other, Smith would be somewhere to the right of the page. Smith's writing is entirely incremental and cumulative. The grand plan is that there is no grand plan; working things out ahead of time ruins everything, "feels disastrous."She prefers the writing of a novel as a process of discovery. "The thinking goes on on the page," not beforehand. — Sarah Stodola

Why isn't the manuscript ready? Because every book is more work than anyone intended. If authors and editors knew, or acknowledged, how much work was ahead, fewer contracts would be signed. Each book, before the contract, is beautiful to contemplate. By the middle of the writing, the book has become, for the author, a hate object. For the editor, in the middle of editing, it has become a two-ton concrete necklace. However, both author and editor will recover the gleam in their eyes when the work is completed, and see the book as the masterwork it really is. — Samuel S. Vaughan

It may be tripe, but it's my tripe - and I do urge other authors to resist encroachments on their brain-children and trust their own judgment rather than that of some zealous meddler with a diploma in creative punctuation who is just dying to get into the act. — George MacDonald Fraser

Most of the more celebrated names among African-American authors, poets, and artists are known to the world because of their association with specific cultural arts movements. — Aberjhani

They will say that I, having no literary skill, cannot properly express that which I desire to treat of, but they do not know that my subjects are to be dealt with by experience rather than by words. And [experience] has been the mistress of those who wrote well. And so, as mistress, I will cite her in all cases. Though I may not, like them, be able to quote other authors, I shall rely on that which is much greater and more worthy: on experience, the mistress of their masters. — Leonardo Da Vinci

But I must hope that books possess a life of a more varied kind than their authors' myopia concedes to them. A book is a kind of of machine which the reader can freely use as a generator of intellectual stimulation. It is enough that the book should be truly a machine for thinking, that it should generate a variety of possible conclusions without its author's ordaining and limiting them in advance. — Umberto Eco

Even for studies, where expenditure is most honorable, it is justifiable only so long as it is kept within bounds. What is the use of having countless books and libraries, whose titles their owners can scarcely read through in a whole lifetime? The learner is, not instructed, but burdened by the mass of them, and it is much better to surrender yourself to a few authors than to wander through many. — Seneca.

Whether I like it or not, most of my images of what various historical periods feel, smell, or sound like were acquired well before I set foot in any history class. They came from Margaret Mitchell, from Anya Seton, from M.M. Kaye, and a host of other authors, in their crackly plastic library bindings. Whether historians acknowledge it or not, scholarly history's illegitimate cousin, the historical novel, plays a profound role in shaping widely held conceptions of historical realities. — Lauren Willig

After a lifetime of hounding authors for advice, I've heard three truths from every mouth: (1) Writing is painful
it's 'fun' only for novices, the very young, and hacks; (2) other than a few instances of luck, good work only comes through revision; (3) the best revisers often have reading habits that stretch back before the current age, which lends them a sense of history and raises their standards for quality. — Mary Karr

You can never kill the spirit of an artist. They will always rewrite their resurrection and paint an eternal sunset with a blaze of orange that no one has seen before. — Shannon L. Alder

Authors may have very good reasons for staying out of character's minds. What is in their mind ought to be out in the world of their action anyway, just as in Real Life. Inside is already out there, and visible. It is also a reader's responsibility to imaginatively project the inner-lives of characters just as we have to imaginatively project the inner-lives of those most dear to us in Real Life. — Nathan "N.R." Gaddis

All artists' work is autobiographical. Any writer's work is a map of their psyche. You can really see what their concerns are, what their obsessions are, and what interests them. — Kim Addonizio

The great writers have always been great readers, but that does not mean that they read all the books that, in their day, were listed as the indispensable ones. In many cases, they read fewer books than are now required in most of our colleges, but what they did read, they read well. Because they had mastered these books, they became peers with their authors. They were entitled to become authorities in their own right. In the natural course of events, a good student frequently becomes a teacher, and so, too, a good reader becomes an author. — Mortimer J. Adler

Writers are like tricksters. Their words lure us to embark on journeys and unlock our emotions. — Ogwo David Emenike

Authors often say that their novels are like their children, and you want your novel, just like your children, to reflect well on you. When it goes out into the world, you hope that it will make you proud. But like a parent, an author must learn that her novel has needs of its own, and they are not the same as the author's.
Yes, you want your son's behavior toward women to reflect a loving relationship with his mother. However, if a woman is compelled to think about that relationship whenever they're in bed together, something has gone very very wrong. — Howard Mittelmark

I've been drawing authors and politicians for newspapers for many years. I try to read up on the person; in the case of authors, read one of their books. I watch interviews via YouTube and collect pictures via the Internet. — Siegfried Woldhek

Many become popular because they speak and write with a reductionist style that brings the complex and disturbing down into canned formulas of what spiritual growth is supposedly all about. Dozens of such New Age authors could bring their works together into one large volume entitled, "How To Become Aware of the Depths of Your Being Without Disturbing the Routine of Your Comfortable Lifestyle. — Lew Paz