Audience One Person Quotes & Sayings

I have spoken, and I was understood. It's not like I'm a tragic person who wasn't understood. All those books are in print, all those movies are still out there, the audience gets younger. So I don't have that "I've got to do one thing before I die." I did it. — John Waters

A scary movie puts a lot of people, a mob, in one place. There are advantages to that because the panic runs through the audience. If it's a good movie, the fear jumps from one person to the next. You can find yourself screaming just because everybody around you is screaming. There's a real atmosphere of terror. It's also visual, which means that you can't look away from this thing - it's happening. You're in the dark. It's like a nightmare. It's like a dream. It's very, very visual. It works on all those levels. — Stephen King

Find one person in the audience and sing to them with all of your heart. And then cast a spell over them. Hoss, if you can't do it with feeling - don't. — Patsy Cline

Every night when I go out on stage, there's always one nagging fear in the back of my mind. I'm always afraid that somewhere out there, there is one person in the audience that I'm not going to offend! — Don Rickles

I can't stand those people, speakers in a room, they say this all the time, "If I can just help one person in this room, I've done my job." You have an audience of 500 people and your standard of success is one person? That's terrible. If you help one person in the room, you're an abject failure. You have to change something. — Simon Sinek

If you're playing live, I like to think of the ensemble, whether it's the duet or a forty piece orchestra, as one person. And the entire audience, whether it's twelve people or twelve thousand at Madison Square Garden, is the other person. The two of you are going to dance together tonight. — John Densmore

Certainly, I, as an audience, am stricken with terror if I see only two people onstage. And one person, I think, is even harder for people to take. — Pauline Collins

My perfect number is eighteen: that's enough bodies in the room that no one person needs to feel vulnerable, but everyone can feel important. Eighteen divides handily into groups of two or three or six - all varying degrees of intimacy in and of themselves. With eighteen students, I can always get to each one of them when I need to. Twenty-four is my second favorite number - the extra six bodies make it even more likely that there will be a dissident among them, a rebel or two to challenge the status quo. But the trade-off with twenty-four is that it verges on having the energetic mass of an audience instead of a team. Add six more of them to hit thirty bodies and we've weakened the energetic connections so far that even the most charismatic of teachers can't maintain the magic all the time. — Malcolm Gladwell

Sometimes there's one person in the audience laughing hysterically, and it's so much fun. You end up playing the entire play to them. — Lorraine Bracco

Weak speakers look down at the floor, good speakers look up but scan the room, great speakers make eye contact selectively, and exceptional speakers deliver every complete thought directly to one person in the audience, making that person feel like the center of the room - and then they move on and do it again. — Adam Braun

In general, I always make it my mission to focus on the one person in the audience who seems to be absolutely miserable about being there and try to convert them. — Davy Rothbart

An author needs a lot more than one person to succumb to his literary seductive charms, but, like Saul, he must realize that he doesn't have to
and indeed cannot
capture the hearts of every possible reader out there. No matter who the writer, his ideal intended audience is only a small faction of all the living readers. Name the most widely read authors you can think of
from Shakespeare, Austen, and Dickens to Robert Waller, Stephen King, and J.K. Rowling
and the immense majority of book-buyers out there actively decline to read them. — Thomas McCormack

It's easier not to make a particular joke in case it offends. But every joke will offend someone, and I've always believed that the audience is bigger than one person. The danger is that things will become bland. — David Walliams

(Five) thinkers since Galileo, each informing his successor of what discoveries his own lifetime had seen achieved, might have passed the torch of science into our hands as we sit here in this room. Indeed, for the matter of that, an audience much smaller than the present one, an audience of some 5 or 6 score people, if each person in it could speak for his own generation, would carry us away to the black unknown of the human species, to days without a document or monument to tell their tale. — William James

It felt really nice to not have anybody talking about numbers, and no one is talking about ratings. From my experience, it felt like there was one person running the ship and it felt like there was space for Jenji to be at the helm. That's not what I've experienced in television before. It felt more akin to an interesting movie, where there were producers who were really excited by the work and wanted to make space for the director's vision to be sort of shared with an audience. It felt more cohesive. — Taylor Schilling

My silence knot is tied up in my hair; as if to keep my love out of my eyes. I cannot speak to one for whom i care. A hatpin serves as part of my disguise.
In the play, my role is baticeer; a word which here means "person who trains bats." The audience may feel a prick of fear, as if sharp pins are hidden in thier hats.
My co-star lives on what we call a brae. His solitude might not be just an act. A piece of mail fails to arrive one day. This poignant melodrama's based on fact.
The curtain falls just as the knot unties; the silence is broken by the one who dies. — Lemony Snicket

