Authorial Quotes & Sayings

Described by Harold Bloom as "the beginning of the end of the traditional novel of social morality" (xii), George Eliot's Middlemarch is nonetheless replete with a kind of authorial intervention that modern readers might find tiresome. Readers today are accustomed to the contemporary fictional maxim of "show, don't tell" but Eliot had different aesthetic ideas, for she always tells us right away who we are dealing with. At the beginning of Middlemarch, the character of one of its protagonists, Dorothea Brooke, is laid out. Eliot writes, — George Eliot

Music written by teams makes the authorship of a piece indistinct. Could it be that when hearing a song written by a team, a listener can sense that they aren't hearing an expression of a solitary individual's pain or joy, but that of a virtual conjoined person? Can we tell that an individual singer might actually represent a collective, that he might have multiple identities? Does that make the sentiments expressed more poetically universal? Dan eliminating some portion of the authorial voice make a piece of music more accessible and the singer more empathetic? — David Byrne

You don't need a dead father to explain a character's sadness. And impressing yourself with wit/cleverness often feels like what it is - authorial intrusion. — Mary J. Miller

On the one hand we need the image of "the text" in order to focus on anything at all; on the other hand we use the metaphor of "reading" to signal that our apprehension of a text will always be partial, that we never quite reach the "text itself," a realization that has led certain critics to question the very existence of such an object. — Espen J. Aarseth

I will continue to underscore that I don't think authorial intent is all that important to a reading experience, and I certainly don't think the job of reading is to divine authorial intent. — John Green

If there really is such a thing as turning in one's grave, Shakespeare must get a lot of exercise. — George Orwell

Superficial knowledge leads to a bland, monotonous telling. With authorial knowledge we can prepare a feast of pleasures. Or at the very least, add humor. — Robert McKee

The more passive one's life in the field, the greater the need to reverse the situation when one returns home, which is why the arcane and authoratative character of academic writing may be seen, to some extent, as a vengeful reaction to the inertia, uneventfulness, and waiting one had to endure as a guest at someone else's banquet. A way of redressing an existental imbalance, as it were reclaiming authorial will by superimposing one's own meaning on theirs ... — Michael Jackson

Executive Severance, a laugh out loud comic mystery novel, epitomizes our current cultural moment in that it is born from the juxtaposition of authorial invention and technological communication innovation. Merging creative text with new electronic context, Robert K. Blechman's novel, which originally appeared as Twitter entries, can be read on a cell phone. His tweets which merge to form an entertaining novel can't be beat. Hold the phone; exalt in the mystery-engage with Blechman's story which signals the inception of a new literary art form. — Marleen S. Barr

Every genuinely literary style, from the high authorial voice to Foster Wallace and his footnotes-within-footnotes, requires the reader to see the world from somewhere in particular, or from many places. So every novelist's literary style is nothing less than an ethical strategy - it's always an attempt to get the reader to care about people who are not the same as he or she is. — Zadie Smith

During the second half of the twentieth century, cross-fertilization among the disciplines of history, literature, sociology, and psychology led to scholarly awareness that historical accounts are not direct representations of actual events; they are, instead, interpretations of the meaning of events and are thus impacted by authorial bias, cultural assumptions, and linguistic frameworks. Historical accounts are conveyed through structures of stories, or in other words through the medium of narrative. This conceptual shift calls into question the assumption that histories recount factual descriptions of real events while stories narrate the literary artifice of imagine events. — Miranda Wilcox

The biggest thing was that second person allowed me to trick myself into revealing more about myself. It gave me an authorial distance to get closer to the action and emotions, if that makes sense. — Rob Roberge

I hate to think of a day where a compelling book or a compelling authorial voice would be lost simply because that person doesn't have a Web site. But I think that, to use the Internet in a positive way, to turn people on to reading, is something that authors shouldn't really shy away from necessarily. — Marisha Pessl

There was, in my view, an unwritten contract with the reader that the writer must honour. No single element of an imagined world or any of its characters should be allowed to dissolve on an authorial whim. The invented had to be as solid and as self-consistent as the actual. This was a contract founded on mutual trust. — Ian McEwan

The look that one directs at things, both outward and inward, as an artist, is not the same as that with which one would regard the same as a man, but at once colder and more passionate. As a man, you might be well-disposed, patient, loving, positive, and have a wholly uncritical inclination to look upon everything as all right, but as an artist your daemon constrains you to "observe", to take note, lightning fast and with hurtful malice, of every detail that in the literary sense would be characteristic, distinctive, significant, opening insights, typifying the race, the social or the psychological mode, recording all as mercilessly as though you had no human relationship to the observed object whatever. — Joseph Campbell

An excess of development can undermine the most ephemeral but distinctive tool a writer possesses: authorial voice. A writer's voice is as individual and marked as a thumbprint, and is a playwright's truest imprimatur. It is as innate as breathing, and can be as unique as any genetic code. By its very singular nature, it is seldom born in the act of collaboration. True authorial voice always pre-dates the first rehearsal of a text. And it is - and will always be - an author's most distinguishing and valuable feature. — David Wright