Put your vocabulary on the top shelf of your toolbox, and don't make any conscious effort to improve it... One of the really bad things you can do to your writing is to dress up the vocabulary, looking for long words because you're maybe a little bit ashamed of your shot ones. This is like dressing up a household pet in evening clothes. The pet is embarrassed and the person who committed this act of pre-meditated cuteness should be even more embarrassed. Make yourself a solemn promise right now that you'll never use 'emolument' when you mean 'tip' and you'll never say 'John stopped long enough to perform an act of excretion' when you mean 'John stopped long enough to take a shit'. If you believe 'take a shit' would be considered offensive or inappropriate by your audience, feel free to say 'John stopped long enough to move his bowels'... — Stephen King

I think for me, the imaginary world was always exciting. I started in New York doing theatre, from having just one person in an audience to performing for a full house. I think I've always enjoyed playing different characters, blending into different environments and such. — Dilshad Vadsaria

I think about the reader. I care about the reader. Not "audience." Not "readership." Just the reader. That one person, alone in a room, whose time I'm asking for. I want my books to be worth the reader's time, and that's why I don't publish the books I've written that don't meet this criterion, and why I don't publish the books I do until they're ready. The novels I love are novels I live for. They make me feel smarter, more alive, more tender toward the world. I hope, with my own books, to transmit that same experience, to pass it on as best I can. — Jeffrey Eugenides

I never read my reviews ... not even the good ones. Barbra Streisand once told me, if just one person in the audience doesn't applaud, it bothers her. I'm the same way. I'd be devastated to read that someone didn't like my work. — Pat Conroy

I'm the one person who wears the words 'hustle, loyalty, respect' on my T-shirts and merchandise. My audience is children. It's very flattering to see a kid wear your T-shirt; it's even more flattering to have a dad come up to you and say, 'I watch you with my kid. Keep doing what you're doing. You're a role model for my son.' — John Cena

Today was the dance contest, the one where Squidward takes over Spongebob's body ... During the competition, Squidward gets a cramp and Spongebob's body ends up writhing on the floor in agony. The audience thinks this is pretty cool and gives him First Prize. Quite a metaphor. The person in the most pain wins. Does that mean I get a Blue Ribbon? — Tom Perrotta

The following also was nobly spoken by someone or other, for it is doubtful who the author was; they asked him what was the object of all this study applied to an art that would reach but very few. He replied: "I am content with few, content with one, content with none at all." The third saying - and a noteworthy one, too - is by Epicurus,[4] written to one of the partners of his studies: "I write this not for the many, but for you; each of us is enough of an audience for the other." 12. Lay these words to heart, Lucilius, that you may scorn the pleasure which comes from the applause of the majority. Many men praise you; but have you any reason for being pleased with yourself, if you are a person whom the many can understand? Your good qualities should face inwards. Farewell. — Seneca.

There is no such thing as a Mass Mind. The Mass Audience is made up of individuals, and good advertising is written always from one person to another. When it is aimed at millions it rarely moves anyone. — Fairfax Cone

At that point [Father Sogol] gave me a roguish and forceful look demanding my complicity in this adroit falsehood. For naturally everyone was still in the dark. But by this simple ruse each person had the impression of belonging to a minority, of being among "one or two not yet informed," felt himself surrounded by a convinced majority, and was eager to be quickly convinced himself. This simple method of Sogol's for "getting the audience into the palm of his hand," as he phrased it, was a simple application of the mathematical method that consists in "considering the problem as solved." And he also used the chemical analogy of a "chain reaction." But if this use was employed in the service of truth, could one still call it falsehood? In any case everyone pricked up his ears. — Rene Daumal

I'm speaking to someone I'm trying to get to fall in love with me. I'm trying to speak intimately to one person. That should be clear. I'm not speaking to an audience. I'm not writing for the podium. I'm just writing, trying to write in a fairly quiet tone to one other reader who is by herself, or himself, and I'm trying to interrupt some silence in their life, which is utterance. — Billy Collins

That's the difference between a real journal and one that's invented for a novel - a novel journal has to be manipulated so someone reading it can have enough comprehension, which means the person writing it would've had to have a sense of a someday-audience. — Cris Mazza

Ratings to me are a little like the Chinese Government. I don't fully understand what makes a rating go. I don't know what makes the American television audience respond to one person and not t another. There very seldom are great differences between many television personalities. — Tom Brokaw

I don't want people to think about one common thing. Coda is non-discursive, just like choreography for the stage. So each audience member's thoughts about it, or better yet, their feelings, will be different. Moreover, images contain so much information that one can see things that the next person won't notice. As a result, people will surely think about Coda in dissimilar ways. — Martine Epoque

But a book suggests conversation: one person is speaking to another, and audible sound is, or should be, natural to that exchange. So I read aloud with myself as the audience, and gave voice to another's words. — Teju Cole

One of the things about crowd work that's so exciting is when you discover a character in the audience who's interesting or funny, who you can vibe off of. If someone's got a weird job that you can make reference to throughout, or you can bring that person onstage - humiliate them, or celebrate them! You can put people in conversation with one another. The best is when something that they're doing can reflect back on something that you're doing. — John Hodgman

With a book, you're guaranteed the audience has a certain skill level and that the audience has to make an ongoing effort to consume this product and that the project is being consumed by just one person at a time. I really want to play to that strength because it's one of the few advantages books still have. — Chuck Palahniuk

I have fallen in love with writing, unknowingly. Instead of thinking whether people will like what I write or not, I decide to write only for one person- myself! I told myself that 'I as an author is going to entertain I as an audience.' And everything changed that day!

When you find your passion, don't succumb to the pressure of succeeding.Follow your passion just for yourself and for the sheer joy of it. You will see amazing things will follow- that's a guarantee. — Vishwas Mudagal

A motion picture, or music, or television, they have to maintain a certain decorum in order to be broadcast to a vast audience. Other forms of mass media cost too much to produce a risk reaching only a limited audience. Only one person. But a book ... A book is cheap to print and bind. A book is as private and consensual as sex. A book takes time and effort to consume - something that gives a reader every chance to walk away. Actually, so few people make the effort to read that it's difficult to call books a "mass medium." No one really gives a damn about books. No one has bothered to ban a book in decades. — Chuck Palahniuk

I feel that 'Person of Interest' is the same quality as 'Brotherhood.' I think it's one of the smartest network television shows on the air today. The audience is a wide range of individuals. — Kevin Chapman

I have a pretty diverse audience, and that makes me happy - laughter is universal, and I don't differentiate between people at all. Why should I? People are people. There's no reason why one person can't relate to any other person on this planet in some way or another. — Tracy Morgan

I paraphrase Aristotle: If you want to be comical, write about people to whom the audience can feel superior; if you want to be tragical, write about at least one person to whom the audience is bound to feel inferior, and no fair having human problems solved by dumb luck or heavenly intervention. — Kurt Vonnegut

A Kiss concert experience is like sex or anything else that's done with more that one person. It's the give and take that makes it so great. When the audience takes it to the next level, we can kick it up another notch. — Paul Stanley

The museums in children's minds, I think, automatically empty themselves in times of utmost horror - to protect the children from eternal grief.
For my own part, though: It would have been catastrophe if I had forgotten my sister at once. I had never told her so, but she was the person I had always written for. She was the secret of whatever artistic unity I had ever achieved. She was the secret of my technique. Any creation which has any wholeness and harmoniousness, I suspect, was made by an artist or inventor with an audience of one in mind.
Yes, and she was nice enough, or Nature was nice enough, to allow me to feel her presence for a number of years after she died - to let me go on writing for her. But then she began to fade away, perhaps because she had more important business elsewhere. — Kurt Vonnegut

As an actor, you want people to see you as a whole person, not just a single facet of your emotional spectrum. And whether it's the audience or the industry, you end up getting pigeonholed as one thing. So for people to see I can be funny and stay in shape is a bit of a weight off my shoulders. — Scott Porter

Your audience is one single reader. I have found that sometimes it helps to pick out one person-a real person you know, or an imagined person-and write to that one. — John Steinbeck

The point is that television does not reveal who the best man is. In fact, television makes impossible the determination of who is better than whom, if we mean by 'better' such things as more capable in negotiation, more imaginative in executive skill, more knowledgeable about international affairs, more understanding of the interrelations of economic systems, and so on. The reason has, almost entirely, to do with 'image.' But not because politicians are preoccupied with presenting themselves in the best possible light. After all, who isn't? It is a rare and deeply disturbed person who does not wish to project a favorable image. But television gives image a bad name. For on television the politician does not so much offer the audience an image of himself, as offer himself as an image of the audience. And therein lies one of the most powerful influences of the television commercial on political discourse. — Neil Postman

I can only be as good as [the audience members] at acknowledging and owning the information that's coming through ... and sometimes, nobody comes through ... One of the things that I've learned is that I am not an operator and I can't dial direct, ... and even if I do make the connection with the person they want to hear from, there's no guarantee that they're going to come through and tell them what they want to hear. — John Edward

There was but one question he left unasked, and it vibrated between his lines: if gross miscalculations of a person's value could occur on a baseball field, before a live audience of thirty thousand, and a television audience of millions more, what did that say about the measurement of performance in other lines of work? If professional baseball players could be over- or under valued, who couldn't? — Michael Lewis

You see, the interesting thing about books, as opposed, say, to films, is that it's always just one person encountering the book, it's not an audience, it's one to one. — Paul Auster

LIZZ WINSTEAD Instead of Jon playing a character - the news anchor, one of the derelicts in a derelict world of media - Jon made a creative decision to take the show in the direction of the correspondents presenting the idiocy, and then Jon is the person who calls out the idiocy with the eloquence that the viewer wishes they had. And he did it in a way that's not condescending, it's not smug. It's funny, it's emotional, it's calling out bullshit. So Jon became the voice of the audience. — Chris Smith