I abide by a rule concerning reviews: I will never ask, neither in writing nor in person, that a word be put in about my book ... One feels cleaner this way. When someone asks that his book be reviewed he risks running up against a vulgarity offensive to authorial sensibilities. — Anton Chekhov

I am the suburb of a non-existent town, the prolix commentary on a book never written. I am nobody, nobody. I am a character in a novel which remains to be written, and I float, aerial, scattered without ever having been, among the dreams of a creature who did not know how to finish me off. — Fernando Pessoa

The moment we begin tolerating meanness, in ourselves and others, we are using our authorial power in the service of wrongdoing. We have both the capacity and the obligation to do better. — Martha Beck

Dostoevsky's authorial activity is evident in his extension of every contending point of view to its maximal force and depth, to the outside limits of plausibility. He strives to expose and develop all the semantic possibilities embedded in a given point of view (Chernyshevsky, as we have seen, strove for the same thing in his Pearl of Creation). This Dostoevsky knew how to do with extraordinary power. And this activity, the intensifying of someone else's thought, is possible only on the basis of a dialogic relationship to that other consciousness, that other point of view. We — Mikhail Bakhtin

But when interpreted correctly - paying attention to the original context, considering the literary genre, thinking through authorial intent - the Bible is never wrong in what it affirms and must never be marginalized as anything less than the last word on everything it teaches. — Kevin DeYoung

I guess what I find so interesting about memory, and its role in a person's identity, is how the attempt to achieve accuracy requires you to remove yourself from your life in an authorial manner. — Heidi Julavits

My father used to say that all protagonists were versions of the author who wrote them - even if it meant the author had to acknowledge a side of himself that he did not know existed. It just required courage. — Catherine Lowell

Why do authors wish to pretend they don't exist? It's a way of skinning out, of avoiding truth and consequences. They'd like to deny the crime, although their fingerprints are allover the martini glasses, not to mention the hacksaw blade and the victim's neck. Amnesia, they plead. Epilepsy. Sugar overdose. Demonic possession. How convenient to have an authorial twin, living in your body, looking out through your eyes, pushing pen down on paper or key down on keyboard, while you do what? File your nails? ... A projection, a mass hallucination, a neurological disorder - call her what you will, but don't confuse her with me. — Margaret Atwood

Ever since it became theoretically evident that our precious personal identities were just brand-tags for trading crumbs of labour-power on the libidino-economic junk circuit, the vestiges of authorial theatricality have been wearing thinner. — Nick Land

Plot exposition that can be gently wound out by the authorial voice and internal monologue of a character in the length of a page has to be delivered in a matter of seconds on the stage. — Terry Pratchett

[Referring to passage by Alice Munro] Finally, the passage contradicts a form of bad advice often given young writers
namely, that the job of the author is to show, not tell. Needless to say, many great novelists combine "dramatic" showing with long sections of the flat-out authorial narration that is, I guess, what is meant by telling. And the warning against telling leads to a confusion that causes novice writers to think that everything should be acted out
don't tell us a character is happy, show us how she screams "yay" and jumps up and down for joy
when in fact the responsibility of showing should be assumed by the energetic and specific use of language. — Francine Prose

Literature supplements the lives of people and enables us to feel connected with the world. Shared stories blunt a sense of tragic aloneness, and endow us with the tools to understand our humanness. Reading about the lives of other people acquaints us with the hardships of other people. The authorial voices of narrative prose express our shared feelings of deprivation — Kilroy J. Oldster

Your best authorial self is always one about to ruin the story. — Chuck Wendig

Be patient. Be bold. Be humble. Be confident. Don't give in to the speed and surface banality of the culture. Don't give in to jealousy, commerce, or fear. Do charity work, or coach kids, or be a Big Brother or Sister, or something. Whatever it takes to get out of your own head and avoid authorial narcissism. And whatever you do, don't ever take advice from authors. — Jess Walter

A textbook requires a consistent sense of style and a linear structure, hallmarks of a single authorial presence. An encyclopedia doesn't. — Clive Thompson

I wonder what it is about a certain novel that ticks the boxes for a reader. I mean, for me, a story can have the most fascinating plot in the world, but if the narrator's voice is dull, then the plot counts for nothing. For me, authorial charm is everything. — Victoria Connelly

Liberal humanism, which is still the dominant discourse in Western societies, assumes the unitary nature of the subject and conscious subjectivity. It insists on establishing the appearance of unity from moments of subjectivity which are often contradictory. To be inconsistent in our society is to be unstable. Yet the appearance of the unitary subject, based as it is on primary structures of misrecognition of the self as authorial source of meaning, is precarious, easily disrupted and open to change. — Chris Weedon

Things belong to the people that use them, not to the people who create them. — John Green

For Dickinson as part of a middle-class community anxious about female creativity, self-assertion, self-expression, and egoism, Shakespeare and Stratford may have been emblems appropriate to her own task as a writer: to achieve literary renown but also authorial disappearance. — Paraic Finnerty